Ann Murray

Biography

Born: August 27, 1949; Dublin, Ireland  
Ann Murray is one of the leading mezzo-sopranos on the international scene. She is not related to the famous Canadian popular music singer with a similar name. The Irish-born singer was educated at the Royal Manchester College of Music, where she studied with Frederic Cox. She bases her career in London, where she sings regularly at the English National Opera and the Royal Opera House, Covent Garden. With the former she has sung Charlotte, Read more Rosina, Beatrice, Xerxes, and Ariodante. At the Royal Opera House she has sung Cherubino, Dorabella, Rosina, Oktavian, and Donna Elvira and has been given roles in the openings of new productions of Ravel's L'Enfant et les Sortiléges; Strauss' Ariadne auf Naxos; Mozart's Idomeneo, Mitridate Rè de Ponto, and Così fan tutte; Rossini's Moses in Egypt; Wagner's Götterdämmerung; and Handel's Alcina and Giulio Cesare.

Other opera houses where she has appeared are the major houses of Hamburg, Dresden, Berlin, Zürich, and Cologne, La Monnaie of Brussels, the Opéra de Paris, the Metropolitan Opera of New York, and the Chicago Lyric Opera. At La Scala in Milan, she has sung Donna Elvira, Sextus, Dorabella, and Cherubino under the baton of Riccardo Muti.

At the end of the century, she was invited to make frequent appearances at the Vienna State Opera, the Bavarian State Opera, and the Salzburg Festival. In one or more of these houses, in addition to several of the roles already mentioned, she was to sing Oktavian (Strauss' Der Rosenkavalier), Nicklaus in Offenbach's Les Contes d'Hoffmann, and the title role of La Cenerentola under such conductors as Maazel, Muti, Levine, Chailly, and Cambreling. She also planned to sing Maria Stuarda for the English National Opera and Alceste for the Netherlands Opera.

She has sung in orchestral concerts with many major orchestras, including the Orchestre de Paris under Rafael Kubelik, the Philadelphia Orchestra under Wolfgang Sawallisch, the Berlin Philharmonic Orchestra under Muti, and the Chicago Symphony Orchestra under Solti. Her concert appearances also include all the major symphony orchestras of the British Isles under many leading conductors, including both the first nights and the last nights of the BBC Promenade Concerts.

She is also an esteemed solo recitalist. She is a founding member of Graham Johnson's organization The Songmakers' Almanac. She has sung at the Aldeburgh, Edinburgh, and Munich Festivals, as well as giving recitals in Paris, Brussels, Geneva, Dresden, Zürich, Frankfurt, Madrid, London, Dublin, and Vienna (both the Konzerthaus and the Musikverein).

She has recorded for Hyperion and other labels in a wide variety of music from her concert and recital repertoire as well as several operas. These include Dido in Purcell's Dido and Aeneas under Harnoncourt, Dorabella under Levine, Cherubino under Muti, Despina under Rattle, Hansel under Colin Davis, Sextus under Harnoncourt, and Donna Elvira under Solti. Her recital recordings include songs of Bizet and Gounod, as well as entries in Graham Johnson's complete Schubert series. Read less

There are 162 Ann Murray recordings available.

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Biography

Born: August 27, 1949; Dublin, Ireland  
Ann Murray is one of the leading mezzo-sopranos on the international scene. She is not related to the famous Canadian popular music singer with a similar name. The Irish-born singer was educated at the Royal Manchester College of Music, where she studied with Frederic Cox. She bases her career in London, where she sings regularly at the English National Opera and the Royal Opera House, Covent Garden. With the former she has sung Charlotte, Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
No. 1, Abschied von Frankreich
No. 2, Nach der Geburt ihres Sohnes
No. 3, An die Königin Elisabeth
No. 4, Abschied von der Welt
No. 5, Gebet
No. 1, Mignon (Kennst du das Land)
No. 2, Ballade des Harfners
No. 3, Nur wer die Sehnsucht kennt
No. 4, Wie nie sein Brot mit Tränen aß
No. 5, Heiß mich nicht reden
No. 6, Wer sich der Einsamkeit ergibt
No. 7, Singet nicht in Trauertönen
No. 8, An die Türen will ich schleichen
No. 9, So lasst mich scheinen, bis ich werde
"Le cerf s'enfuit sous la ramure"
Recit et Romance: "Fontainebleau! Forêt immense.."
Je l'ai vue
Scene et Duo:"Le bruit du cor s'éteint sous l'ombre.."
"Que faites-vous donc?" ... "De quels transports"
Scène et Final: "A celui qui vous vient... L'heure fatale est sonnée"
O chants de fête
"Charles-Quint, l'auguste Empereur"
Au couvent de Saint-Just
Scène et Duo:"Le voilà!..Dieu, tu semas dans nos âmes"
Choeur et Scène: "Sous ces bois au feuillage immense"
"Au palais des fées"
Scene,Terzettino,Dialogué et Romance:"L'infant Carlos"
"Je viens solliciter de la Reine une grâce...O bien perdu...Par quelle douce voix"
Scène et Romance: "Le Roi!..."
O ma chère compagne
Scene et Duo: "Restez!...O Roi! J'arrive de Flandre"
Prelude
Scene: "A minuit, aux jardins de la Reine"
Duo: "C'est vous!"
Trio: "Que dit-il?"
Grand Final: "Ce jour heureux est plein d'allégresse!"
"..En placant sur mon front,...Sire, la dernière heure
"Elle ne m'aime pas!"
Scene: "Le Grand Inquisiteur!...Dans ce beau pays"
Scene et Quartour: "Justice! Sire!...Maudit soit le soupcon infâme"
"Pitié! Pardon pour la femme coupable!"
Ah, je ne verrai plus la Reine.. O don fatal...
C'est moi, Carlos...
C'est mon jour suprême...
Que parles-tu de mort?...
Carlos, écoute... Ah! Je meurs l'âme joyeuse
Emeute:"Mon fils, reprenez votre épée..Ciel!Le tocsin!
Scène et Air: "Toi qui sus le néant des grandeurs de ce monde"
Scène et Duo d'Adieu: "C'est elle!...J'avais fait un beau rêve!...Au revoir dans un monde où la vie est meilleure"
Scene Finale: "Oui, pour toujours!"
1. Prelude et Introduction: "L'hiver est long"
2. Introduction et Chaeur: "Que de fleurs... Pour une nuit me voilà Reine"
3. Le Ballet de la Reine
4. Scene: "J'ai tout compris"
5. Final: "Mon fils, reprenez votre épée...Qui me rendra ce mort?"
6. Final: "Oui, pour toujour... Ah! Sois maudit! Arti- san d'une oeuvre détestée!"
J.S. Bach: Mass in B minor, BWV 232 - Kyrie - Kyrie Eleison
J.S. Bach: Mass in B minor, BWV 232 - Kyrie - Christe eleison
J.S. Bach: Mass in B minor, BWV 232 - Kyrie - Kyrie eleison
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Gloria in excelsis Deo
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Et in terra pax
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Laudamus te
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Gratias agimus tibi
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Domine Deus
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Qui tollis peccata mundi
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Qui sedes ad dexteram Patris
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Quoniam tu solus sanctus
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Cum Sancto Spiritu
J.S. Bach: Mass in B minor, BWV 232 - Credo - Credo in unum Deum
J.S. Bach: Mass in B minor, BWV 232 - Credo - Patrem omnipotentem
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et in unum Dominum
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et incarnatus est
J.S. Bach: Mass in B minor, BWV 232 - Credo - Crucifixus
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et resurrexit
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et in Spiritum Sanctum
J.S. Bach: Mass in B minor, BWV 232 - Credo - Confiteor unum baptisma
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et expecto resurrectionem
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Sanctus
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Osanna in excelsis
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Benedictus
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Osanna in excelsis
J.S. Bach: Mass in B minor, BWV 232 - Agnus Dei - Agnus Dei
J.S. Bach: Mass in B minor, BWV 232 - Agnus Dei - Dona nobis pacem
"Le cerf s'enfuit sous la ramure"
Recit et Romance: "Fontainebleau! Forêt immense.."
Je l'ai vue
Scene et Duo:"Le bruit du cor s'éteint sous l'ombre.."
"Que faites-vous donc?" ... "De quels transports"
Scène et Final: "A celui qui vous vient... L'heure fatale est sonnée"
"Charles-Quint, l'auguste Empereur"
Au couvent de Saint-Just
Scène et Duo:"Le voilà!..Dieu, tu semas dans nos âmes"
Choeur et Scène: "Sous ces bois au feuillage immense"
"Au palais des fées"
Scene,Terzettino,Dialogué et Romance:"L'infant Carlos"
"Je viens solliciter de la Reine une grâce...O bien perdu...Par quelle douce voix"
Scène et Romance: "Le Roi!..."
O ma chère compagne
Scene et Duo: "Restez!...O Roi! J'arrive de Flandre"
Prelude
Scene: "A minuit, aux jardins de la Reine"
Duo: "C'est vous!"
Trio: "Que dit-il?"
Grand Final: "Ce jour heureux est plein d'allégresse!"
"..En placant sur mon front,...Sire, la dernière heure
"Elle ne m'aime pas!"
Scene: "Le Grand Inquisiteur!...Dans ce beau pays"
Scene et Quartour: "Justice! Sire!...Maudit soit le soupcon infâme"
"Pitié! Pardon pour la femme coupable!"
Ah, je ne verrai plus la Reine.. O don fatal...
C'est moi, Carlos...
C'est mon jour suprême...
Que parles-tu de mort?...
Carlos, écoute... Ah! Je meurs l'âme joyeuse
Emeute:"Mon fils, reprenez votre épée..Ciel!Le tocsin!
Scène et Duo d'Adieu: "C'est elle!...J'avais fait un beau rêve!...Au revoir dans un monde où la vie est meilleure"
Scene Finale: "Oui, pour toujours!"
1. Prelude et Introduction: "L'hiver est long"
2. Introduction et Chaeur: "Que de fleurs... Pour une nuit me voilà Reine"
3. Le Ballet de la Reine
4. Scene: "J'ai tout compris"
5. Final: "Mon fils, reprenez votre épée...Qui me rendra ce mort?"
6. Final: "Oui, pour toujour... Ah! Sois maudit! Arti- san d'une oeuvre détestée!"
Component 1: Le Nozze di Figaro: Overture
Le Nozze di Figaro, Act 1: Cinque dieci
Le Nozze di Figaro, Act 1: Cosa stai misurando
Le Nozze di Figaro, Act 1: Se a caso madama
Le Nozze di Figaro, Act 1: Or bene; ascolta e taci!
Le Nozze di Figaro, Act 1: Se vuol ballare
Le Nozze di Figaro, Act 1: Ed aspettaste il giorno fissato alle sue nozze
Le Nozze di Figaro, Act 1: La vendetta
Le Nozze di Figaro, Act 1: Tutto ancor non ho perso
Le Nozze di Figaro, Act 1: Via, resti servita
Le Nozze di Figaro, Act 1: Va là, vecchia pedante
Le Nozze di Figaro, Act 1: Non so più cosa son
Le Nozze di Figaro, Act 1: Ah! Son perduto!
Le Nozze di Figaro, Act 1: Cosa sento!
Le Nozze di Figaro, Act 1: Basilio, in traccia tosto di Figaro volate
Le Nozze di Figaro, Act 1: Giovani liete, firi spargete
Le Nozze di Figaro, Act 1: Cos'è questa commedia?
Le Nozze di Figaro, Act 1: Giovani liete, fiori spargete
Le Nozze di Figaro, Act 1: Evviva!
Le Nozze di Figaro, Act 1: Non più andrai
Le Nozze di Figaro, Act 2: Porgi, amor (Contessa Almaviva)
Le Nozze di Figaro, Act 2: Vieni, cara Susanna
Le Nozze di Figaro, Act 2: Quanto duolmi, Susanna
Le Nozze di Figaro, Act 2: Voi che sapete (Cherubino)
Le Nozze di Figaro, Act 2: Bravo! che bella voce
Le Nozze di Figaro, Act 2: Venite inginocchiatevi
Component 2: Le Nozze di Figaro, Act 2: Quante buffonerie!
Le Nozze di Figaro, Act 2: Che novità!
Le Nozze di Figaro, Act 2: Susanna, or via, sortite
Le Nozze di Figaro, Act 2: Dunque voi non aprite?
Le Nozze di Figaro, Act 2: Aprite, presto, aprite
Le Nozze di Figaro, Act 2: Oh guarda il demonietto come fugge!
Le Nozze di Figaro, Act 2: Tutto è come il lasciai
Le Nozze di Figaro, Act 2: Esci, ormai, garzon malnato
Le Nozze di Figaro, Act 2: Susanna! .......Susanna! ............Signore!
Le Nozze di Figaro, Act 2: Signori, di fuori son già i suonatori
Le Nozze di Figaro, Act 2: Ah! Signor, signor ... Cosa à stato?
Le Nozze di Figaro, Act 2: Voi signor, che giusto siete
Le Nozze di Figaro, Act 3: Che imbarazzo à mai questo!
Le Nozze di Figaro, Act 3: Crudel! perchè finora
Le Nozze di Figaro, Act 3: E perché fosti meco
Le Nozze di Figaro, Act 3: 'Hai già vinta la causa!'
Le Nozze di Figaro, Act 3: Vedrò mentr'io sospiro
Le Nozze di Figaro, Act 3: E decisa la lite
Le Nozze di Figaro, Act 3: Riconosci in quest'amplesso
Le Nozze di Figaro, Act 3: Eccove, oh caro amico
Le Nozze di Figaro, Act 3: Andiam, andiam, bel paggio
Le Nozze di Figaro, Act 3: E Susanna non vien!
Le Nozze di Figaro, Act 3: Dove sono (Contessa Almaviva)
Le Nozze di Figaro, Act 3: Io vi dico, signor
Le Nozze di Figaro, Act 3: Cosa mi narri?
Le Nozze di Figaro, Act 3: Sull'aria (Contessa Almaviva/Susanna)
Le Nozze di Figaro, Act 3: Piegato à il foglio
Component 3: Le Nozze di Figaro, Act 3: Ricevete o padroncina
Le Nozze di Figaro, Act 3: Queste sono, Madama
Le Nozze di Figaro, Act 3: Ecco la marcia (Wedding March)
Le Nozze di Figaro, Act 3: Amanti costanti
Le Nozze di Figaro, Act 4: L'ho perduta
Le Nozze di Figaro, Act 4: Barbarina cos' hai?
Le Nozze di Figaro, Act 4: Presto avvertiam Susanna
Le Nozze di Figaro, Act 4: Il capro e la capretta
Le Nozze di Figaro, Act 4: Nel padiglione a manca
Le Nozze di Figaro, Act 4: Ha i diavoli nel corpo
Le Nozze di Figaro, Act 4: In quegli anni
Le Nozze di Figaro, Act 4: Tutto è disposto
Le Nozze di Figaro, Act 4: Aprite un po' quegl'occhi
Le Nozze di Figaro, Act 4: Signora, ella mi disse che Figaro verravi
Le Nozze di Figaro, Act 4: Giunse alfin il momento
Le Nozze di Figaro, Act 4: Deh vieni, non tardar (Susanna)
Le Nozze di Figaro, Act 4: Perfida! E in quella forma meco mentia?
Le Nozze di Figaro, Act 4: Pian pianin
Le Nozze di Figaro, Act 4: Partito è alfin l'audace
Le Nozze di Figaro, Act 4: Tutto à tranquillo e placido
Le Nozze di Figaro, Act 4: Pace, pace, mio dolce tesoro!
Le Nozze di Figaro, Act 4: Gente, gente, all'armi, all'armi
Music To Hear
Full Fadom Five
Spring (When Dasies Pied)
Overture
"Notte e giorno faticar"
"Leporello, ove sei?"
Ma qual mai s'offre, o Dei
"Orsù, spicciati presto"
"Ah! chi mi dice mai" - "Udisti? qualche bella"
"Chi è là?"
"Madamina, il catalogo è questo"
"Giovinette, che fate all'amore"
"Manco male, è partita"
"Ho capito, signor sì!"
"Alfin siam liberati"
"Là ci darem la mano"
"Fermati, scellerato!"
"Ah, fuggi il traditor"
"Mi par ch'oggi il demonio si diverta"
"Non ti fidar, o misera"
"Don Ottavio... son morta!"
"Or sai chi l'onore"
"Come mai creder deggio"
"Io deggio ad ogni patto"
"Masetto... senti un po'..."
"Fin ch'han dal vino"
"Batti, batti, o bel Masetto"
"Guarda un po' come seppe questa strega"
"Presto, presto... pria ch'ei venga"
"Bisogna aver corragio"
"Protegga il giusto cielo"
"Riposate, vezzose ragazze"
"Venite pur avanti"
"Ecco il birbo che t'ha offesa"
"Eh via, buffone, non mi seccar"
"Leporello!"
"Ah! taci, ingiusto core"
"Amico, che ti par?"
"Deh! vieni alla finestra"
"V'è gente alla finestra"
"Metà di voi qua vadano"
"Zitto... Lascia ch'io senta... Ottimamente"
"Vedrai, carino"
"Di molte faci il lume"
"Sola, sola in buio loco"
Mille torbidi pensieri
"Dunque quello sei tu"
"Ferma, perfido; ferma"
"Il mio tesoro intanto"
In quali eccessi, o numi
"Mi tradì quell'alma ingrata" (K540c, Aria)
"Ah! ah! ah! questa è buona!"
"O statua gentilissima"
"Calmatevi, idol mio"
"Crudele? Ah no! mio bene!"
"Già la mensa è preparata"
"L'ultima prova"
"Don Giovanni, a cenar teco m'invitasti"
"Ah! dov'è il perfido?"
"Questo è il fin di chi fa mal!"
Mozart: Die Zauberflöte, K.620 - Overture
Mozart: Die Zauberflöte, K.620 / Act 1 - "Zu Hilfe! Zu Hilfe!" - Dialog "Wo bin ich?"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Der Vogelfänger bin ich ja"
Mozart: Die Zauberflöte, K.620 / Act 1 - Dialog "He da!"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Dies Bildnis ist bezaubernd schön"
Mozart: Die Zauberflöte, K.620 / Act 1 - Dialog "Rüste dich mit Mut und Standhaftigkeit"
Mozart: Die Zauberflöte, K.620 / Act 1 - "O zittre nicht" - Dialog "Betäuben mich meine Sinne?"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Hm! hm! hm! hm!"
Mozart: Die Zauberflöte, K.620 / Act 1 - Dialog "Haha... Pst... Was soll denn das Lachen?"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Du feines Täubchen, nur herein"
Mozart: Die Zauberflöte, K.620 / Act 1 - Dialog "Mutter! Mutter!... Bin ich nicht ein Narr"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Bei Männern, welche Liebe fühlen"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Zum Ziele führt dich diese Bahn"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Die Weisheitslehre dieser Knaben"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Wo willst du kühner Fremdling hin?"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Wie stark ist nicht dein Zauberton"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Schnelle Füße, rascher Mut"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Es lebe Sarastro! Sarastro lebe!"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Herr, ich bin zwar Verbrecherin"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Wenn Tugend und Gerechtigkeit"
Mozart: Die Zauberflöte, K.620 / Act 2 - Marsch der Priester
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Ihr, eingeweihte Diener" - Der dreimalige Akkord: Dialog "Sarastro dankt euch"
Mozart: Die Zauberflöte, K.620 / Act 2 - "O Isis und Osiris"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Papageno! Wo denkst du, daß wir uns befinden?"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Bewahret euch vor Weibertücken" - Dialog "He, Lichter her!"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Wie? Wie? Wie?"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Heil dir, Jüngling"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Alles fühlt der Liebe Freuden"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Zurück!"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Der Hölle Rache kocht in meinem Herzen"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Morden soll ich?"
Mozart: Die Zauberflöte, K.620 / Act 2 - "In diesen heil'gen Hallen"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Hier seid ihr euch beide allein überlassen"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Seid uns zum zweiten Mal willkommen"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Tamino, wollen wir nicht speisen?"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Ach, ich fühl's"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Nicht wahr, Tamino"
Mozart: Die Zauberflöte, K.620 / Act 2 - "O Isis und Osiris, welche Wonne!"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Prinz, dein Betragen"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Soll ich dich, Teurer, nicht mehr sehn?"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Tamino! Willst du mich denn"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Ein Mädchen oder Weibchen"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Da bin ich schon, mein Engel"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Bald prangt, den Morgen zu verkünden"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Der, welcher wandelt diese Straße voll Beschwerden"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Wir wandelten durch Feuersgluten"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Papagena! Papagena!"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Nur stille, stille" - "Die Strahlen der Sonne"
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile - Andante moderato
IV. Finale: Presto - Allegro assai
Magnificat in D, BWV 243: I. Magnificat
Magnificat in D, BWV 243: II. Et exultavit
Magnificat in D, BWV 243: III. Quia respexit
Magnificat in D, BWV 243: IV. Omnes generationes
Magnificat in D, BWV 243: V. Quia fecit mihi magna
Magnificat in D, BWV 243: VI. Et misericordia
Magnificat in D, BWV 243: VII. Fecit potentiam
Magnificat in D, BWV 243: VIII. Deposuit potentes
Magnificat in D, BWV 243: IX. Esurientes implevit bonis
Magnificat in D, BWV 243: X. Suscepit Israel
Magnificat in D, BWV 243: XI. Sicut locutus est
Magnificat in D, BWV 243: XII. Gloria
Gloria in D, RV 589: I. Gloria in excelsis Deo
Gloria in D, RV 589: II. Et in terra pax hominibus
Gloria in D, RV 589: III. Laudamus te
Gloria in D, RV 589: IV. Gratias agimus
Gloria in D, RV 589: V. Propter magnam gloriam
Gloria in D, RV 589: VI. Domine Deus
Gloria in D, RV 589: VII. Domine Fili unigenite
Gloria in D, RV 589: VIII. Domine Deus, Agnus Dei
Gloria in D, RV 589: IX. Qui tollis peccata mundi
Gloria in D, RV 589: X. Qui sedes ad dexteram
Gloria in D, RV 589: XI. Quoniam tu solus sanctus
Gloria in D, RV 589: XII. Cum Sancto Spiritu
Symphony No. 4 in G: I. Heiter, bedächtig. Nicht eilen
Symphony No. 4 in G: II. In gemächlicher Bewegung. Ohne Hast
Symphony No. 4 in G: III. Ruhevoll
Symphony No. 4 in G: IV. Sehr behaglich [with soprano solo]
Les Contes d'Hoffmann, Act I (Prologue): Prelude et Introduction - Glou, glou, glou (Chorus)
Les Contes d'Hoffmann, Act I (Prologue): La verité dit-on (Chorus)
Les Contes d'Hoffmann, Act I (Prologue): Le conseilleur Lindorf, morbleu! (Lindorf, Nicklausse, Andres)
Les Contes d'Hoffmann, Act I (Prologue): Voyons "Pour Hoffmann" Bon! (Lindorf)
Les Contes d'Hoffmann, Act I (Prologue): L'entr'acte commence ...(Luther, Chorus, Hermann, Nathanaël)
Les Contes d'Hoffmann, Act I (Prologue): Vive Dieu! mes amis...(Nathanaël, Chorus, Hermann, Lindorf, Luther, Hoffmann, Nicklausse)
Les Contes d'Hoffmann, Act I (Prologue): Notte e giorno mal dormire...Il était une fois à la cour d'Eisenach (Nicklausse,Hoffmann,Herman,Nathanaël,Chorus)
Les Contes d'Hoffmann, Act I (Prologue): A la bonne heure au moins!...(Nicklausse, Hoffmann, Hermann, Lindorf, Chorus)
Les Contes d'Hoffmann, Act I (Prologue): Je vous dit, moi, qu'un malheur ma menace (Hoffmann, Lindorf, Nathanaël, Hermann, Chorus, Nicklausse, Luther)
Les Contes d'Hoffmann, Act II: Là! dors en paix (Spalanzani, Hoffmann, Cochenille)
Les Contes d'Hoffmann, Act II: Allons! courage et confiance (Hoffmann, Nicklausse)
Les Contes d'Hoffmann, Act II: Voyez-la sous son éventail (Nicklausse, Hoffman)
Les Contes d'Hoffmann, Act II: C'est moi, Coppelius (Coppelius, Nicklausse, Hoffman)
Les Contes d'Hoffmann, Act II: Servitueur ...Monsier, je vous jure qu'ils sont noir (Hoffmann, Coppelius, Nicklausse)
Les Contes d'Hoffmann, Act II: Hein! Vous? Ce cher maître!... (Spalanzani, Coppelius, Hoffmann, Cochenile)
Les Contes d'Hoffmann, Act II: Non aucun hôte vraiment (Chorus, Spalanzani, Nicklausse, Hoffmann, Cochenille, Voix de Basse)
Les Contes d'Hoffmann, Act II: Les oiseaux dans la charmille (Olympia/Choeurs)
4 Duets Op. 61: Die Schwestern (wds. Mörike) Op.61 No.1
4 Duets Op. 61: Klosterfräulein (wds. Kerner) Op.61 No.2
4 Duets Op. 61: Phänomen (from Goethe) Op.61 No.3
4 Duets Op. 61: Die Boten der Liebe (trad Czech trans Wenzig) Op.61 No.4
2 Duos Op. 11: La nuit (wds. T. de Banville) Op.11 No.1
2 Duos Op. 11: Le réveil (wds. H. Balzac) Op.11 No.2
2 Ballads: Mother Comfort (wds. M. Slater)
2 Ballads: Mother Comfort (wds. M. Slater)
Mass No. 13 in B flat major Hob. XXII:13, "Schöpfungmesse": Kyrie
Mass No. 13 in B flat major Hob. XXII:13, "Schöpfungmesse", Gloria: Gloria in excelsis Deo
Mass No. 13 in B flat major Hob. XXII:13, "Schöpfungmesse", Gloria: Quoniam to solus sanctus
Mass No. 13 in B flat major Hob. XXII:13, "Schöpfungmesse", Credo: Credo in unum Deum
Mass No. 13 in B flat major Hob. XXII:13, "Schöpfungmesse", Credo: Et incarnatus est
Mass No. 13 in B flat major Hob. XXII:13, "Schöpfungmesse", Credo: Et resurrexit
Mass No. 13 in B flat major Hob. XXII:13, "Schöpfungmesse": Sanctus
Mass No. 13 in B flat major Hob. XXII:13, "Schöpfungmesse": Benedictus
Mass No. 13 in B flat major Hob. XXII:13, "Schöpfungmesse", Agnus Dei: Agnus Dei
Mass No. 13 in B flat major Hob. XXII:13, "Schöpfungmesse", Agnus Dei: Dona nobis pacem
Prologue - In May, in brilliant Athens
My lost and dazzled eyes
Venus resigned her altar to my new Lord
Phaedra in all her madness stands before you
The wife of Theseus loves Hippolytus
Oh Gods of wrath
Death to the unhappy's no catastrophe
My time's too short, your highness
Chills already dart along my boiling veins
Kyrie
Gloria: Gloria in excelsis Deo -
Gloria: Qui tollis peccata mundi -
Gloria: Quoniam tu solus sanctus -
Gloria: Cum Sancto Spiritu
Credo: Credo in unum Deum -
Credo: Et incarnatus est -
Credo: Et resurrexit
Sanctus
Benedictus
Agnus Dei: Agnus Dei, qui tollis peccata mundi -
Agnus Dei: Dona nobis pacem
Beethoven: 25 Irish Songs, WoO 152 - No.1 The Return to Ulster (Walter Scott)
Beethoven: 25 Irish Songs, WoO 152 - No.7 His boat comes on the sunny tide (J. Baillie)
Beethoven: 25 Irish Songs, WoO 152 - No.4 The morning air plays on my face (J. Baillie)
Beethoven: 25 Irish Songs, WoO 152 - No.2 Sweet power of song (J. Baillie)
Beethoven: 25 Irish Songs, WoO 152 - No.5 On the Massacre of Glencoe (Walter Scott)
Beethoven: 25 Irish Songs, WoO 152 - No.10 The Deserter (J.P. Curran)
Beethoven: 25 Irish Songs, WoO 152 - No.12 English Bulls
Beethoven: 25 Irish Songs, WoO 152 - No.6 What shall I do to shew how much I love her
Beethoven: 25 Irish Songs, WoO 152 - No.21 Morning a cruel Turmoiler is (A. Boswell)
Beethoven: 25 Irish Songs, WoO 152 - No.3 Once more I hail thee (R. Burns)
Beethoven: 25 Irish Songs, WoO 152 - No.8 Come draw we round a cheerful ring (J. Baillie)
Beethoven: 25 Irish Songs, WoO 152 - No.9 The Soldier's Dream (Th. Campbell)
Beethoven: 25 Irish Songs, WoO 152 - No.18 They bid me slight my Dermot dear (W. Smyth)
Beethoven: 25 Irish Songs, WoO 152 - No.13 Musing on the roaring ocean (R. Burns)
Beethoven: 25 Irish Songs, WoO 152 - No.14 Dermot and Shelah (T. Toms)
Beethoven: 25 Irish Songs, WoO 152 - No.25 Oh harp of Erin (D. Thomson)
Beethoven: 25 Irish Songs, WoO 152 - No.22 From Garyone, my happy home (T. Toms)
Beethoven: 25 Irish Songs, WoO 152 - No.11 Thou emblem of faith (J.P. Curran)
Beethoven: 25 Irish Songs, WoO 152 - No.15 Let brainspinning swains (A. Boswell)
Beethoven: 25 Irish Songs, WoO 152 - No.16 Hide not thy anguish (W. Smyth)
Beethoven: 25 Irish Songs, WoO 152 - No.19 Wife, Children and Friends (W.R. Spencer)
Beethoven: 25 Irish Songs, WoO 152 - No.17 In vain to this desert (Mrs. Grant/R. Burns)
Beethoven: 25 Irish Songs, WoO 152 - No.23 The wand'ring gypsy (Dr. Wolcot)
Beethoven: 25 Irish Songs, WoO 152 - No.20 Farewell bliss and farewell Nancy (Mrs. Grant)
Beethoven: 25 Irish Songs, WoO 152 - No.24 The Traugh welcome
Beethoven: 12 Irish Songs, WoO 154 - No.2 Oh harp of Erin (D. Thomson)
Beethoven: 12 Irish Songs, WoO 154 - No.12 He promis'd me at parting (W. Smith)
Beethoven: 12 Irish Songs, WoO 154 - No.4 The pulse of an Irishman (A. Boswell)
Beethoven: 12 Irish Songs, WoO 154 - No.3 The Farewell Song (W. Smyth)
Beethoven: 12 Irish Songs, WoO 154 - No.8 Save me from the grave and wise (W. Smyth)
Beethoven: 12 Irish Songs, WoO 154 - No.9 Oh! would I were but that sweet linnet (W. Smyth)
Beethoven: 12 Irish Songs, WoO 154 - No.10 The hero may perish his country (W. Smith)
Beethoven: 12 Irish Songs, WoO 154 - No.6 Put round the bright wine (W. Smith)
Beethoven: 12 Irish Songs, WoO 154 - No.5 Oh! who, my dear Dermot (W. Smyth)
Beethoven: 12 Irish Songs, WoO 154 - No.7 From Garyone, my happy home (T. Toms)
Beethoven: 12 Irish Songs, WoO 154 - No.11 The soldier in a foreign land (J. Baillie)
Beethoven: 12 Irish Songs, WoO 154 - No.1 The Elfin Fairies (D. Thomson)
Beethoven: Verschiedene Volkslieder WoO 157 - 1. God save the King (H. Carey)
Beethoven: Verschiedene Volkslieder WoO 157 - 2. The Soldier (W. Smyth)
Beethoven: Verschiedene Volkslieder WoO 157 - 3. Charlie is my darling
Beethoven: Verschiedene Volkslieder WoO 157 - 4. O sanctissima
Beethoven: Verschiedene Volkslieder WoO 157 - 5. The Miller of Dee
Beethoven: Verschiedene Volkslieder WoO 157 - 6. A health to the brave (J. Dovaston)
Beethoven: Verschiedene Volkslieder WoO 157 - 9. Highlander's Lament (r.Burns)
Beethoven: Verschiedene Volkslieder WoO 157 - 8. By the side of the Shannon (W. Smyth)
Beethoven: Verschiedene Volkslieder WoO 157 - 11. The Wandering Minstrel (W.Smyth)
Beethoven: Verschiedene Volkslieder WoO 157 - 10. Sir Johnnie Cope
Beethoven: Verschiedene Volkslieder WoO 157 - 7. Robin Adair
Beethoven: Verschiedene Volkslieder WoO 157 - 12. La gondoletta
Ia. Invocation
Ib. Kaddish 1
IIa. Din Torah
IIb. Kaddish 2
IIIa. Scherzo
IIIb. Kaddish 3
IIIc. Finale
Lieder aus 'Des Knaben Wunderhorn': Das irdische Leben
Lieder aus 'Des Knaben Wunderhorn': Das irdische Leben
Lieder aus 'Des Knaben Wunderhorn': Verlor'ne Müh'
Lieder aus 'Des Knaben Wunderhorn': Verlor'ne Müh'


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