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| All At Once Well Met - English Madrigals / King's Singers | |||||
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Release Date: 10/25/1990 Label: Emi Classics Catalog #: 49265 Spars Code: n/a Composer: John Farmer, Thomas Tomkins, Thomas Morley, Thomas Weelkes, John Wilbye, John Bennet, William Byrd, John Dowland, Giles Farnaby, Robert Jones, Francis Pilkington, John Mundy, George Kirbye Performer: Robert Spencer, John Fraser Orchestra/Ensemble: King's Singers
Number of Discs: 1 |
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CD
$15.99
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| Notes & Reviews | Back to Top | ||||
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| This disc includes both ADD and DDD recordings. | |||||
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| Works on This Recording | Back to Top | ||||
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| 1. |
The First Set of English Madrigals: A little pretty bonny lass by John Farmer | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1599; England |
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Language: English |
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Notes: Audio Engineer: Christopher Parker. Audio Producer: John Willan. |
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| 2. |
Songs of 3-6 parts: Weep no more, thou sorry boy by Thomas Tomkins | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1622; England |
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| 3. |
Shoot, false love, I care not by Thomas Morley | ||||
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Orchestra/Ensemble:
King's Singers
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| 4. |
Now is the month of maying by Thomas Morley | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1595; England |
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Notes: Audio Engineer: Stuart Eltham. Audio Producer: Christopher Bishop. |
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| 5. |
Fowre armes two neckes by Thomas Weelkes | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: 1608; England |
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| 6. |
Harke all ye lovely saints above by Thomas Weelkes | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1598; England |
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| 7. |
Since Robin Hood by Thomas Weelkes | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: 1608; England |
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| 8. |
Canzonets to 3 Voices: no 23, Though Philomela lost hir love by Thomas Morley | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: 1593; England |
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| 9. |
O wretched man by John Wilbye | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: 1609; England |
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| 10. |
Weep, o mine eyes by John Bennet | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1599; England |
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| 11. |
The nightingale, the organ of delight by Thomas Weelkes | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: 1608; England |
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| 12. |
Come sirrah Jacke hoe by Thomas Weelkes | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: 1608; England |
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| 13. |
Cruell, behold my heavie ending by John Wilbye | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: 1598; England |
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| 14. |
The First Set of English Madrigals: Fair Phyllis I saw sitting all alone by John Farmer | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1599; England |
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| 15. |
Sing wee and chaunt it by Thomas Morley | ||||
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Performer:
Robert Spencer (Lute)
Orchestra/Ensemble: King's Singers Period: Renaissance Written: by 1595; England |
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| 16. |
On a fair morning by Thomas Morley | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1594; England |
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| 17. |
Oft have I vowde by John Wilbye | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: 1609; England |
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| 18. |
I thought that love had been a boy by William Byrd | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: England |
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| 19. |
Say love if ever thou ditst find, D 58 by John Dowland | ||||
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Performer:
Robert Spencer (Lute)
Orchestra/Ensemble: King's Singers Period: Renaissance Written: 1603; England |
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| 20. |
All at once well met faire ladies by Thomas Weelkes | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1598; England |
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| 21. |
Construe my meaning by Giles Farnaby | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1598; England |
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| 22. |
Lord! when I think by Thomas Weelkes | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1608; England |
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| 23. |
Cruel, wilt thou persever by Thomas Morley | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1597; England |
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| 24. |
Second Booke of Songes: no 12, Fine knacks for ladies by John Dowland | ||||
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Performer:
John Fraser (Tabor),
Robert Spencer (Lute)
Orchestra/Ensemble: King's Singers Period: Renaissance Written: 1600; England |
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Notes: Audio Engineer: Stuart Eltham. Audio Producer: John Fraser. |
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| 25. |
Strike it up tabor by Thomas Weelkes | ||||
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Performer:
John Fraser (Tabor)
Orchestra/Ensemble: King's Singers Period: Renaissance Written: 1608; England |
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| 26. |
I love, alas I love thee by Thomas Morley | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1595; England |
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| 27. |
Farewell, dear love by Robert Jones | ||||
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Performer:
Robert Spencer (Lute)
Orchestra/Ensemble: King's Singers Period: Renaissance Written: England |
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| 28. |
Songs of 3-6 parts: See, see the shepheards Queene by Thomas Tomkins | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance |
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| 29. |
Have I found her by Francis Pilkington | ||||
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Orchestra/Ensemble:
King's Singers
Period: 20th Century Written: England |
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| 30. |
Lady your words do spite me by John Wilbye | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1598; England |
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| 31. |
Were I a King by John Mundy | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1594; England |
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| 32. |
Firste Booke of Songes: no 17, Come againe, sweet love doth now envite by John Dowland | ||||
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Performer:
Robert Spencer (Lute)
Orchestra/Ensemble: King's Singers Period: Renaissance Written: 1597; England |
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| 33. |
Tan ta ra, cries Mars by Thomas Weelkes | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1608; England |
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| 34. |
Why should I love? by George Kirbye | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: by 1597; England |
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| 35. |
Psalmes, Songs and Sonnets...fit for Voyces or Viols: This sweet and merry month of May by William Byrd | ||||
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Orchestra/Ensemble:
King's Singers
Period: Renaissance Written: 1590; England |
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