Arleen Augér

Biography

Born: September 13, 1939   Died: June 10, 1993  
Augér performed in the fields of opera and art song, but as her career evolved she began to focus her musical energies on the latter, preferring the intimacy of recitals to the bustle involved in staged operatic performances. Her voice was sweet-toned and pure, but also capable of a good deal of warmth and expressiveness. She was much loved as a teacher. Renee Fleming, who was one of her students, said that had she lived longer, would undoubtedly Read more have become one of the great lieder teachers. Her early death cut her career short, but she left a wide recorded legacy.

Born near Los Angeles, she graduated from the University in California in 1963, having studied not only voice but piano and violin. After graduating, she moved to Chicago, where she studied with Ralph Errole. Returning to Los Angeles, she won the I. Victor Fuchs Competition, and with it, an audition for the Vienna State Opera, where Josef Krips, the director, offered her a contract despite her lack of stage experience. She made her operatic debut in 1967 there, as the Queen of the Night in Mozart's Die Zauberflöte, and made her Salzburg Festival debut in 1969. In 1970, Erik Werba invited her to perform the soprano part of Hugo Wolf's Italienisches Liederbuch in a series of performances which he was producing at Wolf's own summer house. She began to focus more and more of her attention on song, oratorio, and church music, and she left the Vienna State Opera in 1974. By that point her 1975 La Scala and 1978 Met debuts were almost afterthoughts, for she was clearly turning away from the operatic world. She came to worldwide fame when she sang Mozart's Exsultate, jubilate at the wedding of the Duke and Duchess of York in 1986, which was seen by an estimated television audience of 300 million. (The couple left the selection of music and performers up to Simon Preston, director of music at Westminster Abbey.) In 1993, she died of cancer.

Fortunately, she made a number of recordings during her career, of art song, sacred music, and opera. She made an excellent Constanze in the Böhm Die Entführung aus dem Serail, and also recorded a very fine sampling of Handel and Bach arias (Delos 3026). Her collection of Schumann lieder on Berlin Classics (0021862BC) shows her sensitvity to nuance and emotional expressiveness. Read less

There are 228 Arleen Augér recordings available.

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Biography

Born: September 13, 1939   Died: June 10, 1993  
Augér performed in the fields of opera and art song, but as her career evolved she began to focus her musical energies on the latter, preferring the intimacy of recitals to the bustle involved in staged operatic performances. Her voice was sweet-toned and pure, but also capable of a good deal of warmth and expressiveness. She was much loved as a teacher. Renee Fleming, who was one of her students, said that had she lived longer, would undoubtedly Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Introduction
Bezaubernd ist sie heute wieder
Bei sanfter Musik schläft sich's am besten
Der Strom der Tränen trug mich fort
Die Bühne ist fertig
Da ist sie! Ich eile, sie zu begrüssen
Ihr geht. Entließ schon die Macht
Ein schönes Gedicht!
Lassen Sie ihn bewähren
Meine Prosa verstummt
Hier ist er!
Wie schön sind die Worte, kaum mehr kenn' ich sie
Verraten hab' ich meine Gefühle
Diese Liebe, plötzlich geboren
Wir werden die Schokolade hier im Salon einnehmen
Welch' köstliche Begegnung
Wir kehren zurück in die Welt des Salons
1. Tanz: Passepied - Was sagt ihr?
2. Tanz: Gigue - Ich bin fest entschlossen
3. Tanz: Gavotte - Eure Kunst entzückt und begeistert mich
Fuge - Tanz und Musik stehn im Bann des Rhythmus
Eine Oper ist ein absurdes Ding
"Bevor sein Leben erloschen"
Duett der italienischen Sänger - Addio mio vita
Das Hudigungsfestspiel, die grandiose 'azione teatrale'
Er ist heroisch und hochdramatisch
Hola! Ihr Streiter im Apoll!
La Roche, du bist groß! La Roche, du bist monumental!
Ihr hörtet die mahnende Stimme
Das ist mehr als eine Versöhnung
Wählt doch einen Vorwurf, der Konflikt schildert
Auf Wiedersehen, Flamand!
Das war ein schöner Lärm
Herr Direktor ... Wo kommen Sie her?
Andante con moto (Mondschein-Musik)
Wo ist mein Bruder?
Kein andres, das mir so im Herzen loht
Ihre Liebe schlägt mir entgegen
Du Spiegelbild der verliebten Madeleine
Kyrie Eleison
Christe eleison
Kyrie eleison
Gloria in excelsis Deo
Et in terra pax
Laudamus te
Gratias agimus tibi
Domine Deus
Qui tollis peccata mundi
Qui sedes ad dexteram Patris
Quoniam tu solus sanctus
Cum Sancto Spiritu
Credo in unum Deum
Patrem omnipotentem
Et in unum Dominum
Et incarnatus est
Crucifixus
Et resurrexit
Et in Spiritum Sanctum
Confiteor unum baptisma
Et expecto resurrectionem
Sanctus
Osanna in excelsis
Benedictus
Osanna in excelsis
Agnus Dei
Dona nobis pacem
"Le cerf s'enfuit sous la ramure"
Recit et Romance: "Fontainebleau! Forêt immense.."
Je l'ai vue
Scene et Duo:"Le bruit du cor s'éteint sous l'ombre.."
"Que faites-vous donc?" ... "De quels transports"
Scène et Final: "A celui qui vous vient... L'heure fatale est sonnée"
"Charles-Quint, l'auguste Empereur"
Au couvent de Saint-Just
Scène et Duo:"Le voilà!..Dieu, tu semas dans nos âmes"
Choeur et Scène: "Sous ces bois au feuillage immense"
"Au palais des fées"
Scene,Terzettino,Dialogué et Romance:"L'infant Carlos"
"Je viens solliciter de la Reine une grâce...O bien perdu...Par quelle douce voix"
Scène et Romance: "Le Roi!..."
O ma chère compagne
Scene et Duo: "Restez!...O Roi! J'arrive de Flandre"
Prelude
Scene: "A minuit, aux jardins de la Reine"
Duo: "C'est vous!"
Trio: "Que dit-il?"
Grand Final: "Ce jour heureux est plein d'allégresse!"
"..En placant sur mon front,...Sire, la dernière heure
"Elle ne m'aime pas!"
Scene: "Le Grand Inquisiteur!...Dans ce beau pays"
Scene et Quartour: "Justice! Sire!...Maudit soit le soupcon infâme"
"Pitié! Pardon pour la femme coupable!"
Ah, je ne verrai plus la Reine.. O don fatal...
C'est moi, Carlos...
C'est mon jour suprême...
Que parles-tu de mort?...
Carlos, écoute... Ah! Je meurs l'âme joyeuse
Emeute:"Mon fils, reprenez votre épée..Ciel!Le tocsin!
Scène et Duo d'Adieu: "C'est elle!...J'avais fait un beau rêve!...Au revoir dans un monde où la vie est meilleure"
Scene Finale: "Oui, pour toujours!"
1. Prelude et Introduction: "L'hiver est long"
2. Introduction et Chaeur: "Que de fleurs... Pour une nuit me voilà Reine"
3. Le Ballet de la Reine
4. Scene: "J'ai tout compris"
5. Final: "Mon fils, reprenez votre épée...Qui me rendra ce mort?"
6. Final: "Oui, pour toujour... Ah! Sois maudit! Arti- san d'une oeuvre détestée!"
Quattro Pezzi Sacri: Ave Maria
Quattro pezzi sacri: Stabat mater (1896-97)
Quattro pezzi sacri: Laudi alla Vergine
Quattro pezzi sacri: Te Deum (1895-96)
Sinfonia
Recitative: Am Abend aber desselbigen Sabbats (Tenor)
Aria: Wo zwei und drei versammelt sind (Alto)
Chorale (Duet): Verzage nicht, o Hauflein klein (Soprano, Tenor)
Recitative: Man kann hiervon ein schon Exempel sehen (Bass)
Aria: Jesus ist ein Schild der Seinen (Bass)
Chorale: Verleih uns Frieden gnadiglich (Chorus)
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Veni creator spiritus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Imple superna gratia"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Infirma nostri corporis"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Accende lumen sensibus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Veni, Creator...Da gaudiorum praemia"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Gloria sit Patri Domino"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - Poco adagio: Waldung, sie schwankt heran
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Ewiger Wonnebrand"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Wie Felsenabgrund mir zu Füßen"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Gerettet ist das edle Glied"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Uns bleibt ein Erdenrest"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Höchste Herrscherin der Welt"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Bei der Liebe, die den Fussen"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Neige, neige, du Ohnegleiche"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Blicket auf zum Retterblick"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Alles Vergängliche"
Aria: Liebster Jesu, mein Verlangen (Soprano)
Recitative: Was ist's, dass du mich gesuchet? (Bass)
Aria: Hier, in meines Vaters Statte (Bass)
Recitative: Ach! heiliger und grosser Gott (Soprano, Bass)
Aria: Nun verschwinden alle Plagen (Soprano, Bass)
Chorale: Mein Gott, offne mir die Pforten (Chorus)
Gott fehret auf mit Jauchzen (Chorus)
Recitative: Es will der Hochste sich ein Siegsgeprang bereiten (Tenor)
Aria: Ja tausendmal tausend begleiten den Wagen (Tenor)
Recitative: Und der Herr, nachdem er mit ihnen geredet hatte (Soprano)
Aria: Mein Jesus hat nunmehr das Heilandwerk vollendet (Soprano)
Recitative: Es kommt der Helden Held (Bass)
Aria: Er ist's, der ganz allein die Kelter hat getreten (Bass)
Recitative: Der Vater hat ihm ja ein ewig Reich bestimmet (Alto)
Aria: Ich sehe schon im Geist (Alto)
Recitative: Er will mir neben sich die Wohnung zubereiten (Soprano)
Chorale: Du Lebensfurst, Herr Jesu Christ (Chorus)
Aria Duet: Sie werden euch in den Bann tun (Tenor, Bass)
Es kommt aber die Zeit (Chorus)
Aria: Christen mussen auf der Erder (Alto)
Chorale: Ach Gott, wie manches Herzeleid (Tenor)
Recitative: Es sucht der Antichrist (Bass)
Aria: Es ist und bleibt der Christen Trost (Soprano)
Chorale: So sei nun, Seele, deine (Chorus)
Christen, atzet diesen Tag (Chorus)
Recitative: O selger Tag! o ungemeines Heute (Alto)
Aria: Gott, du hast es wohl gefuget (Soprano, Bass)
Recitative: So kehret sich nun heut das bange Leid (Tenor)
Aria: Ruft und fleht den Himmel an (Alto, Tenor)
Recitative: Verdoppelt euch demnach (Bass)
Hochster, schau in Gnaden an (Chorus)
Sehet, welch eine Liebe hat uns der Vater erzeiget (Chorus)
Chorale: Das hat er alles uns getan (Chorus)
Recitative: Geh, Welt! behalte nur das Deine (Alto)
Chorale: Was frag ich nach der Welt (Chorus)
Aria: Was die Welt in sich halt (Soprano)
Recitative: Der Himmel bleibet mir gewiss (Bass)
Aria: Von der Welt verlang ich nichts (Alto)
Chorale: Gute Nacht, o Wesen (Chorus)
Herr, gehe nicht ins Gericht mit deinem Knecht (Soprano, Alto, Tenor, Bass, Chorus)
Recitative: Mein Gott, verwirf mich nicht (Alto)
Aria: Wie zittern und wanken (Soprano)
Recitative: Wohl aber dem, der seinen Burgen weib (Bass)
Aria: Kann ich nur Jesum mir zum Freunde machen (Tenor)
Chorale: Nun, ich weiss, du wirst mir stillen (Chorus)
Wachet auf, ruft uns due Stimme (Chorus)
Recitative: Er kommt, er kommt (Tenor)
Aria Duet: Wenn kommst du, mein Heil (Soprano, Bass)
Chorale: Zion hort die Wachter singen (Tenor)
Recitative: So geh herein zu mir (Bass)
Aria Duet: Mein Freund ist mein (Soprano, Bass)
Chorale: Gloria sei dir gesungen (Chorus)
Nimm, was dein ist, und gehe hin (Chorus)
Aria: Murre nicht, lieber Christ (Alto)
Chorale: Was Gott tut, das ist wohlgetan (Chorus)
Recitative: Wo die Genugsamkeit regiert (Tenor)
Aria: Genugsamkeit ist ein Schatz in diesem Leben (Soprano)
Chorale: Was mein Gott will, das gscheh allzeit (Chorus)
Man singet mit Freuden vom Sieg (Chorus)
Aria: Kraft und Starke sei gesungen (Bass)
Recitative: Ich furchte mich vor tausend Feinden nicht (Alto)
Aria: Gottes Engel weichen nie (Soprano)
Recitative: Ich danke dir, mein lieber Gott, dafur (Tenor)
Aria: Seid wachsam, ihr heiligen Wachter (Alto, Tenor)
Chorale: Ach Herr, lass dein lieb Engelein (Chorus)
Sinfonia
"Il lavorar l'è pur la brutta cosa"
"Presto rispondi, indegno"
"Ah se dire io vi potessi"
"Non perdiamo più tempo"
"Temerario! Senti e trema"
"Palpita ad ogni istante"
"Angelica infelice!"
Sinfonia
"Che brami dalla fata?"
"Ad un guardo, a un cenno solo"
"D'Alcina i detti"
"Parto. Ma, oh dio, non posso"
"La mia bella m'ha detto di no"
"Pasquale disgraziato"
"Ho viaggiato in Francia, in Spagna"
"Sì, regina, ho deciso"
"Non partir, mia bella face"
"In odio al mio bel nume"
"Angelica, mio ben"
"D'Angelica il nome!"
"D'evitare i rumor dicea Catone"
"Presto rispondi, indegna"
"Sento nel seno, oh dio"
"Chi mi salve o tien nascoso"
"Van timore il cor ti muove"
"Ferma, ferma Belzebù!"
"Sempre, sempre presente"
"Mille lampi d'accese faville"
"In questo solitario orrido luogo"
"Dille che un infelice"
"Vittoria, vittoria!"
"Vuò divertirmi adesso"
"Quel tuo visetto amabile"
"Aure chete"
"D'Angelica le smanie"
"Fra queste selve invan"
"Qual contento io provo in seno"
"Ma non perdiamo, oh cara" - "E ad Orlando vietato"
"Cosa vedo! Cosa sento!"
"Con quest'abito addosso"
"Ecco spiano"
"Angelica dov'è?"
"Nel solitario speco"
"Per quest'orrido sentieri"
"Dove son?"
"Ombre insepolte"
"Nella mente d'Orlando"
"Sogno? Veglio? Cos'è?"
"Miei pensieri, dove siete?"
"L'irremeabil onda" - "Temerari, fermate!"
Combattimento
"Implacabili numi!"
"Dell'estreme sue voci dolenti"
"Non tormentari più"
"Son confuso e stupefatto"
Overtura
Andante grazioso
"Di te più amabile, né Dea maggiore" - No.2 Coro
"Geni, Grazie, ed Amori, fermate il piè" - Recitativo
"L'ombra de'rami tuoi" - No.3 Aria
"Ma la Ninfa gentil" - Recitativo
"Di te più amabile, né Dea maggiore" - No.4 Coro
"Perché tacer degg'io" - Recitativo
"Cara, lontano ancora" - No.5 Aria
"Venga, de' sommi Eroi" - No.6 Coro / "Ma qual canto risona?" - Recitativo / "Venga, de' sommi Eroi" - No.7 Coro
"Ma tu, chi sei, che ignoto qui t'aggiri fra noi?" - Recitativo
"Se il labbro più non dice" - No.8 Aria
"Quanto soavi al core de la tua stirpe" - Recitativo
"Hai di Diana il core" - "Oh, generosa Diva" - No.9 Coro - Recitativo
"Venga, de' sommi Eroi" - "Di propria man la Dea a voi la donerà" - "Venga, de' sommi Eroi" - No.10 Coro - Recitativo - No.11 Coro
"Oh mia gloria, oh mia cura" - Recitativo
"Per la gioia in questo seno" - No.12 Aria
"Misera! Che farò?" - Recitativo
"Si, ma d'un altro amore" - No.13 Cavatina
"Ah no, Silvia t'inganni" - Recitativo
"Come è felice stato" - No.14 Aria
"Silvia, mira, che il sole omai s'avanza" - Recitativo
"Venga, de' sommi Eroi" - No.15 Coro
"Cielo! Che vidi mai?" - Recitativo
"Ah di sì nobil alma" - No.16 Aria
"Un'altra prova a te mirar conviene" - Recitativo
"Al chiaror di que' bei rai" - No.17 Aria
"Di te più amabile, né Dea maggiore" - No.18 Coro
"Star lontana non so" - Recitativo
"Spiega il desio" - No.19 Aria
"Già l'ore sen volano" - No.20 Coro
"Cerco di loco in loco" - "Silvia, ove sei?" - Recitativo
"Dal tuo gentil sembiante" - No.21 Aria
"Ahimè! Che veggio mai?" - Recitativo
"Al mio ben mi veggio avanti" - No.22 Aria
"Ferma, aspetta, ove vai?" - Recitativo
"Infelici affetti miei" - No.23 Aria
"Anima grande" - "Che strano evento" - "Ahi la crudel" Recitativo - No.24 Coro - Recitativo
"Torna mio bene, ascolta" - No.25 Aria
"Venga, de' sommi Eroi" - No.26 Coro
"Che strana meraviglia" - Recitativo
"Sento, che il cor mi dice" - "Si, Padre, alfin mi taccia" - No.27 Aria - Recitativo
"Scendi, celeste Venere" - No.28 Coro
"Ma s'allontani almen" - Recitativo
"No, non possiamo vivere" - "Ecco ingombran l'altare" "Scendi, celeste Venere" - No.29 Coro - Recitativo - No.30 Coro
"Invoca, o figlia" - Recitativo
"Ah caro sposo, oh Dio!" - No.31 Terzetto
"Eccovi al fin di vostre pene" - Recitativo
"Che bel piacer io sento" - No.32 Piccola parte del terzetto
"Ah chi nodi più forti" - Recitativo
"Alma Dea, tutto il mondo governa" - No.33 Coro
1. Dixit Dominus
2. Virgam virtutis tuae
3. Tecum principium in die virtutis
4. Juravit Dominus
5. Tu es sacerdos in aeternum
6. Dominus a dextris tuis
7. Judicabit in nationibus
8. De torrente in via bibet
9. Gloria Patri
1. Nisi Dominus
2. Vanum est
3. Cum dederit dilectis suis somnum
4. Sicut sagittae in manu potentis (Allegro)
5. Beatus vir
6. Gloria Patri
Salve Regina
Ad te clamamus
Eia ergo, advocata nostro
O clemens, o pia
1. Dixit Dominus
2. Virgam virtutis tuae
3. Tecum principium in die virtutis
4. Juravit Dominus
5. Tu es sacerdos in aeternum
6. Dominus a dextris tuis
7. Judicabit in nationibus
8. De torrente in via bibet
9. Gloria Patri
1. Nisi Dominus
2. Vanum est
3. Cum dederit dilectis suis somnum
4. Sicut sagittae in manu potentis (Allegro)
5. Beatus vir
6. Gloria Patri
Salve Regina
Ad te clamamus
Eia ergo, advocata nostro
O clemens, o pia
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): I. Rondo (Andante) und Hymne
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): II. Ostinato (Allegro)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): III. Lied der Lulu (Comodo)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): IV. Variationen (Moderato)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): V. Adagio
Recitative: Ich bin mit Petro nicht vermessen
Aria: Du bist geboren mir zugute
Recitative: Gottlob, wir wissen den rechten Weg zur Seligkeit
Aria: Gott, ach Gott, verlass die Deinen
Sinfonia
"Il lavorar l'è pur la brutta cosa"
"Presto rispondi, indegno"
"Ah se dire io vi potessi"
"Non perdiamo più tempo"
"Temerario! Senti e trema"
"Palpita ad ogni istante"
"Angelica infelice!"
Sinfonia
"Che brami dalla fata?"
"Ad un guardo, a un cenno solo"
"D'Alcina i detti"
"Parto. Ma, oh dio, non posso"
"La mia bella m'ha detto di no"
"Pasquale disgraziato"
"Ho viaggiato in Francia, in Spagna"
"Sì, regina, ho deciso"
"Non partir, mia bella face"
"In odio al mio bel nume"
"Angelica, mio ben"
"D'Angelica il nome!"
"D'evitare i rumor dicea Catone"
"Presto rispondi, indegna"
"Sento nel seno, oh dio"
"Chi mi salve o tien nascoso"
"Van timore il cor ti muove"
"Ferma, ferma Belzebù!"
"Sempre, sempre presente"
"Mille lampi d'accese faville"
"In questo solitario orrido luogo"
"Dille che un infelice"
"Vittoria, vittoria!"
"Vuò divertirmi adesso"
"Quel tuo visetto amabile"
"Aure chete"
"D'Angelica le smanie"
"Fra queste selve invan"
"Qual contento io provo in seno"
"Ma non perdiamo, oh cara" - "E ad Orlando vietato"
"Cosa vedo! Cosa sento!"
"Con quest'abito addosso"
"Ecco spiano"
"Angelica dov'è?"
"Nel solitario speco"
"Per quest'orrido sentieri"
"Dove son?"
"Ombre insepolte"
"Nella mente d'Orlando"
"Sogno? Veglio? Cos'è?"
"Miei pensieri, dove siete?"
"L'irremeabil onda" - "Temerari, fermate!"
Combattimento
"Implacabili numi!"
"Dell'estreme sue voci dolenti"
"Non tormentari più"
"Son confuso e stupefatto"
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: [Largo] - Allegro
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: Musette
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: Menuet
Alcina - Opera in three acts HWV34, Act I, Scene 1: Recit.: Oh Dèi! quivi non scorgo alcun sentiero! (Bradamante, Melisso, Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 1: Aria: O s'apre al riso (Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 2: Chorus: Questo è il cielo de' contenti
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Gavotte I
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Sarabande
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Gavotte I
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Menuet
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: [Gavotte II]
Alcina - Opera in three acts HWV34, Act I, Scene 2: Recit.: Ecco l'infido (Bradamante, Melisso, Alcina)
Alcina - Opera in three acts HWV34, Act I, Scene 2: Aria: Di', cor mio, quanto t'amai (Alcina)
Alcina - Opera in three acts HWV34, Act I, Scene 3: Recit.: Generosi guerrier, deh! (Oberto, Melisso, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scene 3: Aria: Chi m'insegna il caro padre? (Oberto)
Alcina - Opera in three acts HWV34, Act I, Scene 4: Recit.: Mi ravvisi, Ruggier, dimmi? (Bradamante, Ruggiero, Melisso)
Alcina - Opera in three acts HWV34, Act I, Scene 4: Aria: Di te mi rido, semplice stolto (Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scenes 5 & 6: (5) Recit.: Qua dunque ne veniste (Oronte, Bradamante) - (6) Recit.: Io sono tua difesa (Morgana, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scenes 5 & 6: Aria: È gelosia (Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scene 7: Recit.: Io dunque (Oronte, Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 8: Recit.: La cerco in vano (Ruggiero, Oronte)
Alcina - Opera in three acts HWV34, Act I, Scene 8: Aria: Semplicetto! a donna credi? (Oronte)
Alcina - Opera in three acts HWV34, Act I, Scenes 9 & 10: (9) Recit.: Ah, infedele, infedel! (Ruggiero, Alcina) - (10) Recit.: Regina: il tuo soggiorno (Bradamante, Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scenes 9 & 10: Aria: Sì: son quella! (Alcina)
Alcina - Opera in three acts HWV34, Act I, Scenes 11 & 12: (11) Recit.: Se nemico mi fossi (Bradamante, Ruggiero) - (12) Recit.: Bradamante favella? (Ruggiero, Melisso, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scenes 11 & 12: Aria: La bocca vaga, quell'occhio nero (Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scenes 13-15: (13) Recit.: A quai strani perigli (Melisso, Bradamante) - (14) Recit.: Fuggi, cor mio, ti affretta! (Morgana, Bradamante) - (15) Recit.: È forse il mio? (Morgana, Bradamante)
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scenes 13-15: Aria: Tornami a vagheggiar (Morgana)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Col celarvi a chi v'ama un momento (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Recit.: Taci, taci, codardo (Melisso, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Qual portento mi richiama (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Recit.: Atlante, dove sei? (Ruggiero, Melisso)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Pensa a chi geme (Melisso)
Alcina - Opera in three acts HWV34, Act II, Scene 2: Recit.: Qual odio ingiusto contro me? (Bradamante, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 2: Aria: Vorrei vendicarmi (Bradamante)
Alcina - Opera in three acts HWV34, Act II, Scene 3: Recit.: Chi scopre al mio pensiero (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 3: Aria: Mi lusinga il dolce affetto (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scenes 4 & 5: (4) Recit.: S'acquieti il rio sospetto (Alcina, Morgana) - (5) Recit.: E la tua pace (Morgana, Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scenes 4 & 5: Aria: Ama, sospira (Morgana)
Alcina - Opera in three acts HWV34, Act II, Scene 6: Recit.: Non scorgo nel tuo viso (Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 6: Aria: Mio bel tesoro (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 7: Recit.: Reina: io cerco in vano (Oberto, Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 7: Aria: Tra speme e timore (Oberto)
Alcina - Opera in three acts HWV34, Act II, Scene 8: Recit.: Reina, sei tradita (Oronte, Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 8: Aria: Ah! mio cor! schernito sei! (Alcina)
Alcina - Opera in three acts HWV34, Act II, Scenes 9 & 10: (9) Recit.: Or, che dici, Morgana? (Oronte, Morgana) - (10) Recit.: All'offesa, il disprezzo giunge l'ingrata? (Oronte)
Alcina - Opera in three acts HWV34, Act II, Scenes 9 & 10: Aria: È un folle, è un vile affetto (Oronte)
Alcina - Opera in three acts HWV34, Act II, Scenes 11 & 12: (11) Recit.: Ed è ver che mi narri? (Oberto, Bradamante) - (12) Recit.: Eccomi a' piedi tuoi (Ruggiero, Bradamante, Morgana)
Alcina - Opera in three acts HWV34, Act II, Scenes 11 & 12: Aria: Verdi prati, selve amene (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 13: Recit.: Ah! Ruggiero crudel (Alcina)
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 13: Aria: Ombre pallide, lo so, mi udite (Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Entrée des songes agréables


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