Andrew Rangell

Biography

Born: 1948; Chicago, IL  
Although born in Chicago, Andrew Rangell was raised in Colorado. He studied in New York's Juilliard School of Music, obtaining a doctorate in piano; his teachers there included David Burge, Josef Raieff, and Beveridge Webster. He won the Malraux Award of the Concert Artists Guild, leading to his New York debut. In 1988 he received the Avery Fisher Career Development Grant, an award that is given on the basis the quality of the recipient's Read more performances in regular concerts and recitals over a period of time, rather than as a result of a short period of competition appearances.

Rangell is best known for his performances of all thirty-two of Beethoven's piano sonatas, and for Bach's Goldberg Variations. In concert, he his repertory ranges from Gibbons and Froberger to twentieth-century composers such as Nielsen, Berio, Schoenberg, Janacek, and Christian Wolff.

Appearances on the public radio program "Fresh Air" resulted in runs on record stores by listeners trying to locate Rangell's recordings. While he performs throughout the United States, he is particularly active in New York, where he appears frequently at the Metropolitan Museum of Art, the 92nd Street Y, Miller Theater of Columbia, and the Lincoln Center Mostly Mozart Festival, and often tours throughout New England. Read less

Biography

Born: 1948; Chicago, IL  
Although born in Chicago, Andrew Rangell was raised in Colorado. He studied in New York's Juilliard School of Music, obtaining a doctorate in piano; his teachers there included David Burge, Josef Raieff, and Beveridge Webster. He won the Malraux Award of the Concert Artists Guild, leading to his New York debut. In 1988 he received the Avery Fisher Career Development Grant, an award that is given on the basis the quality of the recipient's Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Aria
Variation 1
Variation 2
Variation 3
Variation 4
Variation 5
Variation 6
Variation 7
Variation 8
Variation 9
Variation 10
Variation 11
Variation 12
Variation 13
Variation 14
Variation 15
Variation 16
Variation 17
Variation 18
Variation 19
Variation 20
Variation 21
Variation 22
Variation 23
Variation 24
Variation 25
Variation 26
Variation 27
Variation 28
Variation 29
Variation 30
Aria (Reprise)
I. Prelude
II. Allemande
III. Corrente
IV. Sarabande
V. Menuet I
VI. Menuet II
VII. Gigue
I. Sinfonia
II. Allemande
III. Courante
IV. Sarabande
V. Rondeaux
VI. Capriccio
I. Ouverture
II. Allemande
III. Courante
IV. Aria
V. Sarabande
VI. Menuet
VII. Gigue
I. Fantasia
II. Allemande
III. Corrente
IV. Sarabande
V.Burlesca
VI. Scherzo
VII. Gigue
I. Prelude
II. Allemande
III. Corrente
IV. Sarabande
V. Tempo di minuetto
VI. Passepied
VII. Gigue
I. Toccata
II. Allemande
III. Corrente
IV. Air
V. Sarabande
VI. Tempo di Gavotta
Gigue
I. Andante
II. Molto adagio
III. Andantino
IV. Presto
I. Molto moderato
II. Molto capriccioso
III. Lento, rubato
IV. Allegretto scherzando
V. Allegro molto
VI. Allegro moderato, molto capriccioso
VII. Sostenuto, rubato
VIII. Allegro
I. Joc cu bât? (Stick Dance)
II. Brâul (Sash Dance)
III. Pe loc (In One Spot)
IV. Buciumeana (Dance of Buchum)
V. Poarg? româneasc? (Romanian Polka)
VI. M?run?el (Fast Dance)
I. Lento
II. Székely keserves (Székely Lament). Rubato, parlando
III. ?Il pleur dans mon coeur comme il pleur sur la ville. Allegretto malinconico
IV. Epitaph. Rubato
V. Tranquillo
VI. Székely nóta (Székely Tune). Poco rubato
VII. Rubato
I. Allegro moderato
II. Sostenuto e pesante
III. Allegro molto
Contrapunctus 1
Canon alla ottava
Contrapunctus 14
I. Etwas lebhaft und mit der innigsten Empfindung
II. Lebhaft. Marschmassig
III. Langsam und sehnsuchtsvoll
IV. Geschwind, doch nict zu sehr, und mit Entschlossenheit
I. Allegro
II. Sherzo: Assai vivace
III. Adagio sostenuto-Largo
IV. Allegro risoluto
I. Vivace, ma non troppo; Adagio espressivo
II. Prestissimo
III. Andante con variazioni: Gesangvoll, mit innigster Empfindung
I. Moderato cantabile
II. Allegro molto
III. Recitativo, Fuga, Arioso
I. Maestoso, Allegro con brio ed appassionato
II. Arietta: Adagio molto semplice e cantabile
Variation 16: Allegro
Variation 17
Variation 18: Poco moderato
Variation 19: Presto
Variation 20: Andante
Variation 21: Allegro con brio-Meno allegro-Tempo primo
Variation 22: Allegro molto, alla ?Notte e giorno faticar? di Mozart
Variation 23: Allegro assai
Variation 24: Fughetta (Andante)
Variation 25: Allegro
Variation 26: (Piacevole)
Variation 27: Vivace
Variation 28: Allegro
Variation 29: Adagio ma non troppo
Variation 30: Andante, sempre cantabile
Variation 31: Largo, molto espressivo
Variation 32: Fuga: Allegro
Variation 33: Tempo di Menuetto moderato
Andante con moto
Andante con moto
Allegro
Allegro
Andante
Andante
Presto
Presto
Quasi allegretto
Quasi allegretto
Presto-Andante amabile e con moto
Presto-Andante amabile e con moto


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