Arleen Augér

Biography

Born: September 13, 1939   Died: June 10, 1993  
Augér performed in the fields of opera and art song, but as her career evolved she began to focus her musical energies on the latter, preferring the intimacy of recitals to the bustle involved in staged operatic performances. Her voice was sweet-toned and pure, but also capable of a good deal of warmth and expressiveness. She was much loved as a teacher. Renee Fleming, who was one of her students, said that had she lived longer, would undoubtedly Read more have become one of the great lieder teachers. Her early death cut her career short, but she left a wide recorded legacy.

Born near Los Angeles, she graduated from the University in California in 1963, having studied not only voice but piano and violin. After graduating, she moved to Chicago, where she studied with Ralph Errole. Returning to Los Angeles, she won the I. Victor Fuchs Competition, and with it, an audition for the Vienna State Opera, where Josef Krips, the director, offered her a contract despite her lack of stage experience. She made her operatic debut in 1967 there, as the Queen of the Night in Mozart's Die Zauberflöte, and made her Salzburg Festival debut in 1969. In 1970, Erik Werba invited her to perform the soprano part of Hugo Wolf's Italienisches Liederbuch in a series of performances which he was producing at Wolf's own summer house. She began to focus more and more of her attention on song, oratorio, and church music, and she left the Vienna State Opera in 1974. By that point her 1975 La Scala and 1978 Met debuts were almost afterthoughts, for she was clearly turning away from the operatic world. She came to worldwide fame when she sang Mozart's Exsultate, jubilate at the wedding of the Duke and Duchess of York in 1986, which was seen by an estimated television audience of 300 million. (The couple left the selection of music and performers up to Simon Preston, director of music at Westminster Abbey.) In 1993, she died of cancer.

Fortunately, she made a number of recordings during her career, of art song, sacred music, and opera. She made an excellent Constanze in the Böhm Die Entführung aus dem Serail, and also recorded a very fine sampling of Handel and Bach arias (Delos 3026). Her collection of Schumann lieder on Berlin Classics (0021862BC) shows her sensitvity to nuance and emotional expressiveness. Read less

There are 229 Arleen Augér recordings available.

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Biography

Born: September 13, 1939   Died: June 10, 1993  
Augér performed in the fields of opera and art song, but as her career evolved she began to focus her musical energies on the latter, preferring the intimacy of recitals to the bustle involved in staged operatic performances. Her voice was sweet-toned and pure, but also capable of a good deal of warmth and expressiveness. She was much loved as a teacher. Renee Fleming, who was one of her students, said that had she lived longer, would undoubtedly Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
1. Stabat Mater Dolorosa
2. O quam tristis et afflicta
3. Quis est homo, qui non fleret
4. Quis non posset contristari
5. Pro peccatis suae gentis
6. Vidit suum dulcem natum
7. Eja mater, fons amoris
8. Sancta mater istud agas
9. Fac me vere tecum flere
10. Virgo virginium praeclara
11. Flammis orci ne succendar
12. Fac me cruce custodiri
13. Quando corpus morietur...Paradisi gloria
Introduction
Bezaubernd ist sie heute wieder
Bei sanfter Musik schläft sich's am besten
Der Strom der Tränen trug mich fort
Die Bühne ist fertig
Da ist sie! Ich eile, sie zu begrüssen
Ihr geht. Entließ schon die Macht
Ein schönes Gedicht!
Lassen Sie ihn bewähren
Meine Prosa verstummt
Hier ist er!
Wie schön sind die Worte, kaum mehr kenn' ich sie
Verraten hab' ich meine Gefühle
Diese Liebe, plötzlich geboren
Wir werden die Schokolade hier im Salon einnehmen
Welch' köstliche Begegnung
Wir kehren zurück in die Welt des Salons
1. Tanz: Passepied - Was sagt ihr?
2. Tanz: Gigue - Ich bin fest entschlossen
3. Tanz: Gavotte - Eure Kunst entzückt und begeistert mich
Fuge - Tanz und Musik stehn im Bann des Rhythmus
Eine Oper ist ein absurdes Ding
"Bevor sein Leben erloschen"
Duett der italienischen Sänger - Addio mio vita
Das Hudigungsfestspiel, die grandiose 'azione teatrale'
Er ist heroisch und hochdramatisch
Hola! Ihr Streiter im Apoll!
La Roche, du bist groß! La Roche, du bist monumental!
Ihr hörtet die mahnende Stimme
Das ist mehr als eine Versöhnung
Wählt doch einen Vorwurf, der Konflikt schildert
Auf Wiedersehen, Flamand!
Das war ein schöner Lärm
Herr Direktor ... Wo kommen Sie her?
Andante con moto (Mondschein-Musik)
Wo ist mein Bruder?
Kein andres, das mir so im Herzen loht
Ihre Liebe schlägt mir entgegen
Du Spiegelbild der verliebten Madeleine
"Le cerf s'enfuit sous la ramure"
Recit et Romance: "Fontainebleau! Forêt immense.."
Je l'ai vue
Scene et Duo:"Le bruit du cor s'éteint sous l'ombre.."
"Que faites-vous donc?" ... "De quels transports"
Scène et Final: "A celui qui vous vient... L'heure fatale est sonnée"
O chants de fête
"Charles-Quint, l'auguste Empereur"
Au couvent de Saint-Just
Scène et Duo:"Le voilà!..Dieu, tu semas dans nos âmes"
Choeur et Scène: "Sous ces bois au feuillage immense"
"Au palais des fées"
Scene,Terzettino,Dialogué et Romance:"L'infant Carlos"
"Je viens solliciter de la Reine une grâce...O bien perdu...Par quelle douce voix"
Scène et Romance: "Le Roi!..."
O ma chère compagne
Scene et Duo: "Restez!...O Roi! J'arrive de Flandre"
Prelude
Scene: "A minuit, aux jardins de la Reine"
Duo: "C'est vous!"
Trio: "Que dit-il?"
Grand Final: "Ce jour heureux est plein d'allégresse!"
"..En placant sur mon front,...Sire, la dernière heure
"Elle ne m'aime pas!"
Scene: "Le Grand Inquisiteur!...Dans ce beau pays"
Scene et Quartour: "Justice! Sire!...Maudit soit le soupcon infâme"
"Pitié! Pardon pour la femme coupable!"
Ah, je ne verrai plus la Reine.. O don fatal...
C'est moi, Carlos...
C'est mon jour suprême...
Que parles-tu de mort?...
Carlos, écoute... Ah! Je meurs l'âme joyeuse
Emeute:"Mon fils, reprenez votre épée..Ciel!Le tocsin!
Scène et Air: "Toi qui sus le néant des grandeurs de ce monde"
Scène et Duo d'Adieu: "C'est elle!...J'avais fait un beau rêve!...Au revoir dans un monde où la vie est meilleure"
Scene Finale: "Oui, pour toujours!"
1. Prelude et Introduction: "L'hiver est long"
2. Introduction et Chaeur: "Que de fleurs... Pour une nuit me voilà Reine"
3. Le Ballet de la Reine
4. Scene: "J'ai tout compris"
5. Final: "Mon fils, reprenez votre épée...Qui me rendra ce mort?"
6. Final: "Oui, pour toujour... Ah! Sois maudit! Arti- san d'une oeuvre détestée!"
J.S. Bach: Mass in B minor, BWV 232 - Kyrie - Kyrie Eleison
J.S. Bach: Mass in B minor, BWV 232 - Kyrie - Christe eleison
J.S. Bach: Mass in B minor, BWV 232 - Kyrie - Kyrie eleison
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Gloria in excelsis Deo
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Et in terra pax
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Laudamus te
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Gratias agimus tibi
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Domine Deus
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Qui tollis peccata mundi
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Qui sedes ad dexteram Patris
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Quoniam tu solus sanctus
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Cum Sancto Spiritu
J.S. Bach: Mass in B minor, BWV 232 - Credo - Credo in unum Deum
J.S. Bach: Mass in B minor, BWV 232 - Credo - Patrem omnipotentem
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et in unum Dominum
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et incarnatus est
J.S. Bach: Mass in B minor, BWV 232 - Credo - Crucifixus
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et resurrexit
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et in Spiritum Sanctum
J.S. Bach: Mass in B minor, BWV 232 - Credo - Confiteor unum baptisma
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et expecto resurrectionem
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Sanctus
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Osanna in excelsis
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Benedictus
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Osanna in excelsis
J.S. Bach: Mass in B minor, BWV 232 - Agnus Dei - Agnus Dei
J.S. Bach: Mass in B minor, BWV 232 - Agnus Dei - Dona nobis pacem
"Le cerf s'enfuit sous la ramure"
Recit et Romance: "Fontainebleau! Forêt immense.."
Je l'ai vue
Scene et Duo:"Le bruit du cor s'éteint sous l'ombre.."
"Que faites-vous donc?" ... "De quels transports"
Scène et Final: "A celui qui vous vient... L'heure fatale est sonnée"
"Charles-Quint, l'auguste Empereur"
Au couvent de Saint-Just
Scène et Duo:"Le voilà!..Dieu, tu semas dans nos âmes"
Choeur et Scène: "Sous ces bois au feuillage immense"
"Au palais des fées"
Scene,Terzettino,Dialogué et Romance:"L'infant Carlos"
"Je viens solliciter de la Reine une grâce...O bien perdu...Par quelle douce voix"
Scène et Romance: "Le Roi!..."
O ma chère compagne
Scene et Duo: "Restez!...O Roi! J'arrive de Flandre"
Prelude
Scene: "A minuit, aux jardins de la Reine"
Duo: "C'est vous!"
Trio: "Que dit-il?"
Grand Final: "Ce jour heureux est plein d'allégresse!"
"..En placant sur mon front,...Sire, la dernière heure
"Elle ne m'aime pas!"
Scene: "Le Grand Inquisiteur!...Dans ce beau pays"
Scene et Quartour: "Justice! Sire!...Maudit soit le soupcon infâme"
"Pitié! Pardon pour la femme coupable!"
Ah, je ne verrai plus la Reine.. O don fatal...
C'est moi, Carlos...
C'est mon jour suprême...
Que parles-tu de mort?...
Carlos, écoute... Ah! Je meurs l'âme joyeuse
Emeute:"Mon fils, reprenez votre épée..Ciel!Le tocsin!
Scène et Duo d'Adieu: "C'est elle!...J'avais fait un beau rêve!...Au revoir dans un monde où la vie est meilleure"
Scene Finale: "Oui, pour toujours!"
1. Prelude et Introduction: "L'hiver est long"
2. Introduction et Chaeur: "Que de fleurs... Pour une nuit me voilà Reine"
3. Le Ballet de la Reine
4. Scene: "J'ai tout compris"
5. Final: "Mon fils, reprenez votre épée...Qui me rendra ce mort?"
6. Final: "Oui, pour toujour... Ah! Sois maudit! Arti- san d'une oeuvre détestée!"
L'Enfant et les sortilèges (2000 Digital Remaster): Introduction
L'Enfant et les sortilèges (2000 Digital Remaster): Votre serviteur humble, Bergère
L'Enfant et les sortilèges (2000 Digital Remaster): How's your mug
L'Enfant et les sortilèges (2000 Digital Remaster): Oui, c'est Elle, ta Princess enchantée
L'Enfant et les sortilèges (2000 Digital Remaster): Deux robinets coulent dans un résevoir
L'Enfant et les sortilèges (2000 Digital Remaster): Ah! Quelle joie de te retrouver, Jardin!
L'Enfant et les sortilèges (2000 Digital Remaster): Sauve-toi, sotte! Et la cage? La cage?
L'Enfant et les sortilèges (2000 Digital Remaster): Ah! C'est l'Enfant au couteau!
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: [Largo] - Allegro
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: Musette
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: Menuet
Alcina - Opera in three acts HWV34, Act I, Scene 1: Recit.: Oh Dèi! quivi non scorgo alcun sentiero! (Bradamante, Melisso, Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 1: Aria: O s'apre al riso (Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 2: Chorus: Questo è il cielo de' contenti
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Gavotte I
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Sarabande
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Gavotte I
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Menuet
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: [Gavotte II]
Alcina - Opera in three acts HWV34, Act I, Scene 2: Recit.: Ecco l'infido (Bradamante, Melisso, Alcina)
Alcina - Opera in three acts HWV34, Act I, Scene 2: Aria: Di', cor mio, quanto t'amai (Alcina)
Alcina - Opera in three acts HWV34, Act I, Scene 3: Recit.: Generosi guerrier, deh! (Oberto, Melisso, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scene 3: Aria: Chi m'insegna il caro padre? (Oberto)
Alcina - Opera in three acts HWV34, Act I, Scene 4: Recit.: Mi ravvisi, Ruggier, dimmi? (Bradamante, Ruggiero, Melisso)
Alcina - Opera in three acts HWV34, Act I, Scene 4: Aria: Di te mi rido, semplice stolto (Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scenes 5 & 6: (5) Recit.: Qua dunque ne veniste (Oronte, Bradamante) - (6) Recit.: Io sono tua difesa (Morgana, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scenes 5 & 6: Aria: È gelosia (Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scene 7: Recit.: Io dunque (Oronte, Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 8: Recit.: La cerco in vano (Ruggiero, Oronte)
Alcina - Opera in three acts HWV34, Act I, Scene 8: Aria: Semplicetto! a donna credi? (Oronte)
Alcina - Opera in three acts HWV34, Act I, Scenes 9 & 10: (9) Recit.: Ah, infedele, infedel! (Ruggiero, Alcina) - (10) Recit.: Regina: il tuo soggiorno (Bradamante, Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scenes 9 & 10: Aria: Sì: son quella! (Alcina)
Alcina - Opera in three acts HWV34, Act I, Scenes 11 & 12: (11) Recit.: Se nemico mi fossi (Bradamante, Ruggiero) - (12) Recit.: Bradamante favella? (Ruggiero, Melisso, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scenes 11 & 12: Aria: La bocca vaga, quell'occhio nero (Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scenes 13-15: (13) Recit.: A quai strani perigli (Melisso, Bradamante) - (14) Recit.: Fuggi, cor mio, ti affretta! (Morgana, Bradamante) - (15) Recit.: È forse il mio? (Morgana, Bradamante)
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scenes 13-15: Aria: Tornami a vagheggiar (Morgana)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Col celarvi a chi v'ama un momento (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Recit.: Taci, taci, codardo (Melisso, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Qual portento mi richiama (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Recit.: Atlante, dove sei? (Ruggiero, Melisso)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Pensa a chi geme (Melisso)
Alcina - Opera in three acts HWV34, Act II, Scene 2: Recit.: Qual odio ingiusto contro me? (Bradamante, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 2: Aria: Vorrei vendicarmi (Bradamante)
Alcina - Opera in three acts HWV34, Act II, Scene 3: Recit.: Chi scopre al mio pensiero (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 3: Aria: Mi lusinga il dolce affetto (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scenes 4 & 5: (4) Recit.: S'acquieti il rio sospetto (Alcina, Morgana) - (5) Recit.: E la tua pace (Morgana, Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scenes 4 & 5: Aria: Ama, sospira (Morgana)
Alcina - Opera in three acts HWV34, Act II, Scene 6: Recit.: Non scorgo nel tuo viso (Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 6: Aria: Mio bel tesoro (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 7: Recit.: Reina: io cerco in vano (Oberto, Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 7: Aria: Tra speme e timore (Oberto)
Alcina - Opera in three acts HWV34, Act II, Scene 8: Recit.: Reina, sei tradita (Oronte, Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 8: Aria: Ah! mio cor! schernito sei! (Alcina)
Alcina - Opera in three acts HWV34, Act II, Scenes 9 & 10: (9) Recit.: Or, che dici, Morgana? (Oronte, Morgana) - (10) Recit.: All'offesa, il disprezzo giunge l'ingrata? (Oronte)
Alcina - Opera in three acts HWV34, Act II, Scenes 9 & 10: Aria: È un folle, è un vile affetto (Oronte)
Alcina - Opera in three acts HWV34, Act II, Scenes 11 & 12: (11) Recit.: Ed è ver che mi narri? (Oberto, Bradamante) - (12) Recit.: Eccomi a' piedi tuoi (Ruggiero, Bradamante, Morgana)
Alcina - Opera in three acts HWV34, Act II, Scenes 11 & 12: Aria: Verdi prati, selve amene (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 13: Recit.: Ah! Ruggiero crudel (Alcina)
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 13: Aria: Ombre pallide, lo so, mi udite (Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Entrée des songes agréables
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Entrée des songes funestes
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Entrée des songes agréables effrayés
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Le combat des songes funestes et agréables
Alcina - Opera in three acts HWV34, Act III: Sinfonia
Alcina - Opera in three acts HWV34, Act III, Scene 1: Recit.: Voglio amar e disamar (Oronte, Morgana)
Alcina - Opera in three acts HWV34, Act III, Scene 1: Aria: Credete al mio dolore (Morgana)
Alcina - Opera in three acts HWV34, Act III, Scene 1: Recit.: M'inganna, me n'avveggo (Oronte)
Alcina - Opera in three acts HWV34, Act III, Scene 1: Aria: Un momento di contento (Oronte)
Alcina - Opera in three acts HWV34, Act III, Scene 2: Recit.: Molestissimo incontro! (Ruggiero, Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 2: Aria: Ma quando tornerai (Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 3: Recit.: Tutta d'armate squadre (Melisso, Ruggiero, Bradamante)
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 3: Aria: Sta nell'Ircana pietrosa tana (Ruggiero)
Alcina - Opera in three acts HWV34, Act III, Scene 4: Recit.: Vanne tu seco ancora (Melisso, Bradamante)
Alcina - Opera in three acts HWV34, Act III, Scene 4: Aria: All'alma fedel (Bradamante)
Alcina - Opera in three acts HWV34, Act III, Scene 5: Recit.: Niuna forza lo arresta (Oronte, Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 5: Aria: Mi restano le lagrime (Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 6: Chorus: Sin per le vie del sole
Alcina - Opera in three acts HWV34, Act III, Scene 6: Recit.: Già vicino è il momento (Oberto, Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 6: Aria: Barbara! Io ben lo so (Oberto)
Alcina - Opera in three acts HWV34, Act III, Scene 7: Recit.: Le lusinghe, gl'inganni, non udir più (Bradamante, Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act III, Scene 7: Trio: Non è amor, nè gelosia (Alcina, Bradamante, Ruggiero)
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11: (8) Recit.: Prendi, e vivi (Ruggiero, Oronte) - (9) Recit.: Ah mio Ruggier, che tenti? (Alcina, Ruggiero, Bradamante) - (10) Recit.: Misera, ah, no! (Alcina, Morgana) - (Final scene)
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11: Chorus: Dall'orror di notte cieca
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11, Ballet: Entrée
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11, Ballet: Tamburino
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11: Chorus: Doppo tante amare pene
Alcina - Opera in three acts HWV34, Appendix 1: Recit.: Vo cercando la bella cagion (Ruggiero)
Alcina - Opera in three acts HWV34, Appendix 1: Aria: Bramo di trionfar (Ruggiero)
Alcina - Opera in three acts HWV34, Appendix 2: Chorus: Questo è il cielo de' contenti
Quattro Pezzi Sacri: Ave Maria
Quattro pezzi sacri: Stabat mater (1896-97)
Quattro pezzi sacri: Laudi alla Vergine
Quattro pezzi sacri: Te Deum (1895-96)
Sinfonia
Recitative: Am Abend aber desselbigen Sabbats (Tenor)
Aria: Wo zwei und drei versammelt sind (Alto)
Chorale (Duet): Verzage nicht, o Hauflein klein (Soprano, Tenor)
Recitative: Man kann hiervon ein schon Exempel sehen (Bass)
Aria: Jesus ist ein Schild der Seinen (Bass)
Chorale: Verleih uns Frieden gnadiglich (Chorus)
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Veni creator spiritus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Imple superna gratia"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Infirma nostri corporis"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Accende lumen sensibus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Veni, Creator...Da gaudiorum praemia"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Gloria sit Patri Domino"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - Poco adagio: Waldung, sie schwankt heran
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Ewiger Wonnebrand"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Wie Felsenabgrund mir zu Füßen"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Gerettet ist das edle Glied"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Uns bleibt ein Erdenrest"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Höchste Herrscherin der Welt"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Bei der Liebe, die den Fussen"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Neige, neige, du Ohnegleiche"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Blicket auf zum Retterblick"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Alles Vergängliche"
Aria: Liebster Jesu, mein Verlangen (Soprano)
Recitative: Was ist's, dass du mich gesuchet? (Bass)
Aria: Hier, in meines Vaters Statte (Bass)
Recitative: Ach! heiliger und grosser Gott (Soprano, Bass)
Aria: Nun verschwinden alle Plagen (Soprano, Bass)
Chorale: Mein Gott, offne mir die Pforten (Chorus)
Gott fehret auf mit Jauchzen (Chorus)
Recitative: Es will der Hochste sich ein Siegsgeprang bereiten (Tenor)
Aria: Ja tausendmal tausend begleiten den Wagen (Tenor)
Recitative: Und der Herr, nachdem er mit ihnen geredet hatte (Soprano)
Aria: Mein Jesus hat nunmehr das Heilandwerk vollendet (Soprano)
Recitative: Es kommt der Helden Held (Bass)
Aria: Er ist's, der ganz allein die Kelter hat getreten (Bass)
Recitative: Der Vater hat ihm ja ein ewig Reich bestimmet (Alto)
Aria: Ich sehe schon im Geist (Alto)
Recitative: Er will mir neben sich die Wohnung zubereiten (Soprano)
Chorale: Du Lebensfurst, Herr Jesu Christ (Chorus)
Aria Duet: Sie werden euch in den Bann tun (Tenor, Bass)
Es kommt aber die Zeit (Chorus)
Aria: Christen mussen auf der Erder (Alto)
Chorale: Ach Gott, wie manches Herzeleid (Tenor)
Recitative: Es sucht der Antichrist (Bass)
Aria: Es ist und bleibt der Christen Trost (Soprano)
Chorale: So sei nun, Seele, deine (Chorus)
Christen, atzet diesen Tag (Chorus)
Recitative: O selger Tag! o ungemeines Heute (Alto)
Aria: Gott, du hast es wohl gefuget (Soprano, Bass)
Recitative: So kehret sich nun heut das bange Leid (Tenor)
Aria: Ruft und fleht den Himmel an (Alto, Tenor)
Recitative: Verdoppelt euch demnach (Bass)
Hochster, schau in Gnaden an (Chorus)
Sehet, welch eine Liebe hat uns der Vater erzeiget (Chorus)
Chorale: Das hat er alles uns getan (Chorus)
Recitative: Geh, Welt! behalte nur das Deine (Alto)
Chorale: Was frag ich nach der Welt (Chorus)
Aria: Was die Welt in sich halt (Soprano)
Recitative: Der Himmel bleibet mir gewiss (Bass)
Aria: Von der Welt verlang ich nichts (Alto)
Chorale: Gute Nacht, o Wesen (Chorus)
Herr, gehe nicht ins Gericht mit deinem Knecht (Soprano, Alto, Tenor, Bass, Chorus)
Recitative: Mein Gott, verwirf mich nicht (Alto)
Aria: Wie zittern und wanken (Soprano)
Recitative: Wohl aber dem, der seinen Burgen weib (Bass)
Aria: Kann ich nur Jesum mir zum Freunde machen (Tenor)
Chorale: Nun, ich weiss, du wirst mir stillen (Chorus)
Wachet auf, ruft uns due Stimme (Chorus)
Recitative: Er kommt, er kommt (Tenor)
Aria Duet: Wenn kommst du, mein Heil (Soprano, Bass)
Chorale: Zion hort die Wachter singen (Tenor)
Recitative: So geh herein zu mir (Bass)
Aria Duet: Mein Freund ist mein (Soprano, Bass)
Chorale: Gloria sei dir gesungen (Chorus)
Nimm, was dein ist, und gehe hin (Chorus)
Aria: Murre nicht, lieber Christ (Alto)
Chorale: Was Gott tut, das ist wohlgetan (Chorus)
Recitative: Wo die Genugsamkeit regiert (Tenor)
Aria: Genugsamkeit ist ein Schatz in diesem Leben (Soprano)
Chorale: Was mein Gott will, das gscheh allzeit (Chorus)
Man singet mit Freuden vom Sieg (Chorus)
Aria: Kraft und Starke sei gesungen (Bass)
Recitative: Ich furchte mich vor tausend Feinden nicht (Alto)
Aria: Gottes Engel weichen nie (Soprano)
Recitative: Ich danke dir, mein lieber Gott, dafur (Tenor)
Aria: Seid wachsam, ihr heiligen Wachter (Alto, Tenor)
Chorale: Ach Herr, lass dein lieb Engelein (Chorus)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): I. Rondo (Andante) und Hymne
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): II. Ostinato (Allegro)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): III. Lied der Lulu (Comodo)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): IV. Variationen (Moderato)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): V. Adagio
Haydn: Orlando paladino - Sinfonia
Haydn: Orlando paladino / Act 1 - "Il lavorar l'è pur la brutta cosa"
Haydn: Orlando paladino / Act 1 - "Presto rispondi, indegno"
Haydn: Orlando paladino / Act 1 - "Ah se dire io vi potessi"
Haydn: Orlando paladino / Act 1 - "Non perdiamo più tempo"
Haydn: Orlando paladino / Act 1 - "Temerario! Senti e trema"
Haydn: Orlando paladino / Act 1 - "Palpita ad ogni istante"
Haydn: Orlando paladino / Act 1 - "Angelica infelice!"
Haydn: Orlando paladino / Act 1 - Sinfonia
Haydn: Orlando paladino / Act 1 - "Che brami dalla fata?"
Haydn: Orlando paladino / Act 1 - "Ad un guardo, a un cenno solo"
Haydn: Orlando paladino / Act 1 - "D'Alcina i detti"
Haydn: Orlando paladino / Act 1 - "Parto. Ma, oh dio, non posso"
Haydn: Orlando paladino / Act 1 - "La mia bella m'ha detto di no"
Haydn: Orlando paladino / Act 1 - "Pasquale disgraziato"
Haydn: Orlando paladino / Act 1 - "Ho viaggiato in Francia, in Spagna"
Haydn: Orlando paladino / Act 1 - "Sì, regina, ho deciso"
Haydn: Orlando paladino / Act 1 - "Non partir, mia bella face"
Haydn: Orlando paladino / Act 1 - "In odio al mio bel nume"
Haydn: Orlando paladino / Act 1 - "Angelica, mio ben"
Haydn: Orlando paladino / Act 1 - "D'Angelica il nome!"
Haydn: Orlando paladino / Act 1 - "D'evitare i rumor dicea Catone"
Haydn: Orlando paladino / Act 1 - "Presto rispondi, indegna"
Haydn: Orlando paladino / Act 1 - "Sento nel seno, oh dio"
Haydn: Orlando paladino / Act 1 - "Chi mi salve o tien nascoso"
Haydn: Orlando paladino / Act 1 - "Van timore il cor ti muove"
Haydn: Orlando paladino / Act 1 - "Ferma, ferma Belzebù!"
Haydn: Orlando paladino / Act 2 - "Sempre, sempre presente"
Haydn: Orlando paladino / Act 2 - "Mille lampi d'accese faville"
Haydn: Orlando paladino / Act 2 - "In questo solitario orrido luogo"
Haydn: Orlando paladino / Act 2 - "Dille che un infelice"
Haydn: Orlando paladino / Act 2 - "Vittoria, vittoria!"
Haydn: Orlando paladino / Act 2 - "Vuò divertirmi adesso"
Haydn: Orlando paladino / Act 2 - "Quel tuo visetto amabile"
Haydn: Orlando paladino / Act 2 - "Aure chete"
Haydn: Orlando paladino / Act 2 - "D'Angelica le smanie"
Haydn: Orlando paladino / Act 2 - "Fra queste selve invan"
Haydn: Orlando paladino / Act 2 - "Qual contento io provo in seno"
Haydn: Orlando paladino / Act 2 - "Ma non perdiamo, oh cara" - "E ad Orlando vietato"
Haydn: Orlando paladino / Act 2 - "Cosa vedo! Cosa sento!"
Haydn: Orlando paladino / Act 2 - "Con quest'abito addosso"
Haydn: Orlando paladino / Act 2 - "Ecco spiano"
Haydn: Orlando paladino / Act 2 - "Angelica dov'è?"
Haydn: Orlando paladino / Act 2 - "Nel solitario speco"
Haydn: Orlando paladino / Act 2 - "Per quest'orrido sentieri"
Haydn: Orlando paladino / Act 2 - "Dove son?"
Haydn: Orlando paladino / Act 3 - "Ombre insepolte"
Haydn: Orlando paladino / Act 3 - "Nella mente d'Orlando"
Haydn: Orlando paladino / Act 3 - "Sogno? Veglio? Cos'è?"
Haydn: Orlando paladino / Act 3 - "Miei pensieri, dove siete?"
Haydn: Orlando paladino / Act 3 - "L'irremeabil onda" - "Temerari, fermate!"
Haydn: Orlando paladino / Act 3 - Combattimento
Haydn: Orlando paladino / Act 3 - "Implacabili numi!"
Haydn: Orlando paladino / Act 3 - "Dell'estreme sue voci dolenti"
Haydn: Orlando paladino / Act 3 - "Non tormentari più"
Haydn: Orlando paladino / Act 3 - "Son confuso e stupefatto"
Mozart: Ascanio in Alba, KV 111 - Overtura
Mozart: Ascanio in Alba, KV 111 / Part 1 - Andante grazioso
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Di te più amabile, né Dea maggiore" - No.2 Coro
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Geni, Grazie, ed Amori, fermate il piè" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "L'ombra de'rami tuoi" - No.3 Aria
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Ma la Ninfa gentil" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Di te più amabile, né Dea maggiore" - No.4 Coro
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Perché tacer degg'io" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Cara, lontano ancora" - No.5 Aria
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Venga, de' sommi Eroi" - No.6 Coro / "Ma qual canto risona?" - Recitativo / "Venga, de' sommi Eroi" - No.7 Coro
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Ma tu, chi sei, che ignoto qui t'aggiri fra noi?" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Se il labbro più non dice" - No.8 Aria
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Quanto soavi al core de la tua stirpe" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Hai di Diana il core" - "Oh, generosa Diva" - No.9 Coro - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Venga, de' sommi Eroi" - "Di propria man la Dea a voi la donerà" - "Venga, de' sommi Eroi" - No.10 Coro - Recitativo - No.11 Coro
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Oh mia gloria, oh mia cura" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Per la gioia in questo seno" - No.12 Aria
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Misera! Che farò?" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Si, ma d'un altro amore" - No.13 Cavatina
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Ah no, Silvia t'inganni" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Come è felice stato" - No.14 Aria
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Silvia, mira, che il sole omai s'avanza" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Venga, de' sommi Eroi" - No.15 Coro
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Cielo! Che vidi mai?" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Ah di sì nobil alma" - No.16 Aria
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Un'altra prova a te mirar conviene" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Al chiaror di que' bei rai" - No.17 Aria
Mozart: Ascanio in Alba, KV 111 / Part 1 - "Di te più amabile, né Dea maggiore" - No.18 Coro
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Star lontana non so" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Spiega il desio" - No.19 Aria
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Già l'ore sen volano" - No.20 Coro
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Cerco di loco in loco" - "Silvia, ove sei?" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Dal tuo gentil sembiante" - No.21 Aria
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Ahimè! Che veggio mai?" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Al mio ben mi veggio avanti" - No.22 Aria
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Ferma, aspetta, ove vai?" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Infelici affetti miei" - No.23 Aria
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Anima grande" - "Che strano evento" - "Ahi la crudel" Recitativo - No.24 Coro - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Torna mio bene, ascolta" - No.25 Aria
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Venga, de' sommi Eroi" - No.26 Coro
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Che strana meraviglia" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Sento, che il cor mi dice" - "Si, Padre, alfin mi taccia" - No.27 Aria - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Scendi, celeste Venere" - No.28 Coro
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Ma s'allontani almen" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 2 - "No, non possiamo vivere" - "Ecco ingombran l'altare" "Scendi, celeste Venere" - No.29 Coro - Recitativo - No.30 Coro
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Invoca, o figlia" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Ah caro sposo, oh Dio!" - No.31 Terzetto
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Eccovi al fin di vostre pene" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Che bel piacer io sento" - No.32 Piccola parte del terzetto
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Ah chi nodi più forti" - Recitativo
Mozart: Ascanio in Alba, KV 111 / Part 2 - "Alma Dea, tutto il mondo governa" - No.33 Coro
1. Dixit Dominus
2. Virgam virtutis tuae
3. Tecum principium in die virtutis
4. Juravit Dominus
5. Tu es sacerdos in aeternum
6. Dominus a dextris tuis
7. Judicabit in nationibus


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