Discover - Choral Music

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Discover - Choral Music

Release Date: 08/28/2007
Label: Naxos Catalog #: 8558198 Spars Code: DDD
Composer: Anonymous, Josquin Des Préz, John Taverner, Thomas Tallis, William Byrd,
Giovanni Palestrina, Tomás Luis de Victoria, Claudio Monteverdi, Giacomo Carissimi,
Heinrich Schütz, Marc-Antoine Charpentier, Orlando Gibbons, Thomas Weelkes,
Henry Purcell, Johann Sebastian Bach, George Frideric Handel, Wolfgang Amadeus Mozart,
Franz Joseph Haydn, Felix Mendelssohn, Anton Bruckner, Gabriel Fauré,
Johannes Brahms, Hector Berlioz, Francis Poulenc, Ralph Vaughan Williams,
Benjamin Britten, Arvo Pärt
Conductor: Alberto Tarco, Jeremy Summerly, Harry Christophers, John Rutter, Vittorio Zanon,
Wolfgang Helbich, Hervé Niquet
Orchestra/Ensemble: Nova Schola Gregoriana, Oxford Camerata, The Sixteen, Cambridge Singers,
Scholars Baroque Ensemble, Consortium Carissimi, Alsfeld Vocal Ensemble,
I Febiarmonici, Le Concert Spirituel

Number of Discs: 3
Recorded in: Stereo
Length: 2 Hours 36 Mins.

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Notes & Reviews	Back to Top

Includes work(s) for chorus by various composers.


Works on This Recording			Back to Top

1.	Crux fidelis by Anonymous
	Conductor: Alberto Tarco Orchestra/Ensemble: Nova Schola Gregoriana Period: Medieval	Date of Recording: 04/1993 Venue: Parish Church of Quatrelle, Mantua Length: 0 Minutes 50 Secs. Language: Latin

	Notes: This selection is presented in excerpted form.


2.	Ave Maria by Josquin Des Préz
	Conductor: Jeremy Summerly Orchestra/Ensemble: Oxford Camerata Period: Renaissance	Length: 5 Minutes 31 Secs.


3.	Missa "Gloria tibi Trinitas": Sanctus by John Taverner
	Conductor: Harry Christophers Orchestra/Ensemble: The Sixteen Period: Renaissance Written: 16th Century; England	Length: 5 Minutes 28 Secs.


4.	Christe Jesu, pastor bone by John Taverner
	Conductor: John Rutter Orchestra/Ensemble: Cambridge Singers Period: Renaissance Written: 16th Century; England	Length: 3 Minutes 35 Secs.


5.	In manus tuas by Thomas Tallis
	Conductor: Jeremy Summerly Orchestra/Ensemble: Oxford Camerata Period: Renaissance Written: after 1559; England	Length: 2 Minutes 36 Secs.


6.	Liber secundus sacrarum cantionum: Laudibus in sanctis by William Byrd
	Conductor: Jeremy Summerly Orchestra/Ensemble: Oxford Camerata Period: Renaissance Written: by 1591; London, England	Length: 5 Minutes 47 Secs.


7.	Missa "Aeterna Christi munera": Agnus Dei by Giovanni Palestrina
	Conductor: Jeremy Summerly Orchestra/Ensemble: Oxford Camerata Period: Renaissance Written: by 1590; Italy	Length: 4 Minutes 58 Secs.


8.	O magnum mysterium by Tomás Luis de Victoria
	Conductor: Jeremy Summerly Orchestra/Ensemble: Oxford Camerata Period: Renaissance Written: by 1572; Spain	Length: 4 Minutes 17 Secs.


9.	Laudate pueri, Dominum by Claudio Monteverdi
	Orchestra/Ensemble: Scholars Baroque Ensemble Period: Baroque Written: 17th Century; Italy


10.	Jonas: Et crediderunt Ninevitae by Giacomo Carissimi
	Conductor: Vittorio Zanon Orchestra/Ensemble: Consortium Carissimi Period: Baroque Written: 17th Century; Italy	Length: 0 Minutes 25 Secs.


11.	Jonas: Peccavimus, Domine by Giacomo Carissimi
	Conductor: Vittorio Zanon Orchestra/Ensemble: Consortium Carissimi Period: Baroque Written: 17th Century; Italy	Length: 2 Minutes 25 Secs.


12.	Psalms of David, Op. 2: Die mit Tränen säen, SWV 42 by Heinrich Schütz
	Conductor: Wolfgang Helbich Orchestra/Ensemble: Alsfeld Vocal Ensemble, I Febiarmonici Period: Baroque Written: 1619; Germany


13.	Weihnachtshistorie: Die Weisen by Heinrich Schütz
	Conductor: Jeremy Summerly Orchestra/Ensemble: Oxford Camerata Period: Baroque Written: Germany


14.	Salve regina, H 24 by Marc-Antoine Charpentier
	Conductor: Hervé Niquet Orchestra/Ensemble: Le Concert Spirituel Period: Baroque Written: circa ?1675; France


15.	O God, the King of Glory by Orlando Gibbons
	Period: Renaissance Written: England


16.	Hosanna to the Son of David by Thomas Weelkes
	Period: Renaissance Written: England


17.	O God, thou hast cast us out, Z 36 by Henry Purcell
	Period: Baroque Written: circa 1680-1682; England


18.	Ein feste Burg ist unser Gott, BWV 80: Ein feste Burg ist unser Gott by Johann Sebastian Bach
	Period: Baroque Written: by 1744; Leipzig, Germany


19.	Ein feste Burg ist unser Gott, BWV 80: Und wenn die Welt voll Teufel wär' und wolte uns verschlingen by Johann Sebastian Bach
	Period: Baroque Written: by 1744; Leipzig, Germany


20.	Christmas Oratorio, BWV 248: no 44, Da Jesus geboren war zu Bethlehem by Johann Sebastian Bach
	Period: Baroque Written: Leipzig, Germany

	Notes: Composition written: Leipzig, Germany (1734 - 1735).


21.	Christmas Oratorio, BWV 248: no 45, Wo ist der neugeborne König der Jüden? by Johann Sebastian Bach
	Period: Baroque Written: Leipzig, Germany


22.	Christmas Oratorio, BWV 248: no 46, Dein Glanz all Finsternis verzehrt by Johann Sebastian Bach
	Period: Baroque Written: 1734-1735; Leipzig, Germany


23.	Te Deum in D major, HWV 283 "Dettingen": Vouchsafe, O Lord by George Frideric Handel
	Period: Baroque Written: 1743; London, England


24.	Samson, HWV 57: Let the bright Seraphim by George Frideric Handel
	Period: Baroque Written: by 1743; London, England


25.	Mass in C minor, K 427 (417a) "Great": Gloria by Wolfgang Amadeus Mozart
	Period: Classical Written: 1782-1783; Vienna, Austria


26.	Mass in D minor, H 22 no 11 "Nelsonmesse": Benedictus by Franz Joseph Haydn
	Period: Classical Written: 1798; Vienna, Austria


27.	The Creation, H 21 no 2: Now vanish before the holy beams by Franz Joseph Haydn
	Period: Classical Written: 1796-1798; Vienna, Austria


28.	Psalm 42, Op. 42 "Wie der Hirsch schreit": Was betrübst du by Felix Mendelssohn
	Period: Romantic Written: 1837; Germany


29.	Os justi meditabitur sapientiam, WAB 30 by Anton Bruckner
	Period: Romantic Written: 1879; Linz, Austria


30.	Requiem, Op. 48: In paradisum by Gabriel Fauré
	Period: Romantic Written: 1887-1890; France

	Notes: Composition written: France (1877 - 1890).


31.	German Requiem, Op. 45: Wie lieblich sind deine Wohnungen by Johannes Brahms
	Period: Romantic Written: 1854-1868; Austria


32.	Roméo et Juliette, Op. 17: Latent Ancient Hatreds by Hector Berlioz
	Period: Romantic Written: 1839; France


33.	Mass in G minor: Sanctus - Osanna 1 by Ralph Vaughan Williams
	Period: 20th Century Written: 1920-1921; England


34.	Saint Nicolas, Op. 42: He Journeys to Palestine by Benjamin Britten
	Period: 20th Century Written: 1948; England


35.	Antiphon, Op. 56b by Benjamin Britten
	Period: 20th Century Written: 1956; England


36.	Cantate Domino canticum novum by Arvo Pärt
	Period: Baroque


37.	Ein feste Burg ist unser Gott, BWV 80: Das Wort sie sollen lassen stahn by Johann Sebastian Bach
	Period: Baroque Written: by 1744; Leipzig, Germany


Sound Samples				Back to Top

Gregorian Chant for Good Friday: Hymnus: Crux fidelis
Ave Maria
Missa Gloria tibi Trinitas Sanctus (excerpts)
Christe Jesu, pastor bone
In manus tuas Domine
Laudibus in sanctis
Missa Aeterna Christi Munera Agnus Dei
Missa O magnum mysterium O magnum mysterium
Vespro della Beata Vergine, "composti sopra canti fermi" Vespers of the Blessed Virgin: Psalm 112: Laudate pueri dominum
Jonas (Jonah) XX. Historicus
Jonas (Jonah) XXI. Ninevitae a 8
Geistliche Chormusik, Op. 11, SWV 369-397 Die mit Tranen saen, SWV 378
Die Geburt unsers Herren Jesu Christi, SWV 435 Weinachtshistorie, SWV 435 (The Christmas Story): Intermedium IV: Die Weisen (The Wise Men)
Salve Regina a 3 choeurs, H. 24 Salve Regina, a trois choeurs, H. 24
O God, the king of glory
Hosanna to the Son of David
O God, thou hast cast us out, Z. 36
Ein feste Burg ist unser Gott, BWV 80 Ein feste Burg ist unser Gott (Chorus)
Ein feste Burg ist unser Gott, BWV 80 Chorale: Und wenn die Welt voll Teufel war
Ein feste Burg ist unser Gott, BWV 80 Chorale: Das Wort sie sollen lassen stahn
Christmas Oratorio, BWV 248 Recitative: Da Jesus geboren war zu Bethlehem... (Evangelist)
Christmas Oratorio, BWV 248 Chor und Recitative: Wo ist der neugeborne Konig der Juden? (Alto)
Christmas Oratorio, BWV 248 Chorale: Dein Glanz all Finsternis verzehrt (Chorus)
Te Deum in D major, HWV 283, "Dettingen": O Lord, in Thee have I trusted
Samson, HWV 57: Act III Scene 3: Air and Chorus: Let the bright Seraphim in burning row
Mass No. 18 in C minor, K. 427, "Great" Gloria: Gloria
Mass No. 11 in D minor, Hob.XVII:11, "Nelsonmesse", "Imperial Mass, "Coronation Mass" Benedictus: Benedictus qui venit
Mass No. 11 in D minor, Hob.XVII:11, "Nelsonmesse", "Imperial Mass, "Coronation Mass" Benedictus: Hosanna in excelsis
Die Schopfung (The Creation), Hob.XXI:2 Die Schopfung (The Creation), Hob.XXI:2: Part I, No.2: Nun schwanden vor dem heiligen Strahle
Psalm 42, Op. 42 Finale: Warum betrubst du dich (Chorus)
Os justi, WAB 30
Requiem, Op. 48 In paradisum
Ein deutsches Requiem (A German Requiem), Op. 45 A German Requiem, Op. 45: Wie lieblich sind Deine Wohnungen
Romeo et Juliette, Op. 17 Prologue: Latent Ancient Hatreds
Symphony No. 8 in E flat major, "Symphony of a Thousand" Veni, creator spiritus -
Symphony No. 8 in E flat major, "Symphony of a Thousand" Imple superna gratia
8 Partsongs, Op. 119 No. 3: The blue bird
Gloria Quie sedes ad dexteram Patris
Mass in G minor Sanctus - Osanna I
Saint Nicolas, Op. 42 St. Nicolas, Op. 42: He journeys to Palestine
Antiphon, Op. 56b
Cantate Domine Canticum Novum

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