Andreas Scholl

Biography

Born: November 10, 1967; Eltville, Germany  
Andreas Scholl is one of the world's leading countertenors and is, naturally, one of the best-known performers of Baroque vocal music. He was born in Eltville, Germany and grew up in Kiedrich, in the Rhine region of Germany. His father was the conductor of the Kiedricher Chorbuben (Kiedrich Choir Boys), the second oldest choir in Germany, in existence for over 650 years. Andreas and his siblings Johannes and Elisabeth all sang in the choir, and Read more Andreas therefore began his voice training there from age seven, but very little formal theory instruction.

Andreas was nearly 14 when his voice broke and settled down into a baritone speaking range. However, when the voice firmed up, he found he could still sing soprano parts in the choir. One of the vocal coaches who gave individual singing lessons to the boys soon recognized that Andreas no longer had a boy soprano voice, but a countertenor.

At that point Andreas began listening to recordings of countertenors, especially Alfred Deller and James Bowman. He and one of his school friends joined a rock group and composed music for it. They recorded two singles, neither of which made the charts. Scholl still retains an interest in composing and loves popular music.

Scholl began to think of singing as a career, and as a countertenor realized most of his opportunities would include early music. He attended the Schola Cantorum Basiliensis in Basle, Switzerland, one of the centers of older music studies, from 1987 to 1993. He soon overcame deficiencies in his theory and ear training preparation. He was a student of Richard Levitt and René Jacobs. He also had the benefit of interpretation classes with Emma Kirkby, Anthony Rooley, and Evelyn Tubb.

In 1993 his teacher René Jacobs fell ill and was unable to keep a concert commitment at the Théâtre de Grévin in France and recommended Scholl as his replacement. Scholl scored a major success in what amounted to his professional debut on an important international stage. He appeared with Jacobs in a live broadcast concert of Bach's St. John Passion. Going home on the train the night of the concert he met William Christie, a leading early music conductor, who had attended the concert and invited Scholl to sing on his planned recording of Handel's Messiah. The record was a great success and led to an extensive recording career.

He began exclusively as a concert singer, singing with the leading early music groups of Europe and elsewhere. It was not until 1998 that he first appeared in opera when he portrayed Bertarido in Handel's Rodelinda at the Glyndebourne Festival in England.

Along the way he won the Conseil de L'Europe and Claude Nicolas Ledoux Foundation awards in 1992. He has won numerous recording prizes, including a Gramophone Award for Vivaldi's Stabat Mater in 1996 and Caldara's Maddelena ai piedi di Cristo in 1997 for Best Baroque Vocal. In 1998 he won the Cannes Classical Award for a disc of German Baroque cantatas. He won the ECHO Classic Award in 1999, and in 1998 was the German Kultur Radio Artist of the Year. In December 1999, he sang at the Belgian royal wedding. In addition to continuing his concert and operatic career, Andreas Scholl has returned to the Schola Cantorum Basiliensis to teach as the successor to his instructor Richard Levitt. Read less
Kantate / Andreas Scholl, Concerto Di Viole, Basel Consort
Release Date: 04/08/2008   Label: Harmonia Mundi  
Catalog: 501651   Number of Discs: 1
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Bach: Cantates Pour Alto / Scholl, Herreweghe, Collegium Vocale Gent
Release Date: 06/10/2014   Label: Harmonia Mundi  
Catalog: 971644   Number of Discs: 1
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English Folksongs & Lute Songs / Andreas Scholl
Release Date: 08/13/1996   Label: Harmonia Mundi  
Catalog: 901603   Number of Discs: 1
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Ombra Mai Fu - Handel: Arias, Etc / Andreas Scholl, Et Al
Release Date: 04/13/1999   Label: Harmonia Mundi  
Catalog: 901685   Number of Discs: 1
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The Voice / Andreas Scholl
Release Date: 01/09/2001   Label: Harmonia Mundi  
Catalog: 2901726   Number of Discs: 1
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There are 86 Andreas Scholl recordings available.

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Biography

Born: November 10, 1967; Eltville, Germany  
Andreas Scholl is one of the world's leading countertenors and is, naturally, one of the best-known performers of Baroque vocal music. He was born in Eltville, Germany and grew up in Kiedrich, in the Rhine region of Germany. His father was the conductor of the Kiedricher Chorbuben (Kiedrich Choir Boys), the second oldest choir in Germany, in existence for over 650 years. Andreas and his siblings Johannes and Elisabeth all sang in the choir, and Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Chorale: Schmucke dich, o liebe Seele (Chorus)
Aria: Ermuntre dich: dein Heiland klopft (Tenor)
Recitative and Chorale: Wie teuer sind des heilgen Mahles Gaben (Soprano)
Recitative: Mein Herz fuhlt in sich Furcht und Freude (Alto)
Aria: Lebens Sonne, Licht der Sinnen (Soprano)
Recitative: Herr, lass an mir dein treues Lieben (Bass)
Chorale: Jesu, wahres Brot des Lebens (Chorus)
Mache dich, mein Geist, bereit (Chorus)
Aria: Ach schlafrige Seele (Alto)
Recitative: Gott, so vor deine Seele wacht (Alto)
Aria: Bete aber auch dabei (Soprano)
Recitative: Er sehnet sich nach unserm Schreien (Tenor)
Chorale: Drum so lasst uns immerdar (Chorus)
J.S. Bach: Cantata "Ich habe genug" BWV 82 - 1. Aria: Ich habe genug, ich habe den Heiland
J.S. Bach: Cantata "Ich habe genug" BWV 82 - 2. Recitativo: Ich habe genug! Mein Trost ist nur allein
J.S. Bach: Cantata "Ich habe genug" BWV 82 - 3. Aria: Schlummert ein, ihr matten Augen
J.S. Bach: Cantata "Ich habe genug" BWV 82 - 4. Recitativo: Mein Gott! wann kommt das schöne Nun!
J.S. Bach: Cantata "Ich habe genug" BWV 82 - 5. Aria: Ich freue mich auf meinen Tod
J.S. Bach: Gott soll allein mein Herze haben Cantata BWV 169 - 1. Sinfonia
J.S. Bach: Gott soll allein mein Herze haben Cantata BWV 169 - 2. Arioso
J.S. Bach: Gott soll allein mein Herze haben Cantata BWV 169 - 3. Aria: "Gott soll allein mein Herze haben"
J.S. Bach: Gott soll allein mein Herze haben Cantata BWV 169 - 4. Recitativo: "Was ist die Liebe Gottes"
J.S. Bach: Gott soll allein mein Herze haben Cantata BWV 169 - 5. Aria: "Stirb in mir"
J.S. Bach: Gott soll allein mein Herze haben Cantata BWV 169 - 6. Recitativo: "Doch meint es auch dabei"
J.S. Bach: Gott soll allein mein Herze haben Cantata BWV 169 - 7. Choral: "Du süsse Liebe"
Vivaldi: Nisi Dominus (Psalm 126), R.608 - 1. "Nisi Dominus" (Allegro)
Vivaldi: Nisi Dominus (Psalm 126), R.608 - 2. "Vanum est vobis" (Largo)
Vivaldi: Nisi Dominus (Psalm 126), R.608 - 3. "Surgite" (Presto)
Vivaldi: Nisi Dominus (Psalm 126), R.608 - 4. "Cum dederit" (Andante)
Vivaldi: Nisi Dominus (Psalm 126), R.608 - 5. "Sicut sagittae" (Allegro)
Vivaldi: Nisi Dominus (Psalm 126), R.608 - 6. "Beatus vir" (Andante)
Vivaldi: Nisi Dominus (Psalm 126), R.608 - 7. "Gloria Patri" (Larghetto)
Vivaldi: Nisi Dominus (Psalm 126), R.608 - 8. "Sicut erat in principio" (Allegro)
Vivaldi: Nisi Dominus (Psalm 126), R.608 - 9. "Amen" (Allegro)
Vivaldi: Clarae stellae, scintillate, in F major, RV625 - 1. Clarae stellae, scintilate (Allegro)
Vivaldi: Clarae stellae, scintillate, in F major, RV625 - 2. Coeli repleti iam novo splendore (Recitativo)
Vivaldi: Clarae stellae, scintillate, in F major, RV625 - 3. Nunc iubilare (Allegro)
Vivaldi: Clarae stellae, scintillate, in F major, RV625 - 4. Alleluia (Allegro)
Vivaldi: Vestro Principi divino, in F major, RV633 - 1. Vestro Principi divino (Allegro)
Vivaldi: Vestro Principi divino, in F major, RV633 - 2. O felix culpa (Recitativo)
Vivaldi: Vestro Principi divino, in F major, RV633 - 3. Quid loqueris ad cor (Presto)
Vivaldi: Vestro Principi divino, in F major, RV633 - 4. Alleluia (Presto)
L'Orfeo, SV 318: Toccata
L'Orfeo: Prologo: Ritornello - La Musica: "Dal mio Permesso amato"
L'Orfeo: Atto I: Pastore, coro, Ninfa: "In questo lieto e fortunato giorno"
L'Orfeo: Atto I: Coro, Pastore: "Lasciate i monti"
L'Orfeo: Atto I: Orfeo, Euridice, Coro: "Rosa del ciel"
L'Orfeo: Atto I: Coro di Ninfe: "Vieni, Imeneo"
L'Orfeo: Atto I: Ritornello - Coro: "Alcun non sia che disperato in preda"
L'Orfeo: Atto II: Sinfonia - Orfeo, Pastore: "Ecco pur ch'a voi ritorno"
L'Orfeo: Atto II: Due Pastori, Coro, Orfeo: "In questo prato adorno"
L'Orfeo: Atto II: Messagiera, Pastori, Orfeo: "Ahi caso acerbo!"
L'Orfeo: Atto II: Messagiera, Pastori: "In un fiorito prato"
L'Orfeo: Atto II: Orfeo: "Tu se' morta, mia vita, ed io respiro?"
L'Orfeo: Atto II: Coro, Messagiera: "Ahi caso acerbo"
L'Orfeo: Atto II: Sinfonia
L'Orfeo: Atto II: Coro: "Chi ne consola, ahi lassi?"
L'Orfeo: Atto III: Sinfonia - Orfeo: "Scòrto da te, mio Nume"
L'Orfeo: Atto III: Speranza, Orfeo, Caronte: "Ecco l'altra palude"
L'Orfeo: Atto III: Sinfonia
L'Orfeo: Atto III: Orfeo: "Possente spirto e formidabil nume"
L'Orfeo: Atto III: Ritornello (arpa) - Orfeo: "Orfeo son io"
L'Orfeo: Atto III: Caronte: "Ben mi lusinga alquanto"
L'Orfeo: Atto III: Sinfonia - Orfeo: "Ei dorme"
L'Orfeo: Atto III: Sinfonia - Coro di Spiriti Infernali
L'Orfeo: Atto IV: Proserpina, Plutone, Spiriti: "Signor quel infelice"
L'Orfeo: Atto IV: Orfeo, Spiriti, Euridice: "Qual onor di te fia degno"
L'Orfeo: Atto IV: Sinfonia - Coro di Spiriti: "E la virtute un raggio"
L'Orfeo: Atto IV: Sinfonia
L'Orfeo: Atto V: Ritornello - Orfeo: "Questi i campi di Tracia"
L'Orfeo: Atto V: Sinfonia - Apollo, Orfeo: "Perch'a lo sdegno"
L'Orfeo: Atto V: Apollo & Orfeo: "Saliam cantando al ciel"
L'Orfeo: Atto V: Ritornello - Coro: "Vanne, Orfeo, felice e pieno"
L'Orfeo: Atto V: Moresca
I. Solo "Eternal source of light divine"
II. Solo e Coro "The day that gave great Anna birth"
III. Solo "Let all the winged race with joy"
IV. Soli e Coro "Let flocks and herds their fear forget"
V. Duetto e Coro "Let rolling streams their gladness show"
VI. Duetto "Kind health descends on downy wings"
VII. Duetto e Coro "The day that gave great Anna birth"
VIII. Solo e Coro "Let envy then conceal her head"
IX. Solo e Coro "United nations shall combine"
Coro "Dixit Dominus"
Aria "Virgam virtutis tuae"
Aria "Tecum principium in die virtutis"
Coro "Juravit Dominus"
Coro "Tu es sacerdos in aeternum
Soli e Coro "Dominus a dextris tuis"
Soli e Coro "De torrente in via bibet"
Coro "Gloria Patri, et Filio"
The Arrival Of The Queen Of Sheba
Overture
" Your harps and cymbals"
" Praise ye the Lord "
" With pious heart "
" Almighty Power "
Imperial Salomon
Sacred raptures
" Throughout the land "
Bless'd be the Lord
What tho' I trace
" And see my Queen "
" Bless'd the day "
Thou fair inhabitant of Nile
Welcome as the dawn of day
Vain are the transient beauties
Indulge thy faith
My blooming fair
Haste to the cedar grove
When thou art absent
With thee th'unshelter'd moor
Search round the world
" May no rash intruder "
" From the censer "
Prais'd be the Lord
When the sun o'er yonder hills
Great prince
Thrice bless'd that wise discerning king
" My sovereign liege "
Words are weak
What says the other
Thy sentence, great king
Withhold, withhold the executing hand!
Can I see my infant gor'd
" Israel' attend "
" Thrice bless'd be the king "
" From the east unto the west "
From morn to eve
See the tall palm
No more shall armed bands
Beneath the vine
" Swell, swell the full chorus "
Sinfony
" From Arabia's spicy shores "
Ev'ry sight these eyes behold
Sweep, sweep the string
Music, spread thy voice around
" Now a diff'rent measure" - " Shake the dome "
Then at once from rage remove
Draw the tear from hopeless love
Next the tortur'd soul release
Thus rolling surge rise
" Thy harmony's divine "
Pious king
Thrice happy king
Golden columns
" Praise the Lord "
Gold now is common
How green our fertile pastures look!
May peace in Salem
Will the sun forget to streak
Adieu, fair queen
Ev'ry joy that wisdom knows
The name of the wicked
Aria: Ich bin ein guter Hirt (Bass)
Aria: Jesus ist ein guter Hirt (Alto)
Chorale: Der Herr ist mein getreuer Hirt (Soprano)
Recitative: Wenn die Mietlinge schlafen (Tenor)
Aria: Seht, was die Liebe tut (Tenor)
Chorale: Ist Gott mein Schutz und treuer Hirt (Chorus)
Recitative: Sie werden euch in den Bann tun (Bass)
Aria: Ich furchte nicht des Todes Schrecken (Tenor)
Recitative: Ich bin bereit, mein Blut und armes Leben (Alto)
Aria: Hochster Troster, Heilger Geist (Soprano)
Chorale: Du bist ein Geist, der lehret (Chorus)
Recitative: Mein Herze Schwimmt im Blut
Aria: Stumme Seufzer, stille Klagen
Recitative: Doch Gott muss mir genadig sein
Aria: Tief gebuckt und voller Reue
Recitative: Auf diese Schmerzensreu
Chorale: Ich, dein betrubtes Kind
Recitative: Ich lege mich in diese Wunden
Aria: Wie freudig ist mein Herz
Recitative: Er rufet seine Schafen mit Namen (Tenor)
Aria: Komm, leite mich (Alto)
Recitative: Wo find ich dich (Tenor)
Aria: Es dunket mich, ich seh dich kommen (Tenor)
Recitative: Sie vernahmen aber nicht (Alto, Bass)
Aria: Offnet euch, ihr beiden Ohren (Bass)
Chorale: Nun, werter Geist, ich folge dir (Chorus)
Amarilli vezzosa (Il duello amoroso), HWV 82: Sonata (Allegro - Menuetto)
Amarilli vezzosa (Il duello amoroso), HWV 82: Recitativo Daliso "Amarilli vezzosa" - Aria Daliso "Pietoso sguardo, vezzo bugiardo"
Amarilli vezzosa (Il duello amoroso), HWV 82: Recitativo Amarilli "Dunque tanto s'avanza" - Aria Amarilli "Piacer che non si dona"
Amarilli vezzosa (Il duello amoroso), HWV 82: Recitativo Daliso & Amarilli "Sì, sì, crudel, ti acheta" - Aria Amarilli "Quel nocchiero che mira le sponde"
Amarilli vezzosa (Il duello amoroso), HWV 82: Recitativo Daliso "Amarilli, Amarilli" - Aria Daliso "È vanità d'un cor"
Amarilli vezzosa (Il duello amoroso), HWV 82: Recitativo Amarilli & Daliso "or su, giacché ostinato" - Aria a 2 con Ritornello "Sì, sì, lasciami, ingrata" - "Su, su, restati in pace"
Nel dolce tempo, HWV 135b: Nel dolce tempo, in cui ritorna a noi
Nel dolce tempo, HWV 135b: Di pallido color
Vedendo Amor, HWV 175: Recitativo "Vedendo Amor che per me" - Aria "In un folto bosco ombroso"
Vedendo Amor, HWV 175: Recitativo "In quel bosco sen venne cheto" - Aria "Camminando lei pian piano"
Vedendo Amor, HWV 175: Recitativo "Caricò, scaricò subito amore" - Aria "Rise Eurilla, rise Amore" - Recitativo "Fra tanto sono in gabbia"
Mi palpita il cor, HWV 132c: Recitativo ed Arioso "Mi palpita il cor"
Mi palpita il cor, HWV 132c: Recitativo "Tormento e gelosia" - Aria "Ho tanti affanni in petto"
Mi palpita il cor, HWV 132c: Recitativo "Clori, di te mi lagno" - Aria "Se un dì m'adora"
Sinfonia
Evangelist "Es begab sich aber zu derselbigen Zeit"
Der Engel "Fürchtet Euch nicht"
Evangelist "Und alsbald war da bei dem Engel"
Die Menge der Engel "Ehre sei Gott in der Höhe"
Evangelist "Und da die Engel von ihnen gen Himmel fuhren"
Die Hirten auf dem Felde "Lasset uns nun gehen gen Bethlehem"
Evangelist "Und sie kamen eilend"
Die Weisen aus Morgenlande "Wo ist der neugeborne König der Juden?"
Evangelist "Da das der König Herodes hörete"
Hohepriester und Schriftgelehrte "Zu Bethlehem im jüdischen Lande"
Evangelist "Da berief Herodes die Weisen"
Herodes "Ziehet hin"
Evangelist "Als sie nun den König gehöret hatten"
Der Engel "Stehe auf, Joseph"
Evangelist "Und er stund auf"
Der Engel "Stehe auf, Joseph"
Evangelist "Und er stund auf"
Beschluß "Dank sagen wir"
Deus in adjutorium
Dixit Dominus
Nigra sum, a voce sola
Laudate pueri
Pulchra es
Laetatus sum
Duo Seraphim
Nisi Dominus
Audi c?lum
Lauda Jerusalem
Ave Maris Stella
Sonata a 8 sopra "Sancta Maria pro nobis"
Antienne "Sancta Maria, succure miserie" - Magnificat
Et exultavit
Quia respexit
Quia fecit
Et misericordia
Fecit potentiam
Deposuit
Esurientes
Suscepit Israel
Sicut locutus est
Gloria Patri
Sicut erat - Antienne (reprise) - Benedicamus Domino
Chorale: Schmucke dich, o liebe Seele (Chorus)
Aria: Ermuntre dich: dein Heiland klopft (Tenor)
Recitative and Chorale: Wie teuer sind des heilgen Mahles Gaben (Soprano)
Recitative: Mein Herz fuhlt in sich Furcht und Freude (Alto)
Aria: Lebens Sonne, Licht der Sinnen (Soprano)
Recitative: Herr, lass an mir dein treues Lieben (Bass)
Chorale: Jesu, wahres Brot des Lebens (Chorus)
Mache dich, mein Geist, bereit (Chorus)
Aria: Ach schlafrige Seele (Alto)
Recitative: Gott, so vor deine Seele wacht (Alto)
Aria: Bete aber auch dabei (Soprano)
Recitative: Er sehnet sich nach unserm Schreien (Tenor)
Chorale: Drum so lasst uns immerdar (Chorus)
Weihnachts-Oratorium, BWV 248
Weihnachts-Oratorium, BWV 248
Weihnachts-Oratorium, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Weihnachts-Oratorium, BWV 248
Weihnachts-Oratorium, BWV 248
Gasparini: Destati Lidia mia - Destati Lidia mia
Gasparini: Destati Lidia mia - Destati Lidia, ché se tardi
Gasparini: Destati Lidia mia - Lidia, il sonno sai cos'è?
Marcello: Quando penso agl' affanni / Overtura - 1. Allegro
Marcello: Quando penso agl' affanni / Overtura - 2. Largo
Marcello: Quando penso agl' affanni / Overtura - 3. Presto
Marcello: Quando penso agl' affanni - Quando penso agl'affanni
Marcello: Quando penso agl' affanni - Tender può lacci
Marcello: Quando penso agl' affanni - Semplici pastorelli
Marcello: Quando penso agl' affanni - Altro non amo che dolce pace
Gasparini: Ecco che alfin ritorno - Ecco che alfin ritorno
Gasparini: Ecco che alfin ritorno - La pietà che ancor non trova
Gasparini: Ecco che alfin ritorno - Ma in tanto, ingrata Irene
Gasparini: Ecco che alfin ritorno - Il nocchier nella procella
Pasquini: Navicella ove ten vai - Navicella ove ten vai
Pasquini: Navicella ove ten vai - Udite, udite audaci ingegni
Pasquini: Navicella ove ten vai - Non v'affidi il sereno
Johannes-Passion, BWV 245, I. Teil: 1. Choral "O Mensch, bewein' dein Sünde groß"
Johannes-Passion, BWV 245, I. Teil: 2. (Evangelist und Chorus) "Jesus ging mit seinen Jüngern", usw
Johannes-Passion, BWV 245, I. Teil: 3. Choral "O große Lieb"
Johannes-Passion, BWV 245, I. Teil: 4. Rezitativ (Evangelist) "Auf daß das Wort erfüllet würde"
Johannes-Passion, BWV 245, I. Teil: 5. Choral "Dein Will gescheh, Herr Gott, zugleich"
Johannes-Passion, BWV 245, I. Teil: 6. Rezitativ (Evangelist) "Die Schar aber und der Oberhauptmann"
Johannes-Passion, BWV 245, I. Teil: 7. Aria (Alt) "Von den Stricken meiner Sünden"
Johannes-Passion, BWV 245, I. Teil: 8. Rezitativ (Evangelist) "Simon Petrus aber folgete Jesu nach"
Johannes-Passion, BWV 245, I. Teil: 9. Aria (Sopran) "Ich folge dir gleichfalls"
Johannes-Passion, BWV 245, I. Teil: 10. Rezitativ (Evangelist) "Derselbige Jünger war dem Hohenpriester bekannt"
Johannes-Passion, BWV 245, I. Teil: 11. Choral "Wer hat dich so geschlagen"
Johannes-Passion, BWV 245, I. Teil: 11+. Aria (Baß) "Himmel reiße, Welt erbebe"
Johannes-Passion, BWV 245, I. Teil: 12a. Rezitativ (Evangelist) "Und Hannas sandte ihn gebunden" - 12b. Chorus "Bist du nicht seiner Jünger einer?" - 12c. Rezitativ (Evangelist) "Er leugnete aber"
Johannes-Passion, BWV 245, I. Teil: 13. Aria (Tenor) "Zerschmettert mich, ihr Felsen und ihr Hügel"
Johannes-Passion, BWV 245, I. Teil: 14. Choral "Petrus, der nicht denkt zurück"
Johannes-Passion, BWV 245, II. Teil: 15. Choral "Christus, der uns selig macht"
Johannes-Passion, BWV 245, II. Teil: 16. (Evangelist und Chorus) "Da führeten sie Jesum vor Kaiphas", usw.
Johannes-Passion, BWV 245, II. Teil: 17. Choral "Ach großer König, groß zu allen Zeiten"
Johannes-Passion, BWV 245, II. Teil: 18a. Rezitativ (Evangelist) "Da sprach Pilatus zu ihm" - 18b. Chorus "Nicht diesen, sondern Barrabam" - 18c. Chorus "Barrabas aber war ein Mörder"
Johannes-Passion, BWV 245, II. Teil: 19. Aria (Tenor) "Ach windet euch nicht so"
Johannes-Passion, BWV 245, II. Teil: 21. (Evangelist und chorus) "Und die Kriegsknechte flochten eine Krone von Dornen"
Johannes-Passion, BWV 245, II. Teil: 22. Choral "Durch dein Gefängnis, Gottes Sohn"
Johannes-Passion, BWV 245, II. Teil: 23 (Evangelist und chorus) "Die Jüden aber schrieen und sprachen"
Johannes-Passion, BWV 245, II. Teil: 24. Aria (Baß) mit Chorus "Eilt, ihr angefochtnen Seelen"
Johannes-Passion, BWV 245, II. Teil: 25a. Rezitativ (Evangelist) "Allda kreuzigten sie ihn" - 25b. Chorus "Schreibe nicht: der Jüden König" - 25c. Rezitativ (Evangelist) "Pilatus antwortet"
Johannes-Passion, BWV 245, II. Teil: 26. Choral "In meines Herzens Grunde"
Johannes-Passion, BWV 245, II. Teil: 27a. Rezitativ (Evangelist) "Die Kriegsknechte aber" - 27b. Chorus "Lasset uns den nicht zerteilen" - 27c. Rezitativ (Evangelist) "Auf daß erfüllet würde die Schrift"
Johannes-Passion, BWV 245, II. Teil: 28. Choral "Er nahm alles wohl in acht"
Johannes-Passion, BWV 245, II. Teil: 29. Rezitativ (Evangelist) "Und von Stund an nahm sie der Jünger zu sich"
Johannes-Passion, BWV 245, II. Teil: 30. Aria (Alt) "Es ist vollbracht"
Johannes-Passion, BWV 245, II. Teil: 31. Rezitativ (Evangelist) "Und neiget das Haupt und verschied"
Johannes-Passion, BWV 245, II. Teil: 32. Aria (Baß) mit Choral "Mein teurer Heiland, laß dich fragen"
Johannes-Passion, BWV 245, II. Teil: 33. Rezitativ (Evangelist) "Und siehe da"
Johannes-Passion, BWV 245, II. Teil: 34. Arioso (Tenor) "Mein Herz, indem die ganze Welt"
Johannes-Passion, BWV 245, II. Teil: 35. Aria (Sopran) "Zerfließe, mein Herze, in Fluten der Zähren"
Johannes-Passion, BWV 245, II. Teil: 36. Rezitativ (Evangelist) "Die Jüden aber, dieweil es der Rüsttag war"
Johannes-Passion, BWV 245, II. Teil: 37. Choral "O hilf, Christe, Gottes Sohn"
Johannes-Passion, BWV 245, II. Teil: 38. Rezitativ (Evangelist) "Darnach hat Pilatum"
Johannes-Passion, BWV 245, II. Teil: 39. Chorus "Ruht wohl, ihr heiligen Gebeine"
Johannes-Passion, BWV 245, II. Teil: 40. Choral "Christe, du Lamm Gottes"


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