Anne Sofie von Otter

Composers

Biography

Born: May 9, 1955; Sweden  
Anne Sofie von Otter is a leading mezzo-soprano known for her versatility in operatic roles, her interesting recital choices, and her willingness to take vocal risks. Her father was a Swedish diplomat whose career took the family to Bonn, London, and back to Stockholm while Anne Sofie was growing up. As a result, she gained fluency in languages. She studied music at the Guildhall School of Music and Drama in London. Her main voice teacher was Read more Vera Rozsa, while Erik Werba and Geoffrey Parsons coached her in lieder interpretation.
She gained a contract with the Basle Opera in 1983 and remained with that company until 1985, debuting as Alcina in Franz Joseph Haydn's Orlando Paladino. She also took several male roles written for female mezzo-sopranos (which are known in operatic circles as "trousers" parts), including Cherubino in Mozart's Marriage of Figaro, Hänsel in Humperdinck's Hänsel und Gretel, and Orpheus in Gluck's Orfée et Eurydice.
In 1984 she debuted at the Aix-en-Provence Festival as Ramiro in Mozart's La Finta Giardiniera. Others of her trouser parts include Octavian in Strauss' Rosenkavalier, the Composer in Strauss' Ariadne auf Naxos, and the title role of Rossini's Tancredi, among others. A tall, statuesque woman, she is at home in numerous opera serie of the eighteenth century, in which alto voices routinely played the heroes.
Another reason for the high proportion of Baroque- and Classical-era operas in her repertory is an important working relationship with conductor John Eliot Gardiner, a British conductor who began as a Baroque specialist. She first auditioned for him in 1985, but failed to make an impression then. It was only with a subsequent chance for him to hear her that he began working with her. She has joined him in recordings of Beethoven's Ninth Symphony; Mozart's Clemenza di Tito, Idomeneo and Requiem; Monteverdi's Favola d'Orfeo and L'Incoronazione di Poppea; Handel's Agrippina and Jephtha; Gluck's Orfée et Eurydice; and Bach's Christmas Oratorio and St. Matthew Passion. He also conducted von Otter's recording of Weill's Seven Deadly Sins and selected theater songs.
Her other major artistic partner is the Swedish pianist Bengt Forsberg, her recital partner. Forsberg is a leading scholar in the field of song literature, so von Otter relies on him to suggest songs and organize the programs of her recitals. With him, she has tended to specialize in lieder from the periods around the beginning and end of the romantic period, including well received recordings of songs by Schubert, Schumann, Brahms, Zemlinsky, Korngold, and Mahler as well as the late Romantic Nordic composers Alfvén, Rangstrom, Stenhammer, and Sibelius.
She is a believer in singing songs in the keys the composers' originally specified. When she came to record Kurt Weill's Seven Deadly Sins she used the original version for high soprano, a range she possesses, rather than the once-traditional mezzo-soprano version made for Lotte Lenya late in that singer's career. Von Otter also recorded Alban Berg's Seven Early Songs, also music that is a strain for many high sopranos. In addition, she is not averse to stretching her voice for dramatic effect. "I believe in shock effects," she once said in an interview.
However, past the age of 40 she had some particularly bad experiences as a result of these two tendencies and, she admits, hurt her voice. As a result, she has decided to be "sensible" and transpose down.
She has sung at Covent Garden, La Scala, Berlin, Munich, Rome, and other major opera houses. She is married to a stage designer and lives in Stockholm with him and their two children. Read less

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Composers

Biography

Born: May 9, 1955; Sweden  
Anne Sofie von Otter is a leading mezzo-soprano known for her versatility in operatic roles, her interesting recital choices, and her willingness to take vocal risks. Her father was a Swedish diplomat whose career took the family to Bonn, London, and back to Stockholm while Anne Sofie was growing up. As a result, she gained fluency in languages. She studied music at the Guildhall School of Music and Drama in London. Her main voice teacher was Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Orchestral Introduction
"Mein Herr Haushofmeister!"
"Du allmächtiger Gott!"
Hast ein Stückerl Notenpapier?
Ist schon geschehn. Wir sind bereit
Nein, Herr, so kommt es nicht
"Ein Augenblick ist wenig"
"Sein wir wieder gut" - "Musik ist eine heilige Kunst"
Overture
"Schläft sie?"
Wo war ich? Tot?
Ein Schönes war: hiess Theseus - Ariadne
"Lieben, Hassen, Hoffen, Zagen"
"Es gibt ein Reich"
"Die Dame gibt mit trüben Sinn" - "Wie sie sich schwingen"
"Großmächtige Prinzessin"
"Hübsch gepredigt! Aber tauben Ohren!" - "Eine Stör- rische zu trösten"
"Ein schönes Wunder!"
"Circe, kannst du mich hören?"
Theseus! Nein, nein!
Das waren Zauberworte!
"Gibt es kein Hinüber?"
1. Kräftig. Entscheiden
2. Tempo di minuetto. Sehr mäßig
3. Comodo. Scherzando. Ohne Hast
4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht'
5. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel"
6. Langsam. Ruhevoll. Empfunden
Nun will die Sonn' so hell aufgeh'n
Nun seh' ich wohl, warum so dunkle Flammen
Wenn dein Mütterlein
Oft denk' ich, sie sind nur ausgegangen
In diesem Wetter
No.1 Chorus: "Jauchzet, frohlocket"
No.2 Evangelist: "Es begab sich aber zu der Zeit"
No.3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
No.4 Aria (Alto): " Bereite dich, Zion"
No.5 Choral: "Wie soll ich dich empfangen"
No.6 Evangelist: "Und sie gebar ihren ersten Sohn"
No.7 Chorale: "Er ist auf Erden kommen arm", Recitativ (Bass): Wer will die Liebe recht erhöhn"
No.8 Aria (Baß): "Großer Herr, o starker König"
No.9 Choral: "Ach mein herzliebes Jesulein"
No.10 Sinfonia
No.11 Evangelist: "Und es waren Hirten in derselben Gegend"
No.12 Chorale: "Brich an, o schönes Morgenlicht"
No.13 Evangelist, Engel: "Und der Engel sprach zu Ihnen"
No.14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen"
No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
No.16 Evangelist: "Und das habt zum Zeichen"
No.17 Chorale: "Schaut hin, dort liegt im finstern Stall"
No.18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht"
No.19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh"
No.20 Evangelist: "Und alsbald war da bei dem Engel"
No.21 Chor: "Ehre sei Gott in der Höhe"
No.22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet"
No.23 Chorale: "Wir singen dir in deinem Heer"
No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
No.25 Evangelist: "Und da die Engel von ihnen gen Himmel fuhren"
No.26 Chor: "Lasset uns nun gehen gen Bethlehem"
No.27 Rezitativ (Baß): "Er hat sein Volk getröst"
No.28 Choral: "Dies hat er alles uns getan"
No.29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
No.30 Evangelist: "Und sie kamen eilend"
No.31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
No.32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
No.33 Choral: "Ich will dich mit Fleiß bewahren"
No.34 Evangelist: "Und die Hirten kehrten wieder um"
No.35 Choral: "Seid froh dieweil"
No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
No.36 Chor: "Fallt mit Danken, fallt mit Loben"
No.37 Evangelist: "Und da acht Tage um waren"
No.38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
No.39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
No.40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
No.42 Choral: "Jesus richte mein Beginnen"
No.43 Chor: "Ehre sei dir, Gott, gesungen"
No.44 Evangelist: "Da Jesu geboren war zu Bethlehem"
No.45 Chor: "Wo ist der neugeborne König der Juden?" - Rezitativ (Alt): "Sucht ihn in meiner Brust"
No.46 Choral: "Dein Glanz all Finsternis verzehrt"
No.47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
No.48 Evangelist: "Da das der König Herodes hörte"
No.49 Rezitativ (Alt): "Warum wollt ihr erschrecken?"
No.50 Evangelist: "Und ließ versammeln alle Hohepriester"
No.51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
No.52 Rezitativ (Alt): "Mein Liebster herrschet schon"
No.53 Choral: "Zwar ist solche Herzensstube"
No.54 Chor: "Herr, wenn die stolzen Feinde schnauben"
No.55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig"
No.56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
No.57 Aria (Sopran): "Nur ein Wink von seinen Händen"
No.58 Evangelist: "Als sie nun den König gehöret hatten"
No.59 Chorale: "Ich steh an deiner Krippen hier"
No.60 Evangelist: "Und Gott befahl ihnen im Traum"
No.61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier"
No.62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
No.63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
No.64 Choral: "Nun seid ihr wohl gerochen"
1. Nacht
2. Schilflied
3. Die Nachtigall
4. Traumgekrönt
5. Im Zimmer
6. Liebesode
7. Sommertage
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.1 Chorus I/II: "Kommt, ihr Töchter, helft mir klagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.2 Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.3 Choral: "Herzliebster Jesu, was hast du verbrochen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.5 Recitative (Alto): "Du lieber Heiland du"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.6 Aria (Alto): "Buss und Reu"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.7 Evangelist, Judas: "Da ging hin der Zwölfen einer"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.8 Aria (Soprano): "Blute nur, du liebes Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.10 Choral: "Ich bin's, ich sollte büssen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.12 Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.13 Aria (Soprano): "Ich will dir mein Herz schenken"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.15 Choral: "Erkenne mich, mein Hüter"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.16 Evangelist, Jesus, Petrus: "Petrus aber antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.17 Choral: "Ich will hier bei dir stehen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.21 Evangelist, Jesus: "Und ging hin ein wenig"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.23 Aria (Bass): "Gerne will ich mich bequemen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.24 Evangelist, Jesus: "Und er kam zu seinen Jüngern"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.25 Choral: "Was mein Gott will, das g'scheh allzeit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.28 Evangelist, Jesus: "Und siehe, einer aus denen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.29 Choral: "O Mensch, bewein dein Sünde groß"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.31 Evangelist: "Die aber Jesum gegriffen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.32 Choral: "Mir hat die Welt trüglich gericht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.35 Aria (Tenor): "Geduld"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.37 Choral: "Wer hat dich so geschlagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.39 Aria (Alto): "Erbarme dich"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.40 Choral: "Bin ich gleich von dir gewichen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.42 Aria (Bass): "Gebt mir meinen Jesum wieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.44 Choral: "Befiehl du deine Wege"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.46 Choral: "Wie wunderbarlich ist doch diese Strafe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.47 Evangelist, Pilatus: "Der Landpfleger sagte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.48 Recitative (Soprano): "Er hat uns allen wohl getan"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.49 Aria (Soprano): "Aus Liebe will mein Heiland sterben"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.51 Recitative (Alto): "Erbarm es Gott"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.52 Aria (Alto): "Können Tränen meiner Wangen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.54 Choral: "O Haupt voll Blut und Wunden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.55 Evangelist: "Und da sie ihn verspottet hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.56 Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.57 Aria (Bass): "Komm, süsses Kreuz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.59 Recitative (Alto): "Ach Golgatha"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand" - "Wohin?"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an" - "Der rufet dem Elias" - "Und bald lief" - "Halt!" - "Aber Jesus schriee abermal"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.62 Choral: "Wenn ich einmal soll scheiden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.64 Recitative (Bass): "Am Abend, da es kühle war"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.65 Aria (Bass): "Mache dich, mein Herze, rein"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.66 Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.67 Recitative (Soprano,Alto,Tenor,Bass,Chorus II): "Nun ist der Herr zur Ruh gebracht" - "Mein Jesu, gute Nacht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
Handel: Jephtha - Overture - Menuet
Handel: Jephtha / Act 1 - "It must be so: or these vile Ammonites"
Handel: Jephtha / Act 1 - "Pour forth no more unheeded pray'rs"
Handel: Jephtha / Act 1 - "No more to Ammon's god and king"
Handel: Jephtha / Act 1 - "But Jephta comes"
Handel: Jephtha / Act 1 - "Virtue my soul shall still embrace"
Handel: Jephtha / Act 1 - "'Twill be a painful separation, Jephta"/"In gentle murmurs will I mourn"
Handel: Jephtha / Act 1 - "Happy this embassy, my charming Iphis"/"Dull delay, in piercing anguish"
Handel: Jephtha / Act 1 - "Ill suits the voice of love when glory calls"/"Take the heart you fondly gave"
Handel: Jephtha / Act 1 - "I go. My soul, inspir'd by thy command"/"These labours past, how happy we!"
Handel: Jephtha / Act 1 - "What mean these doubtful fancies"
Handel: Jephtha / Act 1 - "O God, behold our sore distress"
Handel: Jephtha / Act 1 - "Some dire event hangs o'er our heads"/"Scenes of horror, scenes of woe"
Handel: Jephtha / Act 1 - "Say, my dear mother"
Handel: Jephtha / Act 1 - "The smiling dawn of happy days"
Handel: Jephtha / Act 1 - "Such, Jephta, was the haughty king's reply"
Handel: Jephtha / Act 1 - "When his loud voice in thunder spoke"
Handel: Jephtha / Act 2 - "Glad tidings of great joy to thee, dear Iphis"
Handel: Jephtha / Act 2 - "Cherub and Seraphim, unbodied forms"
Handel: Jephtha / Act 2 - "Up the dreadful steep ascending"
Handel: Jephtha / Act 2 - "'Tis well. Haste, haste, ye maidens"/"Tune the soft melodious lute"
Handel: Jephtha / Act 2 - "Heav'n smiles once more on his repentant people"/"His mighty arm, with sudden blow"
Handel: Jephtha / Act 2 - "In glory high, in might serene"
Handel: Jephtha / Act 2 - Symphony - "Hail, glorious conqueror"
Handel: Jephtha / Act 2 - "Welcome as the cheerful light"
Handel: Jephtha / Act 2 - "Horror! confusion!"/"Open thy marble jaws, O tomb"
Handel: Jephtha / Act 2 - "Why is my brother thus afflicted"
Handel: Jephtha / Act 2 - "First perish thou, and perish all the world"
Handel: Jephtha / Act 2 - "If such thy cruel purpose"/"On me let blind mistaken zeal"
Handel: Jephtha / Act 2 - "O spare your daughter"
Handel: Jephtha / Act 2 - "Such news flies swift"
Handel: Jephtha / Act 2 - "Happy they! this vital breath"
Handel: Jephtha / Act 2 - "Deeper, and deeper still"
Handel: Jephtha / Act 2 - "How dark, O Lord, are Thy decrees!"
Handel: Jephtha / Act 3 - "Hide thou thy hated beams, O sun"
Handel: Jephtha / Act 3 - "Waft her, angels, through the skies"
Handel: Jephtha / Act 3 - "Ye sacred priests"/"Farewell, ye limpid springs and floods"
Handel: Jephtha / Act 3 - "Doubtful fear and rev'rent awe"
Handel: Jephtha / Act 3 - Symphony
Handel: Jephtha / Act 3 - "Rise, Jephta, and ye rev'rend priests"
Handel: Jephtha / Act 3 - "Happy, Iphis shalt thou live"
Handel: Jephtha / Act 3 - "For ever blessed be Thy holy name"
Handel: Jephtha / Act 3 - "Theme sublime of endless praise"
Handel: Jephtha / Act 3 - "Let me congratulate this happy turn"/"Laud her, all ye virgin train"
Handel: Jephtha / Act 3 - "O let me fold thee in a mother's arms"/"Sweet as sight
Handel: Jephtha / Act 3 - "My faithful Hamor, may that Providence"/"All that is in Hamor mine"
Handel: Jephtha / Act 3 - "Ye house of Gilead, with one voice"
Mozart: Idomeneo, re di Creta, K.366 - Ouverture
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Quando avran fine omai" - "Padre, germani, addio!" - "Ecco Idamante, ahimè!"(Ilia)
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Radunate i Troiani" - "Non ho colpa, e mi condanni" (Idamante, Ilia)
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Ecco il misero resto de'Troiani"-"Scingete le catene" (Ilia, Idamante)
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Godiam la pace" - "Prence, signor" - "Ma quel pianto" - "Estinto è Idomeneo?" - "Tutte nel cor vi sento" - "Pietà! Numi, pietà!" - "Eccoci salvi alfin" - "Oh voi"
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Vedrommi intorno"-"Cieli!che veggo?"-"Spiagge romite"
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Il padre adorato"
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - Intermezzo: Marcia
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Nettuno s'onori"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - Tutto m'è noto (Idomeneo, Arbace)
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - Se il tuo duol, se il mio desio
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Se mai pomposo apparse"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Se il padre perdei"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Qual mi conturba i sensi"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Fuor del mar"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Frettolosa e giuliva Elettra vien"-"Chi mai del mio provò" (Elettra, Idomeneo)
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Idol mio, se ritroso"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Odo da lunge armonioso suono"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Sidonie sponde!"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Placido è il mar" - "Soavi Zeffiri" -"Vattene prence" - "Pria di partir, oh Dio!" - "Qual nuovo terrore!" - "Eccoti in me, barbaro Nume!" - "Corriamo, fuggiamo"
Mozart: "Solitudini amiche"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Zeffiretti lusinghieri" - "Ei stesso vien... oh Dei!"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Principessa, a' tuoi sguardi" - "S'io non moro a questi accenti" - "Cieli! che vedo?"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Dunque io me n'andrò" - "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra)
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Sire, alla reggia tua"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Sventurata Sidon!"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Se colà ne' fati è scritto"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Volgi intorno lo sguardo"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "O voto tremendo"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - Marcia
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Accogli, o rè del mar"
Mozart: Idomeneo, re di Creta, K.366 / Appendix - Act 2, scena 3 (fine) - scena 4 - "Frettolosa e giuliva Elettra vien" - "Sire, da Arbace intesi" - "Chi mai del mio provò"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Stupenda vittoria!"-"Qual risuona"-"Sire, il prence"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Padre, mio caro padre"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "No, la morte io non pavento"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - Ma che più tardi
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Ferma, oh sire, che fai?"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Ha vinto Amore"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Oh ciel pietoso!"-"Oh smania! oh furie!"-"D'Oreste, d'Aiace (Idomeneo, Idamante, Ilia, Arbace, Elettra)
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Popoli, a voi l'ultima legge"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Torna la pace al core"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Scenda Amor, scenda Imeneo"
Mozart: Ballet Music from "Idomeneo", K.367 - Chaconne - Larghetto - La chaconne, qui reprend - Largo - Allegretto, sempre piano - Più Allegro
Mozart: Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10 - Ferma, oh sire, che fai?
Mozart: Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10 - A Idomeneo perdona
Mozart: Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10 - Ha vinto Amore
Mozart: Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10 - "Oh ciel pietoso!" - "Oh smania! oh furie!"
Verdi: Messa da Requiem - 1. Requiem
Verdi: Messa da Requiem - 2. Dies irae
Verdi: Messa da Requiem - 2. Tuba Mirum
Verdi: Messa da Requiem - 2. Liber scriptus
Verdi: Messa da Requiem - 2. Quid sum miser
Verdi: Messa da Requiem - 2. Rex Tremendae
Verdi: Messa da Requiem - 2. Recordare
Verdi: Messa da Requiem - 2. Ingemisco
Verdi: Messa da Requiem - 2. Confutatis
Verdi: Messa da Requiem - 2. Lacrymosa
Verdi: Messa da Requiem - 3. Offertorium
Verdi: Messa da Requiem - 4. Sanctus
Verdi: Messa da Requiem - 5. Agnus Dei
Verdi: Messa da Requiem - 6. Lux aeterna
Verdi: Messa da Requiem - 7. Libera me
Weill: Die Sieben Todsünden - Introduktion: Andante sostenuto "Meine Schwester . . .
Weill: Die Sieben Todsünden - Faulheit: Allegro vivace "Müssiggang ist aller Laster"
Weill: Die Sieben Todsünden - Stolz: Allegretto, quasi andantino "Als wir aber"
Weill: Die Sieben Todsünden - Zorn: Molto agitato "Das geht nicht vorwärts"
Weill: Die Sieben Todsünden - Völlerei: Largo "Das ist ein Brief aus Philadelphia"
Weill: Die Sieben Todsünden - No.5 Unzucht "Und wir fanden einen Mann in Boston"
Weill: Die Sieben Todsünden - Habsucht: Allegro giusto "Wie hier in der Zeitung"
Weill: Die Sieben Todsünden - Neid: Allegro non troppo "Und die letzte Stadt"
Weill: Die Sieben Todsünden - Epilogue "Darauf kehrten wir zurück nach Lousiana"
Offenbach: Les Contes d'Hoffmann / Act 1 - Prélude - "Glou, glou, glou! Je suis la bière"
Offenbach: Les Contes d'Hoffmann / Act 1 - "La vérité, dit-on, sortait d'une puits"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Allons! mes enfants"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Voyons: 'Pour Hoffmann'!" - "Dans les rôles d'amoureux langoureux"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Deux heures devant moi!"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Vive Dieu! mes amis, la belle créature!"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Bonjour, amis"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach)
Offenbach: Les Contes d'Hoffmann / Act 1 - "Peuh! cette bière est détestable!"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Et par où votre diablerie"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Je vous dis, moi, qu'un malheur me menace!"
Offenbach: Les Contes d'Hoffmann / Act 2 - Entr'acte
Offenbach: Les Contes d'Hoffmann / Act 2 - "Là, charmante!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Allons! courage et confiance!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Une poupée aux yeux d'émail"
Offenbach: Les Contes d'Hoffmann / Act 2 - "C'est moi, Coppélius"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Je me nomme Coppélius"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Serviteur!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Tout est prêt!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Non, aucun hôte vraiment"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Les oiseaux dans la charmille"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Ah! mon ami, quel accent!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Ils se sont éloignés, enfin!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Tu me fuis?"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Voici les valseurs!"
Offenbach: Les Contes d'Hoffmann / Act 3 - Entr'acte - "Elle a fui la tourterelle"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Malheureuse enfant"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Jour et nuit"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Voilà ce brave Frantz"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Vois sous l'archet frémissant"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Ah! tu doutes de tout!"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Pourtant, ô ma fiancée"
Offenbach: Les Contes d'Hoffmann / Act 3 - "C'est une chanson d'amour"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Qu'as-tu donc?... Tu souffres?"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Pour conjurer le danger"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Ne plus chanter!"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Tu ne chanteras plus?"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Ta mère? Oses-tu l'invoquer?"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Mon enfant! Ma fille!"
Offenbach: Les Contes d'Hoffmann / Act 4 - Entr'acte (Barcarolle)
Offenbach: Les Contes d'Hoffmann / Act 4 - "Messieurs, silence!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Belle nuit, ô nuit d'amour"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Et moi, ce n'est pas là qui m'enchante"
Offenbach: Les Contes d'Hoffmann / Act 4 - "A merveille Madame!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Tourne, tourne, miroir"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Charmante!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Giulietta, palsembleu!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "L'amour lui dit: la belle"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Tiens, mes cartes!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Morbleu!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Il a ma clé"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Ton ami dit vrai"
Offenbach: Les Contes d'Hoffmann / Act 4 - "O Dieu, de quelle ivresse"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Jusque là, cependant"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Le voilà, donc"
Offenbach: Les Contes d'Hoffmann / Act 5 - "Folie!"
Offenbach: Les Contes d'Hoffmann / Act 5 - "Voilà, mes amis"
Offenbach: Les Contes d'Hoffmann / Act 5 - "Pour le coeur de Phryné"
Offenbach: Les Contes d'Hoffmann / Act 5 - "Arière, tous"
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 1. Allegro ma non troppo, un poco maestoso
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 2. Molto vivace
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 3. Adagio molto e cantabile
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. Presto - Allegro assai
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. Presto - "O Freunde nicht diese Töne" -
1. Asie
2. La flûte enchantée
3. L'indifférent
Overture
"La mia Dorabella"
"Fuor la spada"
E la fede delle femminine
Scioccerie di poeti
"Una bella serenata"
"Ah, guarda, sorella"
"Mi par che stamattina"
"Vorrei dir, e cor non ho"
Stelle! Per carità, signor Alfonso
"Sento, oh Dio, che questo piede"
"Non piangere, idol mio!"
"Al fato dan legge"
"La commedia è graziosa"
Bella vita militar!
Non vè più tempo, amici
"Di scrivermi ogni giorno"
"Bella vita militar!"
"Dove son?"
"Soave sia il vento"
"Non son cattivo comico"
"Che vita maledetta" - "Madame, ecco la vostra colazione"
"Ah, scostati!"
"Smanie implacabili"
"Signora Dorabella"
"In uomini, in soldati"
"Che silenzio!"
"Alla bella Despinetta"
"Che sussurro! Che strepito!"
"Temerari! Sortite!"
"Come scoglio"
"Ah, non partite"
"Non siate ritrosi"
"E voi ridete?" - "La cagion di quel riso?"
Si può sapere un poco la cagion di quel riso?
"Un'aura amorosa"
"Oh, la saria da ridere!"
"Ah, che tutta in un momento"
"Si mora, sì, si mora"
"Eccovi il medico"
"Dammi un bacio"
"Andate là"
"Una donna a quindici anni"
"Sorella, cosa dici?"
"Prenderò quel brunettino"
"Ah, correte al giardino"
"Secondate, aurette amiche"
"Il tutto deponete"
"La mano a me date"
"Oh che bella giornata!"
"Il cor vi dono"
"Barbara! Perché fuggi?"
"Ah, lo veggio"
"Ei parte... senti... ah no!"
"Per pietà, ben mio, perdona"
"Amico, abbiamo vinto!"
"Donne mie, la fate a tanti"
"In qual fiero contrasto"
"Tradito, schernito"
"Bravo, questa è costanza"
"Ora vedo che siete"
"E amore un ladroncello"


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