Ann Monoyios

Biography

Born: October 28, 1949; Middletown, CT  
Soprano Ann Monoyios is a versatile singer who has performed repertory from the early Baroque to the twentieth century. She is best known for her participation in "original" or "period" style performance with such artists as Gustav Leonhardt, Franz Brüggen, Christopher Hogwood, John Eliot Gardiner, William Christie, Philippe Herreweghe, and Reinhard Goebel. She has also toured with Canada's leading period music organization, Read more Tafelmusik.

She has recorded for Deutsche Grammophon, Erato, Deutsche Harmonia Mundi, CBC Records, EMI, and Sony in works including Bach's St. Matthew Passion, Monteverdi's Vespers of 1610 and Johann Christian Bach's Endimione; the latter won the Echo Klassik Best Record of the Year 2000 award for seventeenth- and eighteenth-century opera. Read less

Biography

Born: October 28, 1949; Middletown, CT  
Soprano Ann Monoyios is a versatile singer who has performed repertory from the early Baroque to the twentieth century. She is best known for her participation in "original" or "period" style performance with such artists as Gustav Leonhardt, Franz Brüggen, Christopher Hogwood, John Eliot Gardiner, William Christie, Philippe Herreweghe, and Reinhard Goebel. She has also toured with Canada's leading period music organization, Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Monteverdi: Vespro della Beata Vergine - Domine ad adiuvandum a 6
Monteverdi: Vespro della Beata Vergine - Dixit Dominus a 6
Monteverdi: Vespro della Beata Vergine - Nigra sum a 1
Monteverdi: Vespro della Beata Vergine - Laudate, pueri Dominum a 8
Monteverdi: Vespro della Beata Vergine - Pulchra es a 2
Monteverdi: Vespro della Beata Vergine - Laetatus sum a 6
Monteverdi: Vespro della Beata Vergine - Duo seraphim a 3
Monteverdi: Vespro della Beata Vergine - Nisi Dominus a 10
Monteverdi: Vespro della Beata Vergine - Audi coelum a 8
Monteverdi: Vespro della Beata Vergine - Lauda Jerusalem a 7
Monteverdi: Vespro della Beata Vergine - Sonata sopra Sancta Maria a 1
Monteverdi: Vespro della Beata Vergine - Ave maris stella a 8
Monteverdi: Vespro della Beata Vergine - Magnificat I a 7
Monteverdi: Vespro della Beata Vergine - Magnificat II a 6
J.S. Bach: Cantata "Christen, ätzet diesen Tag", BWV 63 - Chorus: Christen, ätzet diesen Tag
J.S. Bach: Cantata "Christen, ätzet diesen Tag", BWV 63 - Recitativo: o sel'ger Tag
J.S. Bach: Cantata "Christen, ätzet diesen Tag", BWV 63 - Aria: Gott, Du hast es wohl gefüget
J.S. Bach: Cantata "Christen, ätzet diesen Tag", BWV 63 - Recitativo: So kehret sich nun heut das bange Leid
J.S. Bach: Cantata "Christen, ätzet diesen Tag", BWV 63 - Ruft und fleht den Himmel an
J.S. Bach: Cantata "Christen, ätzet diesen Tag", BWV 63 - Recitativo: Verdoppelt euch demnach, ihr heissen
J.S. Bach: Cantata "Christen, ätzet diesen Tag", BWV 63 - Chorus: Höchster, schau in Gnaden an
J.S. Bach: Cantata "Sehet, welch eine Liebe", BWV 64 - Chorus: Sehet, welch eine Liebe
J.S. Bach: Cantata "Sehet, welch eine Liebe", BWV 64 - Chorale: Das hat er alles uns getan
J.S. Bach: Cantata "Sehet, welch eine Liebe", BWV 64 - Recitativo: Geh' Welt! behalte nur das Deine (Alto)
J.S. Bach: Cantata "Sehet, welch eine Liebe", BWV 64 - Chorale: Was frag' ich nach der Welt
J.S. Bach: Cantata "Sehet, welch eine Liebe", BWV 64 - Aria: Was die Welt in sich hält (Soprano)
J.S. Bach: Cantata "Sehet, welch eine Liebe", BWV 64 - Recitativo: Der Himmel bleibet mir gewiß (Basso)
J.S. Bach: Cantata "Sehet, welch eine Liebe", BWV 64 - Aria: Von der Welt verlang ich nichts (Alto)
J.S. Bach: Cantata "Sehet, welch eine Liebe", BWV 64 - Chorale: Gute Nacht, o Wesen
J.S. Bach: Cantata "Christum wir sollen loben schon", BWV 121 - Chorus: Christum wir sollen loben schon
J.S. Bach: Cantata "Christum wir sollen loben schon", BWV 121 - Aria: O du von Gott erhöhte Kreatur (Tenor)
J.S. Bach: Cantata "Christum wir sollen loben schon", BWV 121 - Recitativo: Der Gnade unermesslich's Wesen (Alto)
J.S. Bach: Cantata "Christum wir sollen loben schon", BWV 121 - Aria: Johannis freudenvolles Springen (Basso)
J.S. Bach: Cantata "Christum wir sollen loben schon", BWV 121 - Recitativo: Doch wie erblickt es Dich (Soprano)
J.S. Bach: Cantata "Christum wir sollen loben schon", BWV 121 - Chorale: Lob, Ehr' und Dank sei dir gesagt
Monteverdi: Vespro della Beata Vergine - Domine ad adiuvandum a 6
Monteverdi: Vespro della Beata Vergine - Dixit Dominus a 6
Monteverdi: Vespro della Beata Vergine - Nigra sum a 1
Monteverdi: Vespro della Beata Vergine - Laudate, pueri Dominum a 8
Monteverdi: Vespro della Beata Vergine - Pulchra es a 2
Monteverdi: Vespro della Beata Vergine - Laetatus sum a 6
Monteverdi: Vespro della Beata Vergine - Duo seraphim a 3
Monteverdi: Vespro della Beata Vergine - Nisi Dominus a 10
Monteverdi: Vespro della Beata Vergine - Audi coelum a 8
Monteverdi: Vespro della Beata Vergine - Lauda Jerusalem a 7
Monteverdi: Vespro della Beata Vergine - Sonata sopra Sancta Maria a 1
Monteverdi: Vespro della Beata Vergine - Ave maris stella a 8
Monteverdi: Vespro della Beata Vergine - Magnificat I a 7
Monteverdi: Vespro della Beata Vergine - Magnificat II a 6
Choral: Ein Lammlein geht und tragt die Schuld
Recitative: Und es begab sich (Evangelist, Jesus)
Aria: Erfullt mit gottlich ernsten Freuden (Bass)
Recitative: Da versammleten sich die Hohenpriester (Evangelist)
Chorus: Ja nicht auf das Fest
Recitative: Da nun Jesus war zu Bethanien (Evangelist)
Chorus: Wozu dienet dieser Unrat
Recitative: Da das Jesus merkte ... (Evangelist, Jesus, Judas)
Aria: Abscheulichste der Missetaten (Tenor)
Recitative: Aber am ersten Tage der sussen Brot (Evangelist)
Chorus: Wo willst du, dass wir dir bereiten
Recitative: Er sprach: Gehet hin in die Stadt (Evangelist, Jesus)
Chorus: Herr, bin ich's?
Choral: Ich bin's, ich sollte bussen
Recitative: Er antwortet' und sprach (Evangelist, Jesus, Judas)
Accompagnato: Mensch sieh, wie sehr dein Gott dich liebt (Soprano)
Recitative: Und da sie den Lobgesang ... (Evangelist, Jesus, Petrus)
Choral: Lass mich dein sein und bleiben
Recitative: Und er kam zu seinen Jungern (Evangelist, Jesus)
Aria: Gott, wie Wasser ausgeschuttet (Soprano)
Recitative: Und er kam und fand sie aber schlafend (Evangelist, Jesus)
Choral: Ich folge dir durch Tod und Leid
Recitative: Und als er noch redet' (Evangelist, Judas, Jesus)
Accompagnato: Bei dem unmenschlichsten (Tenor)
Recitative: Da traten sie hinzu (Evangelist, Jesus)
Choral: Sei getreu in deinem Glauben
Recitative: Die aber Jesus gegriffen hatten (Evangelist)
Arioso: Er hat gesagt
Recitative: Und der Hohepriester stund auf (Evangelist, Hoherpriester, Jesus)
Choral: Du bist Gott und heissest gut
Recitative: Doch sage ich euch (Jesus)
Aria: Seid getreu, ihr wen'gen Frommen (Bass)
Recitative: Da zerriss der Hohepriester ... (Evangelist, Hoherpriester)
Chorus: Er ist des Todes schuldig
Recitative: Da speieten sie aus in sein Angesicht (Evangelist)
Chorus: Weissage uns, Christe
Choral: Du, ach du hast ausgestanden
Recitative: Petrus aber sass draussen im Palast (Evangelist, 2 Magde, Petrus)
Chorus: Wahrlich, du bist auch einer
Recitative: Da hub er an, sich zu verfluchen (Evangelist, Petrus)
Aria: Ich weine mit in seine Zahren (Soprano, Bass)
Choral: Ach Herr, mein Gott
Choral: Mein Lebetage will ich dich
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.1 Chorus I/II: "Kommt, ihr Töchter, helft mir klagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.2 Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.3 Choral: "Herzliebster Jesu, was hast du verbrochen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.5 Recitative (Alto): "Du lieber Heiland du"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.6 Aria (Alto): "Buss und Reu"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.7 Evangelist, Judas: "Da ging hin der Zwölfen einer"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.8 Aria (Soprano): "Blute nur, du liebes Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.10 Choral: "Ich bin's, ich sollte büssen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.12 Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.13 Aria (Soprano): "Ich will dir mein Herz schenken"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.15 Choral: "Erkenne mich, mein Hüter"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.16 Evangelist, Jesus, Petrus: "Petrus aber antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.17 Choral: "Ich will hier bei dir stehen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.21 Evangelist, Jesus: "Und ging hin ein wenig"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.23 Aria (Bass): "Gerne will ich mich bequemen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.24 Evangelist, Jesus: "Und er kam zu seinen Jüngern"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.25 Choral: "Was mein Gott will, das g'scheh allzeit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.28 Evangelist, Jesus: "Und siehe, einer aus denen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.29 Choral: "O Mensch, bewein dein Sünde groß"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.31 Evangelist: "Die aber Jesum gegriffen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.32 Choral: "Mir hat die Welt trüglich gericht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.35 Aria (Tenor): "Geduld"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.37 Choral: "Wer hat dich so geschlagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.39 Aria (Alto): "Erbarme dich"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.40 Choral: "Bin ich gleich von dir gewichen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.42 Aria (Bass): "Gebt mir meinen Jesum wieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.44 Choral: "Befiehl du deine Wege"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.46 Choral: "Wie wunderbarlich ist doch diese Strafe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.47 Evangelist, Pilatus: "Der Landpfleger sagte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.48 Recitative (Soprano): "Er hat uns allen wohl getan"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.49 Aria (Soprano): "Aus Liebe will mein Heiland sterben"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.51 Recitative (Alto): "Erbarm es Gott"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.52 Aria (Alto): "Können Tränen meiner Wangen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.54 Choral: "O Haupt voll Blut und Wunden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.55 Evangelist: "Und da sie ihn verspottet hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.56 Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.57 Aria (Bass): "Komm, süsses Kreuz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.59 Recitative (Alto): "Ach Golgatha"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand" - "Wohin?"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an" - "Der rufet dem Elias" - "Und bald lief" - "Halt!" - "Aber Jesus schriee abermal"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.62 Choral: "Wenn ich einmal soll scheiden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.64 Recitative (Bass): "Am Abend, da es kühle war"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.65 Aria (Bass): "Mache dich, mein Herze, rein"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.66 Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.67 Recitative (Soprano,Alto,Tenor,Bass,Chorus II): "Nun ist der Herr zur Ruh gebracht" - "Mein Jesu, gute Nacht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
First Music
Second Music
Overture
First Act Tune
Prelude - "Great Diocles the Boar has kill'd" - "Sing Iô's! praise the thund'ring Jove"
"Charon the peaceful Shade invites"
Symphony
"Let all mankind the pleasure share" - "Sound all your instruments"
"Let all mankind the pleasure share"
Prelude - "Let the soldiers rejoice" - "Rejoice, rejoice, with a general voice"
Ritornello
"To Mars let 'em raise" - "Rejoice, rejoice, with a general voice"
Ritornello
Symphony - "Since the toils and the hazards" - "All sing great Diocles' story"
Dances of Furies
Second Act Tune
Chaconne
"When first I saw"
The Chair Dance
Prelude - "What shall I do"
Third Act Tune
Butterfly Dance
Trumpet Tune
"Sound, Fame, thy brazen trumpet sound!" - "Let all rehearse"
Fourth Act Tune
Country Dance
Prelude - "Call the Nymphs"
"Let the Graces and Pleasures repair"
"Come, come away"
Prelude - "Behold, O mightiest of Gods"
Paspe
"Oh the sweet delights of love!"
"Let monarchs fight" - "Hear, mighty Love!"
"Since from my dear Astraea's sight"
"Make room, make room"
"I'm here, I'm here, with my jolly crew" - "We'll rejoice as well as you" - "The mighty Jove"
Dance of Bacchanals
"Still I'm wishing, still desiring"
Canaries
"Tell me why"
Dance
"All our days and our nights" - "Begone, begone, importunate reason"
"Let us dance, let us sing"
Dance
"Triumph, triumph victorious Love" - "Then all rehearse"
Overture
No.1 Duet "Hark! How the songsters of the grove"
No.2 Solo "Love in their little veins inspires"
No.3 Trio "But ah! how much are our delights"
Nos.4&5 Solo&Chorus "Hence with your trifling deity" - "But over us no griefs prevail"
Nos.6&7 Solo&Chorus "Come all, come all to me" - "Who can resist such mighty charms?"
No.8 Solo "Return, revolting rebels"
No.9 Solo "The cares of lovers"
No.10 Solo "Love quickly is pall'd"
No.11&12 Duet&Chorus "Come, let us agree"
Curtain Tune on a Ground
Part I: Sinfonia: Largo
Part I: Di doni celesti la Grazia diletta (Chorus)
Part I: Recitative: Peccai, mio Dio, peccai (Peccatore contrito)
Part I: Aria: Spargi in me (Peccatore contrito)
Part I: Recitative: Giunse al trono soprano (La Misericordia)
Part I: Aria: Se dolente un di si pente (La Misericordia)
Part I: Recitative: Vieni, La Grazia, io sono (La Grazia)
Part I: Aria: Corre alonda, chel'alletta (La Grazia)
Part I: Recitative: S'egli e ver (Peccatore ostinato)
Part I: Aria: Stringe il nume le irate saette (Peccatore ostinato)
Part I: Recitative: Taci, taci, alma ingrata (La Misericordia)
Part I: Aria: Dio pietoso, Dio clemente (La Giustizia)
Part I: Recitative: No, non temer (Demonio)
Part I: Aria: Puoi peccar quanto tu vuoi (Demonio)
Part I: Recitativo accompagnato: O di spirto rubello arte mali gna e real (Peccatore contrito)
Part I: Aria: Non t'amo per il ciel (Peccatore contrito)
Part I: Recitative: Se ugualmente cortese (Peccatore ostinato)
Part I: Aria: No, la Grazia non ti manca (La Misericordia)
Part II: Recitative: Contrito peccatore (Peccatore ostinato)
Part II: Duetto: Contro di me favella la colpa (Peccatore contrito)
Part II: Recitativo accompagnato: Signor, per quel tuo sangue (La Misericordia)
Part II: Aria: So, che piace a gli occhi tuoi (La Misericordia)
Part II: Recitative: Ci accolse iddio (Peccatore contrito)
Part II: Di salute e purita questo e'l fonte (Chorus)
1. Kyrie
2. Gloria in excelcis
3. Domine Deus
4. Qui tollis peccata
5. Quoniam tu solus sanctus
6. Cum sancto Spiritu
1. Chorus: Schmücke dich, o liebe Seele
2. Aria: Ermuntre dich, dein Heiland klopft
3. Recitative and Chorale:Wie teuer sind des heiligen Mahles Gaben
4. Recitative: Mein Herz fühlt in sich Furcht und Freude
5. Aria: Lebens Sonne, Licht der Sinnen
6. Recitative: Herr, laß an mir dein treues Lieben
7. Chorale: Jesu, wahres Brot des Lebens


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