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| Notes & Reviews | Back to Top | ||||
| Includes work(s) by various composers. | |||||
| Works on This Recording | Back to Top | ||||
| 1. |
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon by Johann Pachelbel | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players Period: Baroque Written: Germany |
Length: 3 Minutes 39 Secs. |
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| 2. |
Canon and Gigue for 3 Violins and Basso Continuo in D major: Gigue by Johann Pachelbel | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players Period: Baroque Written: Germany |
Length: 1 Minutes 23 Secs. |
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| 3. |
Abdelazer, Z 570 "Moor's Revenge": Rondeau by Henry Purcell | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players Period: Baroque Written: 1695; England |
Length: 1 Minutes 35 Secs. |
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| 4. |
Suite for Harpsichord in D minor, HWV 437: no 4, Sarabande with Variations by George Frideric Handel | ||||
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Conductor:
Alex Briger
Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Baroque Written: by 1733; London, England |
Length: 3 Minutes 22 Secs. |
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| Notes: Arranger: Simon Hale. | |||||
| 5. |
Solomon, HWV 67: Arrival of the Queen of Sheba by George Frideric Handel | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players Period: Baroque Written: by 1749; London, England |
Length: 2 Minutes 49 Secs. |
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| 6. |
Messiah, HWV 56: Hallelujah! by George Frideric Handel | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players, Taverner Choir Period: Baroque Written: 1742; London, England |
Length: 3 Minutes 59 Secs. |
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| 7. |
Water Music, HWV 348-350: Bourée by George Frideric Handel | ||||
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Conductor:
Roger Norrington
Orchestra/Ensemble: London Classical Players Period: Baroque Written: 1715/1736; London, England |
Length: 1 Minutes 36 Secs. |
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| 8. |
Te Deum in D major, H 146: Prelude by Marc-Antoine Charpentier | ||||
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Conductor:
William Christie
Orchestra/Ensemble: Les Arts Florissants Period: Baroque Written: circa ?1690; France |
Length: 1 Minutes 37 Secs. |
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| 9. |
Marche des Mousquetaires by Jean-Baptiste Lully | ||||
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Conductor:
Hugo Reyne
Orchestra/Ensemble: La Simphonie du Marais Period: Baroque Written: 1658; France |
Length: 1 Minutes 27 Secs. |
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| 10. |
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players, Taverner Consort Period: Baroque Written: 1723; Leipzig, Germany |
Length: 2 Minutes 17 Secs. |
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| 11. |
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach | ||||
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Conductor:
Sir Philip Ledger
Orchestra/Ensemble: English Chamber Orchestra Period: Baroque Written: circa 1729-1731; Leipzig, Germany |
Length: 4 Minutes 48 Secs. |
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| 12. |
Suite for Cello solo no 1 in G major, BWV 1007: 1st movement, Prelude by Johann Sebastian Bach | ||||
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Performer:
Ralph Kirshbaum (Cello)
Period: Baroque Written: circa 1720; Cöthen, Germany |
Length: 2 Minutes 36 Secs. |
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| 13. |
Brandenburg Concerto no 2 in F major, BWV 1047: 1st movement, Allegro by Johann Sebastian Bach | ||||
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Performer:
Paul Goodwin (Oboe),
Monica Huggett (Violin),
Rachel Beckett (Flute),
Mark Bennett (Trumpet) Conductor: Monica Huggett Orchestra/Ensemble: Orchestra of the Age of Enlightenment Period: Baroque Written: 1717-1718; ?Cöthen, Germany |
Length: 5 Minutes 4 Secs. |
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| 14. |
Brandenburg Concerto no 2 in F major, BWV 1047: 2nd movement, Andante by Johann Sebastian Bach | ||||
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Performer:
Mark Bennett (Trumpet),
Paul Goodwin (Oboe),
Rachel Beckett (Flute),
Monica Huggett (Violin) Conductor: Monica Huggett Orchestra/Ensemble: Orchestra of the Age of Enlightenment Period: Baroque Written: 1717-1718; ?Cöthen, Germany |
Length: 3 Minutes 45 Secs. |
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| 15. |
Brandenburg Concerto no 2 in F major, BWV 1047: 3rd movement, Allegro assai by Johann Sebastian Bach | ||||
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Performer:
Mark Bennett (Trumpet),
Paul Goodwin (Oboe),
Rachel Beckett (Flute),
Monica Huggett (Violin) Conductor: Monica Huggett Orchestra/Ensemble: Orchestra of the Age of Enlightenment Period: Baroque Written: 1717-1718; ?Cöthen, Germany |
Length: 2 Minutes 42 Secs. |
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| 16. |
Concerto for Flute in G minor, Op. 10 no 2/RV 439 "La notte": Largo by Antonio Vivaldi | ||||
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Performer:
Lorenzo Cavasanti (Recorder)
Conductor: Fabio Biondi Orchestra/Ensemble: Europa Galante Period: Baroque Written: circa 1728; Venice, Italy |
Length: 1 Minutes 24 Secs. |
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| 17. |
Gloria in D major, RV 589: Gloria in excelsis Deo by Antonio Vivaldi | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players, Taverner Choir Period: Baroque Written: Venice, Italy |
Length: 2 Minutes 30 Secs. |
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| 18. |
Miserere mei Deus: Excerpt(s) by Gregorio Allegri | ||||
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Conductor:
Stephen Cleobury
Orchestra/Ensemble: Cambridge King's College Choir Period: Baroque Written: 17th Century; Italy |
Length: 5 Minutes 47 Secs. |
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| 19. |
Stabat Mater: Stabat Mater dolorosa by Giovanni Battista Pergolesi | ||||
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Performer:
Gérard Lesne (Countertenor),
Véronique Gens (Soprano)
Orchestra/Ensemble: Seminario Musicale Period: Baroque Written: 1736; Pozzuoli, Italy |
Length: 4 Minutes 46 Secs. |
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| 20. |
Adagio for Organ and Strings in G minor by Tomaso Albinoni | ||||
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Conductor:
Jonathan Rees
Orchestra/Ensemble: Scottish Ensemble Period: Baroque Written: Venice, Italy |
Length: 7 Minutes 41 Secs. |
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| Notes: This work was reconstructed by Remo Giazotto in 1945 from a fragment by Albinoni. | |||||
| 21. |
Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel | ||||
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Conductor:
Stephen Cleobury
Orchestra/Ensemble: Cambridge King's College Choir, Academy of Ancient Music Period: Baroque Written: 1727; London, England |
Length: 5 Minutes 21 Secs. |
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