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Antonio Lauro
Born: August 3, 1909; Cuidad Bolivar, Venezuela   Died: April 17, 1986; Caracas, Venezuela  
Antonio Lauro is probably Venezuela's best-known composer of classical music, although his name is probably not familiar to anyone but aficionados of guitar music. At the Caracas conservatory he started out on the academically approved piano, but hearing Paraguayan guitarist Agustín Barrios inspired him to switch to the guitar. That was in one respect his salvation and in another his downfall. Few Latin American composers have seen their works ...
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Works
Adiós a Ocumare (2)
Ana Cristina (2)
Ana Florencia (2)
Angostura (1)
Buenos Reyes (1)
Canción (1)
Canciòn de Cuña (3)
Crepuscular (2)
Cueca chilena (2)
Danza Venezolana (1)
El marabino (The Half-Caste) (3)
El niño (5)
El puerto (1)
Estudios en imitaciones: no 1 (1)
Estudios en imitaciones: no 2 (1)
Estudios en imitaciones: no 3 (1)
Estudios en imitaciones: no 4 (1)
Flores de la montaña (1)
Joropo (3)
La Gatica (3)
La negra (2)
Linda Amiga (1)
María Carolina (6)
Maria Luisa, for guitar (1)
Merengue (2)
Momoti (1)
Natalia (1)
Nelly (5)
Nocturno (2)
Oriente (2)
Papelón (2)
Pasaje aragüeño (3)
Pavana al estilo de los vihuelistas (2)
Petronila (1)
Romanza (3)
Seis por Derecho (10)
Sonata for Guitar (2)
Suite (Homenaje a John Duarte), for guitar (1)
Suite for Guitar (1)
Suite venezolana for Guitar (6)
Suite venezolana for Guitar: no 1, Registro (2)
Suite venezolana for Guitar: no 2, Danza negra (1)
Suite venezolana for Guitar: no 4, Valse (2)
Triptico for Guitar (4)
Valses (4) venezolanos for Guitar (5)
Valses (4) venezolanos for Guitar: no 1, Tatiana (4)
Valses (4) venezolanos for Guitar: no 2, Andreina (6)
Valses (4) venezolanos for Guitar: no 3, Natalia/Criolla (20)
Valses (4) venezolanos for Guitar: no 4, Yacambú (3)
Valses (6) venezolanos for Guitar (2)
Valses (6) venezolanos for Guitar: no 1, El marabiño (7)
Valses (6) venezolanos for Guitar: no 2, El negrito (5)
Valses (6) venezolanos for Guitar: no 3, El Totumo de Guarenas (1)
Valses (6) venezolanos for Guitar: no 4, Maria Luisa (4)
Valses (6) venezolanos for Guitar: no 5, Carora (6)
Valses (6) venezolanos for Guitar: no 6, Angostura (3)
Variations for Guitar on a Venezuelan children's song (3)
Virgilio (2)
Virgilio romanza (1)
Zulay (2)
Biography by James Reel
Antonio Lauro is probably Venezuela's best-known composer of classical music, although his name is probably not familiar to anyone but aficionados of guitar music. At the Caracas conservatory he started out on the academically approved piano, but hearing Paraguayan guitarist Agustín Barrios inspired him to switch to the guitar. That was in one respect his salvation and in another his downfall. Few Latin American composers have seen their works enter the international repertory, but Lauro's guitar pieces, especially his Venezuelan Waltzes, have been readily taken up by guitarists. On the other hand, his significant catalog of non-guitar music is almost completely ignored. Lauro wrote symphonic suites, choruses, songs, and a choral symphonic poem called Cantacharo, but only his solo guitar pieces are played and recorded with any regularity; in 1956 he also wrote a concerto for his instrument. International attention came to Lauro only during his last decades, so it is often forgotten that he spent many of his earlier years in a folk trio called Los Cantores del Trópico.
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