BBC Symphony Orchestra

Composers

Biography

Active: 1930 - ; England
Funded and administered by the British Broadcasting Company, the BBC Symphony Orchestra has, since its establishment in 1930, enjoyed freedom from the financial concerns that often plague independent orchestras. Because of this, it has been able to engage in more adventurous programming than many other major orchestras, focusing on new or lesser-known compositions. In addition to its full schedule of broadcast performances for BBC Radio 3, the Read more BBCSO performs more than 70 public concerts a year. With its affinity for contemporary compositions, this ensemble of approximately 100 musicians has earned its reputation as one of the foremost broadcasting orchestras in Europe.

Although not officially established until 1930, plans for a BBC Orchestra were hatched in 1927. Negotiations delayed the fruition of these plans until Adrian Boult was appointed director of music in January 1930. The orchestra offered its first performance in October 1930 at Queen's Hall playing Wagner, Brahms and Ravel to enthusiastic reviews. During its early years, the orchestra established its commitment to new and unusual repertoire by programming works by such contemporary composers as Schoenberg, Bartók, and Alban Berg; many of which were conducted by the composers themselves. Boult insisted that music by British composers be prominently represented in the orchestra's repertoire; to that end, the BBCSO presented broadcasts of works by Constant Lambert, Edward Elgar and Ralph Vaughan Williams.

In 1935 administrators began to express concern over the organization's programming policies; the ensuing tensions between the BBC and the artistic directors of the orchestra boiled over in 1936, and Edward Clark, who was a primary figure in forming the BBC's musical policy, angrily resigned. For the next 25 years, the orchestra's repertoire became considerably more focused on the works of Romantic and post-Romantic composers, temporarily leaving behind the ensemble's penchant for more contemporary music.

After Boult's retirement in 1950, Sir Malcolm Sargent was appointed chief conductor. His otherwise unremarkable tenure included the establishment of the Henry Wood Promenade Concerts at Queen's Hall (and later at the Royal Albert Hall), and the opening of the Royal Festival Hall which was to become one of the orchestra's permanent concert venues. Sargent was succeeded in 1957 by Rudolf Schwarz who began once again to broaden the orchestra's repertoire. The BBC commissioned and premiered several pieces by composers such as Roberto Gerhard during the 1960s in an effort to elevate the international status of the orchestra. Unfortunately, financial constraints did not allow the BBC Symphony to blossom as was hoped, but the changes made by Schwarz helped the orchestra recover some of its former glory. Antál Doráti replaced Schwarz as chief conductor of the orchestra in 1963 and organized the ensemble's first American tour in 1965. Sharing the podium with Pierre Boulez, Doráti's adventurous choice of repertoire focused on works by distinguished contemporary composers, and this highly successful tour brought the orchestra its long-sought international recognition. Boulez's affiliation with the BBC Symphony was instrumental in bringing the orchestra's concert repertoire back to its original focus on new works.

Following Boulez were Rudolf Kempe, Gennady Rozhdestvensky, John Pritchard, Andrew Davis, and Leonard Slatkin, who was named chief conductor in 2000. While the principal orchestra is based in London, regional BBC orchestras are resident in Manchester (BBC Philharmonic), Glasgow (BBC Scottish Orchestra), and Cardiff (BBC National Orchestra of Wales). Read less
Szymanowski: Symphonies No 1 & 3 / Gardner, BBC SO
Release Date: 11/18/2014   Label: Chandos  
Catalog: 5143   Number of Discs: 1
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There are 427 BBC Symphony Orchestra recordings available.

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Composers

Conductors

Biography

Active: 1930 - ; England
Funded and administered by the British Broadcasting Company, the BBC Symphony Orchestra has, since its establishment in 1930, enjoyed freedom from the financial concerns that often plague independent orchestras. Because of this, it has been able to engage in more adventurous programming than many other major orchestras, focusing on new or lesser-known compositions. In addition to its full schedule of broadcast performances for BBC Radio 3, the Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
I. Moderato assai
II. Allegretto tranquillo
III. Largo
No. 1. Zyczenia (Desires)
No. 2. Zakochany wiatr (The infatuated East wind)
No. 3. Taniec (Dance)
No. 4. Serca mego perly (Pearls of my soul)
No. 5. Wieczna mlodosc (Eternal youth)
No. 6. Glos twoj (Your voice)
No. 7. Piesn pijacka (Drinking song)
No. 8. Grob Hafiza (Hafiz' Grave)
I. Allegro Moderato
II. Finale
No. 1. Sea Slumber-Song
No. 2. In Haven (Capri)
No. 3. Sabbath Morning at Sea
No. 4. Where Corals Lie
No. 5. The Swimmer
Part I: Prelude
Part I: Jesu, Maria - I am near to death (Gerontius)
Part I: Kyrie eleison (Chorus)
Part I: Rouse thee, my fainting soul (Gerontius)
Part I: Be merciful, be gracious (Chorus)
Part I: Sanctus fortis, Sanctus Deus (Gerontius)
Part I: I can no more; for now it comes again (Gerontius)
Part I: Rescue him, O Lord (Chorus)
Part I: Novissima hora est (Gerontius)
Part I: Profiscere, anima Christiana (The Priest)
Part I: Go, in the name of Angels (Chorus)
Part II: I went to sleep (The Soul of Gerontius)
Part II: My work is done (The Angel, The Soul of Gerontius)
Part II: It is a member of that family (Soul of Gerontius)
Part II: I ever had believed (The Soul of Gerontius)
Part II: But hark, upon my sense comes a fierce hubbub (Soul of Gerontius)
Part II: Low-born clods of brute earth (Chorus)
Part II: The mind bold and independent (Chorus)
Part II: I see not those false spirits (The Soul of Gerontius, The Angel)
Part II: Praise to the Holiest (Chorus, Angel)
Part II: Glory to Him, who evermore by truth and justice reigns (Chorus)
Part II: But hark! A grand mysterious harmony (The Soul of Gerontius)
Part II: Praise to the Holiest in the height (Chorus)
Part II: The judgment now is near (The Angel, The Soul of Gerontius)
Part II: Jesu! By that shuddering dread (The Angel of the Agony)
Part II: I go before my Judge (The Soul of Gerontius, Chorus)
Part II: Praise to His Name! (The Angel)
Part II: Take me away, and in the lowest deep there let me be (The Soul of Gerontius)
Part II: Lord, Thou hast been our refuge (Chorus)
Part II: Softly and gently (The Angel, Chorus)
Part II: Prelude
I. Watching Others
II. Bell and Anti-Bell
III. The Path to Your Door
Prelude: Invocation to Pan: O Thou, whose might palace roof doth hang (Chorus)
I. Song and Bacchanal: Part 1: Beneath my palm trees, by the river side (Soprano)
I. Song and Bacchanal: Part 1: And as I sat, over the light blue hills (Soprano)
I. Song and Bacchanal: Part 2: Whence came ye, merry Damsels (Chorus) - Part 3: Within his car, aloft, young Bacchus stood (Soprano) - Part 4: Whence came ye, jolly Satyrs (Chorus)
I. Song and Bacchanal: Part 5: Onward the tiger and the leopard pants (Soprano) - Part 6: Bacchus, young Bacchus (Chorus)
II. Ode on a Grecian Urn: Thou still unravish'd bride of quietness (Chorus)
II. Ode on a Grecian Urn: Heard melodies are sweet, but those unheard (Chorus)
II. Ode on a Grecian Urn: Ah, happy, happy boughs! that cannot shed (Chorus)
II. Ode on a Grecian Urn: Who are these coming to the sacrifice? (Chorus)
II. Ode on a Grecian Urn: O Attic shape! fair attitude! with brede (Chorus)
III. Scherzo: Part 1: Fancy: Ever let the Fancy roam (Chorus)
III. Scherzo: Part 2: Folly's Song: When wedding fiddles are a-playing (Chorus)
IV. Finale: Part 1: Spirit here that reignest! (Soprano) - Part 2: God of the golden bow (Chorus)
IV. Finale: Part 3: Then, through thy Temple wide (Soprano) - Part 4: 'Tis awful silence then again (Chorus)
IV. Finale: Part 5: Next thy Tasso's ardent numbers (Soprano) - Part 6: But when Thou joinest with the Nine (Chorus)
IV. Finale: Part 6: Bards of Passion and of Mirth (Chorus)
IV. Finale: Part 7: Spirit here that reignest (Soprano) - Bards of Passion and of Mirth (Chorus)
I. Allegro affettuoso
II. Intermezzo: Andantino grazioso
III. Allegro vivace
I. Allegro agitato - Poco tranquillo - Tempo I - Poco tranquillo - Tempo I
II. Andante sostenuto
III. Finale: Allegro con fuoco - Poco sostenuto - Tempo I
1. Allegro
2. Adagio - Piů adagio - Presto
3. Allegro molto
I. Moderato - Tempo comodo
II. Andante molto sostenuto
III. Allegro non troppo, ma agitato ed ansioso
I. Allegro moderato - Grazioso
II. Theme: Lento -
II. Variation 1: L'istesso tempo -
II. Variation 2: L'istesso tempo -
II. Variation 3: Scherzando. Molto vivace -
II. Variation 4: Tempo di gavotte -
II. Variation 5: Tempo di minuetto -
II. Variation 6: Vivace e capriccioso -
II. Fuga
I. Fujarka (Piccolo)
II. Hurra Polka
III. Piosenka (Song)
IV. Tanice (Dance)
Introduction -
4 Episodes -
Cantilena -
Finale
I. Hesitant -
II. Direct
I. Maestoso
II. Larghetto
III. Allegro vivace
I. Recitative
II. Aria
III. Gigue
I. Allegro moderato
II. Adante con moto, ma piu tranquillo
III. Allegro moderato
Overture
ACT I, Scene 1. Sbor Pro? bychom se net??ili
ACT I, Scene 2. Ma?enka Tak tedy p?ece se to státi má?
ACT I, Ma?enka Kdybych se co takového
ACT I, Ma?enka Kone?n? je celá
ACT I, Jeník, Ma?enka Jako matka po?ehnáním
ACT I, Scene 3. Kecal Jak vám pravím
ACT I, Kru?ina Ov?em, Tobiá?e Míchu znám u? od d?tství
ACT I, Kecal Mladík slu?ný a mrav? víc tichých
ACT I, Scene 4. Kru?ina, Ludmila, Kecal Tu ji máme
ACT I, Ma?enka Jeník neupustí, to vím
ACT I, Scene 5. Kecal Ach, jak sv?t je zvrácený
ACT II, Scene 1. Sbor To pive?ko to v?ru je nebeský dar
ACT II, Furiant
ACT II, Scene 2. Va?ek Ma... ma... ma... mati?ka
ACT II, Scene 3. Ma?enka Vy jste zajisté ?enich Kru?inovy Ma?enky?
ACT II, Ma?enka Znám? já jednu dív?inu
ACT II, Scene 4. Kecal Jak pravím, hezká je
ACT II, Kecal Nu?e, milý chasníku
ACT II, Kecal Od?ekne?-li se Ma?enky
ACT II, Scene 5. Jeník A? uz?í?, komus
ACT II, Scene 6. Kecal Poj?te, lidi?ky
ACT III, Scene 1. Va?ek To... to mi v hlav? le... le?í
ACT III, Scene 2. Pochod Komediant?
ACT III, Principál Ohla?ujeme slavnému publikum
ACT III, Sko?ná
ACT III, Va?ek Je... je... je... je, to bude hezké
ACT III, Principál, Esmeralda Milostné zví?átko
ACT III, Scene 3. Va?ek Oh, já ne... ne??astný!
ACT III, Háta, Kecal, Mícha Aj, jak?e? Jak?e?
ACT III, Scene 4. Ma?enka Ne, tomu nev??ím
ACT III, Scene 5. Va?ek Co... co po?áde chcete?
ACT III, V?ichni Rozmysli si, Ma?enko, rozmysli
ACT III, Scene 6. Ma?enka Oh, jaký ?al!
ACT III, Scene 7. Jeník Ma?enko má, Ma?enko má
ACT III, Scene 8. Kecal Hle, hle! Chasníku, ?eká? u? na peníze?
ACT III, Jeník Uti? se, dívko, uti? se
ACT III, Scene 9. Sbor Jak jsi se, Ma?enko, rozmyslila?
ACT III, Scene 10. Jeden Kluk Spaste du?i!
ACT III, Va?ek Ne... ne... nebojte se!
ACT III, Sbor Dobrá v?c se poda?ila
I. Fanfare: Avec allegresse et durete
II. Sarabande: Delicat - Plus anime - Tempo I - Tempo I
III. Intermezzo: Passione - Plus calme - Tempo I
IV. Final: Entrainant - Solennel
Part I: Waldmachen (Forest Legend)
Part II: Der Spielmann (The Minstrel)
Part III: Hochzeitsstuck (Wedding Piece)
I. Lento
II. Allegro vivo
III. Meno mosso, con tenerezza
IV. Allegro ritmico
I. The Silver Sleigh Bells: Allegro ma non tanto
II. The Mellow Wedding Bells: Lento
III. The Loud Alarum Bells: Presto
IV. The Mournful Iron Bells: Lento lugubre
I. Allegro con brio - Un poco sostenuto
II. Andante
III. Poco allegretto
IV. Allegro - Un poco sostenuto
I. Andante nobilmente e semplice - Allegro
II. Allegro molto
III. Adagio
IV. Lento - Allegro
Symphony No. 2 (1996 - Remaster): I. Sostenuto
Symphony No. 2 (1996 - Remaster): II. Largo
Symphony No. 2 (1996 - Remaster): III. Allegro vivace
Andante -
Allegro - Stesso movimento -
Adagio - Andante -
Allegro non troppo - Subito poco meno mosso - Vivace
I. dotted quarter note = c. 110 -
II. Presto -
III. eighth note = c. 85 -
IV. quarter note = c. 84
quarter note = 55 -
dotted quarter note = 85 -
Lento - Tempo I -
dotted quarter note = 70 -
quarter note = 160-170
I. Maestoso
II. Adagio
III. Rondo: Allegro non troppo
Quietly -
With moderate speed -
Slowly and quietly -
Tempo I -
Very quietly
With moderate tempo
Slower -
[Cadenza] -
Tempo I -
Allegretto - Piu moderato -
Broadly
No. 1. Oj, mi sie owiesek
No. 2. Ich, w tej studni
No. 3. Kukuleczka kuka
Dans la nuit il y a naturellement les sept merveilles
Ii y a toi l'immolee. toi que j'attends'. Tranquillo
Il y a toi sans doute que je ne connais pas
No. 1. La belle-de-nuit (The Marvel of Peru)
No. 2. La sauterelle (The Grasshopper)
No. 3. La veronique (The Speedwell)
No. 4. L'eglantine, l'aubepine et la glycine (The Wild Rose, the Hawthorn and the Wisteria)
No. 5. La tortue (The Tortoise)
No. 6. La rose (The Rose)
No. 7. L'alligator (The Alligator)
No. 8. L'angelique (The Angelica)
No. 9. Le papillon (The Butterfly)
I. En el Generalife. Allegretto tranquillo e misterioso
II. Danza lejana. Allegretto giusto
III. En los jardines de la sierra de Cordoba. Vivo
In ruhigem fliessendem Tempo - Tranquillo: Very quietly but not dragging - With vigour
Very slow (The wide far distance - The great solitude) - Slow and solemnly - Very quietly - Slow and very legato
Tempo I - Piu mosso ma tranquillo - With exultation (not hurried). Maestoso - Tempo I - Very slow
I. Andante ma non troppo
II. Lento e molto espressivo
III. Allegro molto
I. Allegramente
II. Adagio assai
III. Presto
I. Intrada
II. Rhapsody
III. The Rapture
IV. Wonder
V. The Salutation
I. Fanfare
II. Villes
IIIa. Phrase -
IIIb. Antique
IV. Royaute
V. Marine
VI. Interlude
VII. Being Beauteous
VIII. Parade
IX. Depart
No. 1. Nuits de juin
No. 2. Sagesse
No. 3. L'Enfance
No. 4. Chanson d'automne
Tippett: A Child of our Time / Part 1 - "The World Turns On Its Dark Side"
Tippett: A Child of our Time / Part 1 - "Man Has Measured The Heavens"
Tippett: A Child of our Time / Part 1 - "Is Evil Then Good?"
Tippett: A Child of our Time / Part 1 - "Now In Each Nation" - "When Shall The Userer's City Cease"
Tippett: A Child of our Time / Part 1 - "I Have No Money For My Bread"
Tippett: A Child of our Time / Part 1 - "How Can I Cherish My Man In Such Days...Steal Away"
Tippett: A Child of our Time / Part 2 - "A Star Rises In Mid-Winter"
Tippett: A Child of our Time / Part 2 - "And A Time Came"
Tippett: A Child of our Time / Part 2 - "O My Son!"
Tippett: A Child of our Time / Part 2 - "Nobody Knows The Trouble I See"
Tippett: A Child of our Time / Part 2 - "The Boy Becomes Desperate In His Agony"
Tippett: A Child of our Time / Part 2 - "They Took A Terrible Vengeance"
Tippett: A Child of our Time / Part 2 - "Go Down, Moses"
Tippett: A Child of our Time / Part 2 - "My Dreams Are All Shattered"
Tippett: A Child of our Time / Part 2 - "What Have I Done To You, My Son?...O, By And By"
Tippett: A Child of our Time / Part 3 - "The Cold Deepens"
Tippett: A Child of our Time / Part 3 - "The Soul Of Man"
Tippett: A Child of our Time / Part 3 - "The Words Of Wisdom Are These"
Tippett: A Child of our Time / Part 3 - "I Would Know My Shadow And My Light"
Tippett: A Child of our Time / Part 3 - "Deep River"
Overture
"Cinque... deci... venti..." - "Cosa stai misurando"
"Se a caso Madama" - "Or bene, ascolta, e taci"
"Se vuol ballare" - "Ed aspettaste il giorno"
"La vendetta" - "Tutto ancor non ho perso"
"Via resti servita" - "Va lŕ, vecchia pedante"
"Non so piů cosa son, cosa faccio"
"Ah, son perduto!"
"Cosa sento! tosto andate" - "Basilio, in traccia tosto"
"Giovani liete" - "Cos'č questa commedia?" - "Giovani liete" - "Evviva!"
"Non piů andrai"
"Porgi amor"
"Vieni, cara Susanna" - "Quanto duolmi, Susanna"
"Voi che sapete" - "Bravo! che bella voce!"
"Venite... inginocchiatevi..."
"Quante buffonerie!" - "Che novitŕ!"
"Susanna, or via, sortite" - "Dunque, voi non aprite"
"Aprite, presto" - "O guarda il demonietto!" - "Tutto č come io lasciai"
"Esci, ormai, garzon malnato" - "Susanna!... Signore!"
"Signore, di fuori" - "Ah! signore... signor!"
"Voi signor, che giusto siete"
"Che imbarazzo č mai questo" - "Via, fatti core"
"Crudel! perché finora" - "E perché fosti meco"
"Hai giŕ vinta la causa" - "Vedrň mentr'io sospiro"
"Andiamo, andiam, bel paggio"
"E Susanna non vien!...Dove sono"
"E decisa la lite"
"Riconosci in questo amplesso" - "Eccovi, o" - "Io vi dico"
"Cosa mi narri!" - "Che soave zefiretto" - "Piegato č il foglio"
"Ricevete, o padroncina" - "Queste sono, Madama"
"Ecco la marcia... andiamo." - "Amanti costanti"
Fandango - "Eh giŕ, solita usanza"
"L'ho perduta... me meschina!"
"Barbarina, cos'hai?" - "Madre... Figlio." - "Presto, avvertiam Susanna"
"Il capro e la capretta"
"Nel padiglione a manca"
"In quegli anni in cui val poco"
"Tutto č disposto" - "Aprite un po' quegli occhi"
"Signora, ella mi disse"
"Giunse alfin il momento" - "Deh vieni non tardar"
"Perfida! e in quella forma meco mentia?"
"Pian pianin le andrň piů presso"
"Tutto č tranquillo e placido" - "Pace, pace mio dolce tesoro"
"Gente, gente, all'armi"
Chronochromie: Introduction
Chronochromie: Strophe I
Chronochromie: Antistrophe I
Chronochromie: Strophe II
Chronochromie: Antistrophe II
Chronochromie: Epode
Chronochromie: Coda
Piano Concerto No. 1 in D minor Op. 15: I. Maestoso
Piano Concerto No. 1 in D minor Op. 15: II. Adagio
Piano Concerto No. 1 in D minor Op. 15: III. Rondo (Allegro non troppo)
Violin Concerto No. 1 in D Major, Op.19: I. Andantino
Violin Concerto No. 1 in D Major, Op.19: II. Scherzo (Vivacissimo)
Violin Concerto No. 1 in D Major, Op.19: III. Moderato
Sonata for 2 Violins, Op.56 (1996 - Remaster): I. Andante cantabile
Sonata for 2 Violins, Op.56 (1996 - Remaster): II. Allegro
Sonata for 2 Violins, Op.56 (1996 - Remaster): III. Comodo (quasi anima)
Sonata for 2 Violins, Op.56 (1996 - Remaster): IV. Allegro con brio
I. Allegro moderato
II. Andante
III. Menuetto
IV. Allegro con spirito
I. Allegro molto
II. Poco adagio
III. Allegro con fuoco
Violin Concerto No. 2 in C sharp minor Op. 129: I. Moderato
Violin Concerto No. 2 in C sharp minor Op. 129: II. Adagio
Violin Concerto No. 2 in C sharp minor Op. 129: III. Adagio - Allegro
Part I: I. Requiem -
Part I: II. Pronuntiatio -
Part I: III. Confessio -
Part I: IV. Jubilato -
Part I: V. Audite -
Part I: VI. Pax -
Part I: VII. Consolatio -
Part I: VIII. Refutatio -
Part I: IX. Lux veritatis -
Part I: X. Requiem
Part II: XI. Laudamus -
Part II: XII. Elysium -
Part II: XIII. In Pace -
Part II: XIII. Hymn of the Redeemed -
Part II: XIV. Angeli -
Part II: XV. Vox Dei -
Part II: XVI. Adventus -
Part II: XVII. Vigilate -
Part II: XVIII. Promissio et Invocatio -
Part II: XIX. Benedictio -
Part II: XX. Consummatus
Agnus Dei
Beat! Beat! Drums!
Reconciliation
Dirge for 2 Veterans
The Angel of Death has been aboard
We Look for Peace
I. the king made an image of gold (Chorus) - To you it is commanded (The Herald) - Therefore at that time... (Chorus)
II. Wherefore at that time certain Chaldeans came near (Chorus) - Is it of purpose, O Shadrach, Meshach, and Abednego () - O , we have no need to answer thee... (Chorus)
III. Then was full of fury (Chorus) - ...and they have no hurt () - Then Shadrach, Meshach, and Abednego, came forth... (Chorus) - Blessed be the God... ()
IV. O all ye works of the Lord, bless ye the Lord (Bass) - O let the earth bless the Lord (Chorus)
I. At Evening Bell
II. Silken Sails
III. Moon-Fairy
IV. Elfin Market
1. Latin
2. Swedish
3. French
4. Spanish
5. Little March of the Three Kings
6. Latin
7. Russian
8. Czech
9. German
10. Latin
11. Italian
Polish Christmas Carols: 1. Aniol pasterzom mówil (Angels to the shepherds came)
2. Hej! weselmy sie (Hey! we rejoice now)
3. Gdy sie Chrystus rodzi (When the Christ to us is born)
6. Gdy sliczna Panna (Our Lovely Lady)
7. Przybiezeli do Betlejem (Hurrying to Bethlehem)
8. W zlobie lezy (In a manger)
9. Jezus malusienki (Jesus there is lying)
10. My tez pastuszkowie (We are shepherds)
11. Lulajze, Jezuniu (Lullaby, Jesus)
13. Jezu, sliczny kwiecie (Jesus, lovely flower)
14. Hola hola, pasterze z pola (Hey la, hey la, shepherds there you are)
15. A coz z ta dziecina (What to do with this child?)
16. Hej, hej, lelija Panna Maryja (Hey, hey, lovely Lady Mary)
17. Z narodzenia Pana (This is our Lord's birthday)
Retablo de Navidad: III. Aire y donaire (Airs and Graces)
IV. Pastorcito santo (Holy Shepherd Boy)
V. Coplillas de Belén (Carols of Bethlehem)
1. Allegro
2. Adagio - Piů adagio - Presto
3. Allegro molto
No. 1. Der Engel (The Angel)
No. 2. Stehe still (Stand Still)
No. 3. Im Treibhaus (In the Hothouse)
No. 4. Schmerzen (Pain)
No. 5. Traume (Dreams)
1. Allegro molto moderato
2. Adagio
3. Allegro moderato molto e marcato - Quasi presto - Andante maestoso
1. Allegro affettuoso
2. Intermezzo (Andantino grazioso)
3. Allegro vivace
I. Allegro moderato
II. Rondo: Vivace - Alla valse burlesca
III. Lento
I. Tempo molto moderato, quasi adagio
II. Allegro molto vivace
III. Il tempo largo
IV. Allegro
Overture
"Cinque... deci... venti..." - "Cosa stai misurando"
"Se a caso Madama" - "Or bene, ascolta, e taci"
"Se vuol ballare" - "Ed aspettaste il giorno"
"La vendetta" - "Tutto ancor non ho perso"
"Via resti servita" - "Va lŕ, vecchia pedante"
"Non so piů cosa son, cosa faccio"
"Ah, son perduto!"
"Cosa sento! tosto andate" - "Basilio, in traccia tosto"
"Giovani liete" - "Cos'č questa commedia?" - "Giovani liete" - "Evviva!"
"Non piů andrai"
"Porgi amor"
"Vieni, cara Susanna" - "Quanto duolmi, Susanna"
"Voi che sapete" - "Bravo! che bella voce!"
"Venite... inginocchiatevi..."
"Quante buffonerie!" - "Che novitŕ!"
"Susanna, or via, sortite" - "Dunque, voi non aprite"
"Aprite, presto" - "O guarda il demonietto!" - "Tutto č come io lasciai"
"Esci, ormai, garzon malnato" - "Susanna!... Signore!"
"Signore, di fuori" - "Ah! signore... signor!"
"Voi signor, che giusto siete"
"Che imbarazzo č mai questo" - "Via, fatti core"
"Crudel! perché finora" - "E perché fosti meco"
"Hai giŕ vinta la causa" - "Vedrň mentr'io sospiro"
"Andiamo, andiam, bel paggio"
"E Susanna non vien!...Dove sono"
"E decisa la lite"
"Riconosci in questo amplesso" - "Eccovi, o" - "Io vi dico"
"Cosa mi narri!" - "Che soave zefiretto" - "Piegato č il foglio"
"Ricevete, o padroncina" - "Queste sono, Madama"
"Ecco la marcia... andiamo." - "Amanti costanti"
Fandango - "Eh giŕ, solita usanza"
"L'ho perduta... me meschina!"
"Barbarina, cos'hai?" - "Madre... Figlio." - "Presto, avvertiam Susanna"
"Il capro e la capretta"
"Nel padiglione a manca"
"In quegli anni in cui val poco"
"Tutto č disposto" - "Aprite un po' quegli occhi"
"Signora, ella mi disse"
"Giunse alfin il momento" - "Deh vieni non tardar"
"Perfida! e in quella forma meco mentia?"
"Pian pianin le andrň piů presso"
"Tutto č tranquillo e placido" - "Pace, pace mio dolce tesoro"


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