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| Notes & Reviews | Back to Top | ||||
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Includes lied(er) by various composers. Soloist: Fritz Wunderlich. Includes opera(s): aria(s) by various composers. Soloist: Fritz Wunderlich. Includes song(s) by various composers. Soloist: Fritz Wunderlich. Includes work(s) by Johann Sebastian Bach. Soloist: Fritz Wunderlich. |
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| Works on This Recording | Back to Top | ||||
| 1. |
Easter Oratorio, BWV 249: Kommt, eilet und laufet by Johann Sebastian Bach | ||||
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Performer:
August Messthaler (Bass),
Fritz Wunderlich (Tenor)
Conductor: Marcel Couraud Orchestra/Ensemble: Ensemble Stuttgart Period: Baroque Written: Leipzig, Germany |
Date of Recording: 1956 Venue: SDR Stuttgart Length: 5 Minutes 24 Secs. Language: German |
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Notes: This selection is a mono recording. Composition written: Leipzig, Germany (1732 - 1735). |
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| 2. |
Easter Oratorio, BWV 249: Sanfte soll mein Todeskummer by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Marcel Couraud Orchestra/Ensemble: Ensemble Stuttgart Period: Baroque Written: 1732-1735; Leipzig, Germany |
Date of Recording: 1956 Venue: SDR Stuttgart Length: 6 Minutes 45 Secs. Language: German |
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| Notes: This selection is a mono recording. | |||||
| 3. |
Die Entführung aus dem Serail, K 384: Hier soll ich dich denn sehen by Wolfgang Amadeus Mozart | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Eugen Jochum Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Classical Written: 1782; Vienna, Austria |
Venue: Bürgerbräu-Keller, Munich, Germany Length: 2 Minutes 40 Secs. Language: German |
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Notes: This selection is a stereo recording. Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) |
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| 4. |
Die Entführung aus dem Serail, K 384: Wenn der Freude Tränen fliessen by Wolfgang Amadeus Mozart | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Eugen Jochum Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Classical Written: 1782; Vienna, Austria |
Venue: Bürgerbräu-Keller, Munich, Germany Length: 4 Minutes 15 Secs. Language: German |
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Notes: This selection is a stereo recording. Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) |
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| 5. |
Die Entführung aus dem Serail, K 384: Ach, Belmonte by Wolfgang Amadeus Mozart | ||||
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Performer:
Friedrich Lenz (Tenor),
Lotte Schädle (Soprano),
Erika Köth (Soprano),
Fritz Wunderlich (Tenor) Conductor: Eugen Jochum Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Classical Written: 1782; Vienna, Austria |
Venue: Bürgerbräu-Keller, Munich, Germany Length: 10 Minutes 47 Secs. Language: German |
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Notes: This selection is a stereo recording. Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) |
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| 6. |
Die Entführung aus dem Serail, K 384: Ich baue ganz auf deine Stärke by Wolfgang Amadeus Mozart | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Eugen Jochum Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Classical Written: 1782; Vienna, Austria |
Venue: Bürgerbräu-Keller, Munich, Germany Length: 6 Minutes 9 Secs. Language: German |
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Notes: This selection is a stereo recording. Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) |
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| 7. |
Die Entführung aus dem Serail, K 384: Welch ein Geschick...Wie, du solltest für mich sterben by Wolfgang Amadeus Mozart | ||||
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Performer:
Fritz Wunderlich (Tenor),
Erika Köth (Soprano)
Conductor: Eugen Jochum Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Classical Written: 1782; Vienna, Austria |
Venue: Bürgerbräu-Keller, Munich, Germany Length: 8 Minutes 49 Secs. Language: German |
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Notes: This selection is a stereo recording. Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) |
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| 8. |
Die Zauberflöte, K 620: Dies Bildnis ist bezaubernd schön by Wolfgang Amadeus Mozart | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Karl Böhm Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: 1791; Vienna, Austria |
Venue: Jesus-Christus-Kirche, Berlin, Germany Length: 4 Minutes 36 Secs. Language: German |
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Notes: This selection is a stereo recording. Jesus-Christus-Kirche, Berlin, Germany (06/18/1964 - 06/25/1964) |
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| 9. |
Die Zauberflöte, K 620: Der, welcher wandert diese Strasse by Wolfgang Amadeus Mozart | ||||
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Performer:
James King (Tenor),
Fritz Wunderlich (Tenor),
Evelyn Lear (Soprano),
Martti Talvela (Bass) Conductor: Karl Böhm Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: 1791; Vienna, Austria |
Venue: Jesus-Christus-Kirche, Berlin, Germany Length: 5 Minutes 25 Secs. Language: German |
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Notes: This selection is a stereo recording. Jesus-Christus-Kirche, Berlin, Germany (06/18/1964 - 06/25/1964) |
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| 10. |
Die Entführung aus dem Serail, K 384: O wie ängstlich, o wie feurig by Wolfgang Amadeus Mozart | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Eugen Jochum Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Classical Written: 1782; Vienna, Austria |
Venue: Bürgerbräu-Keller, Munich, Germany Length: 5 Minutes 12 Secs. Language: German |
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Notes: This selection begins with the recitative "Konstanze, dich wiederzusehen, dich!" This selection is a stereo recording. Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) |
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| 11. |
Die Zauberflöte, K 620: Wie stark ist nicht dein Zauberton by Wolfgang Amadeus Mozart | ||||
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Performer:
Fritz Wunderlich (Tenor),
Dietrich Fischer-Dieskau (Baritone)
Conductor: Karl Böhm Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: 1791; Vienna, Austria |
Venue: Jesus-Christus-Kirche, Berlin, Germany Length: 3 Minutes 19 Secs. Language: German |
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Notes: This selection is a stereo recording. Jesus-Christus-Kirche, Berlin, Germany (06/18/1964 - 06/25/1964) |
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| 12. |
Die Zauberflöte, K 620: Tamino/Pamina mein! O welch' ein Glück by Wolfgang Amadeus Mozart | ||||
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Performer:
Martti Talvela (Bass),
James King (Tenor),
Evelyn Lear (Soprano),
Fritz Wunderlich (Tenor) Conductor: Karl Böhm Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: 1791; Vienna, Austria |
Venue: Jesus-Christus-Kirche, Berlin, Germany Length: 7 Minutes 4 Secs. Language: German |
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Notes: This selection is a stereo recording. Jesus-Christus-Kirche, Berlin, Germany (06/18/1964 - 06/25/1964) |
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| 13. |
Funiculì funiculà by Luigi Denza | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra, Rudolf Lamy Choir Period: Romantic Written: 1880; Naples, Italy |
Date of Recording: 01/05/1965 Venue: Polydor Studio, Munich, Germany Length: 2 Minutes 19 Secs. Language: Italian |
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| Notes: This selection is a stereo recording. | |||||
| 14. |
'O sole mio by Eduardo Di Capua | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: Romantic Written: 1898; Italy |
Date of Recording: 01/04/1965 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 13 Secs. Language: Italian |
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| Notes: This selection is a stereo recording. | |||||
| 15. |
Saint Matthew Passion, BWV 244: no 25, O Schmerz! by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Karl Münchinger Orchestra/Ensemble: Stuttgart Hymnus Boys Choir, Stuttgart Chamber Orchestra Period: Baroque Written: ?1727; Leipzig, Germany |
Venue: Schlosskirche Ludwigsburg, Stuttgart Length: 1 Minutes 59 Secs. Language: German |
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Notes: This selection is a stereo recording. Schlosskirche Ludwigsburg, Stuttgart (07/27/1964 - 07/28/1964) |
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| 16. |
Saint Matthew Passion, BWV 244: no 26, Ich will bei meinem Jesu wachen by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Karl Münchinger Orchestra/Ensemble: Stuttgart Hymnus Boys Choir, Stuttgart Chamber Orchestra Period: Baroque Written: ?1727; Leipzig, Germany |
Venue: Schlosskirche Ludwigsburg, Stuttgart Length: 5 Minutes 42 Secs. Language: German |
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Notes: This selection is a stereo recording. Schlosskirche Ludwigsburg, Stuttgart (07/27/1964 - 07/28/1964) |
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| 17. |
Saint Matthew Passion, BWV 244: no 40, Mein Jesus Schweigt zu falschen Lügen stille by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Karl Münchinger Orchestra/Ensemble: Stuttgart Hymnus Boys Choir, Stuttgart Chamber Orchestra Period: Baroque Written: by 1727; Leipzig, Germany |
Venue: Schlosskirche Ludwigsburg, Stuttgart Length: 1 Minutes 4 Secs. Language: German |
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Notes: This selection is a stereo recording. Schlosskirche Ludwigsburg, Stuttgart (07/27/1964 - 07/28/1964) |
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| 18. |
Saint Matthew Passion, BWV 244: no 41, Geduld, wenn mich falsche Zungen stechen by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Karl Münchinger Orchestra/Ensemble: Stuttgart Hymnus Boys Choir, Stuttgart Chamber Orchestra Period: Baroque Written: ?1727; Leipzig, Germany |
Venue: Schlosskirche Ludwigsburg, Stuttgart Length: 1 Minutes 59 Secs. Language: German |
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Notes: This selection is a stereo recording. Schlosskirche Ludwigsburg, Stuttgart (07/27/1964 - 07/28/1964) |
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| 19. |
Magnificat in D major, BWV 243: Et misericordia by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor),
Margarethe Bence (Alto)
Conductor: Marcel Couraud Orchestra/Ensemble: Ensemble Stuttgart Period: Baroque Written: circa 1728-1731; Leipzig, Germany |
Date of Recording: 1956 Venue: SDR Stuttgart Length: 3 Minutes 4 Secs. Language: Latin |
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| Notes: This selection is a mono recording. | |||||
| 20. |
Magnificat in D major, BWV 243: Deposuit potentes by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Marcel Couraud Orchestra/Ensemble: Ensemble Stuttgart Period: Baroque Written: circa 1728; Leipzig, Germany |
Date of Recording: 1956 Venue: SDR Stuttgart Length: 2 Minutes 13 Secs. Language: Latin |
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| Notes: This selection is a mono recording. | |||||
| 21. |
Der Himmel lacht! die Erde jubilieret, BWV 31: no 5, So stehe denn, du gottergeb'ne Seele by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Marcel Couraud Orchestra/Ensemble: Ensemble Stuttgart Period: Baroque Written: 1715; Cöthen, Germany |
Date of Recording: 1956 Venue: SDR Stuttgart Length: 1 Minutes 11 Secs. Language: German |
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| Notes: This selection is a mono recording. | |||||
| 22. |
Der Himmel lacht! die Erde jubilieret, BWV 31: no 6, Adam muss in uns verwessen by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Marcel Couraud Orchestra/Ensemble: Ensemble Stuttgart Period: Baroque Written: 1715; Cöthen, Germany |
Date of Recording: 1956 Venue: SDR Stuttgart Length: 2 Minutes 21 Secs. Language: German |
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| Notes: This selection is a mono recording. | |||||
| 23. |
Christmas Oratorio, BWV 248: Cantata no 1, Jauchzet, frohlocket, auf, preiset die Tage by Johann Sebastian Bach | ||||
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Conductor:
Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra, Munich Bach Choir Period: Baroque Written: 1734-1735; Leipzig, Germany |
Date of Recording: 02/1965 Venue: Herkulessaal, Residenz, Munich, Germany Length: 8 Minutes 17 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 24. |
Christmas Oratorio, BWV 248: no 2, Es begab sich aber zu der Zeit by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Karl Richter Orchestra/Ensemble: Munich Bach Orchestra, Munich Bach Choir Period: Baroque Written: Leipzig, Germany |
Date of Recording: 02/1965 Venue: Herkulessaal, Residenz, Munich, Germany Length: 1 Minutes 47 Secs. Language: German |
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Notes: This selection is a stereo recording. Composition written: Leipzig, Germany (1734 - 1735). |
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| 25. |
Christmas Oratorio, BWV 248: no 15, Frohe Hirten, eilt, ach by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Karl Richter Orchestra/Ensemble: Munich Bach Orchestra, Munich Bach Choir Period: Baroque Written: 1734-1735; Leipzig, Germany |
Date of Recording: 02/1965 Venue: Herkulessaal, Residenz, Munich, Germany Length: 3 Minutes 59 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 26. |
Christmas Oratorio, BWV 248: no 41, Ich will nur dir zu Ehren leben by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Karl Richter Orchestra/Ensemble: Munich Bach Orchestra, Munich Bach Choir Period: Baroque Written: 1734-1735; Leipzig, Germany |
Date of Recording: 02/1965 Venue: Herkulessaal, Residenz, Munich, Germany Length: 4 Minutes 57 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 27. |
Christmas Oratorio, BWV 248: no 51, Und lieB versammlen alle Hohpriester by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Karl Richter Orchestra/Ensemble: Munich Bach Orchestra, Munich Bach Choir Period: Baroque Written: Leipzig, Germany |
Date of Recording: 02/1965 Venue: Herkulessaal, Residenz, Munich, Germany Length: 1 Minutes 37 Secs. Language: German |
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Notes: This selection is a stereo recording. Composition written: Leipzig, Germany (1734 - 1735). |
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| 28. |
Christmas Oratorio, BWV 248: no 51, Ach, wann wird die Zeit by Johann Sebastian Bach | ||||
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Performer:
Christa Ludwig (Alto),
Gundula Janowitz (Soprano),
Fritz Wunderlich (Tenor)
Conductor: Karl Richter Orchestra/Ensemble: Munich Bach Orchestra, Munich Bach Choir Period: Baroque Written: 1734-1735; Leipzig, Germany |
Date of Recording: 02/1965 Venue: Herkulessaal, Residenz, Munich, Germany Length: 5 Minutes 21 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 29. |
Christmas Oratorio, BWV 248: no 61, Und Gott befahl ihnen im Traum by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Karl Richter Orchestra/Ensemble: Munich Bach Orchestra, Munich Bach Choir Period: Baroque Written: Leipzig, Germany |
Date of Recording: 02/1965 Venue: Herkulessaal, Residenz, Munich, Germany Length: 2 Minutes 25 Secs. Language: German |
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Notes: This selection is a stereo recording. Composition written: Leipzig, Germany (1734 - 1735). |
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| 30. |
Christmas Oratorio, BWV 248: no 62, Nun mögt ihr stolzen Feinde schrecken by Johann Sebastian Bach | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Karl Richter Orchestra/Ensemble: Munich Bach Orchestra, Munich Bach Choir Period: Baroque Written: 1734-1735; Leipzig, Germany |
Date of Recording: 02/1965 Venue: Herkulessaal, Residenz, Munich, Germany Length: 4 Minutes 17 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 31. |
Die Entführung aus dem Serail, K 384: Overture by Wolfgang Amadeus Mozart | ||||
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Conductor:
Eugen Jochum
Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Classical Written: 1782; Vienna, Austria |
Venue: Bürgerbräu-Keller, Munich, Germany Length: 4 Minutes 23 Secs. Language: German |
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Notes: This selection is a stereo recording. Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) |
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| 32. |
Die Zauberflöte, K 620: Zum Ziele by Wolfgang Amadeus Mozart | ||||
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Performer:
Raili Kostia (Mezzo Soprano),
Antonia Fahberg (Soprano),
Rosl Schwaiger (Soprano),
Fritz Wunderlich (Tenor), Hans Hotter (Bass), Martin Vantin (Tenor), Hubert Hilten (Bass), Manfred Röhrl (Bass) Conductor: Karl Böhm Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: 1791; Vienna, Austria |
Venue: Jesus-Christus-Kirche, Berlin, Germany Length: 10 Minutes 25 Secs. Language: German |
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Notes: This selection is a stereo recording. Jesus-Christus-Kirche, Berlin, Germany (06/18/1964 - 06/25/1964) |
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| 33. |
La sonnambula: Prendi, l'anell' ti dono by Vincenzo Bellini | ||||
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Performer:
Erika Köth (Soprano),
Fritz Wunderlich (Tenor)
Conductor: Kurt Eichhorn Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1831; Italy |
Date of Recording: 09/05/1962 Venue: Haus des Sports, Munich, Germany Length: 4 Minutes 25 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 34. |
Rigoletto: Signor nè principe...T'amo! t'amo ripetilo by Giuseppe Verdi | ||||
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Performer:
Erika Köth (Soprano),
Fritz Wunderlich (Tenor)
Conductor: Kurt Eichhorn Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1851; Italy |
Date of Recording: 12/03/1961 Venue: Live Congress Hall, German Museum, Munich Length: 6 Minutes 12 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 35. |
La traviata: Libiamo ne' lieti calici "Brindisi" by Giuseppe Verdi | ||||
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Performer:
Hilde Gueden (Soprano),
Fritz Wunderlich (Tenor)
Conductor: Bruno Bartoletti Orchestra/Ensemble: Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus Period: Romantic Written: 1853; Italy |
Venue: Congress Hall, German Museum, Munich Length: 2 Minutes 20 Secs. Language: German |
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Notes: This selection is a stereo recording. Congress Hall, German Museum, Munich (09/06/1966 - 09/10/1966) |
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| 36. |
La traviata: Un dì, felice by Giuseppe Verdi | ||||
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Performer:
Hilde Gueden (Soprano),
Fritz Wunderlich (Tenor)
Conductor: Bruno Bartoletti Orchestra/Ensemble: Bavarian Radio Symphony Orchestra Period: Romantic Written: 1853; Italy |
Venue: Congress Hall, German Museum, Munich Length: 3 Minutes 16 Secs. Language: German |
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Notes: This selection is a stereo recording. Congress Hall, German Museum, Munich (09/06/1966 - 09/10/1966) |
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| 37. |
La traviata: Parigi, o cara by Giuseppe Verdi | ||||
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Performer:
Hilde Gueden (Soprano),
Fritz Wunderlich (Tenor)
Conductor: Bruno Bartoletti Orchestra/Ensemble: Bavarian Radio Symphony Orchestra Period: Romantic Written: 1853; Italy |
Venue: Congress Hall, German Museum, Munich Length: 3 Minutes 48 Secs. Language: German |
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Notes: This selection is a stereo recording. Congress Hall, German Museum, Munich (09/06/1966 - 09/10/1966) |
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| 38. |
Don Carlos: Dio, che nell' alma infondere by Giuseppe Verdi | ||||
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Performer:
Hermann Prey (Baritone),
Fritz Wunderlich (Tenor)
Conductor: Horst Stein Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1867/1884; Italy |
Date of Recording: 01/09/1963 Venue: Haus des Sports, Munich, Germany Length: 5 Minutes 56 Secs. Language: German |
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Notes: This selection begins with the recitative "Er ist's! Carlos! Mein Prinz!" ("E lui! desso! l'Infante!" / "Le voilà! C'est l'infant!") This selection is a stereo recording. |
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| 39. |
La Bohème: O Mimì, tu più non torni by Giacomo Puccini | ||||
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Performer:
Fritz Wunderlich (Tenor),
Hermann Prey (Baritone)
Conductor: Kurt Eichhorn Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1896; Italy |
Date of Recording: 12/03/1961 Venue: Live Congress Hall, German Museum, Munich Length: 3 Minutes 30 Secs. Language: German |
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Notes: This selection begins with "Infame Feder! Welch scheusslicher Pinsel" ("Che penna infame! Che infame pennello!") This selection is a stereo recording. |
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| 40. |
Tosca: E lucevan le stelle by Giacomo Puccini | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Emmerich Smola Orchestra/Ensemble: Southwest German Radio Symphony Orchestra Period: Romantic Written: 1900; Italy |
Date of Recording: 11/08/1965 Venue: Southwest German Radio, Kaiserslautern Length: 2 Minutes 45 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 41. |
Die schweigsame Frau, Op. 80: Nicht an mich, Geliebter, denke by Richard Strauss | ||||
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Performer:
Hilde Gueden (Soprano),
Karl Dönch (Baritone),
Pierrette Alarie (Soprano),
Hetty Plümacher (Alto), Josef Knapp (Baritone), Fritz Wunderlich (Tenor), Alois Pernerstorfer (Bass Baritone) Conductor: Karl Böhm Orchestra/Ensemble: Vienna State Opera Chorus, Vienna Philharmonic Orchestra Period: Romantic Written: Germany |
Date of Recording: 08/06/1959 Venue: Live Festspielhaus, Salzburg, Austria Length: 4 Minutes 34 Secs. Language: German |
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Notes: This selection is a mono recording. Composition written: Germany (1933 - 1934). |
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| 42. |
Die schweigsame Frau, Op. 80: Du süssester Engel, wie herrlich hast du geteufelt by Richard Strauss | ||||
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Performer:
Fritz Wunderlich (Tenor),
Hilde Gueden (Soprano)
Conductor: Karl Böhm Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: Germany |
Date of Recording: 08/06/1959 Venue: Live Festspielhaus, Salzburg, Austria Length: 3 Minutes 41 Secs. Language: German |
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Notes: This selection is a mono recording. Composition written: Germany (1933 - 1934). |
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| 43. |
Daphne, Op. 82: Leukippos, du! by Richard Strauss | ||||
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Performer:
Fritz Wunderlich (Tenor),
Hilde Gueden (Soprano)
Conductor: Karl Böhm Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: Germany |
Venue: Live Theater an der Wien, Vienna, Austria Length: 6 Minutes 10 Secs. Language: German |
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Notes: This selection is a stereo recording. Theater an der Wien, Vienna, Austria (05/21/1964 - 05/26/1964) Composition written: Germany (1936 - 1937). |
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| 44. |
Eugene Onegin, Op. 24: I love you, Olga by Peter Ilyich Tchaikovsky | ||||
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Performer:
Fritz Wunderlich (Tenor),
Brigitte Fassbaender (Mezzo Soprano)
Conductor: Otto Gerdes Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Romantic Written: 1877-1878; Russia |
Venue: Herkulessaal, Residenz, Munich, Germany Length: 3 Minutes 23 Secs. Language: German |
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Notes: This selection is a stereo recording. Herkulessaal, Residenz, Munich, Germany (07/20/1966 - 07/24/1966) |
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| 45. |
Eugene Onegin, Op. 24: Lensky's aria by Peter Ilyich Tchaikovsky | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Otto Gerdes Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Romantic Written: 1877-1878; Russia |
Venue: Herkulessaal, Residenz, Munich, Germany Length: 6 Minutes 56 Secs. Language: German |
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Notes: This selection is a stereo recording. Herkulessaal, Residenz, Munich, Germany (07/20/1966 - 07/24/1966) |
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| 46. |
Serse, HWV 40: Ombra mai fu "Largo" by George Frideric Handel | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Rafael Kubelik Orchestra/Ensemble: Bavarian Radio Symphony Orchestra Period: Baroque Written: 1738; London, England |
Venue: Herkulessaal, Residenz, Munich, Germany Length: 3 Minutes 26 Secs. Language: German |
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Notes: This selection begins with "Holdes Laubgezweig, du schönes" ("Fondi tenere, e belle"). This selection is a stereo recording. Herkulessaal, Residenz, Munich, Germany (10/22/1962 - 10/28/1962) |
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| 47. |
Serse, HWV 40: Più che penso alle fiamme del core by George Frideric Handel | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Rafael Kubelik Orchestra/Ensemble: Bavarian Radio Symphony Orchestra Period: Baroque Written: 1738; London, England |
Venue: Herkulessaal, Residenz, Munich, Germany Length: 2 Minutes 58 Secs. Language: German |
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Notes: This selection is a stereo recording. Herkulessaal, Residenz, Munich, Germany (10/22/1962 - 10/28/1962) |
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| 48. |
Serse, HWV 40: Se bramate d'amar, chi vi sdegna by George Frideric Handel | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Rafael Kubelik Orchestra/Ensemble: Bavarian Radio Symphony Orchestra Period: Baroque Written: 1738; London, England |
Venue: Herkulessaal, Residenz, Munich, Germany Length: 2 Minutes 48 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Herkulessaal, Residenz, Munich, Germany (10/22/1962 - 10/28/1962) |
|||||
| 49. |
Serse, HWV 40: Crude furie degl'orridi abissi by George Frideric Handel | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Rafael Kubelik Orchestra/Ensemble: Bavarian Radio Symphony Orchestra Period: Baroque Written: 1738; London, England |
Venue: Herkulessaal, Residenz, Munich, Germany Length: 3 Minutes 58 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Herkulessaal, Residenz, Munich, Germany (10/22/1962 - 10/28/1962) |
|||||
| 50. |
Iphigénie en Tauride: Unis de la plus tendre enfance by Christoph W. Gluck | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Rafael Kubelik Orchestra/Ensemble: Bavarian Radio Symphony Orchestra Period: Classical Written: 1778-1779; Vienna, Austria |
Venue: Herkulessaal, Residenz, Munich, Germany Length: 3 Minutes 39 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Herkulessaal, Residenz, Munich, Germany (03/17/1965 - 03/20/1965) |
|||||
| 51. |
Iphigénie en Tauride: Et tu prétends encore que tu m'aimes? by Christoph W. Gluck | ||||
|
Performer:
Hermann Prey (Baritone),
Fritz Wunderlich (Tenor)
Conductor: Rafael Kubelik Orchestra/Ensemble: Bavarian Radio Symphony Orchestra Period: Classical Written: 1778-1779; Vienna, Austria |
Venue: Herkulessaal, Residenz, Munich, Germany Length: 4 Minutes 5 Secs. Language: German |
||||
|
Notes: This selection begins with "O unverhofftes Glück" ("O moment trop heureux!") This selection is a stereo recording. Herkulessaal, Residenz, Munich, Germany (03/17/1965 - 03/20/1965) |
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| 52. |
L'Orfeo: Ma il nostro gior...Alcun non sia by Claudio Monteverdi | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Clemens Kaiser-Breme (Tenor)
Conductor: August Wenzinger Orchestra/Ensemble: Sommerlichen Musiktage Hitzacker Orchester Period: Baroque Written: 1607; Mantua, Italy |
Venue: Beethoven Hall, Hanover, Germany Length: 2 Minutes 32 Secs. Language: German |
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|
Notes: This selection is a mono recording. Beethoven Hall, Hanover, Germany (07/25/1955 - 07/30/1955) |
|||||
| 53. |
L'Orfeo: Perché a lo sdegno by Claudio Monteverdi | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Helmut Krebs (Tenor)
Conductor: August Wenzinger Orchestra/Ensemble: Sommerlichen Musiktage Hitzacker Orchester Period: Baroque Written: 1607; Mantua, Italy |
Venue: Beethoven Hall, Hanover, Germany Length: 4 Minutes 52 Secs. Language: German |
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|
Notes: This selection is a mono recording. Beethoven Hall, Hanover, Germany (07/25/1955 - 07/30/1955) |
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| 54. |
Giulio Cesare, HWV 17: Svegliatevi nel core by George Frideric Handel | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Ferdinand Leitner Orchestra/Ensemble: Munich Philharmonic Orchestra Period: Baroque Written: 1724; London, England |
Date of Recording: 03/20/1966 Venue: Herkulessaal, Residenz, Munich, Germany Length: 4 Minutes 21 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 55. |
Giulio Cesare, HWV 17: Son nata a lagrimar by George Frideric Handel | ||||
|
Performer:
Christa Ludwig (Mezzo Soprano),
Fritz Wunderlich (Tenor)
Conductor: Ferdinand Leitner Orchestra/Ensemble: Munich Philharmonic Orchestra Period: Baroque Written: 1724; London, England |
Date of Recording: 03/20/1966 Venue: Herkulessaal, Residenz, Munich, Germany Length: 5 Minutes 58 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 56. |
Giulio Cesare, HWV 17: L'angue offeso mai riposa by George Frideric Handel | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Ferdinand Leitner Orchestra/Ensemble: Munich Philharmonic Orchestra Period: Baroque Written: 1724; London, England |
Date of Recording: 03/20/1966 Venue: Herkulessaal, Residenz, Munich, Germany Length: 5 Minutes 31 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 57. |
Les dragons de Villars: Ne parle pas, Rose, je t'en supplie by Aimé Maillart | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Moltkau Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1856; France |
Date of Recording: 05/07/1962 Venue: Haus des Sports, Munich, Germany Length: 2 Minutes 58 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 58. |
Das Nachtlager in Granada: Trenne nicht das Band der Liebe by Conradin Kreutzer | ||||
|
Performer:
Hermann Prey (Baritone),
Erika Köth (Soprano),
Fritz Wunderlich (Tenor)
Conductor: Kurt Eichhorn Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1834; Vienna, Austria |
Date of Recording: 09/05/1962 Venue: Haus des Sports, Munich, Germany Length: 5 Minutes 46 Secs. Language: German |
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|
Notes: This selection begins "Doch nun zu dir". This selection is a stereo recording. |
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| 59. |
Der Waffenschmied: Man wird ja einmal nur geboren by Albert Lortzing | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Moltkau Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1846; Germany |
Date of Recording: 03/08/1962 Venue: Haus des Sports, Munich, Germany Length: 3 Minutes 30 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 60. |
Zar und Zimmermann: Lebe wohl, mein flandrisch Mädchen by Albert Lortzing | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Ingeborg Hallstein (Soprano)
Conductor: Hans Gierster Orchestra/Ensemble: Bavarian Radio Chorus, Bamberg Symphony Orchestra Period: Romantic Written: 1837; Germany |
Venue: Kulturraum, Bamberg, Germany Length: 5 Minutes 6 Secs. Language: German |
||||
| Notes: Kulturraum, Bamberg, Germany (09/12/1966 - 09/14/1966) | |||||
| 61. |
Les pêcheurs de perles: Au fond du temple saint by Georges Bizet | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hermann Prey (Baritone)
Conductor: Horst Stein Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1863; France |
Date of Recording: 01/14/1963 Venue: Haus des Sports, Munich, Germany Length: 8 Minutes 45 Secs. Language: German |
||||
|
Notes: This selection begins with the recitative "Du stehst wirklich vor mir" ("C'est toi, toi qu'enfin je revois...") This selection is a stereo recording. |
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| 62. |
Dichterliebe, Op. 48 by Robert Schumann | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic Written: 1840; Germany |
Venue: Hochschule für Musik, Munich, Germany Length: 27 Minutes 20 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) |
|||||
| 63. |
Zärtliche Liebe, WoO 123 by Ludwig van Beethoven | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Classical Written: 1794-1795; Vienna, Austria |
Venue: Hochschule für Musik, Munich, Germany Length: 2 Minutes 8 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) |
|||||
| 64. |
Adelaide, Op. 46 by Ludwig van Beethoven | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Classical Written: 1794-1795; Vienna, Austria |
Venue: Hochschule für Musik, Munich, Germany Length: 5 Minutes 52 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) |
|||||
| 65. |
Resignation, WoO 149 by Ludwig van Beethoven | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Classical Written: 1817; Vienna, Austria |
Venue: Hochschule für Musik, Munich, Germany Length: 2 Minutes 22 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) |
|||||
| 66. |
Der Kuss, Op. 128 by Ludwig van Beethoven | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Classical Written: ?1822; Vienna, Austria |
Venue: Hochschule für Musik, Munich, Germany Length: 2 Minutes 0 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) |
|||||
| 67. |
An Sylvia, D 891/Op. 106 no 4 by Franz Schubert | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic Written: 1826; Vienna, Austria |
Venue: Plenarsaal, Academy of Science, Munich Length: 2 Minutes 56 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Plenarsaal, Academy of Science, Munich (07/02/1966 - 07/05/1966) |
|||||
| 68. |
Lied eines Schiffers an die Dioskuren, D 360/Op. 65 no 1 by Franz Schubert | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic Written: 1816; Vienna, Austria |
Venue: Hochschule für Musik, Munich, Germany Length: 2 Minutes 42 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) |
|||||
| 69. |
Liebhaber in allen Gestalten, D 558 by Franz Schubert | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic Written: 1817; Vienna, Austria |
Venue: Hochschule für Musik, Munich, Germany Length: 1 Minutes 13 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) |
|||||
| 70. |
Der Einsame, D 800 by Franz Schubert | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic Written: 1825; Vienna, Austria |
Venue: Plenarsaal, Academy of Science, Munich Length: 4 Minutes 18 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Plenarsaal, Academy of Science, Munich (07/02/1966 - 07/05/1966) |
|||||
| 71. |
Im Abendrot, D 799 by Franz Schubert | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic Written: 1824-1825; Vienna, Austria |
Venue: Hochschule für Musik, Munich, Germany Length: 3 Minutes 21 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) |
|||||
| 72. |
Schwanengesang, D 957: no 4, Ständchen by Franz Schubert | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic Written: 1828; Vienna, Austria |
Venue: Plenarsaal, Academy of Science, Munich Length: 3 Minutes 42 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Plenarsaal, Academy of Science, Munich (07/02/1966 - 07/05/1966) |
|||||
| 73. |
An die Laute, D 905/Op. 81 no 2 by Franz Schubert | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic Written: 1827; Vienna, Austria |
Venue: Hochschule für Musik, Munich, Germany Length: 1 Minutes 52 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) |
|||||
| 74. |
Der Musensohn, D 764/Op. 92 no 1 by Franz Schubert | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic Written: 1822; Vienna, Austria |
Venue: Hochschule für Musik, Munich, Germany Length: 2 Minutes 11 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) |
|||||
| 75. |
An die Musik, D 547 by Franz Schubert | ||||
|
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic Written: 1817; Vienna, Austria |
Venue: Plenarsaal, Academy of Science, Munich Length: 2 Minutes 19 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Plenarsaal, Academy of Science, Munich (07/02/1966 - 07/05/1966) |
|||||
| 76. |
Granada by Agustín Lara | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: 20th Century Written: 1932; Mexico |
Venue: Polydor Studio, Munich, Germany Length: 5 Minutes 1 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
|||||
| 77. |
Mattinata by Ruggero Leoncavallo | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra, Rudolf Lamy Choir Period: Romantic Written: 1904; Italy |
Date of Recording: 01/05/1965 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 56 Secs. Language: Italian |
||||
| Notes: This selection is a stereo recording. | |||||
| 78. |
Vergiss mein nicht by Ernesto De Curtis | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: Romantic Written: Italy |
Date of Recording: 01/07/1965 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 59 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 79. |
Ein Lied geht um die Welt by Hans May | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: Romantic |
Date of Recording: 01/04/1965 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 41 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 80. |
Der singende Traum: Du bist die Welt für mich by Richard Tauber | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra, Rudolf Lamy Choir Period: 20th Century Written: 1934 |
Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 28 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
|||||
| 81. |
Ich küsse ihre Hand, Madame by Ralph Erwin | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: 20th Century Written: 1912; Germany |
Venue: Polydor Studio, Munich, Germany Length: 2 Minutes 25 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
|||||
| 82. |
Caro mio ben by Tommaso Giordani | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: Classical |
Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 10 Secs. Language: Italian |
||||
|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
|||||
| 83. |
Ave Maria by Charles Gounod | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra, Rudolf Lamy Choir Period: Romantic Written: 1859; France |
Date of Recording: 01/07/1965 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 0 Secs. Language: Latin |
||||
|
Notes: This selection is a stereo recording. This work is based on J.S. Bach's Prelude no 1 in C from 'The Well-Tempered Clavier.' |
|||||
| 84. |
Plaisir d'amour by Johann Paul A. Martini | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: Classical Written: by 1775; France |
Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 33 Secs. Language: French |
||||
|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
|||||
| 85. |
Serenade, Op. 6 no 1 by Enrico Toselli | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra, Rudolf Lamy Choir Period: Romantic |
Venue: Polydor Studio, Munich, Germany Length: 4 Minutes 23 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
|||||
| 86. |
The Toast of New Orleans: Be My Love by Nicholas Brodszky | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra, Rudolf Lamy Choir Period: 20th Century |
Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 4 Secs. Language: English |
||||
|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
|||||
| 87. |
Santa Lucia by Teodoro Cottrau | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: Romantic Written: Italy |
Date of Recording: 01/04/1965 Venue: Polydor Studio, Munich, Germany Length: 2 Minutes 51 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 88. |
Tiritomba by Traditional | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra, Rudolf Lamy Choir Written: Italy |
Date of Recording: 01/07/1965 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 9 Secs. Language: Italian |
||||
| Notes: This selection is a stereo recording. | |||||
| 89. |
Heute Nacht oder nie by Mischa Spoliansky | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: Romantic Written: Germany |
Date of Recording: 01/07/1965 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 28 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 90. |
Wien, du Stadt meiner Träume by Rudolf Sieczynski | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Robert Stolz Orchestra/Ensemble: Vienna State Opera Chorus, Vienna Volksoper Orchestra Period: Romantic |
Venue: Grosser Musikvereinsaal, Vienna, Austria Length: 3 Minutes 18 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) |
|||||
| 91. |
Denk dir, die Welt wär ein Blumenstrauss by Hans Toifl | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Orchestra/Ensemble: Die Spilar-Schrammeln (salon orchestra) Period: 20th Century Written: by 1966; Vienna, Austria |
Date of Recording: 08/12/1966 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 0 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 92. |
Ich kenn'ein kleines Wegerl im Helenental by A. Steinbrecher | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Robert Stolz Orchestra/Ensemble: Vienna Volksoper Orchestra Period: Romantic |
Venue: Grosser Musikvereinsaal, Vienna, Austria Length: 2 Minutes 58 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) |
|||||
| 93. |
In Wien gibt's manch' winziges Gasserl, Op. 249 by Robert Stolz | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Orchestra/Ensemble: Die Spilar-Schrammeln (salon orchestra) Period: 20th Century Written: 1916; Austria |
Date of Recording: 08/12/1966 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 11 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 94. |
Die Tänzerin Fanny Elssler: Draussen in Sievering blüht schon der Flieder by Johann Strauss Jr. | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Robert Stolz Orchestra/Ensemble: Vienna State Opera Chorus, Vienna Volksoper Orchestra Period: Romantic |
Venue: Grosser Musikvereinsaal, Vienna, Austria Length: 3 Minutes 19 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) |
|||||
| 95. |
Ich weiss auf der Wieden ein kleines Hotel by Johann Strauss Jr. | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Robert Stolz Orchestra/Ensemble: Vienna State Opera Chorus, Vienna Volksoper Orchestra Period: Romantic Written: Vienna, Austria |
Venue: Grosser Musikvereinsaal, Vienna, Austria Length: 3 Minutes 32 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) |
|||||
| 96. |
Ich muss wieder einmal in Grinzing sein by Ralph Benatzky | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Orchestra/Ensemble: Die Spilar-Schrammeln (salon orchestra) Period: 20th Century |
Date of Recording: 08/12/1966 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 35 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 97. |
Im Prater blüh'n wieder die Bäume by Robert Stolz | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Robert Stolz Orchestra/Ensemble: Vienna State Opera Chorus, Vienna Volksoper Orchestra Period: 20th Century |
Venue: Grosser Musikvereinsaal, Vienna, Austria Length: 3 Minutes 5 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) |
|||||
| 98. |
Ich hab' die schönen Maderln net erfunden by Ludwig Schmidseder | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Robert Stolz Orchestra/Ensemble: Vienna Volksoper Orchestra Period: 20th Century |
Venue: Grosser Musikvereinsaal, Vienna, Austria Length: 2 Minutes 29 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) |
|||||
| 99. |
Es steht ein alter Nussbaum by Zillner, | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Orchestra/Ensemble: Die Spilar-Schrammeln (salon orchestra) Period: Romantic Written: Austria |
Date of Recording: 08/12/1966 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 0 Secs. Language: German |
||||
| Notes: This selection is a stereo recording. | |||||
| 100. |
Frühjahrsparade: Wien wird bei Nacht erst Schön by Robert Stolz | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Robert Stolz Orchestra/Ensemble: Vienna State Opera Chorus, Vienna Volksoper Orchestra Period: 20th Century Written: by 1964 |
Venue: Grosser Musikvereinsaal, Vienna, Austria Length: 3 Minutes 7 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) |
|||||
| 101. |
Gräfin Mariza: Wenn es Abend wird...Grüss mir die Süssen by Imre Kálmán | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Robert Stolz Orchestra/Ensemble: Vienna State Opera Chorus, Vienna Volksoper Orchestra Period: 20th Century Written: 1924; Vienna, Austria |
Venue: Grosser Musikvereinsaal, Vienna, Austria Length: 2 Minutes 39 Secs. Language: German |
||||
|
Notes: This selection is a stereo recording. Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) |
|||||
| 102. |
Ich liebe alle Frauen: Ob blond, ob braun, ich liebe alle Frau'n by Robert Stolz | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: 20th Century Written: 1935; Germany |
Date of Recording: 01/05/1965 Venue: Polydor Studio, Munich, Germany Length: 2 Minutes 50 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 103. |
Weine nicht by Robert Stolz | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: 20th Century |
Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 23 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
|||||
| 104. |
Mein Herz ruft nach dir, o Marita by Robert Stolz | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: 20th Century Written: Austria |
Date of Recording: 01/04/1965 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 55 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 105. |
Humoreske "Eine kleine Frühlingsweise" by Hans Lengsfelder | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: 20th Century |
Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 13 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
|||||
| 106. |
Schlaf ein, mein blond Engelein by Osman Perez Freire | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: Romantic |
Venue: Polydor Studio, Munich, Germany Length: 4 Minutes 15 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
|||||
| 107. |
Ännchen von Tharau by Traditional | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Written: Germany |
Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 40 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
|||||
| 108. |
Still wie die Nacht by Traditional | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra, Rudolf Lamy Choir Written: Germany |
Venue: Polydor Studio, Munich, Germany Length: 2 Minutes 55 Secs. Language: German |
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|
Notes: This selection is a stereo recording. Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) |
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| 109. |
Herr Hofrat, erinnen Sie sich noch? by Hübsch, | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Orchestra/Ensemble: Die Spilar-Schrammeln (salon orchestra) Period: 20th Century |
Date of Recording: 08/12/1966 Venue: Polydor Studio, Munich, Germany Length: 4 Minutes 9 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 110. |
Il barbiere di Siviglia: All' idea di qual metallo by Gioachino Rossini | ||||
|
Performer:
Hermann Prey (Baritone),
Fritz Wunderlich (Tenor)
Conductor: Kurt Eichhorn Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1816; Italy |
Date of Recording: 09/05/1962 Venue: Haus des Sports, Munich, Germany Length: 7 Minutes 27 Secs. Language: German |
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| Notes: This selection is a stereo recording. | |||||
| 111. |
Les soirées musicales: no 8, La danza by Gioachino Rossini | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Carste Orchestra/Ensemble: Graunke Symphony Orchestra Period: Romantic Written: circa 1830-1835; Italy |
Date of Recording: 01/05/1965 Venue: Polydor Studio, Munich, Germany Length: 3 Minutes 23 Secs. Language: Italian |
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| Notes: This selection is a stereo recording. | |||||
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