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Alfred Grünfeld
Born: July 4, 1852; Prague, Czech Republic
Died: January 4, 1924; Vienna, Austria
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Born the son of a Prague leather merchant, pianist and composer Alfred Grünfeld was regarded at the end of his life as one of Vienna's most celebrated musicians, having for years served as court keyboardist for the Austrian Imperial family.
Grünfeld was born in 1852; his parents guided both him and his cellist brother, Heinrich, toward lives as professional musicians from early childhood. In his teens, Grünfeld went to Berlin to study
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Works
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Albumblatt no 11 in F Major (1)
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Albumblatt no 13 in E-Flat Major (1)
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Arrangement for piano of Johann Strauss II's "Frühlingsstimmenwalzer, Op 410" (2)
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Causerie in E major, Op. 50 no 4 (1)
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Chanson sans paroles in D flat major, Op. 50 no 1 (1)
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Gavotte Caprice in G minor, Op. 49 no 4 (1)
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Mazurka à la Viennoise, Op. 51 (1)
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Mazurka no 6 in C sharp minor, Op. 36 (1)
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Menuet in G Minor, Op. 45 no 2 (1)
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Petit sérénade in E Minor (1)
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Petite Gavotte all'Antique in C major, Op. 54 (1)
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Petite valse in E flat major, Op. 44 no 3 (1)
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Romance for Piano, Op. 45 no 1 (3)
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Scherzino in E minor, Op. 53 no 6 (1)
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Serenade napolitaine in A Major, Op. 47 no 2 (1)
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Sérénade orientale in B flat minor, Op. 44 no 1 (1)
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Soirée de Vienne, Op. 56 (5)
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Valse mignonne for Piano, Op. 51 no 4 (1)
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Valse mignonne for Piano, Op. 51 no 9 (1)
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Biography |
by All Music Guide
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Born the son of a Prague leather merchant, pianist and composer Alfred Grünfeld was regarded at the end of his life as one of Vienna's most celebrated musicians, having for years served as court keyboardist for the Austrian Imperial family.
Grünfeld was born in 1852; his parents guided both him and his cellist brother, Heinrich, toward lives as professional musicians from early childhood. In his teens, Grünfeld went to Berlin to study piano with the renowned Theodor Kullak. He moved to Vienna -- then Europe's unchallenged cultural pearl -- in 1873 and set about making a living teaching and performing. His cream-puff transcriptions of Johann Strauss' waltzes made him a favorite with the Viennese public, and he also included these works on his programs when touring abroad. As a composer, Alfred Grünfeld limited himself to piano showpieces, characteristic sketches and to operetta, the latter genre being represented by two items: Der Lebemann (1903) and Die Schönen (1907). Even by the standards of his own time, Alfred Grünfeld's compositions were appropriate for their intended audience. [The music can be flashy and glittering but also subtle and delicate in mood, and his later pieces certainly found their way into silent movie houses. - Ed.]
The same is not true in terms of Grünfeld's activity as a pioneer recording artist. Grünfeld was the first pianist of significance to leave behind a sizable legacy of recordings, both on early discs and on Welte piano rolls. Alfred Grünfeld's first recordings were made in 1899 for Emile Berliner's newly-formed Deutsche Grammophon Gesellschaft label, and by the time Grünfeld made his last records in 1914 he had made more than a hundred. Original copies of Grünfeld's records exchange hands at significant rates, and not all of the titles he is known to have made are believed extant. Grünfeld's recordings reveal that he was an outstanding pianist, and not nearly as stylistically old hat as the titles of his compositions might suggest. |
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