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Anne-Marie Owens
Country: England
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Anne-Marie Owens is among the mezzo-sopranos most in demand in recent years in the British operatic scene. She has sung at opera houses in England, Europe, and America, covering a wide range of mezzo and alto roles. In England, she is primarily associated with the English National Opera. Representative roles in her repertory are: Mary in The Flying Dutchman; all three mezzo parts (La Frugola, The Princess, and Zita) in Puccini's Il Trittico; Dame
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Composers
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Bellini, Vincenzo (2)
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Birtwistle, Harrison (1)
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Bizet, Georges (1)
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Britten, Benjamin (1)
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Bruckner, Anton (1)
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Cimarosa, Domenico (1)
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Dvorák, Antonín (3)
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Mascagni, Pietro (1)
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Offenbach, Jacques (1)
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Picker, Tobias (1)
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Ravel, Maurice (1)
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Rossini, Gioachino (1)
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Saint-Saëns, Camille (1)
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Smyth, Ethel, Dame (1)
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Vaughan Williams, Ralph (2)
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Weir, Judith (1)
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Biography |
by Joseph Stevenson
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| Anne-Marie Owens is among the mezzo-sopranos most in demand in recent years in the British operatic scene. She has sung at opera houses in England, Europe, and America, covering a wide range of mezzo and alto roles. In England, she is primarily associated with the English National Opera. Representative roles in her repertory are: Mary in The Flying Dutchman; all three mezzo parts (La Frugola, The Princess, and Zita) in Puccini's Il Trittico; Dame Quickly in Falstaff; Arnalta in The Coronation of Poppea; and Laura in La Gioconda. She plays the two most witch-like characters in Verdi and Wagner operas, Azucena (Il Trovatore) and Kundry (Parsifal). Owens participated in the recording of Judith Wier's opera Blond Ekbert. |
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