Classical Music CDs at ArkivMusic Cart Wish List My Account Gift Certificates Newsletter Help
Holiday Shipping Guid
elines
Composers | Conductors | Performers | Ensembles | Operas | Labels | ArkivCDs | DVDs | Search | More... New ArkivMusic Reissues On Sale
New Releases Recommendations Top Sellers On Sale CDs Under $10 Broadway Reissues Super Audio CDs MP3s Blu-ray Discs Listen Magazine
 Home > Ensembles > Composers >
WGBH Radio WGBH Radio theclassicalstation.org
 The Instruments Of The Orchestra / Jeremy Siepmann
Release Date: 12/03/2002 
Label:  Naxos   Catalog #: 8558040-46   Spars Code: DDD 
Composer:  Richard WagnerAnonymousJohannes BrahmsIgor StravinskyTraditional
Antonio VivaldiFritz KreislerMaurice RavelNiccolň Paganini
Johann Sebastian BachFranz SchubertBenjamin BrittenSergei Prokofiev
Claude DebussyWolfgang Amadeus MozartDmitri KabalevskyPeter Warlock
Gustav MahlerGustav HolstBéla BartókPeter Ilyich Tchaikovsky
Richard StraussJ. "Pepi" HellmesbergerGeorg Philipp TelemannAram Khachaturian
Hector BerliozAntonín DvorákLudwig van BeethovenDavid Popper
Huguety TagellGaspar CassadóSergei RachmaninovCamille Saint-Saëns
Giovanni BottesiniAulis SallinenJosquin BastonJean Sibelius
Franz Joseph HaydnBernard HerrmannLeos JanácekIsaac Albeniz
Zoltán KodályGeorges BizetJohann Strauss Jr.Jean-Philippe Rameau
John Tavener
Performer:  Takako NishizakiJonathan KeebleJénö JandóMarat BisengalievIlya Kaler
Christine PichlmeierKarl KaiserEva MorsbachDaniel Rothert
Robert HillCorinne ChapelleNadja SchubertTedi Papavrami
Lynda RussellLucy Van DaelGyörgy PaukKazuki Sawa
Alexander JablokovAlan SmaleLars Anders TomterAlexander Rudin
Igor GruppmanRivka GolaniJürgen SchusterChristian Hommel
Winifried RademacherCsaba OnczayIngrid KertesiNi Hai-Ye
Hélčne JeanneyBernd GlemserMaria KliegelClaudio Otelli
Ruxandra DonoseManfred FinkHasmik PapianJoel Quarrington
Andrew BurashkoJudy LomanNora ShulmanHanna Juutilainen
Andreas EdlundJózsef MukkIstván GátiElena Okolycheva
Arkady MishenkinThea KingIdil Biret
Conductor:  Karl ElmendorffMichael PoschIstván BogárStephen GunzenhauserNicholas Ward
Ferenc SántáJohannes WildnerHelmut Müller-BrühlRichard Studt
Andrew MogreliaKeith ClarkAndrás LigetiAntoni Wit
Vasily JelvakovAdrian LeaperOliver DohnányiMichael Halász
Kenneth JeanAlexander RahbariZdenek KoslerMyer Fredman
Christian SimonisRichard EdlingerAndrei AnikhanovGerhard Markson
Yoav TalmiMátyás AntalBéla DrahosOndrej Lenárd
Jaroslav DvorákThomas WimmerOkko KamuSven Berger
Petri SakariWilliam T. StrombergIgor GolovchinJeffrey Tate
Anthony BramallMary Térey-SmithTakuo Yuasa
Orchestra/Ensemble:  Bayreuth Festival OrchestraEnsemble UnicornEnsemble Oni WytarsBudapest Symphony Orchestra
Slovak Philharmonic OrchestraNorthern Chamber OrchestraFerenc Sánta Gypsy Orchestra
Capella IstropolitanaPolish Radio Symphony OrchestraCologne Chamber Orchestra
Kodály String QuartetBournemouth SinfoniettaNational Symphony Orchestra of Ukraine
Slovak Radio Symphony OrchestraConcentus HungaricusMoscow Symphony Orchestra
Royal Philharmonic OrchestraCzecho-Slovak State Philharmonic Orchestra KosiceCzecho-Slovak Radio Symphony
Brussels Belgian Radio & TV Philharmonic OrchestraNew Zealand Symphony OrchestraGöttingen Symphony Orchestra
St. Petersburg State Symphony OrchestraNational Symphony Orchestra of IrelandSan Diego Symphony Orchestra
Vlach String Quartet PragueFailoni Chamber OrchestraNicolaus Esterházy Sinfonia
Nicolaus Esterházy ChorusSlovak State Philharmonic OrchestraUkrainian National Symphony Orchestra
AccentusFinnish Chamber OrchestraConvivium Musicum
Hungarian Radio ChorusMoscow CapellaEnglish Chamber Orchestra
Hungarian State OrchestraCapella SavariaUlster Orchestra

Number of Discs: 7 
Recorded in: Stereo 
Length: 8 Hours 2 Mins. 

CD  $29.99
Add To Your Cart
In Stock
Add To Your Cart

MP3 $55.99
In Stock: Usually ships in 24 hours.
Notes & Reviews   Works on This Recording   Sound Samples   
 Notes & Reviews Back to Top 
Instruments of the orchestra, yes. But not just instruments in the orchestra. This is a set of portraits in depth, featuring individual instruments in many contexts (orchestral, chamber, folk, solo, operatic, cinematic, even jazz and avant-garde music) and in pieces from the Middle Ages to the present. Joining regular orchestra members are such exotic visitors as the eerie ondes martenot, the wind machine, banjos, bagpipes, coconuts, typewriters, six-shooters, taxi horns, and migrating swans - and the hundreds of examples range from illustrative snippets to entire movements. The first CD is devoted entirely to the violin, and the last to the greatest instrument of all, the orchestra itself.

This intoxicating, energetic, and remarkably informative survey of musical instruments is unprecedented in its scope and achievement. All the lively descriptions are followed by striking musical examples, of which there are over 200, spanning all eras, styles, and genres. As well as a full transcript of the text, the comprehensive booklet contains clear illustrations and background historical information on each instrument.

----------------------------------- R E V I E W S:

"Originally intended as a single CD, this brilliant, insightful, and frequently humorous study of the orchestra eventually turned into a massive seven-CD set with a 200-page booklet. Writer and narrator Jeremy Siepmann spent a year finding the best musical excerpts to illustrate his richly informative text. The first CD concentrates on the violin alone, building up a compelling portrait by showing it in every conceivable situation, style, and tone. And Siepmann doesn't use classical music alone for his illustrations; he also dips into folk music, popular music, and gypsy music to show each instrument's scope - so each has its own biography. A constant delight for the ears, this should surely be a fixture in every musically curious household."

- H.M.J., AudioFile Magazine, December/January 2002/03

 Works on This Recording Back to Top 
1.  Tannhäuser: Overture by Richard Wagner
Conductor:  Karl Elmendorff
Orchestra/Ensemble:  Bayreuth Festival Orchestra
Period: Romantic 
Written: 1845/1861; Germany 
Notes: This selection is presented here in excerpted form. 
2.  Domna, pos vos ay chausida by Anonymous
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: 13th Century 
Notes: Arranged: Ensemble Unicorn and Oni Wytars
This selection is presented here in excerpted form. 
3.  Hungarian Dances (21) for Orchestra, WoO 1: no 7 in A major by Johannes Brahms
Conductor:  István Bogár
Orchestra/Ensemble:  Budapest Symphony Orchestra
Period: Romantic 
Written: 1868-1880; Austria 
Notes: This selection is presented here in excerpted form. 
4.  Concerto for Violin in D major, Op. 77: 2nd movement, Adagio by Johannes Brahms
Performer:  Takako Nishizaki (Violin)
Conductor:  Stephen Gunzenhauser
Orchestra/Ensemble:  Slovak Philharmonic Orchestra
Period: Romantic 
Written: 1878; Austria 
Notes: This selection is presented here in excerpted form. 
5.  L'histoire du soldat: Devil's Dance by Igor Stravinsky
Performer:  Jonathan Keeble (Spoken Vocals)
Conductor:  Nicholas Ward
Orchestra/Ensemble:  Northern Chamber Orchestra
Period: 20th Century 
Written: 1918; Switzerland 
Notes: This selection is presented here in excerpted form. 
6.  Csárdás by Traditional
Conductor:  Ferenc Sántá
Orchestra/Ensemble:  Ferenc Sánta Gypsy Orchestra
Written: Hungary 
Notes: This selection is presented here in excerpted form. 
7.  Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera": 1st movement, Allegro by Antonio Vivaldi
Performer:  Takako Nishizaki (Violin)
Conductor:  Stephen Gunzenhauser
Orchestra/Ensemble:  Capella Istropolitana
Period: Baroque 
Written: circa 1725; Venice, Italy 
Notes: This selection is presented here in excerpted form. 
8.  Schön Rosmarin by Fritz Kreisler
Performer:  Takako Nishizaki (Violin), Jénö Jandó (Piano)
Period: Romantic 
Written: Austria 
Notes: This selection is presented here in excerpted form. 
9.  Tzigane for Violin and Orchestra by Maurice Ravel
Performer:  Marat Bisengaliev (Violin)
Conductor:  Johannes Wildner
Orchestra/Ensemble:  Polish Radio Symphony Orchestra
Period: 20th Century 
Written: 1924; France 
Notes: This selection is presented here in excerpted form. 
10.  Caprices (24) for Violin solo, Op. 1: no 24 in A minor by Niccolň Paganini
Performer:  Ilya Kaler (Violin)
Period: Romantic 
Written: circa 1805; Italy 
Notes: This selection is presented here in excerpted form. 
11.  Brandenburg Concerto no 4 in G major, BWV 1049: 3rd movement, Presto by Johann Sebastian Bach
Performer:  Christine Pichlmeier (Violin), Karl Kaiser (Flute), Eva Morsbach (Recorder),
Daniel Rothert (Recorder), Robert Hill (Harpsichord), Corinne Chapelle (Violin),
Nadja Schubert (Recorder)
Conductor:  Helmut Müller-Brühl
Orchestra/Ensemble:  Cologne Chamber Orchestra
Period: Baroque 
Written: circa 1720; ?Cöthen, Germany 
Notes: This selection shares a ntrack and timing with "Quartet for Strings no 12 in C minor, D 703 "Quartettsatz": Excerpt(s)" and Jeremy Siepmann's narration.
This selection is presented here in excerpted form. 
12.  Quartet for Strings no 12 in C minor, D 703/Op posth "Quartettsatz": Excerpt(s) by Franz Schubert
Orchestra/Ensemble:  Kodály String Quartet
Period: Romantic 
Written: 1820; Vienna, Austria 
Notes: This selection shares a track and timing with "Brandenburg Concerto no 4 in G major, BWV 1049: 3rd movement, Presto" and Jeremy Siepmann's narration.
This selection is presented here in excerpted form. 
13.  Variations on a Theme of Frank Bridge, Op. 10: 7th movement, Viennese Waltz by Benjamin Britten
Conductor:  Richard Studt
Orchestra/Ensemble:  Bournemouth Sinfonietta
Period: 20th Century 
Written: 1937; England 
Notes: This selection is presented here in excerpted form. 
14.  Romeo and Juliet, Op. 64: Act 4 - Excerpt(s) by Sergei Prokofiev
Conductor:  Andrew Mogrelia
Orchestra/Ensemble:  National Symphony Orchestra of Ukraine
Period: 20th Century 
Written: 1935-1936; Paris, France 
Notes: This selection is presented here in excerpted form. 
15.  Suite bergamasque: 3rd movement, Clair de Lune by Claude Debussy
Conductor:  Keith Clark
Orchestra/Ensemble:  Slovak Radio Symphony Orchestra
Period: 20th Century 
Written: 1890/1905; France 
Notes: Arranged: André Caplet
This selection is presented here in excerpted form. 
16.  Concerto for Piano no 21 in C major, K 467: 2nd movement, Andante by Wolfgang Amadeus Mozart
Performer:  Jénö Jandó (Piano)
Conductor:  András Ligeti
Orchestra/Ensemble:  Concentus Hungaricus
Period: Classical 
Written: 1785; Vienna, Austria 
Notes: This selection is presented here in excerpted form. 
17.  Concerto for Violin no 2 in G minor, Op. 63: 2nd movement, Andante assai by Sergei Prokofiev
Performer:  Tedi Papavrami (Violin)
Conductor:  Antoni Wit
Orchestra/Ensemble:  Polish Radio Symphony Orchestra
Period: 20th Century 
Written: 1935; Paris, France 
Notes: This selection is presented here in excerpted form. 
18.  Colas Breugnon, Op. 24: Suite by Dmitri Kabalevsky
Conductor:  Vasily Jelvakov
Orchestra/Ensemble:  Moscow Symphony Orchestra
Period: 20th Century 
Written: 1938/1969; USSR 
Notes: This selection shares a track and timing with "Capriol Suite," "Romeo and Juliet, Op. 64: Act 1: Excerpt(s)" and "Symphony no 4 in G major: 2nd movement."
This selection is presented here in excerpted form. 
19.  Capriol Suite by Peter Warlock
Conductor:  Richard Studt
Orchestra/Ensemble:  Bournemouth Sinfonietta
Period: 20th Century 
Written: 1926; England 
Notes: This selection shares a track and timing with "Colas Breugnon, Op. 24:
Suite," "Romeo and Juliet, Op. 64: Act 1: Excerpt(s)" and "Symphony no 4 in G major: 2nd movement."
This selection is presented here in excerpted form. 
20.  Romeo and Juliet, Op. 64: Act 1 - Excerpt(s) by Sergei Prokofiev
Conductor:  Andrew Mogrelia
Orchestra/Ensemble:  National Symphony Orchestra of Ukraine
Period: 20th Century 
Written: 1935-1936; Paris, France 
Notes: This selection shares a track and timing with "Colas Breugnon, Op. 24:
Suite," "Capriol Suite" and "Symphony no 4 in G major: 2nd movement."
This selection is presented here in excerpted form. 
21.  Symphony no 4 in G major: 2nd movement "In gemählicher Bewegung" by Gustav Mahler
Performer:  Lynda Russell (Violin)
Conductor:  Antoni Wit
Orchestra/Ensemble:  Polish Radio Symphony Orchestra
Period: Romantic 
Written: 1892-1900; Vienna, Austria 
Notes: This selection shares a track and timing with "Colas Breugnon, Op. 24: Suite," "Capriol Suite" and "Romeo and Juliet, Op. 64: Act 1: Excerpt(s)."
This selection is presented here in excerpted form. 
22.  The Planets, Op. 32/H 125: Mars by Gustav Holst
Conductor:  Adrian Leaper
Orchestra/Ensemble:  Slovak Radio Symphony Orchestra
Period: 20th Century 
Written: 1914-1916; England 
Notes: This selection is presented here in excerpted form. 
23.  Sonata for Violin solo no 3 in C major, BWV 1005: 2nd movement, Fuga by Johann Sebastian Bach
Performer:  Lucy Van Dael (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Notes: This selection is presented here in excerpted form. 
24.  Hungarian Dances (21) for Orchestra, WoO 1: no 4 in F sharp minor by Johannes Brahms
Conductor:  István Bogár
Orchestra/Ensemble:  Budapest Symphony Orchestra
Period: Romantic 
Written: 1868-1880; Austria 
Notes: This selection is presented here in excerpted form. 
25.  Concerto for Violin in F major, Op. 8 no 3/RV 293 "L'autunno": 1st movement, Allegro by Antonio Vivaldi
Performer:  Takako Nishizaki (Violin)
Conductor:  Stephen Gunzenhauser
Orchestra/Ensemble:  Capella Istropolitana
Period: Baroque 
Written: 1725; Venice, Italy 
Notes: This selection is presented here in excerpted form. 
26.  Boléro: Excerpt(s) by Maurice Ravel
Conductor:  Adrian Leaper
Orchestra/Ensemble:  Royal Philharmonic Orchestra
Period: 20th Century 
Written: 1928; France 
Notes: This selection is presented here in excerpted form.
Excerpts from this work are performed three times on this box set. 
27.  Concerto for Violin in D major, Op. 77: Excerpt(s) by Johannes Brahms
Performer:  Takako Nishizaki (Violin)
Conductor:  Stephen Gunzenhauser
Orchestra/Ensemble:  Slovak Philharmonic Orchestra
Period: Romantic 
Written: 1878; Austria 
Notes: This selection is presented here in excerpted form.
Cadenza by Joseph Joachim. 
28.  Duets (44) for 2 Violins, Sz 98: no 1, Teasing Song "Párositó" by Béla Bartók
Performer:  György Pauk (Violin), Kazuki Sawa (Violin)
Period: 20th Century 
Written: 1931; Budapest, Hungary 
Notes: This selection is presented here in excerpted form. 
29.  Duets (44) for 2 Violins, Sz 98: no 2, Maypole Dance by Béla Bartók
Performer:  Kazuki Sawa (Violin), György Pauk (Violin)
Period: 20th Century 
Written: 1931; Budapest, Hungary 
Notes: This selection is presented here in excerpted form. 
30.  Concerto for 2 Violins in D minor, BWV 1043: 2nd movement, Largo ma non tanto by Johann Sebastian Bach
Performer:  Takako Nishizaki (Violin), Alexander Jablokov (Violin)
Conductor:  Oliver Dohnányi
Orchestra/Ensemble:  Capella Istropolitana
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Notes: This selection is presented here in excerpted form. 
31.  Symphony no 1 in D major "Titan": 1st movement, Langsam schleppend by Gustav Mahler
Conductor:  Michael Halász
Orchestra/Ensemble:  Polish Radio Symphony Orchestra
Period: Romantic 
Notes: This selection is presented here in excerpted form. 
32.  Sleeping Beauty, Op. 66: no 11, Act 2 - Entr'acte and scčne by Peter Ilyich Tchaikovsky
Conductor:  Andrew Mogrelia
Orchestra/Ensemble:  Czecho-Slovak State Philharmonic Orchestra Kosice
Period: Romantic 
Written: 1888-1889; Russia 
Notes: This selection is presented here in excerpted form. 
33.  Ma mčre l'oye: Les entretiens de la belle et de la bęte by Maurice Ravel
Conductor:  Kenneth Jean
Orchestra/Ensemble:  Czecho-Slovak Radio Symphony
Period: 20th Century 
Written: 1908-1910; France 
Notes: This selection is presented here in excerpted form. 
34.  Firebird Suite: Introduction by Igor Stravinsky
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Brussels Belgian Radio & TV Philharmonic Orchestra
Period: 20th Century 
Written: 1919; USA 
Notes: This selection is presented here in excerpted form. 
35.  Also sprach Zarathustra, Op. 30: Excerpt(s) by Richard Strauss
Conductor:  Zdenek Kosler
Orchestra/Ensemble:  Slovak Philharmonic Orchestra
Period: Romantic 
Written: 1895-1896; Germany 
Notes: This selection is presented here in excerpted form. 
36.  Variations on a Theme of Frank Bridge, Op. 10: 4th movement, Romance by Benjamin Britten
Conductor:  Richard Studt
Orchestra/Ensemble:  Bournemouth Sinfonietta
Period: 20th Century 
Written: 1937; England 
Notes: This selection is presented here in excerpted form. 
37.  Peter Grimes: Sea Interludes (4), Op. 33a - no 1, Dawn by Benjamin Britten
Conductor:  Myer Fredman
Orchestra/Ensemble:  New Zealand Symphony Orchestra
Period: 20th Century 
Written: 1944-1945; England 
Notes: This selection is presented here in excerpted form. 
38.  Elfenreigen by J. "Pepi" Hellmesberger
Conductor:  Christian Simonis
Orchestra/Ensemble:  Göttingen Symphony Orchestra
Period: Romantic 
Written: Vienna, Austria 
Notes: This selection is presented here in excerpted form. 
39.  Concerto for Viola in G major, TV 51 no G 9: 2nd movement, Allegro by Georg Philipp Telemann
Conductor:  Richard Edlinger
Orchestra/Ensemble:  Capella Istropolitana
Period: Baroque 
Written: circa 1716-1721; Frankfurt, Germany 
Notes: This selection is presented here in excerpted form. 
40.  Gayaneh: Suite no 1 by Aram Khachaturian
Conductor:  Andrei Anikhanov
Orchestra/Ensemble:  St. Petersburg State Symphony Orchestra
Period: 20th Century 
Written: 1943; USSR 
Notes: This selection is presented here in excerpted form. 
41.  Peter Grimes: Passacaglia, Op. 33b by Benjamin Britten
Conductor:  Myer Fredman
Orchestra/Ensemble:  New Zealand Symphony Orchestra
Period: 20th Century 
Written: 1945; England 
Notes: This selection is presented here in excerpted form. 
42.  Don Quixote, Op. 35 by Richard Strauss
Performer:  Alan Smale (Violin), Lars Anders Tomter (Viola), Alexander Rudin (Cello)
Conductor:  Gerhard Markson
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1896-1897; Germany 
Notes: This selection is presented here in excerpted form. 
43.  Harold en Italie, Op. 16: 4th movement by Hector Berlioz
Performer:  Igor Gruppman (Violin), Rivka Golani (Viola)
Conductor:  Yoav Talmi
Orchestra/Ensemble:  San Diego Symphony Orchestra
Period: Romantic 
Written: 1834; France 
Notes: This selection is presented here in excerpted form. 
44.  Cypresses for String Quartet, B 152: Excerpt(s) by Antonín Dvorák
Orchestra/Ensemble:  Vlach String Quartet Prague
Period: Romantic 
Written: 1887; Bohemia 
Notes: This selection is presented here in excerpted form. 
45.  Symphony no 4 in G major: 3rd movement, Ruhevoll by Gustav Mahler
Performer:  Lynda Russell (Violin)
Conductor:  Antoni Wit
Orchestra/Ensemble:  Polish Radio Symphony Orchestra
Period: Romantic 
Written: 1892-1900; Vienna, Austria 
Notes: This selection is presented here in excerpted form. 
46.  Brandenburg Concerto no 6 in B flat major, BWV 1051: Finale by Johann Sebastian Bach
Performer:  Jürgen Schuster (Trumpet), Nadja Schubert (Recorder), Christian Hommel (Oboe),
Winifried Rademacher (Violin)
Conductor:  Helmut Müller-Brühl
Orchestra/Ensemble:  Cologne Chamber Orchestra
Period: Baroque 
Written: 1708-1710; ?Weimar, Germany 
Notes: This selection is presented here in excerpted form. 
47.  Suite for Cello solo no 1 in G major, BWV 1007: 1st movement, Prelude by Johann Sebastian Bach
Performer:  Csaba Onczay (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Notes: This selection is presented here in excerpted form. 
48.  Herz und Mund und Tat und Leben, BWV 147: Bereite dir, Jesu, noch itzo die Bahn by Johann Sebastian Bach
Performer:  Ingrid Kertesi (Soprano)
Conductor:  Mátyás Antal
Orchestra/Ensemble:  Failoni Chamber Orchestra
Period: Baroque 
Written: 1723; Leipzig, Germany 
Notes: This selection is presented here in excerpted form. 
49.  Symphony no 3 in E flat major, Op. 55 "Eroica": 4th movement, Allegro molto by Ludwig van Beethoven
Conductor:  Béla Drahos
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1803; Vienna, Austria 
Notes: This selection is presented here in excerpted form. 
50.  Elfentanz, Op. 39 by David Popper
Performer:  Ni Hai-Ye (Cello), Hélčne Jeanney (Piano)
Period: Romantic 
Notes: This selection is presented here in excerpted form. 
51.  Flamenco by Huguety Tagell
Performer:  Bernd Glemser (Piano), Maria Kliegel (Cello)
Period: 20th Century 
Notes: This selection is presented here in excerpted form. 
52.  Suite for Cello solo by Gaspar Cassadó
Performer:  Maria Kliegel (Cello)
Period: 20th Century 
Written: 1926; Spain 
Notes: This selection is presented here in excerpted form. 
53.  Pieces (2) for Cello and Piano, Op. 2: no 2, Oriental Dance by Sergei Rachmaninov
Performer:  Bernd Glemser (Piano), Maria Kliegel (Cello)
Period: Romantic 
Written: 1892; Russia 
Notes: This selection is presented here in excerpted form. 
54.  Symphony no 5 in C minor, Op. 67: 2nd movement, Andante con moto by Ludwig van Beethoven
Conductor:  Béla Drahos
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1807-1808; Vienna, Austria 
Notes: This selection is presented here in excerpted form. 
55.  Symphony no 9 in D minor, Op. 125 "Choral": 4th movement, Finale by Ludwig van Beethoven
Performer:  Claudio Otelli (Bass Baritone), Ruxandra Donose (Mezzo Soprano), Manfred Fink (Tenor),
Hasmik Papian (Soprano)
Conductor:  Béla Drahos
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia,  Nicolaus Esterházy Chorus
Period: Classical 
Written: 1822-1824; Vienna, Austria 
Notes: This selection is presented here in excerpted form. 
56.  Carnival of the animals: no 5, Elephants by Camille Saint-Saëns
Conductor:  Ondrej Lenárd
Orchestra/Ensemble:  Slovak Radio Symphony Orchestra
Period: Romantic 
Written: 1886; France 
Notes: This selection is presented here in excerpted form. 
57.  Elegy no 1 in D major by Giovanni Bottesini
Performer:  Joel Quarrington (Double Bass), Andrew Burashko (Piano)
Period: Romantic 
Written: 19th Century; Italy 
Notes: This selection is presented here in excerpted form. 
58.  Grande allegro di concerto ŕ la Mendelssohn by Giovanni Bottesini
Performer:  Joel Quarrington (Double Bass), Andrew Burashko (Piano)
Period: Romantic 
Written: 19th Century; Italy 
Notes: This selection is presented here in excerpted form. 
59.  Capriccio di bravura by Giovanni Bottesini
Performer:  Andrew Burashko (Piano), Joel Quarrington (Double Bass)
Period: Romantic 
Written: 19th Century; Italy 
Notes: This selection is presented here in excerpted form. 
60.  Symphony no 1 in D major "Titan": 3rd movement, Feierlich und gemessen by Gustav Mahler
Conductor:  Michael Halász
Orchestra/Ensemble:  Polish Radio Symphony Orchestra
Period: Romantic 
Notes: This selection is presented here in excerpted form.
This selection shares track and timing with "Symphony no 3 in D minor:
1st movement, Kräftig." 
61.  Symphony no 3 in D minor: 1st movement, Kräftig by Gustav Mahler
Conductor:  Michael Halász
Orchestra/Ensemble:  Polish Radio Symphony Orchestra
Period: Romantic 
Written: 1893-1896; Hamburg, Germany 
Notes: This selection is presented here in excerpted form.
This selection shares track and timing with "Symphony no 1 in D major "Titan": 3rd movement, Feierlich und gemessen." 
62.  Lieutenant Kijé Suite, Op. 60: Wedding by Sergei Prokofiev
Conductor:  Andrew Mogrelia
Orchestra/Ensemble:  Slovak State Philharmonic Orchestra
Period: 20th Century 
Written: 1934; Paris, France 
Notes: This selection is presented here in excerpted form.
This selection shares track and timing with "Romeo and Juliet, Op. 64: Act 3: Excerpt(s)." 
63.  Romeo and Juliet, Op. 64: Act 3 - Excerpt(s) by Sergei Prokofiev
Conductor:  Andrew Mogrelia
Orchestra/Ensemble:  Ukrainian National Symphony Orchestra
Period: 20th Century 
Written: 1935-1936; Paris, France 
Notes: This selection is presented here in excerpted form.
This selection shares track and timing with "Lieutenant Kijé Suite, Op. 60: Wedding." 
64.  Symphony no 5 in C minor, Op. 67: 3rd movement, Allegro by Ludwig van Beethoven
Conductor:  Béla Drahos
Orchestra/Ensemble:  Nicolaus Esterházy Sinfonia
Period: Classical 
Written: 1807-1808; Vienna, Austria 
Notes: This selection is presented here in excerpted form. 
65.  Prélude ŕ l'aprčs-midi d'un faune: Excerpt(s) by Claude Debussy
Performer:  Judy Loman (Harp), Nora Shulman (Flute)
Period: 20th Century 
Written: 1892-1894; France 
Notes: This selection is presented here in excerpted form. 
66.  Suite for Orchestra no 2 in B minor, BWV 1067: Badinerie by Johann Sebastian Bach
Conductor:  Jaroslav Dvorák
Orchestra/Ensemble:  Capella Istropolitana
Period: Baroque 
Written: Leipzig, Germany 
Notes: This selection is presented here in excerpted form.
Composition written: Leipzig, Germany (1738 - 1739). 
67.  Sa' dâwi by Traditional
Conductor:  Thomas Wimmer
Orchestra/Ensemble:  Accentus
Period: Medieval 
Written: Spain 
Notes: This selection is presented here in excerpted form. 
68.  Chamber Music no 2, Op. 41 by Aulis Sallinen
Performer:  Hanna Juutilainen (Alto Flute)
Conductor:  Okko Kamu
Orchestra/Ensemble:  Finnish Chamber Orchestra
Period: 20th Century 
Written: 1976; Finland 
Notes: This selection is presented here in excerpted form. 
69.  Suite no 1 for small Orchestra by Igor Stravinsky
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Brussels Belgian Radio & TV Philharmonic Orchestra
Period: 20th Century 
Written: 1917-1925; France 
Notes: This selection is presented here in excerpted form. 
70.  Nutcracker, Op. 71: no 11, Act 2 - Scene by Peter Ilyich Tchaikovsky
Conductor:  Ondrej Lenárd
Orchestra/Ensemble:  Slovak Radio Symphony Orchestra
Period: Romantic 
Written: 1891-1892; Russia 
Notes: This selection is presented here in excerpted form. 
71.  Naelden, naelden by Josquin Baston
Performer:  Andreas Edlund ()
Conductor:  Sven Berger
Orchestra/Ensemble:  Convivium Musicum
Period: Renaissance 
Written: 16th Century 
Notes: This selection is presented here in excerpted form. 
72.  Ein feste Burg ist unser Gott, BWV 80: Wie selig sind doch by Johann Sebastian Bach
Performer:  József Mukk (Tenor), István Gáti (Bass), Ingrid Kertesi (Soprano)
Conductor:  Mátyás Antal
Orchestra/Ensemble:  Hungarian Radio Chorus,  Failoni Chamber Orchestra
Period: Baroque 
Written: by 1744; Leipzig, Germany 
Notes: This selection is presented here in excerpted form. 
73.  Symphony no 9 in E minor, Op. 95/B 178 "From the New World": 2nd movement, Largo by Antonín Dvorák
Conductor:  Stephen Gunzenhauser
Orchestra/Ensemble:  Slovak State Philharmonic Orchestra
Period: Romantic 
Written: 1893; USA 
Notes: This selection is presented here in excerpted form. 
74.  Lemminkäinen Suite, Op. 22: no 3, Swan of Tuonela by Jean Sibelius
Conductor:  Petri Sakari
Orchestra/Ensemble:  National Symphony Orchestra of Ireland
Period: Romantic 
Written: 1893/1895; Finland 
Notes: This selection is presented here in excerpted form. 
75.  Symphony no 22 in E flat major, H 1 no 22 "Philosopher": 1st movement, Adagio by Franz Joseph Haydn
Conductor:  Nicholas Ward
Orchestra/Ensemble:  Northern Chamber Orchestra
Period: Classical 
Written: 1764; Eszterhazá, Hungary 
Notes: This selection is presented here in excerpted form. 
76.  The Egyptian: Violence by Bernard Herrmann
Conductor:  William T. Stromberg
Orchestra/Ensemble:  Moscow Symphony Orchestra
Period: 20th Century 
Written: 1954; USA 
Notes: This selection is presented here in excerpted form. 
77.  Taras Bulba: The Death of Ostap by Leos Janácek
Conductor:  Ondrej Lenárd
Orchestra/Ensemble:  Slovak Radio Symphony Orchestra
Period: 20th Century 
Written: 1915-1918; Brno, Czech Republic 
Notes: This selection is presented here in excerpted form. 
78.  Pétrouchka: Dance of the Peasant and the Bear by Igor Stravinsky
Conductor:  Alexander Rahbari
Orchestra/Ensemble:  Brussels Belgian Radio & TV Philharmonic Orchestra
Period: 20th Century 
Written: 1911/1947; Switzerland 
Notes: This selection is presented here in excerpted form.
This selection shares track and timing with "Symphonie fantastique, Op. 14: 5th movement - Excerpt(s)" and "Romeo and Juliet, Op. 64: Act 2: Excerpt(s)." 
79.  Symphonie fantastique, Op. 14: 5th movement, Witch's Sabbath by Hector Berlioz
Conductor:  Ondrej Lenárd
Orchestra/Ensemble:  Slovak Radio Symphony Orchestra
Period: Romantic 
Written: 1830; France 
Notes: This selection is presented here in excerpted form.
This selection shares track and timing with "Pétrouchka: Peasant with
Bear" and "Romeo and Juliet, Op. 64: Act 2: Excerpt(s)." 
80.  Romeo and Juliet, Op. 64: Act 2 - Excerpt(s) by Sergei Prokofiev
Conductor:  Andrew Mogrelia
Orchestra/Ensemble:  National Symphony Orchestra of Ukraine
Period: 20th Century 
Written: 1935-1936; Paris, France 
Notes: This selection is presented here in excerpted form.
This selection shares track and timing with "Pétrouchka: Peasant with Bear" and "Symphonie fantastique, Op. 14: 5th movement - Excerpt(s)." 
81.  Suite Iberia, Book 2: no 2, Almería by Isaac Albeniz
Conductor:  Kenneth Jean
Orchestra/Ensemble:  Slovak Radio Symphony Orchestra
Period: Romantic 
Written: 1906; France 
Notes: Arranged: Breiner
This selection is presented here in excerpted form. 
82.  Snow Maiden, Op. 12: Melodrama by Peter Ilyich Tchaikovsky
Performer:  Elena Okolycheva (Mezzo Soprano), Arkady Mishenkin (Tenor)
Conductor:  Igor Golovchin
Orchestra/Ensemble:  Moscow Symphony Orchestra,  Moscow Capella
Period: Romantic 
Written: 1873; Russia 
Notes: This selection is presented here in excerpted form. 
83.  Peter and the Wolf, Op. 67: The Cat by Sergei Prokofiev
Conductor:  Ondrej Lenárd
Orchestra/Ensemble:  Slovak Radio Symphony Orchestra
Period: 20th Century 
Written: 1936; USSR 
Notes: This selection is presented here in excerpted form. 
84.  Concerto for Clarinet in A major, K 622: 3rd movement, Rondo by Wolfgang Amadeus Mozart
Performer:  Thea King (Clarinet)
Conductor:  Jeffrey Tate
Orchestra/Ensemble:  English Chamber Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
Notes: This selection is presented here in excerpted form.
This selection is performed twice on this CD. 
85.  Háry János, Op. 15: Suite - no 4, Battle & Defeat of Napoleon by Zoltán Kodály
Conductor:  Mátyás Antal
Orchestra/Ensemble:  Hungarian State Orchestra
Period: 20th Century 
Written: 1927; Hungary 
Notes: This selection is presented here in excerpted form. 
86.  L'arlésienne: Suite no 1 - 2nd movement, Menuet by Georges Bizet
Conductor:  Anthony Bramall
Orchestra/Ensemble:  Slovak State Philharmonic Orchestra
Period: Romantic 
Written: 1872; France 
Notes: This selection is presented here in excerpted form. 
87.  Pizzicato Polka by Johann Strauss Jr.
Period: Romantic 
Written: 1870; Vienna, Austria 
Notes: This selection is presented here in excerpted form.
This work was written in collaboration with Josef Strauss (1827 - 1870). 
88.  La naissance d'Osiris: Excerpt(s) by Jean-Philippe Rameau
Conductor:  Mary Térey-Smith
Orchestra/Ensemble:  Capella Savaria
Period: Baroque 
Written: by 1754; France 
Notes: This selection is presented here in excerpted form. 
89.  The Protecting Veil: Section 1 by John Tavener
Performer:  Maria Kliegel (Cello)
Conductor:  Takuo Yuasa
Orchestra/Ensemble:  Ulster Orchestra
Period: 20th Century 
Written: 1987; England 
Notes: This selection is presented here in excerpted form. 
90.  Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate": 1st movement, Allegro non molto by Antonio Vivaldi
Performer:  Takako Nishizaki (Violin)
Conductor:  Stephen Gunzenhauser
Orchestra/Ensemble:  Capella Istropolitana
Period: Baroque 
Written: 1725; Venice, Italy 
Notes: This selection is presented here in excerpted form. 
91.  Concerto for Violin no 1 in D major, Op. 19: 2nd movement, Scherzo "Vivacissimo" by Sergei Prokofiev
Performer:  Tedi Papavrami (Violin)
Conductor:  Antoni Wit
Orchestra/Ensemble:  Polish Radio Symphony Orchestra
Period: 20th Century 
Written: 1916-1917; Russia 
Notes: This selection is presented here in excerpted form. 
92.  Overture-Suite for Recorder, Strings and Basso Continuo in A minor, TV 55 no a 2 by Georg Philipp Telemann
Conductor:  Richard Edlinger
Orchestra/Ensemble:  Capella Istropolitana
Period: Baroque 
Written: Darmstadt, Germany 
Notes: This selection is presented here in excerpted form. 
93.  Concerto for Piano no 2 in B flat major, Op. 83: 3rd movement, Andante-Piů adagio by Johannes Brahms
Performer:  Idil Biret (Piano)
Conductor:  Antoni Wit
Orchestra/Ensemble:  Polish Radio Symphony Orchestra
Period: Romantic 
Written: 1878-1881; Austria 
Notes: This selection is presented here in excerpted form. 
94.  Concerto for Violin in F minor, Op. 8 no 4/RV 297 "L'inverno": 3rd movement, Allegro by Antonio Vivaldi
Performer:  Takako Nishizaki (Violin)
Conductor:  Stephen Gunzenhauser
Orchestra/Ensemble:  Capella Istropolitana
Period: Baroque 
Written: 1725; Venice, Italy 
Notes: This selection is presented here in excerpted form. 
 Sound Samples Back to Top 
Instruments of the Orchestra
Wagner: Tannhauser: Overture
Instruments of the Orchestra
Anonymous: Domna, pos vos ay chausida
Instruments of the Orchestra
We don't merely use instruments, we play on them. And they play on us.
Instruments of the Orchestra
Brahms: Hungarian Dance No. 7
Instruments of the Orchestra
The violin is one of the most tender and beautiful instruments ever invented.
Instruments of the Orchestra
Brahms: Violin Concerto in D major: II. Adagio
Instruments of the Orchestra
But for a long time it was seen as the instrument of the devil.
Instruments of the Orchestra
Stravinsky: The Soldier's Tale: Triumphal March of the Devil
Instruments of the Orchestra
The manipulative seductiveness of the gypsy violin
Instruments of the Orchestra
Anonymous: Csardas Music
Instruments of the Orchestra
The violin and the imitation of nature
Instruments of the Orchestra
Vivaldi: The Four Seasons: Spring: I. Allegro
Instruments of the Orchestra
Birds are again evoked in the second concerto, especially music's natural favourite.
Instruments of the Orchestra
Vivaldi: The Four Seasons: Summer: I. Allegro non molto
Instruments of the Orchestra
Like the devil, the violin is a master of disguise.
Instruments of the Orchestra
Kreisler: Schon Rosmarin
Instruments of the Orchestra
The menacing sensuality of Ravel's Tzigane; a very different side of the violin:
Instruments of the Orchestra
Ravel: Tzigane
Instruments of the Orchestra
Do we now have the true measure of this instrument? Not just yet.
Instruments of the Orchestra
Paganini: Caprice No. 24
Instruments of the Orchestra
Bach: Brandenburg Concerto No. 4: III. Presto / Schubert: Quartettsatz in C minor
Instruments of the Orchestra
Britten: Variations on a Theme of Frank Bridge: VIII. Moto Perpetuo
Instruments of the Orchestra
Prokofiev's tremolo in Romeo and Juliet should not be heard just before bedtime
Instruments of the Orchestra
Prokofiev: Romeo and Juliet: Act IV
Instruments of the Orchestra
Vivaldi uses it to illustrate the shivering of travellers crossing the ice.
Instruments of the Orchestra
Vivaldi: The Four Seasons: Winter: I. Allegro non molto
Instruments of the Orchestra
The violin muted
Instruments of the Orchestra
Debussy: Clair de lune
Instruments of the Orchestra
The gentleness of muted strings persists even when a whole orchestra plays.
Instruments of the Orchestra
Mozart: Piano Concerto No. 21 in C major, K. 467: II. Andante
Instruments of the Orchestra
The pizzicato violin
Instruments of the Orchestra
Strauss: Pizzicato Polka
Instruments of the Orchestra
In Prokofiev's Second Violin Concerto, the accompaniment is pizzicato.
Instruments of the Orchestra
Prokofiev: Violin Concerto No. 2 in G minor: II. Andante assai
Instruments of the Orchestra
Kabalevsky: Colas Breugnon / Warlock: Capriol Suite: III. Tordion / Prokofiev: Romeo and Juliet: Act I
Instruments of the Orchestra
Holst: The Planets: I. Mars: The Bringer of War
Instruments of the Orchestra
Bach: Sonata No. 3 in C major for unaccompanied violin: II. Fugue
Instruments of the Orchestra
Brahms: Hungarian Dance No. 4
Instruments of the Orchestra
Double-stopping is a standard feature of a lot of folk music.
Instruments of the Orchestra
Vivaldi: The Four Seasons: Autumn: I. Allegro
Instruments of the Orchestra
Now the same technique, but the sound might have come from another world.
Instruments of the Orchestra
Ravel: Bolero
Instruments of the Orchestra
Double-stopping can only approximate the sound of a real violin duet.
Instruments of the Orchestra
Joachim: Cadenza to the Violin Concerto by Brahms
Instruments of the Orchestra
Now compare that with a real violin duet.
Instruments of the Orchestra
Bartok: 44 Duos: I. Teasing Song
Instruments of the Orchestra
Another duo by Bartok, demonstrating the violin's rich lower register
Instruments of the Orchestra
Bartok: 44 Duos: II. Maypole Dance
Instruments of the Orchestra
And now what may be the most beautiful accompanied violin duet in history
Instruments of the Orchestra
Bach: Concerto in D minor for two violins: II. Largo ma non tanto
Instruments of the Orchestra
The soul of the violin is in song; but what about this weird passage?
Instruments of the Orchestra
Prokofiev: Violin Concerto No. 1 in D major: II. Scherzo
Instruments of the Orchestra
The use of harmonics in the orchestra can be both magical and unsettling.
Instruments of the Orchestra
Mahler: Symphony No. 1, "Titan": I. Langsam, schleppend (opening)
Instruments of the Orchestra
Tchaikovsky's use of harmonics in The Sleeping Beauty is both strange and daring.
Instruments of the Orchestra
Tchaikovsky: The Sleeping Beauty: Act II, No. 15: Entr'acte
Instruments of the Orchestra
Ravel's harmonics in Mother Goose effect a magical transformation.
Instruments of the Orchestra
Ravel: Ma Mere l'oye (Mother Goose): IV. Beauty and the Beast
Instruments of the Orchestra
Stravinsky: The Firebird: Introduction
Instruments of the Orchestra
The natural upper notes of the violins have a unique emotional "grab"
Instruments of the Orchestra
Strauss: Also sprach Zarathustra: Of the Afterworldsmen
Instruments of the Orchestra
Still in their upper register, the violins unleash the energy of a young colt.
Instruments of the Orchestra
Britten: Variations on a Theme of Frank Bridge: V. Aria Italiana
Instruments of the Orchestra
Elsewhere, Britten uses the same high register to create a very different mood.
Instruments of the Orchestra
Britten: Peter Grimes: 4 Sea Interludes, Op. 33a: I. Dawn
Instruments of the Orchestra
To end this outing with the violins, a charming little elfin dance
Instruments of the Orchestra
Hellmesberger: Elfenreigen
Instruments of the Orchestra
Introduction to the viola
Instruments of the Orchestra
Telemann: Viola Concerto: I. Largo
Instruments of the Orchestra
Khachaturian gets a very different sound from it: fuller, fruitier, more exotic.
Instruments of the Orchestra
Khachaturian: Gayane Suite No. 1: III. Armen's Solo
Instruments of the Orchestra
Very nearly the whole of the violin's upper register is also available to the viola.
Instruments of the Orchestra
Britten: Peter Grimes: Passacaglia, Op. 33b
Instruments of the Orchestra
Strauss: Don Quixote
Instruments of the Orchestra
Berlioz: Harold in Italy: IV. Orgy of Brigands
Instruments of the Orchestra
The muted viola: intimate, gentle, poignant in Dvorak
Instruments of the Orchestra
Dvorak: Cypresses: IX. Thou Only Dear One
Instruments of the Orchestra
The massed violas of the modern symphony orchestra in Mahler
Instruments of the Orchestra
Mahler: Symphony No. 4: III. Ruhevoll, poco adagio
Instruments of the Orchestra
The "period" viola in Bach
Instruments of the Orchestra
Bach: Brandenburg Concerto No. 6: III. Allegro
Instruments of the Orchestra
The cello: a voice of unique nobility
Instruments of the Orchestra
Bach: Suite No. 1 for unaccompanied cello: I. Prelude
Instruments of the Orchestra
Brahms and the "soul" of the cello
Instruments of the Orchestra
Brahms: Piano Concerto No. 2 in B flat major: III. Andante
Instruments of the Orchestra
Most orchestral composers tend to emphasise the cello's lower register.
Instruments of the Orchestra
Bach: Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu
Instruments of the Orchestra
In the time of Beethoven the cello remained as fundamental as ever.
Instruments of the Orchestra
Beethoven: Symphony No. 3 "Eroica": IV. Finale
Instruments of the Orchestra
But the cello is not condemned to spend its life in the basement.
Instruments of the Orchestra
Popper: Elfentanz, Op. 39
Instruments of the Orchestra
Not only in recital showpieces like that is the cello used in its highest register.
Instruments of the Orchestra
Tavener: The Protecting Veil: opening
Instruments of the Orchestra
A cello with an identity-crisis: the pizzicato Flamencan
Instruments of the Orchestra
Tagell: Flamenco
Instruments of the Orchestra
Double-stopping in the lower reaches of the cello's range
Instruments of the Orchestra
Cassado: Solo Suite for Cello and Piano: Sardana
Instruments of the Orchestra
It's in its middle register that the cello really comes into its own.
Instruments of the Orchestra
Rachmaninov: Oriental Dance, Op. 2, No. 2
Instruments of the Orchestra
Beethoven: Symphony No. 5: II. Andante con moto
Instruments of the Orchestra
Beethoven: Symphony No. 9: IV. Finale
Instruments of the Orchestra
Introduction to the double-bass
Instruments of the Orchestra
Saint-Saens: The Carnival of the Animals: The Elephant
Instruments of the Orchestra
But the double-bass can be intensely expressive and graceful.
Instruments of the Orchestra
Bottesini: Elegy No. 1 in D major
Instruments of the Orchestra
Bottesini: Allegro di concerto, "Alla Mendelssohn"
Instruments of the Orchestra
Bottesini: Capriccio di bravura
Instruments of the Orchestra
Mahler: Symphony No. 1, "Titan": III. Feierlich und gemessen, ohne zu schleppen / Mahler: Symphony No. 3: I. Kraftig
Instruments of the Orchestra
Prokofiev: Lieutenant Kije Suite: III. Kije's Wedding / Prokofiev: Romeo and Juliet: Act III
Instruments of the Orchestra
Beethoven: Symphony No. 5: III. Allegro
Instruments of the Orchestra
The antiquity and magic of the flute
Instruments of the Orchestra
Debussy: Prelude a l'apres-midi d'un faune
Instruments of the Orchestra
The versatility and agility of the flute
Instruments of the Orchestra
Bach: Orchestral Suite No. 2 in B minor: VII. Badinerie
Instruments of the Orchestra
The flute in fifteenth-century Spain
Instruments of the Orchestra
Anonymous: Sa'dawi
Instruments of the Orchestra
Other flutes: the bass and alto
Instruments of the Orchestra
Sallinen: Chamber Music II
Instruments of the Orchestra
The Piccolo - aptly named
Instruments of the Orchestra
Rameau: La Naissance d'Osiris: VI. Premier et deuxieme tambourin
Instruments of the Orchestra
From a piccolo of the eighteenth century to one of its descendants in the twentieth
Instruments of the Orchestra
Stravinsky: Suite No. 2 for Small Orchestra: II. Valse
Instruments of the Orchestra
A variety of techniques
Instruments of the Orchestra
Sallinen: Chamber Music II
Instruments of the Orchestra
Flutter-tonguing. But Tchaikovsky got there eighty years before.
Instruments of the Orchestra
Tchaikovsky: The Nutcracker: Act II, No. 2: Scene
Instruments of the Orchestra
From the transverse to the vertical: the Baroque recorder
Instruments of the Orchestra
Telemann: Recorder Suite in A minor: Menuet II
Instruments of the Orchestra
An unfamiliar, early vision of the instrument
Instruments of the Orchestra
Baston: Naelden, Naelden
Instruments of the Orchestra
The Bachian oboe
Instruments of the Orchestra
Bach: Ein feste Burg ist unser Gott, BWV 80: Duetto: Wie selig sind doch die
Instruments of the Orchestra
Introduction to the cor anglais or 'English horn'
Instruments of the Orchestra
Dvorak: Symphony No. 9, "From the New World": II. Largo
Instruments of the Orchestra
The loneliness of the cor anglais
Instruments of the Orchestra
Sibelius: The Swan of Tuonela
Instruments of the Orchestra
The cor anglais joins the French horn in Haydn.
Instruments of the Orchestra
Haydn: Symphony No. 22, "The Philosopher": I. Adagio
Instruments of the Orchestra
Introduction to the oboe d'amore, beloved of Bach - but also of Ravel
Instruments of the Orchestra
Ravel: Bolero
Instruments of the Orchestra
Herrmann: The Egyptian: Violence / Janacek: Taras Bulba: The Death of Ostap
Instruments of the Orchestra
Stravinsky: Petrushka: Peasant with Bear / Berlioz: Symphonie fantastique: V. Songe d'une nuit / Prokofiev: Romeo and Juliet: Act II
Instruments of the Orchestra
As the high clarinets tend to be loud, so the bass tends to be soft
Instruments of the Orchestra
Khachaturian: Gayane Suite No. 1: V. Gayane's Solo
Instruments of the Orchestra
Stravinsky: Petrushka: The Blackamoor / Albeniz: Iberia: Almeria
Instruments of the Orchestra
The range of the normal clarinet parts goes quite high...
Instruments of the Orchestra
Tchaikovsky: The Snow Maiden: Scene 5: Melodrama
Instruments of the Orchestra
....and quite low.
Instruments of the Orchestra
Prokofiev: Peter and the Wolf: The Cat
Instruments of the Orchestra
The clarinet as concerto soloist
Instruments of the Orchestra
Mozart: Clarinet Concerto in A major: III. Rondo
Instruments of the Orchestra
But that's not the instrument Mozart wrote it for; this is:
Instruments of the Orchestra
Mozart: Clarinet Concerto in A major: III. Rondo
Instruments of the Orchestra
Introduction to the saxophone
Instruments of the Orchestra
Kodaly: Hary Janos Suite: IV. The Battle and Defeat of Napoleon
Instruments of the Orchestra
The soprano saxophone has quite a different feel to it
Instruments of the Orchestra
Bizet: L'Arlesienne Suite No. 1: II. Minuet
Instruments of the Orchestra
The little sopranino sax goes even higher
Instruments of the Orchestra
Ravel: Bolero
Instruments of the Orchestra
The most famous use of the saxophone is in an orchestration by Ravel
Instruments of the Orchestra
Mussorgsky: Pictures at an exhibition: The Old Castle
Instruments of the Orchestra
The saxophone can be quite contagiously good-humoured.
Instruments of the Orchestra
Wiedoeft: Sax-o-phun
Instruments of the Orchestra
The puffa-puffa image of the bassoon
Instruments of the Orchestra
Prokofiev: Peter and the Wolf: Grandfather
Instruments of the Orchestra
The Bachian bassoon, in accompanimental mode
Instruments of the Orchestra
Bach: Weicher nur, betrubte Schatten, BWV 202, "Wedding Cantata": Aria No. 1
Instruments of the Orchestra
Bizet: Carmen Suite No. 1: V. Les Dragons d'Alcala
Instruments of the Orchestra
And Ravel, also in Spanish mode, does likewise
Instruments of the Orchestra
Ravel: Bolero
Instruments of the Orchestra
The bassoon as a voice of high seriousness, indeed desolate loneliness
Instruments of the Orchestra
Bax: Symphony No. 3: I. Lento moderato
Instruments of the Orchestra
The eerie bassoon in its highest register
Instruments of the Orchestra
Stravinsky: The Rite of Spring: opening
Instruments of the Orchestra
Stravinsky now draws on its lowest register, lonely and melancholy.
Instruments of the Orchestra
Stravinsky: The Firebird Suite (1919): Berceuse
Instruments of the Orchestra
The bassoon as concerto soloist, avoiding all exaggeration
Instruments of the Orchestra
Molter: Bassoon Concerto in G minor: III. -
Instruments of the Orchestra
The deep-voiced contra-bassoon, as a fairy-tale beast
Instruments of the Orchestra
Ravel: Ma Mere l'oye (Mother Goose): IV. Beauty and the Beast
Instruments of the Orchestra
The French Horn under its woodwind hat
Instruments of the Orchestra
Nielsen: Wind Quintet, Op. 43: III. Praeludium - Tema con variazioni
Instruments of the Orchestra
Now a more prominent role, in a woodwind quintet from an earlier era
Instruments of the Orchestra
Reicha: Wind Quintet in A minor, Op. 100, No. 5: II. Andante con variazioni
Instruments of the Orchestra
The horn in harmonious blend with strings in another quintet
Instruments of the Orchestra
Mozart: Horn Quintet in E flat major, K. 407: III. Rondeau
Instruments of the Orchestra
The Trumpet as virtuoso soloist
Instruments of the Orchestra
Bach: Brandenburg Concerto No. 2: III. Allegro assai
Instruments of the Orchestra
The special brilliance of paired trumpets
Instruments of the Orchestra
Vivaldi: Concerto in C for two trumpets, RV 537: I. Allegro
Instruments of the Orchestra
The ceremonial trumpet
Instruments of the Orchestra
Copland: Fanfare for the Common Man
Instruments of the Orchestra
Trumpets and drums - an incomparable alliance
Instruments of the Orchestra
Handel: Messiah: The Trumpet Shall Sound
Instruments of the Orchestra
The versatility of the trumpet, from the most public to the most lonely
Instruments of the Orchestra
Gershwin: Piano Concerto in F: II. Andante con moto - Adagio
Instruments of the Orchestra
Gershwin: An American in Paris / Stravinsky: The Soldier's Tale: The March
Instruments of the Orchestra
Bizet: Carmen Suite No. 2: II. Habanera
Instruments of the Orchestra
The trumpet as the voice of strength and courage
Instruments of the Orchestra
Bizet: Carmen Suite No. 2: IV. Toreador's Song
Instruments of the Orchestra
Stravinsky: Petrushka: The Blackamoor / Prokofiev: Lieutenant Kije Suite: I. The Birth of Kije
Instruments of the Orchestra
Copland: Billy the Kid
Instruments of the Orchestra
The trumpet as character actor
Instruments of the Orchestra
Mussorgsky: Pictures at an Exhibition: Samuel Goldenberg and Schmuyle
Instruments of the Orchestra
The trumpet as the voice of God
Instruments of the Orchestra
Bach: Mass in B minor: Et expecto
Instruments of the Orchestra
The birth of the trombone
Instruments of the Orchestra
Anonymous: Aenmerckt nu hier
Instruments of the Orchestra
The birth of the brass as a family
Instruments of the Orchestra
Gabrieli: Canzon a 12 in Double Echo
Instruments of the Orchestra
The trombone in the eighteenth century
Instruments of the Orchestra
Albrechtsberger: Trombone Concerto in B flat major: III. Finale
Instruments of the Orchestra
Hoser: Romance for trombone and organ / Berlioz: Requiem: Dies Irae
Instruments of the Orchestra
Liszt: Hosannah, S677/R409
Instruments of the Orchestra
The trombones become part of the orchestra
Instruments of the Orchestra
Beethoven: Symphony No. 5: IV. Allegro
Instruments of the Orchestra
Wagner: Tannhauser: Overture
Instruments of the Orchestra
The Trombone as caricaturist
Instruments of the Orchestra
Stravinsky: Pulcinella: No. 19: Vivo
Instruments of the Orchestra
Bartok: Concerto for Orchestra: IV. Intermezzo interrotto
Instruments of the Orchestra
The horn and the hunt
Instruments of the Orchestra
Mozart: Horn Concerto No. 4 in E flat, K. 495: III. Rondo
Instruments of the Orchestra
The challenging horn of the Baroque
Instruments of the Orchestra
Rameau: Abaris ou les Boreades: II. Menuet
Instruments of the Orchestra
The scarcity of first-rate players in Handel's time
Instruments of the Orchestra
Handel: Water Music: Suite No. 1 in F major, HWV 348: Menuet
Instruments of the Orchestra
Stravinsky: The Firebird Suite (1919): Finale
Instruments of the Orchestra
Horns and the sound of nobility
Instruments of the Orchestra
Wagner: Tannhauser: Overture (opening)
Instruments of the Orchestra
The special sound of the horn in its higher register
Instruments of the Orchestra
Bach: Mass in B minor: Quoniam tu solus sanctus
Instruments of the Orchestra
The trumpet-like sound of massed horns
Instruments of the Orchestra
Mahler: Symphony No. 3: I. Kraftig (opening)
Instruments of the Orchestra
The tuba - unfairly maligned?
Instruments of the Orchestra
Prokofiev: Symphony No. 6: III. Vivace
Instruments of the Orchestra
The tuba perfectly cast by Ravel
Instruments of the Orchestra
Mussorgsky: Pictures at an Exhibition: Bydlo
Instruments of the Orchestra
Introduction. And we begin with a bang.
Instruments of the Orchestra
Copland: Fanfare for the Common Man / Beethoven: Wellington's Victory, Op. 91 (opening)
Instruments of the Orchestra
At the opposite extreme is the triangle.
Instruments of the Orchestra
Liszt: Piano Concerto No. 1 in E flat major: Scherzo
Instruments of the Orchestra
Categories of percussion: tuned and untuned. The side drum
Instruments of the Orchestra
Rossini: La gazza ladra (The Thieving Magpie): Overture (opening)
Instruments of the Orchestra
Nielsen: Clarinet Concerto (opening)
Instruments of the Orchestra
The tambourine. One of the oldest instruments in the world
Instruments of the Orchestra
Anonymous: Den hoboecken dans
Instruments of the Orchestra
Even older is the originally oriental gong.
Instruments of the Orchestra
Ravel: Ma Mere l'oye (Mother Goose): Laideronette
Instruments of the Orchestra
Britten: Peter Grimes: Passacaglia, Op. 33b
Instruments of the Orchestra
Satie: Gymnopedie No. 2
Instruments of the Orchestra
Elgar: The Sanguine fan / Cymbals clashed softly / Cymbals struck singly / Cymbals stroked with wire brushes
Instruments of the Orchestra
Ravel: Piano Concerto in G major (opening) / Tchaikovsky: The Nutcracker: Act I Scene 5
Instruments of the Orchestra
Wood blocks
Instruments of the Orchestra
Copland: Rodeo: IV. Hoe-Down
Instruments of the Orchestra
Glinka: Jota aragonesa
Instruments of the Orchestra
Monteverdi: Scherzi musicali: Damigella tutta bella
Instruments of the Orchestra
A still earlier example from fifteenth-century Spain
Instruments of the Orchestra
Traditional: Yo m'enamori d'un aire
Instruments of the Orchestra
The birth of the bongo
Instruments of the Orchestra
Bernstein: West Side Story (Symphonic Dances)
Instruments of the Orchestra
Verdi: II Trovatore: Act II: Anvil Chorus
Instruments of the Orchestra
Grofe: Grand Canyon Suite: III. On the Trail / Varese: Arcana
Instruments of the Orchestra
Moncayo: Huapango
Instruments of the Orchestra
Onwards to the tuned percussion. First, the timpani
Instruments of the Orchestra
Strauss: Also sprach Zarathustra: Introduction
Instruments of the Orchestra
Mahler: Symphony No. 2, "Resurrection'": III. In ruhig fliessender Bewegung
Instruments of the Orchestra
Grofe: Grand Canyon Suite: I. Sunrise / Berlioz: Symphonie fantastique: V. Songe d'une nuit de Sabbat
Instruments of the Orchestra
Taking advantage of tunability
Instruments of the Orchestra
Bartok: Music for Strings, Percussion and Celesta: II. Allegro
Instruments of the Orchestra
Shchedrin: Carmen Suite: IV. Changing of the Guard
Instruments of the Orchestra
Shchedrin: Carmen Suite: V. Carmen's Entrance and Habanera
Instruments of the Orchestra
Saint-Saens and the xylophone
Instruments of the Orchestra
Saint-Saens: The Carnival of the Animals: Fossils
Instruments of the Orchestra
Ravel and the xylophone
Instruments of the Orchestra
Ravel: Ma Mere l'oye (Mother Goose): Laideronette
Instruments of the Orchestra
Shchedrin: Carmen Suite: III. First Intermezzo
Instruments of the Orchestra
Introducing the vibraphone
Instruments of the Orchestra
Steiner: The Treasure of the Sierra Madre: Narange dolce
Instruments of the Orchestra
Shchedrin: Carmen Suite: V. Carmen's Entrance and Habanera
Instruments of the Orchestra
Introducing the Hungarian cimbalom
Instruments of the Orchestra
Traditional: Folk Dances
Instruments of the Orchestra
The cimbalom and the symphony orchestra
Instruments of the Orchestra
Kodaly: Hary Janos Suite : III. Song
Instruments of the Orchestra
Introducing the tubular bells
Instruments of the Orchestra
Kodaly: Hary Janos Suite: II. Viennese Musical Clock
Instruments of the Orchestra
A more "up-front" approach from Rodion Shchedrin
Instruments of the Orchestra
Shchedrin: Carmen Suite: I. Introduction
Instruments of the Orchestra
Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude
Instruments of the Orchestra
Introducing the celesta
Instruments of the Orchestra
Tchaikovsky: The Nutcracker: Dance of the Sugar Plum Fairy
Instruments of the Orchestra
Magic, in the use of collective percussion
Instruments of the Orchestra
Ravels: Miroirs: V. La vallee des cloches
Instruments of the Orchestra
Shchedrin: Carmen Suite: VI. Scene
Instruments of the Orchestra
Tchaikovsky: The Nutcracker: Act II: Scene / Liszt: Hungarian Rhapsody No. 1
Instruments of the Orchestra
The traditionally subservient role of the harpsichord in the Baroque orchestra
Instruments of the Orchestra
Bach: Brandenburg Concerto No. 2: II. Andante
Instruments of the Orchestra
Saint-Saens: Symphony No. 3, "Organ": II. Allegro moderato
Instruments of the Orchestra
Stravinsky: Petrushka: Russian Dance
Instruments of the Orchestra
The anti-Romantic piano as an integral part of the orchestra
Instruments of the Orchestra
Bartok: Music for Strings, Percussion and Celesta: IV. Allegro molto
Instruments of the Orchestra
Keyboard instruments in the orchestra - the most powerful of them all:
Instruments of the Orchestra
Saint-Saens: Symphony No. 3, "Organ": II. Presto
Instruments of the Orchestra
But things in Handel's day were very different.
Instruments of the Orchestra
Handel: Organ Concerto in B flat major, Op. 4, No. 3: IV. Gavotte
Instruments of the Orchestra
The organ is difficult to classify.
Instruments of the Orchestra
An unexpected, organ-related guest
Instruments of the Orchestra
Boismortier: Concerto pour Zampogna: III. Allegro
Instruments of the Orchestra
Peasant-fancying... and a touch of the roaming cowboy
Instruments of the Orchestra
Schoenberg: Les Miserables: Drink with Me
Instruments of the Orchestra
Mozart: German Dance, K. 603, No. 3
Instruments of the Orchestra
Mahler: Symphony No. 4: I. Bedachtig, nicht eilen
Instruments of the Orchestra
Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig
Instruments of the Orchestra
Anderson: The Typewriter / Satie: Parade
Instruments of the Orchestra
Varese: Integrales / Gershwin: An American in Paris / Anderson: Sandpaper Ballet
Instruments of the Orchestra
Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude
Instruments of the Orchestra
Strauss: Don Quixote: Variation VIII
Instruments of the Orchestra
Rodrigo: Concierto de Aranjuez: III. Allegro gentile
Instruments of the Orchestra
Seeger / Hays: Washington Breakdown
Instruments of the Orchestra
Steiner: The Treasure of the Sierra Madre: Packing Up
Instruments of the Orchestra
Prokofiev: Romeo and Juliet: Act II: No. 14
Instruments of the Orchestra
Steiner: The Treasure of the Sierra Madre: EI Desayuno
Instruments of the Orchestra
The bongos and the congas and a whole wealth of other drums from Africa and Central America
Instruments of the Orchestra
Evening Raga: Bhapoli
Instruments of the Orchestra
Ferre: Paris cancaille
Instruments of the Orchestra
Karas: The Third Man: Theme
Instruments of the Orchestra
Traditional: Folk Dances
Instruments of the Orchestra
Albeniz: Rondena
Instruments of the Orchestra
Traditional: Svetit Mesiats
Instruments of the Orchestra
Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude
Instruments of the Orchestra
Debussy: Nocturnes: III. Sirenes
Instruments of the Orchestra
Instruments and the imitation of nature. The clarinet as cuckoo
Instruments of the Orchestra
Saint-Saens: The Carnival of the Animals: The Cuckoo
Instruments of the Orchestra
The flute as an all-purpose aviary
Instruments of the Orchestra
Saint-Saens: The Carnival of the Animals: The Aviary
Instruments of the Orchestra
The oboe as duck
Instruments of the Orchestra
Prokofiev: Peter and the Wolf: The Duck
Instruments of the Orchestra
The recording of reality. Does it work as well?
Instruments of the Orchestra
Respighi: The Pines of Rome: III. The Pines of the Janiculum
Instruments of the Orchestra
The recording of reality electronically reborn in new guises
Instruments of the Orchestra
Rautavaara: Cantus Arcticus, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy)
Instruments of the Orchestra
Beethoven turns avian: cuckoo, nightingale, and quail
Instruments of the Orchestra
Beethoven: Symphony No. 6, "Pastoral": II. Szene am Bach
Instruments of the Orchestra
Some importable casting: the violin as braying donkey
Instruments of the Orchestra
Saint-Saens: The Carnival of the Animals: Persons with Long Ears
Instruments of the Orchestra
A truly orchestral hee-haw to be reckoned with
Instruments of the Orchestra
Mendelssohn: A Midsummer Night's Dream: Overture
Instruments of the Orchestra
A thunderstorm in a million
Instruments of the Orchestra
Beethoven: Symphony No. 6, "Pastoral": IV. Gewitter, Sturm
Instruments of the Orchestra
The instrumental depiction of a silent world
Instruments of the Orchestra
Saint-Saens: The Carnival of the Animals: The Aquarium
Instruments of the Orchestra
Saint-Saens' menagerie takes a curtain call
Instruments of the Orchestra
Saint-Saens: The Carnival of the Animals: Finale
Instruments of the Orchestra
The grouping of instrumental families. An additive approach. First, two violins.
Instruments of the Orchestra
Bartok: 44 Duos: IV. Midsummer Night Song
Instruments of the Orchestra
A greater contrast, of both pitch and character, violin and viola
Instruments of the Orchestra
Mozart: Duo for Violin and Viola in B flat major, K. 424: finale: variations 1 and 2
Instruments of the Orchestra
Arrival at the standard string trio: violin, viola and cello
Instruments of the Orchestra
Schubert: String Trio in B flat major: III. Menuetto
Instruments of the Orchestra
The string quartet: two violins, viola and cello
Instruments of the Orchestra
Beethoven: String Quartet in F major, Op. 18, No. 1: III. Scherzo
Instruments of the Orchestra
The string quintet - when the extra instrument is a second viola
Instruments of the Orchestra
Mozart: String Quintet No. 5 in D major, K. 593: II. Adagio
Instruments of the Orchestra
The string quintet - when the extra instrument is a second cello
Instruments of the Orchestra
Schubert: String Quintet in C major: III. Scherzo
Instruments of the Orchestra
The string sextet: two violins, two violas, and two cellos
Instruments of the Orchestra
Brahms: String Sextet No. 1 in B flat major: II. Andante ma moderato
Instruments of the Orchestra
The string octet: the standard string quartet times two
Instruments of the Orchestra
Mendelssohn: Octet in E flat major, Op. 20: movement 1
Instruments of the Orchestra
Double the string octet: a fully fledged string orchestra
Instruments of the Orchestra
Mendelssohn: String Symphony No. 2: III. Allegro vivace
Instruments of the Orchestra
The massed strings of a symphony orchestra
Instruments of the Orchestra
Vaughan Williams: Fantasia on a Theme of Thomas Tallis
Instruments of the Orchestra
Contrasts of pitch and instrumental 'colour' in the woodwind section
Instruments of the Orchestra
Reicha: Wind Quintet in A minor, Op. 100, No. 5: Theme
Instruments of the Orchestra
In the First Variation it's the horn that gets the lion's share
Instruments of the Orchestra
Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 1
Instruments of the Orchestra
In Variation Two the torch is handed to the bassoon
Instruments of the Orchestra
Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 2
Instruments of the Orchestra
In Variation Three the oboe leads
Instruments of the Orchestra
Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 3
Instruments of the Orchestra
Variation Four: conversation before returning to a solo-dominated texture
Instruments of the Orchestra
Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 4
Instruments of the Orchestra
And Variation Five is dominated by the clarinet
Instruments of the Orchestra
Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 5
Instruments of the Orchestra
The next to be featured is the virtuoso flute.
Instruments of the Orchestra
Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 6
Instruments of the Orchestra
Individual farewells and a closing chorus
Instruments of the Orchestra
Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 7
Instruments of the Orchestra
A mixed group: clarinet, bassoon, horn, string quartet, and double-bass
Instruments of the Orchestra
Schubert: Octet in F major, D. 803: III. Trio
Instruments of the Orchestra
The early classical symphony orchestra of Haydn and Mozart
Instruments of the Orchestra
Mozart: Symphony No. 29 in A major, K. 201: IV. Allegro con spirito
Instruments of the Orchestra
Strings, wind, but no brass. What Haydn and Mozart never knew
Instruments of the Orchestra
Gabrieli: Canzon 28
Instruments of the Orchestra
Beethoven's Fifth: two horns, two trumpets, and three trombones join the team
Instruments of the Orchestra
Beethoven: Symphony No. 5: IV. Allegro
Instruments of the Orchestra
From Beethoven to the massive orchestras of Berlioz, Wagner, and Mahler
Instruments of the Orchestra
Beethoven changed the face of the symphony and the orchestra forever.
Instruments of the Orchestra
Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig
Instruments of the Orchestra
The cult of orchestral elephantiasis reaches its peak
Instruments of the Orchestra
Brian: Symphony No. 1, "Gothic": VI. Te ergo quaesumus
Instruments of the Orchestra
When large doesn't necessarily mean loud: Debussy
Instruments of the Orchestra
Debussy: Images: I. Gigues
Instruments of the Orchestra
A crisis of confidence; the orchestra's survival hangs in the balance, but it still develops. The ondes martenot:
Instruments of the Orchestra
Messiaen: Turangalila Symphony: II. Chant d'amour I
Instruments of the Orchestra
The advent of the "early music" movement brings a new vitality and freshness
Instruments of the Orchestra
Lully: Ballet de Xerxes: Gavotte en rondeau
Instruments of the Orchestra
Computer and synthesiser: friends or foes?
Instruments of the Orchestra
Bach: Concerto in D minor for two violins: II. Largo ma non tanto
Instruments of the Orchestra
Bach: Mass in B minor: Dona nobis pacem
 About ArkivMusic  Contact Us  Partner Program  Institutional Sales  Terms & Conditions  Privacy Policy  Help  Your Account  Shortcuts  
ArkivMusic - The Source for Classical Music!

Copyright ArkivMusic LLC, 2009.
Data supplied by Muze, Inc. Copyright 1948-2009. For personal use only. All rights reserved. Muze logo