Anne Sofie von Otter

Composers

Biography

Born: May 9, 1955; Sweden  
Anne Sofie von Otter is a leading mezzo-soprano known for her versatility in operatic roles, her interesting recital choices, and her willingness to take vocal risks. Her father was a Swedish diplomat whose career took the family to Bonn, London, and back to Stockholm while Anne Sofie was growing up. As a result, she gained fluency in languages. She studied music at the Guildhall School of Music and Drama in London. Her main voice teacher was Read more Vera Rozsa, while Erik Werba and Geoffrey Parsons coached her in lieder interpretation.
She gained a contract with the Basle Opera in 1983 and remained with that company until 1985, debuting as Alcina in Franz Joseph Haydn's Orlando Paladino. She also took several male roles written for female mezzo-sopranos (which are known in operatic circles as "trousers" parts), including Cherubino in Mozart's Marriage of Figaro, Hänsel in Humperdinck's Hänsel und Gretel, and Orpheus in Gluck's Orfée et Eurydice.
In 1984 she debuted at the Aix-en-Provence Festival as Ramiro in Mozart's La Finta Giardiniera. Others of her trouser parts include Octavian in Strauss' Rosenkavalier, the Composer in Strauss' Ariadne auf Naxos, and the title role of Rossini's Tancredi, among others. A tall, statuesque woman, she is at home in numerous opera serie of the eighteenth century, in which alto voices routinely played the heroes.
Another reason for the high proportion of Baroque- and Classical-era operas in her repertory is an important working relationship with conductor John Eliot Gardiner, a British conductor who began as a Baroque specialist. She first auditioned for him in 1985, but failed to make an impression then. It was only with a subsequent chance for him to hear her that he began working with her. She has joined him in recordings of Beethoven's Ninth Symphony; Mozart's Clemenza di Tito, Idomeneo and Requiem; Monteverdi's Favola d'Orfeo and L'Incoronazione di Poppea; Handel's Agrippina and Jephtha; Gluck's Orfée et Eurydice; and Bach's Christmas Oratorio and St. Matthew Passion. He also conducted von Otter's recording of Weill's Seven Deadly Sins and selected theater songs.
Her other major artistic partner is the Swedish pianist Bengt Forsberg, her recital partner. Forsberg is a leading scholar in the field of song literature, so von Otter relies on him to suggest songs and organize the programs of her recitals. With him, she has tended to specialize in lieder from the periods around the beginning and end of the romantic period, including well received recordings of songs by Schubert, Schumann, Brahms, Zemlinsky, Korngold, and Mahler as well as the late Romantic Nordic composers Alfvén, Rangstrom, Stenhammer, and Sibelius.
She is a believer in singing songs in the keys the composers' originally specified. When she came to record Kurt Weill's Seven Deadly Sins she used the original version for high soprano, a range she possesses, rather than the once-traditional mezzo-soprano version made for Lotte Lenya late in that singer's career. Von Otter also recorded Alban Berg's Seven Early Songs, also music that is a strain for many high sopranos. In addition, she is not averse to stretching her voice for dramatic effect. "I believe in shock effects," she once said in an interview.
However, past the age of 40 she had some particularly bad experiences as a result of these two tendencies and, she admits, hurt her voice. As a result, she has decided to be "sensible" and transpose down.
She has sung at Covent Garden, La Scala, Berlin, Munich, Rome, and other major opera houses. She is married to a stage designer and lives in Stockholm with him and their two children. Read less
Anne Sofie Von Otter - 10 Classic Albums
Release Date: 04/07/2015   Label: Deutsche Grammophon  
Catalog: 002281102   Number of Discs: 11
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Composers

Biography

Born: May 9, 1955; Sweden  
Anne Sofie von Otter is a leading mezzo-soprano known for her versatility in operatic roles, her interesting recital choices, and her willingness to take vocal risks. Her father was a Swedish diplomat whose career took the family to Bonn, London, and back to Stockholm while Anne Sofie was growing up. As a result, she gained fluency in languages. She studied music at the Guildhall School of Music and Drama in London. Her main voice teacher was Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Orchestral Introduction
"Mein Herr Haushofmeister!"
"Du allmächtiger Gott!"
Hast ein Stückerl Notenpapier?
Ist schon geschehn. Wir sind bereit
Nein, Herr, so kommt es nicht
"Ein Augenblick ist wenig"
"Sein wir wieder gut" - "Musik ist eine heilige Kunst"
Overture
"Schläft sie?"
Wo war ich? Tot?
Ein Schönes war: hiess Theseus - Ariadne
"Lieben, Hassen, Hoffen, Zagen"
"Es gibt ein Reich"
"Die Dame gibt mit trüben Sinn" - "Wie sie sich schwingen"
"Großmächtige Prinzessin"
"Hübsch gepredigt! Aber tauben Ohren!" - "Eine Stör- rische zu trösten"
"Ein schönes Wunder!"
"Circe, kannst du mich hören?"
Theseus! Nein, nein!
Das waren Zauberworte!
"Gibt es kein Hinüber?"
1. Kräftig. Entscheiden
2. Tempo di minuetto. Sehr mäßig
3. Comodo. Scherzando. Ohne Hast
4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht'
5. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel"
6. Langsam. Ruhevoll. Empfunden
Nun will die Sonn' so hell aufgeh'n
Nun seh' ich wohl, warum so dunkle Flammen
Wenn dein Mütterlein
Oft denk' ich, sie sind nur ausgegangen
In diesem Wetter
No.1 Chorus: "Jauchzet, frohlocket"
No.2 Evangelist: "Es begab sich aber zu der Zeit"
No.3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
No.4 Aria (Alto): " Bereite dich, Zion"
No.5 Choral: "Wie soll ich dich empfangen"
No.6 Evangelist: "Und sie gebar ihren ersten Sohn"
No.7 Chorale: "Er ist auf Erden kommen arm", Recitativ (Bass): Wer will die Liebe recht erhöhn"
No.8 Aria (Baß): "Großer Herr, o starker König"
No.9 Choral: "Ach mein herzliebes Jesulein"
No.10 Sinfonia
No.11 Evangelist: "Und es waren Hirten in derselben Gegend"
No.12 Chorale: "Brich an, o schönes Morgenlicht"
No.13 Evangelist, Engel: "Und der Engel sprach zu Ihnen"
No.14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen"
No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
No.16 Evangelist: "Und das habt zum Zeichen"
No.17 Chorale: "Schaut hin, dort liegt im finstern Stall"
No.18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht"
No.19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh"
No.20 Evangelist: "Und alsbald war da bei dem Engel"
No.21 Chor: "Ehre sei Gott in der Höhe"
No.22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet"
No.23 Chorale: "Wir singen dir in deinem Heer"
No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
No.25 Evangelist: "Und da die Engel von ihnen gen Himmel fuhren"
No.26 Chor: "Lasset uns nun gehen gen Bethlehem"
No.27 Rezitativ (Baß): "Er hat sein Volk getröst"
No.28 Choral: "Dies hat er alles uns getan"
No.29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
No.30 Evangelist: "Und sie kamen eilend"
No.31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
No.32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
No.33 Choral: "Ich will dich mit Fleiß bewahren"
No.34 Evangelist: "Und die Hirten kehrten wieder um"
No.35 Choral: "Seid froh dieweil"
No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
No.36 Chor: "Fallt mit Danken, fallt mit Loben"
No.37 Evangelist: "Und da acht Tage um waren"
No.38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
No.39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
No.40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
No.42 Choral: "Jesus richte mein Beginnen"
No.43 Chor: "Ehre sei dir, Gott, gesungen"
No.44 Evangelist: "Da Jesu geboren war zu Bethlehem"
No.45 Chor: "Wo ist der neugeborne König der Juden?" - Rezitativ (Alt): "Sucht ihn in meiner Brust"
No.46 Choral: "Dein Glanz all Finsternis verzehrt"
No.47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
No.48 Evangelist: "Da das der König Herodes hörte"
No.49 Rezitativ (Alt): "Warum wollt ihr erschrecken?"
No.50 Evangelist: "Und ließ versammeln alle Hohepriester"
No.51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
No.52 Rezitativ (Alt): "Mein Liebster herrschet schon"
No.53 Choral: "Zwar ist solche Herzensstube"
No.54 Chor: "Herr, wenn die stolzen Feinde schnauben"
No.55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig"
No.56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
No.57 Aria (Sopran): "Nur ein Wink von seinen Händen"
No.58 Evangelist: "Als sie nun den König gehöret hatten"
No.59 Chorale: "Ich steh an deiner Krippen hier"
No.60 Evangelist: "Und Gott befahl ihnen im Traum"
No.61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier"
No.62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
No.63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
No.64 Choral: "Nun seid ihr wohl gerochen"
1. Nacht
2. Schilflied
3. Die Nachtigall
4. Traumgekrönt
5. Im Zimmer
6. Liebesode
7. Sommertage
Handel: Jephtha - Overture - Menuet
Handel: Jephtha / Act 1 - "It must be so: or these vile Ammonites"
Handel: Jephtha / Act 1 - "Pour forth no more unheeded pray'rs"
Handel: Jephtha / Act 1 - "No more to Ammon's god and king"
Handel: Jephtha / Act 1 - "But Jephta comes"
Handel: Jephtha / Act 1 - "Virtue my soul shall still embrace"
Handel: Jephtha / Act 1 - "'Twill be a painful separation, Jephta"/"In gentle murmurs will I mourn"
Handel: Jephtha / Act 1 - "Happy this embassy, my charming Iphis"/"Dull delay, in piercing anguish"
Handel: Jephtha / Act 1 - "Ill suits the voice of love when glory calls"/"Take the heart you fondly gave"
Handel: Jephtha / Act 1 - "I go. My soul, inspir'd by thy command"/"These labours past, how happy we!"
Handel: Jephtha / Act 1 - "What mean these doubtful fancies"
Handel: Jephtha / Act 1 - "O God, behold our sore distress"
Handel: Jephtha / Act 1 - "Some dire event hangs o'er our heads"/"Scenes of horror, scenes of woe"
Handel: Jephtha / Act 1 - "Say, my dear mother"
Handel: Jephtha / Act 1 - "The smiling dawn of happy days"
Handel: Jephtha / Act 1 - "Such, Jephta, was the haughty king's reply"
Handel: Jephtha / Act 1 - "When his loud voice in thunder spoke"
Handel: Jephtha / Act 2 - "Glad tidings of great joy to thee, dear Iphis"
Handel: Jephtha / Act 2 - "Cherub and Seraphim, unbodied forms"
Handel: Jephtha / Act 2 - "Up the dreadful steep ascending"
Handel: Jephtha / Act 2 - "'Tis well. Haste, haste, ye maidens"/"Tune the soft melodious lute"
Handel: Jephtha / Act 2 - "Heav'n smiles once more on his repentant people"/"His mighty arm, with sudden blow"
Handel: Jephtha / Act 2 - "In glory high, in might serene"
Handel: Jephtha / Act 2 - Symphony - "Hail, glorious conqueror"
Handel: Jephtha / Act 2 - "Welcome as the cheerful light"
Handel: Jephtha / Act 2 - "Horror! confusion!"/"Open thy marble jaws, O tomb"
Handel: Jephtha / Act 2 - "Why is my brother thus afflicted"
Handel: Jephtha / Act 2 - "First perish thou, and perish all the world"
Handel: Jephtha / Act 2 - "If such thy cruel purpose"/"On me let blind mistaken zeal"
Handel: Jephtha / Act 2 - "O spare your daughter"
Handel: Jephtha / Act 2 - "Such news flies swift"
Handel: Jephtha / Act 2 - "Happy they! this vital breath"
Handel: Jephtha / Act 2 - "Deeper, and deeper still"
Handel: Jephtha / Act 2 - "How dark, O Lord, are Thy decrees!"
Handel: Jephtha / Act 3 - "Hide thou thy hated beams, O sun"
Handel: Jephtha / Act 3 - "Waft her, angels, through the skies"
Handel: Jephtha / Act 3 - "Ye sacred priests"/"Farewell, ye limpid springs and floods"
Handel: Jephtha / Act 3 - "Doubtful fear and rev'rent awe"
Handel: Jephtha / Act 3 - Symphony
Handel: Jephtha / Act 3 - "Rise, Jephta, and ye rev'rend priests"
Handel: Jephtha / Act 3 - "Happy, Iphis shalt thou live"
Handel: Jephtha / Act 3 - "For ever blessed be Thy holy name"
Handel: Jephtha / Act 3 - "Theme sublime of endless praise"
Handel: Jephtha / Act 3 - "Let me congratulate this happy turn"/"Laud her, all ye virgin train"
Handel: Jephtha / Act 3 - "O let me fold thee in a mother's arms"/"Sweet as sight
Handel: Jephtha / Act 3 - "My faithful Hamor, may that Providence"/"All that is in Hamor mine"
Handel: Jephtha / Act 3 - "Ye house of Gilead, with one voice"
Verdi: Messa da Requiem - 1. Requiem
Verdi: Messa da Requiem - 2. Dies irae
Verdi: Messa da Requiem - 2. Tuba Mirum
Verdi: Messa da Requiem - 2. Liber scriptus
Verdi: Messa da Requiem - 2. Quid sum miser
Verdi: Messa da Requiem - 2. Rex Tremendae
Verdi: Messa da Requiem - 2. Recordare
Verdi: Messa da Requiem - 2. Ingemisco
Verdi: Messa da Requiem - 2. Confutatis
Verdi: Messa da Requiem - 2. Lacrymosa
Verdi: Messa da Requiem - 3. Offertorium
Verdi: Messa da Requiem - 4. Sanctus
Verdi: Messa da Requiem - 5. Agnus Dei
Verdi: Messa da Requiem - 6. Lux aeterna
Verdi: Messa da Requiem - 7. Libera me
Offenbach: Les Contes d'Hoffmann / Act 1 - Prélude - "Glou, glou, glou! Je suis la bière"
Offenbach: Les Contes d'Hoffmann / Act 1 - "La vérité, dit-on, sortait d'une puits"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Allons! mes enfants"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Voyons: 'Pour Hoffmann'!" - "Dans les rôles d'amoureux langoureux"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Deux heures devant moi!"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Vive Dieu! mes amis, la belle créature!"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Bonjour, amis"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach)
Offenbach: Les Contes d'Hoffmann / Act 1 - "Peuh! cette bière est détestable!"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Et par où votre diablerie"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Je vous dis, moi, qu'un malheur me menace!"
Offenbach: Les Contes d'Hoffmann / Act 2 - Entr'acte
Offenbach: Les Contes d'Hoffmann / Act 2 - "Là, charmante!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Allons! courage et confiance!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Une poupée aux yeux d'émail"
Offenbach: Les Contes d'Hoffmann / Act 2 - "C'est moi, Coppélius"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Je me nomme Coppélius"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Serviteur!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Tout est prêt!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Non, aucun hôte vraiment"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Les oiseaux dans la charmille"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Ah! mon ami, quel accent!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Ils se sont éloignés, enfin!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Tu me fuis?"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Voici les valseurs!"
Offenbach: Les Contes d'Hoffmann / Act 3 - Entr'acte - "Elle a fui la tourterelle"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Malheureuse enfant"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Jour et nuit"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Voilà ce brave Frantz"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Vois sous l'archet frémissant"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Ah! tu doutes de tout!"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Pourtant, ô ma fiancée"
Offenbach: Les Contes d'Hoffmann / Act 3 - "C'est une chanson d'amour"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Qu'as-tu donc?... Tu souffres?"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Pour conjurer le danger"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Ne plus chanter!"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Tu ne chanteras plus?"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Ta mère? Oses-tu l'invoquer?"
Offenbach: Les Contes d'Hoffmann / Act 3 - "Mon enfant! Ma fille!"
Offenbach: Les Contes d'Hoffmann / Act 4 - Entr'acte (Barcarolle)
Offenbach: Les Contes d'Hoffmann / Act 4 - "Messieurs, silence!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Belle nuit, ô nuit d'amour"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Et moi, ce n'est pas là qui m'enchante"
Offenbach: Les Contes d'Hoffmann / Act 4 - "A merveille Madame!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Tourne, tourne, miroir"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Charmante!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Giulietta, palsembleu!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "L'amour lui dit: la belle"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Tiens, mes cartes!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Morbleu!"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Il a ma clé"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Ton ami dit vrai"
Offenbach: Les Contes d'Hoffmann / Act 4 - "O Dieu, de quelle ivresse"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Jusque là, cependant"
Offenbach: Les Contes d'Hoffmann / Act 4 - "Le voilà, donc"
Offenbach: Les Contes d'Hoffmann / Act 5 - "Folie!"
Offenbach: Les Contes d'Hoffmann / Act 5 - "Voilà, mes amis"
Offenbach: Les Contes d'Hoffmann / Act 5 - "Pour le coeur de Phryné"
Offenbach: Les Contes d'Hoffmann / Act 5 - "Arière, tous"
1. Allegro ma non troppo, un poco maestoso
2. Molto vivace
3. Adagio molto e cantabile
4. Presto - Allegro assai
4. Presto - "O Freunde nicht diese Töne" -
1. Asie
2. La flûte enchantée
3. L'indifférent
Overture
"La mia Dorabella"
"Fuor la spada"
E la fede delle femminine
Scioccerie di poeti
"Una bella serenata"
"Ah, guarda, sorella"
"Mi par che stamattina"
"Vorrei dir, e cor non ho"
Stelle! Per carità, signor Alfonso
"Sento, oh Dio, che questo piede"
"Non piangere, idol mio!"
"Al fato dan legge"
"La commedia è graziosa"
Bella vita militar!
Non vè più tempo, amici
"Di scrivermi ogni giorno"
"Bella vita militar!"
"Dove son?"
"Soave sia il vento"
"Non son cattivo comico"
"Che vita maledetta" - "Madame, ecco la vostra colazione"
"Ah, scostati!"
"Smanie implacabili"
"Signora Dorabella"
"In uomini, in soldati"
"Che silenzio!"
"Alla bella Despinetta"
"Che sussurro! Che strepito!"
"Temerari! Sortite!"
"Come scoglio"
"Ah, non partite"
"Non siate ritrosi"
"E voi ridete?" - "La cagion di quel riso?"
Si può sapere un poco la cagion di quel riso?
"Un'aura amorosa"
"Oh, la saria da ridere!"
"Ah, che tutta in un momento"
"Si mora, sì, si mora"
"Eccovi il medico"
"Dammi un bacio"
"Andate là"
"Una donna a quindici anni"
"Sorella, cosa dici?"
"Prenderò quel brunettino"
"Ah, correte al giardino"
"Secondate, aurette amiche"
"Il tutto deponete"
"La mano a me date"
"Oh che bella giornata!"
"Il cor vi dono"
"Barbara! Perché fuggi?"
"Ah, lo veggio"
"Ei parte... senti... ah no!"
"Per pietà, ben mio, perdona"
"Amico, abbiamo vinto!"
"Donne mie, la fate a tanti"
"In qual fiero contrasto"
"Tradito, schernito"
"Bravo, questa è costanza"
"Ora vedo che siete"
"E amore un ladroncello"
"Come tutto congiura" - "L'abito di Ferrando"
"Fra gli amplessi in pochi istanti"
"Oh poveretto me"
"Tutti accusan le donne"
"Vittoria, padroncini!"
"Fate presto, o cari amici"
"Benedetti i doppi coniugi"
"E nel tuo, nel mio bicchiero"
"Miei signori, tutto è fatto"
"Sani e salvi"
V'ingannai, ma fu l'inganno
"Forunato l'uom che prende"
No. 1. Villanelle
No. 2. Le Spectre de la rose
No. 3. Sur les lagunes
No. 4. Absence
No. 5. Au cimetiere
No. 6. L'Ile inconnue
Mozart: Idomeneo, re di Creta, K.366 - Ouverture
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Quando avran fine omai" - "Padre, germani, addio!" - "Ecco Idamante, ahimè!"(Ilia)
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Radunate i Troiani" - "Non ho colpa, e mi condanni" (Idamante, Ilia)
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Ecco il misero resto de'Troiani"-"Scingete le catene" (Ilia, Idamante)
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Godiam la pace" - "Prence, signor" - "Ma quel pianto" - "Estinto è Idomeneo?" - "Tutte nel cor vi sento" - "Pietà! Numi, pietà!" - "Eccoci salvi alfin" - "Oh voi"
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Vedrommi intorno"-"Cieli!che veggo?"-"Spiagge romite"
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Il padre adorato"
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - Intermezzo: Marcia
Mozart: Idomeneo, re di Creta, K.366 / Act 1 - "Nettuno s'onori"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - Tutto m'è noto (Idomeneo, Arbace)
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - Se il tuo duol, se il mio desio
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Se mai pomposo apparse"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Se il padre perdei"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Qual mi conturba i sensi"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Fuor del mar"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Frettolosa e giuliva Elettra vien"-"Chi mai del mio provò" (Elettra, Idomeneo)
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Idol mio, se ritroso"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Odo da lunge armonioso suono"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Sidonie sponde!"
Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Placido è il mar" - "Soavi Zeffiri" -"Vattene prence" - "Pria di partir, oh Dio!" - "Qual nuovo terrore!" - "Eccoti in me, barbaro Nume!" - "Corriamo, fuggiamo"
Mozart: "Solitudini amiche"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Zeffiretti lusinghieri" - "Ei stesso vien... oh Dei!"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Principessa, a' tuoi sguardi" - "S'io non moro a questi accenti" - "Cieli! che vedo?"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Dunque io me n'andrò" - "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra)
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Sire, alla reggia tua"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Sventurata Sidon!"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Se colà ne' fati è scritto"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Volgi intorno lo sguardo"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "O voto tremendo"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - Marcia
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Accogli, o rè del mar"
Mozart: Idomeneo, re di Creta, K.366 / Appendix - Act 2, scena 3 (fine) - scena 4 - "Frettolosa e giuliva Elettra vien" - "Sire, da Arbace intesi" - "Chi mai del mio provò"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Stupenda vittoria!"-"Qual risuona"-"Sire, il prence"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Padre, mio caro padre"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "No, la morte io non pavento"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - Ma che più tardi
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Ferma, oh sire, che fai?"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Ha vinto Amore"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Oh ciel pietoso!"-"Oh smania! oh furie!"-"D'Oreste, d'Aiace (Idomeneo, Idamante, Ilia, Arbace, Elettra)
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Popoli, a voi l'ultima legge"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Torna la pace al core"
Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Scenda Amor, scenda Imeneo"
Mozart: Ballet Music from "Idomeneo", K.367 - Chaconne - Larghetto - La chaconne, qui reprend - Largo - Allegretto, sempre piano - Più Allegro
Mozart: Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10 - Ferma, oh sire, che fai?
Mozart: Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10 - A Idomeneo perdona
Mozart: Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10 - Ha vinto Amore
Mozart: Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10 - "Oh ciel pietoso!" - "Oh smania! oh furie!"
Mozart: La clemenza di Tito, K.621 - Overture
Mozart: La clemenza di Tito, K.621 / Act 1 - "Ma che? sempre l'istesso"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Come ti piace imponi" - "Fan mille affetti insieme"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Amico, il passo affretta"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Deh se piacer mi vuol"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Amico, ecco il momento"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Deh prendi un dolce amplesso"
Mozart: La clemenza di Tito, K.621 / Act 1 - Marcia
Mozart: La clemenza di Tito, K.621 / Act 1 - "Serbate, oh Dei custodi"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Te della patria il Padre" - "Basta, basta, oh miei fidi"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Serbate, oh Dei custodi"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Adesso, oh Sesto, parla per me"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Del più sublime soglio"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Non ci pentiam"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Ah perdona al primo affetto"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Servilia! Augusta!"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Ah, se fosse intorno al trono"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Felice me!" - "Ancora mi schernisce?"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Parto, ma tu ben mio"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Vedrai, Tito, vedrai"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Vengo... aspettate... Sesto!..."
Mozart: La clemenza di Tito, K.621 / Act 1 - "Oh Dei, che smania è questa"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Deh conservate, oh Dei" - "Sesto!"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Sesto, come tu credi"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Torna di Tito a lato"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Partir deggio, o restar?" - "Sesto! - Che chiedi?"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Se al volto mai ti senti"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Ah, grazie si rendano" - "È tutto colà d'intorno"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Tardi s'avvede"
Mozart: La clemenza di Tito, K.621 / Act 2 - "No, così scellerato" - "Cesare, nol diss'io"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Tu fosti tradito"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Che orror! che tradimento!" - "Ingrato!"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Quello di Tito è il volto!"-"Odimi, oh Sesto"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Deh per questo istante solo"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Dove s'intese mai più contumace infedeltà?" - "Publio. - Cesare."
Mozart: La clemenza di Tito, K.621 / Act 2 - "Se all'impero"
Mozart: La clemenza di Tito, K.621 / Act 2 - Ah, Vitellia!...Ah, principessa!
Mozart: La clemenza di Tito, K.621 / Act 2 - "S'altro che lagrime"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Ecco il punto, oh Vitellia"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Non più di fiori"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Che del ciel, che degli Dei"
Mozart: La clemenza di Tito, K.621 / Act 2 - Sesto, de'tuoi delitti...Ma che giorno è mai questo?
Mozart: La clemenza di Tito, K.621 / Act 2 - "Tu, è ver, m'assolvi, Augusto"
Offenbach: Les Contes d'Hoffmann / Act 1 - Prélude - "Glou, glou, glou! Je suis la bière"
Offenbach: Les Contes d'Hoffmann / Act 1 - "La vérité, dit-on, sortait d'une puits"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Allons! mes enfants"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Voyons: 'Pour Hoffmann'!" - "Dans les rôles d'amoureux langoureux"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Deux heures devant moi!"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Vive Dieu! mes amis, la belle créature!"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Bonjour, amis"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach)
Offenbach: Les Contes d'Hoffmann / Act 1 - "Peuh! cette bière est détestable!"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Et par où votre diablerie"
Offenbach: Les Contes d'Hoffmann / Act 1 - "Je vous dis, moi, qu'un malheur me menace!"
Offenbach: Les Contes d'Hoffmann / Act 2 - Entr'acte
Offenbach: Les Contes d'Hoffmann / Act 2 - "Là, charmante!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Allons! courage et confiance!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Une poupée aux yeux d'émail"
Offenbach: Les Contes d'Hoffmann / Act 2 - "C'est moi, Coppélius"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Je me nomme Coppélius"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Serviteur!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Tout est prêt!"
Offenbach: Les Contes d'Hoffmann / Act 2 - "Non, aucun hôte vraiment"


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