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| Notes & Reviews | Back to Top | ||||
| Organ | |||||
| Works on This Recording | Back to Top | ||||
| 1. |
Sportive Fauns by Dezsö D'Antalffy-Zsiross | ||||
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Performer:
Cherry Rhodes (Organ)
Period: Romantic Written: Hungary |
Venue: 1st Church of Christ Scientist, Boston Length: 5 Minutes 49 Secs. |
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| 2. |
Méditation by Gabriel Edouard Dupont | ||||
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Performer:
Cherry Rhodes (Organ)
Period: 20th Century Written: France |
Venue: 1st Church of Christ Scientist, Bosto Length: 5 Minutes 24 Secs. |
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| 3. |
Pièces de fantaisie - Suite no 3, Op. 54: 2nd movement, Impromptu by Louis Vierne | ||||
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Performer:
Cherry Rhodes (Organ)
Period: Romantic Written: 1927; France |
Venue: 1st Church of Christ Scientist, Boston Length: 2 Minutes 50 Secs. |
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| 4. |
Afternoon of a Toad by Clarence Mader | ||||
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Performer:
Cherry Rhodes (Organ)
Period: 20th Century |
Venue: 1st Church of Christ Scientist, Boston Length: 5 Minutes 10 Secs. |
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| 5. |
Variations for Organ on "Victimae paschali laudes" by Jirí Ropek | ||||
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Performer:
Cherry Rhodes (Organ)
Period: 20th Century Written: 1956; Prague, Czech Republ |
Venue: 1st Church of Christ Scientist, Boston Length: 13 Minutes 37 Secs. |
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| 6. |
The day thou gavest, Lord, is ended by Traditional | ||||
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Performer:
Mark Dwyer (Organ)
Conductor: Edith Ho Orchestra/Ensemble: Church of the Advent Choir |
Venue: Church of the Advent, Boston, MA Length: 3 Minutes 3 Secs. Language: English |
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| 7. |
Evening service in D major "Great": Nunc dimittis by Charles Hubert Parry | ||||
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Performer:
Mark Dwyer (Organ)
Conductor: Edith Ho Orchestra/Ensemble: Church of the Advent Choir Period: Romantic Written: ?1883; England |
Venue: Church of the Advent, Boston, MA Length: 3 Minutes 29 Secs. Language: English |
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| 8. |
O Trinity of Blessed Light by Jeremiah Clarke | ||||
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Performer:
Mark Dwyer (Organ)
Conductor: Edith Ho Orchestra/Ensemble: Church of the Advent Choir Period: Baroque Written: 1700; England |
Venue: Church of the Advent, Boston, MA Length: 2 Minutes 36 Secs. Language: English |
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| 9. |
Sonatas (6) for Organ, Op. 65: no 4 in B flat major by Felix Mendelssohn | ||||
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Performer:
Gregory Crowell (Organ)
Period: Romantic Written: 1845; Germany |
Venue: 1st Parish Church, Jamaica Plain, MA Length: 13 Minutes 13 Secs. |
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| 10. |
A Fantasy for Organ, Op. 39 no 2 by Harold Edwin Darke | ||||
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Performer:
Mark Dwyer (Organ)
Period: 20th Century Written: England |
Venue: 1st Parish Church, Jamaica Plain, MA Length: 6 Minutes 23 Secs. |
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| 11. |
Vexilla Regis prodeunt by Anonymous | ||||
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Performer:
Leo Abbott (Organ)
Period: Medieval |
Venue: Cathedral of the Holy Cross, Boston, MA Length: 2 Minutes 48 Secs. |
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| 12. |
Improvisation on "Salve Regina" by Leo Abbott | ||||
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Performer:
Leo Abbott (Organ)
Period: 20th Century Written: USA |
Venue: Cathedral of the Holy Cross, Boston, MA Length: 11 Minutes 26 Secs. |
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| 13. |
Poemes d'automne, Op. 3: Matin Provençal by Joseph Bonnet | ||||
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Performer:
Thomas Murray (Organ)
Period: 20th Century |
Venue: Immaculate Conception Church, Boston Length: 4 Minutes 36 Secs. |
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| 14. |
Pieces (12) for Organ, Op. 59 "Orgelmesse": no 9, Benedictus in D flat major by Max Reger | ||||
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Performer:
Thomas Murray (Organ)
Period: Romantic Written: 1901; Germany |
Venue: Immaculate Conception Church, Boston Length: 4 Minutes 24 Secs. |
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| 15. |
Etudes (6) in Canon Form for Pedal Piano, Op. 56: no 3 in E major by Robert Schumann | ||||
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Performer:
Thomas Murray (Organ)
Period: Romantic Written: 1845; Germany |
Venue: Immaculate Conception Church, Boston Length: 1 Minutes 43 Secs. |
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| 16. |
Etudes (6) in Canon form for Pedal Piano, Op. 56: no 6 in B major by Robert Schumann | ||||
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Performer:
Thomas Murray (Organ)
Period: Romantic Written: 1845; Germany |
Venue: Immaculate Conception Church, Boston Length: 4 Minutes 36 Secs. |
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| 17. |
Carillon-Sortie for Organ in D major by Henri Mulet | ||||
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Performer:
Thomas Murray (Organ)
Period: Romantic Written: 1911; France |
Venue: Immaculate Conception Church, Boston Length: 4 Minutes 36 Secs. |
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| 18. |
Lo! He comes with clouds descending by Traditional | ||||
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Performer:
Peter Sykes (Organ)
Period: Classical Written: 18th Century; England |
Venue: Immaculate Conception Church, Boston Length: 7 Minutes 5 Secs. |
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| 19. |
Spanyöler Tancz by Johann Weck | ||||
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Performer:
Nancy Granert (Organ)
Period: Renaissance Written: 16th Century; Germany |
Venue: Korean Church, Cambridge, Massachusetts Length: 2 Minutes 27 Secs. |
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| 20. |
Liebster Jesu by Johann Rudolf Ahle | ||||
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Performer:
Nancy Granert (Organ)
Period: Baroque Written: 17th Century; Germany |
Venue: Korean Church, Cambridge, Massachusetts Length: 2 Minutes 32 Secs. |
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| 21. |
Postlude for Organ in C major by Arthur Foote | ||||
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Performer:
Nancy Granert (Organ)
Period: Romantic Written: USA |
Venue: Korean Church, Cambridge, Massachusetts Length: 2 Minutes 15 Secs. |
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| 22. |
Variations for Organ on "Alles ist an Gottes Segen" by John Cook | ||||
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Performer:
Marian Ruhl Metson (Organ)
Period: Romantic Written: USA |
Venue: First Church, Cambridge, Massachusetts Length: 10 Minutes 10 Secs. |
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| 23. |
Sketches (4) for Pedal Piano, Op. 58: no 4 in D flat major by Robert Schumann | ||||
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Performer:
Kimberly Ann Hess (Organ)
Period: Romantic Written: 1845; Germany |
Venue: Elliot Church, Newton, Massachusetts Length: 1 Minutes 57 Secs. |
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| 24. |
Concerto for Organ solo in G major, BWV 592 (after Duke Johann Ernst of Saxe-Weimar) by Johann Sebastian Bach | ||||
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Performer:
Gretchen Longwell (Organ)
Period: Baroque Written: 1708-1717; Weimar, Germany |
Venue: Church of the Redeemer, Newton, MA Length: 3 Minutes 13 Secs. |
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| 25. |
Premier livre d'orgue contenant deux suites: Suite du deuxième ton - no 4, Basse de Cromorne by Louis-Nicolas Clérambault | ||||
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Performer:
Yuko Hayashi (Organ)
Period: Baroque Written: circa 1710; France |
Venue: Old West Church, Boston, Massachusetts Length: 1 Minutes 33 Secs. |
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| 26. |
Fantasy for Organ in C major, WV 82 by Heinrich Scheidemann | ||||
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Performer:
Margaret Irwin-Brandon (Organ)
Period: Baroque Written: Germany |
Venue: Houghton Chapel, Wellesley College, MA Length: 2 Minutes 40 Secs. |
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| 27. |
Prelude et fugue sur le nom d'Alain, Op. 7 by Maurice Duruflé | ||||
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Performer:
Julian Wachner (Organ)
Period: 20th Century Written: 1942; France |
Venue: Mission Church, Roxbury Crossing, MA Length: 12 Minutes 2 Secs. |
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| 28. |
L'Ascension, 4 Meditations for Organ : 2nd Movement, Alleluias sereins d'une âme qui désire le ciel by Olivier Messiaen | ||||
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Performer:
Julian Wachner (Organ)
Period: 20th Century Written: 1934; France |
Venue: Mission Church, Roxbury Crossing, MA Length: 5 Minutes 29 Secs. |
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| 29. |
Les Trés Riches Heures: Celebration by Marjorie Merryman | ||||
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Performer:
Julian Wachner (Organ)
Period: 20th Century |
Venue: Mission Church, Roxbury Crossing, MA Length: 3 Minutes 46 Secs. |
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| 30. |
Sonata for Organ no 5 in C minor, Op. 45 by Whitney Eugene Thayer | ||||
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Performer:
George Bozeman (Organ)
Period: Romantic Written: 19th Century; USA |
Venue: First Congregational Church, Woburn, MA Length: 13 Minutes 37 Secs. |
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| 31. |
Pastorale in F major, BWV 590: 1st movement, Andante by Johann Sebastian Bach | ||||
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Performer:
Scot L. Huntington (Organ)
Period: Baroque Written: circa 1710; Weimar, Germany |
Venue: St. Thomas Aquinas Church, Jamaica Plain Length: 4 Minutes 40 Secs. |
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Notes: This selection shares track & timing with "Pastorale in F, BWV 590: 2nd movement, Andante." |
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| 32. |
Pastorale in F major, BWV 590: 2nd movement, Andante by Johann Sebastian Bach | ||||
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Performer:
Scot L. Huntington (Organ)
Period: Baroque Written: circa 1710; Weimar, Germany |
Venue: St. Thomas Aquinas Church, Jamaica Plain |
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Notes: This selection shares track & timing with "Pastorale in F, BWV 590: 1st movement, Andante." |
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| 33. |
Postlude by Southard, | ||||
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Performer:
Scot L. Huntington (Organ)
Written: Germany |
Venue: St. Thomas Aquinas Church, Jamaica Plain Length: 2 Minutes 3 Secs. |
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| 34. |
Versets (15) sur les Vêpres de la Vierge, Op. 18: no 5, Speciosa facta es et suavis by Marcel Dupré | ||||
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Performer:
Kristin Gronning Farmer (Organ)
Period: 20th Century Written: 1919; France |
Venue: St. Patrick RC Church, Roxbury, MA Length: 1 Minutes 57 Secs. |
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| 35. |
Versets (15) de la Vierge, Op. 18: no 3, Tres lent et sans rigueur by Marcel Dupré | ||||
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Performer:
Kristin Gronning Farmer (Organ)
Period: 20th Century Written: 1919; France |
Venue: St. Patrick RC Church, Roxbury, MA Length: 3 Minutes 6 Secs. |
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| 36. |
Thaïs: Meditation by Jules Massenet | ||||
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Performer:
Kristin Gronning Farmer (Organ)
Period: Romantic Written: 1894; France |
Venue: St. Patrick RC Church, Roxbury, MA Length: 5 Minutes 5 Secs. |
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| 37. |
Triumphal march by Dudley Buck | ||||
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Performer:
Richard Hill (Organ)
Period: Romantic Written: 19th Century; USA |
Venue: First Parish Unitarian, Arington, MA Length: 5 Minutes 11 Secs. |
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| 38. |
Preludes (8) on Old Southern Hymns, Op. 90: no 1, David the King by Gardner Read | ||||
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Performer:
Richard Hill (Organ)
Period: 20th Century Written: 1950; USA |
Venue: First Parish Unitarian, Arington, MA Length: 2 Minutes 19 Secs. |
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| 39. |
Suite for Organ in D major, Op. 54: Allegro by Arthur Foote | ||||
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Performer:
Richard Hill (Organ)
Period: Romantic Written: 1904; USA |
Venue: First Parish Unitarian, Arington, MA Length: 4 Minutes 26 Secs. |
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| 40. |
Elegy by Samuel Coleridge-Taylor | ||||
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Performer:
John Tortolano (Cello),
Kevin Birch (Organ)
Period: 20th Century Written: England |
Venue: Most Holy Redeemer Church, East Boston Length: 2 Minutes 11 Secs. |
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| 41. |
Symphony for Organ no 5 in F minor, Op. 42 no 1: 1st movement, Allegro vivace by Charles-Marie Widor | ||||
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Performer:
Stephen Roberts (Organ)
Period: Romantic Written: ?1880; Paris, France |
Venue: Most Precious Blood RC Church, Boston Length: 10 Minutes 16 Secs. |
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| 42. |
Festival March by Christian Teilman | ||||
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Performer:
Victoria Wagner (Organ)
Period: Romantic |
Venue: First Baptist Church, Framingham, MA Length: 4 Minutes 27 Secs. |
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| Notes: Arranged: Frederick Maxson - 1908 | |||||
| 43. |
Rise Up, My Love by Peter Sykes | ||||
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Performer:
Nancy Armstrong (Soprano),
Victoria Wagner (Organ)
Period: 20th Century Written: USA |
Venue: First Baptist Church, Framingham, MA Length: 2 Minutes 30 Secs. |
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| 44. |
Rock of Ages by James Woodman | ||||
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Performer:
Nancy Armstrong (Soprano),
Victoria Wagner (Organ)
Period: 20th Century Written: USA |
Venue: First Baptist Church, Framingham, MA |
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| 45. |
Cantico sacra by Samuel Scheidt | ||||
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Performer:
Frances Conover Fitch (Organ)
Period: Baroque Written: Halle, Germany |
Venue: Busch Hall, Harvard University, MA Length: 7 Minutes 43 Secs. |
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| 46. |
Ballo del granduca by Jan Pieterszoon Sweelinck | ||||
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Performer:
Erik Wm. Suter (Organ)
Period: Renaissance Written: Netherlands (Holland |
Venue: Follen Community Church, Lexington, MA Length: 4 Minutes 25 Secs. |
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| 47. |
Concerto for Organ no 6 in D major by Charles Avison | ||||
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Performer:
Brian Jones (Organ)
Period: Classical |
Venue: First Baptist Church, Newton Centre, MA Length: 9 Minutes 9 Secs. |
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| 48. |
Prelude and Fugue for Organ in G minor, WoO 10 by Johannes Brahms | ||||
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Performer:
Robert Barney (Organ)
Period: Romantic Written: 1856-1857; Germany |
Venue: First Parish Church, Roxbury, MA Length: 4 Minutes 26 Secs. |
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| 49. |
Symphony for Organ no 9 in c/C, Op. 70 "Gothic": 1st movement, Moderato by Charles-Marie Widor | ||||
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Performer:
Dana Robinson (Organ)
Period: Romantic Written: by 1895; France |
Venue: St. Mary's R.C. Church, Charlestown, MA Length: 6 Minutes 48 Secs. |
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| 50. |
Postlude on a Theme of Palestrina by Dudley Buck | ||||
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Performer:
Frederick Jodry (Organ)
Period: 20th Century Written: USA |
Venue: Most Holy Name R.C. Church, West Roxbury Length: 3 Minutes 45 Secs. |
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| 51. |
Vesper Voluntaries (11), Op. 14: no 5, Poco lento by Sir Edward Elgar | ||||
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Performer:
Libor Dudas (Organ)
Period: Romantic Written: 1890; England |
Venue: St. Mary R.C. Church, Waltham, MA Length: 2 Minutes 10 Secs. |
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| 52. |
Vesper Voluntaries (11), Op. 14: no 8, Poco allegro by Sir Edward Elgar | ||||
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Performer:
Libor Dudas (Organ)
Period: Romantic Written: 1890; England |
Venue: St. Mary R.C. Church, Waltham, MA Length: 3 Minutes 45 Secs. |
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| 53. |
Fantasia and Fugue for Organ in D minor, Op. 19 by Henry Morton Dunham | ||||
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Performer:
Rosalind Mohnsen (Organ)
Period: Romantic |
Venue: St. Catherine of Genoa, Sommerville, MA Length: 5 Minutes 1 Secs. |
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| 54. |
Wär Gott nicht mit uns diese Zeit by Johann Nicolaus Hanff | ||||
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Performer:
Lois Regestein (Organ)
Period: Baroque Written: Germany |
Venue: First Baptist Church, Jamaica Plain, MA Length: 1 Minutes 53 Secs. |
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| 55. |
Pastorale on "Morning Star" by Daniel Pinkham | ||||
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Performer:
Lois Regestein (Organ)
Period: 20th Century Written: USA |
Venue: First Baptist Church, Jamaica Plain, MA Length: 2 Minutes 15 Secs. |
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| 56. |
Dichter und Bauer: Overture by Franz von Suppé | ||||
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Performer:
Peter Krasinsky (Organ)
Period: Romantic Written: 1846; Vienna, Austria |
Venue: United Parish Church, Brookline, MA Length: 9 Minutes 2 Secs. |
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| 57. |
Sketches (4) for Pedal Piano, Op. 58: no 2 in C minor by Robert Schumann | ||||
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Performer:
Kimberly Ann Hess (Organ)
Period: Romantic Written: 1845; Germany |
Venue: Elliot Church, Newton, Massachusetts Length: 2 Minutes 18 Secs. |
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| 58. |
Premier livre d'orgue contenant deux suites: Suite du deuxième ton - no 1, Plein jeu by Louis-Nicolas Clérambault | ||||
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Performer:
Yuko Hayashi (Organ)
Period: Baroque Written: circa 1710; France |
Venue: Old West Church, Boston, Massachusetts Length: 2 Minutes 43 Secs. |
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| 59. |
Premier livre d'orgue contenant deux suites: Suite du deuxième ton - no 6, Récit de Nazard by Louis-Nicolas Clérambault | ||||
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Performer:
Yuko Hayashi (Organ)
Period: Baroque Written: circa 1710; France |
Venue: Old West Church, Boston, Massachusetts Length: 2 Minutes 41 Secs. |
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| 60. |
Premier livre d'orgue contenant deux suites: Suite du deuxième ton - no 7, Caprice sur le grand jeux by Louis-Nicolas Clérambault | ||||
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Performer:
Yuko Hayashi (Organ)
Period: Baroque Written: circa 1710; France |
Venue: Old West Church, Boston, Massachusetts Length: 2 Minutes 4 Secs. |
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| 61. |
Pieces (6) for Organ: Rondeau by John Jenkins | ||||
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Performer:
Andrew Scanlon (Organ)
Period: Baroque Written: England |
Venue: Christ Unity Church, Brookline, MA Length: 2 Minutes 7 Secs. |
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| 62. |
Pieces (6) for Organ: Deo Gracias by John Jenkins | ||||
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Performer:
Andrew Scanlon (Organ)
Period: Baroque Written: England |
Venue: Christ Unity Church, Brookline, MA Length: 2 Minutes 22 Secs. |
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| 63. |
Canzon for Keyboard no 5 in G major by Matthias Weckmann | ||||
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Performer:
Margaret Irwin-Brandon (Organ)
Period: Baroque |
Venue: Houghton Chapel, Wellesley College, MA Length: 3 Minutes 24 Secs. |
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| 64. |
Fugues (6) for Organ on B-A-C-H, Op. 60: no 3, Mit sanften Stimmen by Robert Schumann | ||||
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Performer:
Peter Sykes (Organ)
Period: Romantic Written: 1845; Germany |
Venue: Immaculate Conception Church, Boston Length: 7 Minutes 18 Secs. |
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| 65. |
Sketches (4) for Pedal Pno, Op. 58: no 1 in B major by Robert Schumann | ||||
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Performer:
Kimberly Ann Hess (Organ)
Period: Romantic Written: 1845; Germany |
Venue: Elliot Church, Newton, Massachusetts Length: 2 Minutes 31 Secs. |
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