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| Notes & Reviews | Back to Top | ||||
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The first four Record of Singing boxed sets surveyed a fairly broad compass of significant singers from 1899 to the early 1950s. Volume 5 spans more than half a century, starting in 1953 and ending in 2007. The collection's contents embrace many schools, nationalities, and styles, yet is nowhere near so comprehensive as its predecessors. Furthermore, EMI's back catalog governs Volume 5's entire curatorial agenda, and as such many key singers of the past half-century fall by the wayside. Where's Renée Fleming, Eileen Farrell, Thomas Quasthoff, Rene Pape, Jan DeGaetani, Phyllis Bryn-Julson, Maureen Forrester, Jane Eaglen, Kathleen Battle, Samuel Ramey, Cathy Berberian, Inge Nielsen, and Gustav Neidlinger, just to name a few?
I think it best to accept this release as the EMI Vocal Celebration it is, and open yourself up to its potential discoveries. For example, the all-Wagner disc contains some terrific Lohengrin rarities featuring Astrid Varnay and Rita Gorr, plus Hans Hotter's freshest studio Wotan's Farewell. Who knew that atypical fare such as the aria from Act 1 of Roussel's Padmavati would suit Marilyn Horne's unforgettable timbre, or that the normally stentorian James King could spin out Amor ti vieta from Giordano's Fedora so idiomatically? Yvonne Minton's purity of tone and effortless breath control in È amore un ladroncello seems easier to appreciate outside the context of the sluggish complete Così fan tutte (conducted by Klemperer) from which it's excerpted. As to be expected, Volume 5's timeline reflects an increased interest in Baroque and early music and the emergence of a rich countertenor tradition from the pioneering Alfred Deller to current artists like Phillippe Jaroussky and David Daniels. Seasoned collectors, of course, will be familiar with Flagstad's Wagner Liebestod, Callas' Verdi, Vickers' Carmen Flower Song, Christa Ludwig's Mahler, Walter Berry's Papageno, and Ben Heppner's Walther. However, that might not be the case with those just getting started in vocal music, and who'll appreciate a tasting menu of Volume 5's size and scope. --Jed Distler, ClassicsToday.com |
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| Works on This Recording | Back to Top | ||||
| 1. |
Der fliegende Holländer: Jo-ho-joe! Trafft ihr das Schiff by Richard Wagner | ||||
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Performer:
Birgit Nilsson (Soprano)
Conductor: Leopold Ludwig Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1841/1852; Germany |
Date of Recording: 05/1957 Venue: Kingsway Hall, London |
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| 2. |
Tannhäuser: Dich, teure Halle by Richard Wagner | ||||
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Performer:
Elisabeth Grümmer (Soprano)
Conductor: Franz Konwitschny Orchestra/Ensemble: Berlin State Opera Orchestra Period: Romantic Written: 1845/1861; Germany |
Date of Recording: 10/1960 Venue: Grunewaldkirche, Berlin |
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| 3. |
Tannhäuser: Dich treff' ich hier by Richard Wagner | ||||
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Performer:
Gottlob Frick (Bass)
Conductor: Franz Konwitschny Orchestra/Ensemble: Berlin State Opera Orchestra |
Date of Recording: 10/1960 Venue: Grunewaldkirche, Berlin |
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| 4. |
Tannhäuser: Gar viel und schön by Richard Wagner | ||||
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Performer:
Ludwig Weber (Bass)
Conductor: Issay Dobrowen Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1845/1861; Germany |
Date of Recording: 07/06/1951 Venue: No.1 Studio, Abbey Road, London |
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| 5. |
Tannhäuser: Blick' ich umher in diesem edlen Kreise by Richard Wagner | ||||
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Performer:
Dietrich Fischer-Dieskau (Baritone)
Conductor: Franz Konwitschny Orchestra/Ensemble: Berlin State Opera Orchestra Period: Romantic Written: 1845/1861; Germany |
Date of Recording: 10/1960 Venue: Grunewaldkirche, Berlin |
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| 6. |
Lohengrin: Einsam in trüben Tagen "Elsa's dream" by Richard Wagner | ||||
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Performer:
Astrid Varnay (Soprano)
Conductor: Hermann Weigert Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1847; Germany |
Date of Recording: 06/15/1951 Venue: No.1 Studio, Abbey Road, London |
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| 7. |
Lohengrin: Euch Lüften, die mein Klagen by Richard Wagner | ||||
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Performer:
Régine Crespin (Soprano)
Conductor: Georges Prêtre Orchestra/Ensemble: French National Radio Orchestra Period: Romantic Written: 1847; Germany |
Date of Recording: 1961 Venue: Salle Wagram, Paris |
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| 8. |
Lohengrin: Entweihte Götter! by Richard Wagner | ||||
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Performer:
Rita Gorr (Mezzo Soprano)
Conductor: André Cluytens Orchestra/Ensemble: Paris Opera Orchestra Written: 1850 |
Date of Recording: 06/1959 Venue: Salle Wagram, Paris |
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| 9. |
Die Walküre: Winterstürme wichen dem Wonnemond by Richard Wagner | ||||
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Performer:
Ludwig Suthaus (Tenor)
Conductor: Wilhelm Furtwängler Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: 1856; Germany |
Date of Recording: 1954 Venue: Musikvereinssaal, Vienna |
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| 10. |
Die Walküre: Ho-jo-to-ho! by Richard Wagner | ||||
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Performer:
Martha Mödl (Mezzo Soprano)
Conductor: Wilhelm Furtwängler Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: 1856; Germany |
Date of Recording: 1954 Venue: Musikvereinssaal, Vienna |
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| 11. |
Die Walküre: Weh! Weh! Süssestes Weib! by Richard Wagner | ||||
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Performer:
Set Svanholm (Tenor),
Birgit Nilsson (Soprano)
Conductor: Karl Böhm Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1856; Germany |
Date of Recording: 06/04/1949 Venue: No.1 Studio, Abbey Road, London |
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| 12. |
Die Walküre: Leb' wohl..."Farewell and Magic Fire music" by Richard Wagner | ||||
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Performer:
Hans Hotter (Baritone)
Conductor: Leopold Ludwig Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1856; Germany |
Date of Recording: 10/1957 Venue: No.1 Studio, Abbey Road, London |
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| 13. |
Die Meistersinger von Nürnberg: Was duftet doch der Flieder by Richard Wagner | ||||
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Performer:
Otto Edelmann (Bass)
Conductor: Herbert von Karajan Orchestra/Ensemble: Bayreuth Festival Orchestra Period: Romantic Written: 1867; Germany |
Date of Recording: 1951 Venue: Festspielhaus, Bayreuth |
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| 14. |
Die Meistersinger von Nürnberg: Morgenlich leuchtend by Richard Wagner | ||||
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Performer:
Rudolf Schock (Tenor),
Gottlob Frick (Bass),
Ferdinand Frantz (Bass Baritone),
Elisabeth Grümmer (Soprano) Conductor: Rudolf Kempe Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1867; Germany |
Date of Recording: 04/1956 Venue: Wintergarten, Berlin |
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| 15. |
Tristan und Isolde: Tot denn alles by Richard Wagner | ||||
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Performer:
Josef Greindl (Bass)
Conductor: Wilhelm Furtwängler Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1857-1859; Germany |
Date of Recording: 06/1952 Venue: Kingsway Hall, London |
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| 16. |
Tristan und Isolde: Mild und leise "Liebestod" by Richard Wagner | ||||
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Performer:
Kirsten Flagstad (Soprano)
Conductor: Wilhelm Furtwängler Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1859; Germany |
Date of Recording: 06/1952 Venue: Kingsway Hall, London |
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| 17. |
Die tote Stadt, Op. 12: Glück, das mir verblieb "Mariettalied" by Erich Wolfgang Korngold | ||||
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Performer:
Joan Hammond (Soprano)
Conductor: Walter Susskind Orchestra/Ensemble: Philharmonia Orchestra Period: 20th Century Written: 1920; Vienna, Austria |
Date of Recording: 03/17/1953 Venue: Kingsway Hall, London |
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| 18. |
A Song of Welcome: Behind the façades and faces by Bliss, Arthur, Sir | ||||
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Performer:
Dame Joan Sutherland (Soprano)
Conductor: Arthur Bliss Orchestra/Ensemble: Philharmonia Orchestra, BBC Chorus Period: 20th Century Written: 1954 |
Date of Recording: 01/26/1954 Venue: Kingsway Hall, London |
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| 19. |
I vespri siciliani: Mercè, dilette amiche "Bolero" by Giuseppe Verdi | ||||
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Performer:
Maria Callas (Soprano)
Conductor: Tullio Serafin Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1855; Italy |
Date of Recording: 09/1954 Venue: Watford Town Hall, London |
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| 20. |
Die Fledermaus: Mein Herr Marquis by Johann Strauss Jr. | ||||
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Performer:
Rita Streich (Soprano)
Conductor: Herbert von Karajan Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1874; Vienna, Austria |
Date of Recording: 04/1955 Venue: Kingsway Hall, London |
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| 21. |
Der Graf von Luxemburg: Unbekannt deshalb nich minder interessant by Franz Lehár | ||||
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Performer:
Erika Köth (Soprano)
Conductor: Frank Fox Orchestra/Ensemble: Berlin Symphony Orchestra Period: Romantic Written: 1909; Vienna, Austria |
Date of Recording: 11/1957 Venue: Grunewaldkirche, Berlin-Grunewald |
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| 22. |
Schön ist die Welt: Ach, Vöglein in der Ferne by Franz Lehár | ||||
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Performer:
Renate Holm (Soprano)
Conductor: Frank Fox Orchestra/Ensemble: FFB Orchestra |
Date of Recording: 05/1957 Venue: Grunewaldkirche, Berlin-Grunewald |
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| 23. |
Mikado: The sun whose rays are all ablaze by Arthur Sullivan | ||||
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Performer:
Elsie Morison (Soprano)
Conductor: Sir Malcolm Sargent Orchestra/Ensemble: Pro Arte Orchestra Period: Romantic Written: 1885; England |
Date of Recording: 1956 Venue: No.1 Studio, Abbey Road, London |
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| 24. |
Gianni Schicchi: O mio babbino caro by Giacomo Puccini | ||||
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Performer:
Antonietta Stella (Soprano)
Conductor: Alberto Erede Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1918; Italy |
Date of Recording: 12/14/1955 Venue: No.1 Studio, Abbey Road, London |
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| 25. |
Manon: Restons ici by Jules Massenet | ||||
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Performer:
Martha Angelici (Soprano)
Conductor: Jesus Etcheverry Orchestra/Ensemble: Paris Opéra Comique Orchestra Period: Romantic Written: 1883-1884; France |
Date of Recording: 03/1958 Venue: Salle de la Mutualité, Paris |
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| 26. |
Les Huguenots: Noble seigneur...Une dame noble et sage by Giacomo Meyerbeer | ||||
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Performer:
Janine Micheau (Soprano)
Conductor: Georges Prêtre Orchestra/Ensemble: Paris Opera Orchestra Period: Romantic |
Date of Recording: 07/1958 Venue: Salle Wagram, Paris |
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| 27. |
Don Giovanni, K 527: Batti, batti o bel Masetto by Wolfgang Amadeus Mozart | ||||
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Performer:
Graziella Sciutti (Soprano)
Conductor: Carlo Maria Giulini Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1787; Prague, Czech Republ |
Date of Recording: 1959 Venue: No.1 Studio, Abbey Road, London |
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| 28. |
Tannhäuser: Allmächt'ge Jungfrau "Elisabeth's Prayer" by Richard Wagner | ||||
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Performer:
Aase Nordmo-Lövberg (Soprano)
Conductor: Walter Susskind Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1845/1861; Germany |
Date of Recording: 04/22/1959 Venue: Kingsway Hall, London |
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| 29. |
La traviata: Ah, fors' è lui...Sempre libera by Giuseppe Verdi | ||||
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Performer:
Anna Moffo (Soprano)
Conductor: Sir Colin Davis Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1853; Italy |
Date of Recording: 12/1959 Venue: No.1 Studio, Abbey Road, London |
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| 30. |
Orphée aux enfers: The happy bride never stumbles by Jacques Offenbach | ||||
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Performer:
June Bronhill (Soprano)
Conductor: Alexander Faris Orchestra/Ensemble: Sadler's Wells Opera Orchestra Period: Romantic |
Date of Recording: 04/1960 Venue: No.1 Studio, Abbey Road, London |
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| 31. |
Die Fledermaus: Klänge der Heimat "Czardas" by Johann Strauss Jr. | ||||
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Performer:
Hilde Gueden (Soprano)
Conductor: Heinrich Hollreiser Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: 1874; Vienna, Austria |
Date of Recording: 12/1960 Venue: Musikvereinssaal, Vienna |
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| 32. |
Los emigrantes: Adiós Granada, Granada mia "Granadinas" by Tomás Barrera | ||||
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Performer:
Victoria de los Angeles (Guitar),
Victoria de los Angeles (Soprano)
Conductor: None Orchestra/Ensemble: None Period: 20th Century Written: Spain |
Date of Recording: 09/1960 Venue: EMI Studios, Barcelona |
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| 33. |
Paganini: Ich kann es nicht fassen - Liebe, du Himmel auf Erden by Franz Lehár | ||||
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Performer:
Melitta Muszely (Soprano)
Conductor: Werner Schmidt-Boelcke Orchestra/Ensemble: FFB Orchestra |
Date of Recording: 06/05/1961 Venue: Gemeindhaus, Berlin-Zehlendorf |
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| 34. |
Turandot: In questa reggia by Giacomo Puccini | ||||
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Performer:
Amy Shuard (Soprano)
Conductor: Edward Downes Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1926; Italy |
Date of Recording: 03/23/1962 Venue: Kingsway Hall, London |
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| 35. |
Lieder (5), Op. 69: no 3, Einerlei by Richard Strauss | ||||
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Performer:
Sebastian Peschko (Piano),
Lisa Della Casa (Soprano)
Conductor: None Orchestra/Ensemble: None Period: Romantic Written: 1918; Germany |
Date of Recording: 04/1962 Venue: Kulturhaus, Loffenau |
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| 36. |
Così fan tutte, K 588: Una donna a quindici anni by Wolfgang Amadeus Mozart | ||||
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Performer:
Hanny Steffek (Soprano)
Conductor: Karl Böhm Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1790; Vienna, Austria |
Date of Recording: 09/1962 Venue: Kingsway Hall, London |
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| 37. |
Bartered Bride, B 143/T 93: Gern ja will ich dir vertrauen by Bedrich Smetana | ||||
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Performer:
Pilar Lorengar (Soprano)
Conductor: Rudolf Kempe Orchestra/Ensemble: Bamberg Symphony Orchestra |
Date of Recording: 1962 Venue: Bamberg & Grunewaldkirche, Berlin |
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| 38. |
Mignon: Je suis Titania la blonde by Ambroise Thomas | ||||
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Performer:
Andree Esposito (Soprano)
Conductor: Jean-Claude Hartmann Orchestra/Ensemble: Paris Opéra Comique Orchestra Period: Romantic Written: 1866; France |
Date of Recording: 1964 Venue: Salle Wagram, Paris |
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| 39. |
Zigeunerliebe: Hör' ich Cymbalklänge by Franz Lehár | ||||
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Performer:
Sari Barabas (Soprano)
Conductor: Carl Michalski Orchestra/Ensemble: Graunke Symphony Orchestra Period: Romantic Written: 1909-1910; Vienna, Austria |
Date of Recording: 09/1963 Venue: Bürgerbräu, Munich |
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| 40. |
Die Zauberflöte, K 620: Der Hölle Rache by Wolfgang Amadeus Mozart | ||||
|
Performer:
Lucia Popp (Soprano)
Conductor: Otto Klemperer Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1791; Vienna, Austria |
Date of Recording: 1964 Venue: Kingsway Hall, London |
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| 41. |
Madama Butterfly: Un bel dì vedremo by Giacomo Puccini | ||||
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Performer:
Renata Scotto (Soprano)
Conductor: Sir John Barbirolli Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1904; Italy |
Date of Recording: 08/1966 Venue: Teatro dell’Opera, Rome |
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| 42. |
Lieder (8), Op. 10: no 1, Zueignung by Richard Strauss | ||||
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Performer:
Elisabeth Schwarzkopf (Soprano)
Conductor: George Szell Orchestra/Ensemble: Berlin Radio Symphony Orchestra Period: Romantic Written: 1885; Germany |
Date of Recording: 09/1965 Venue: Grunewaldkirche, Berlin |
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| 43. |
Don Giovanni, K 527: Vedrai, carino se sei buonino by Wolfgang Amadeus Mozart | ||||
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Performer:
Mirella Freni (Soprano)
Conductor: Otto Klemperer Orchestra/Ensemble: New Philharmonia Orchestra Period: Classical Written: 1787; Prague, Czech Republ |
Date of Recording: 1966 Venue: No.1 Studio, Abbey Road, London |
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| 44. |
Die lustige Witwe: Bitte, meine Herr'n by Franz Lehár | ||||
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Performer:
Anneliese Rothenberger (Soprano)
Conductor: Willy Mattes Orchestra/Ensemble: Graunke Symphony Orchestra Period: Romantic Written: 1905; Vienna, Austria |
Date of Recording: 06/1967 Venue: Bürgerbräu, Munich |
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| 45. |
Rigoletto: Caro nome by Giuseppe Verdi | ||||
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Performer:
Reri Grist (Soprano)
Conductor: Francesco Molinari-Pradelli Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1851; Italy |
Date of Recording: 07/1967 Venue: Opera House, Rome |
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| 46. |
Elijah, Op. 70: Behold, God hath sent Elijah by Felix Mendelssohn | ||||
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Performer:
Dame Gwyneth Jones (Soprano)
Conductor: R. Frühbeck de Burgos Orchestra/Ensemble: New Philharmonia Orchestra Period: Romantic Written: 1846-1847; Germany |
Date of Recording: 07/1968 Venue: Kingsway Hall, London |
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| 47. |
Rückert Lieder (5): no 2, Ich atmet' einen Linden Duft by Gustav Mahler | ||||
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Performer:
Christa Ludwig (Mezzo Soprano)
Conductor: Otto Klemperer Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1901; Vienna, Austria |
Date of Recording: 02/1964 Venue: Kingsway Hall, London |
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| 48. |
I Pagliacci: Un tal gioco by Ruggero Leoncavallo | ||||
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Performer:
Leonard Warren (Baritone),
Victoria de los Angeles (Soprano),
Paul Franke (Tenor),
Jussi Björling (Tenor) Conductor: Renato Cellini Orchestra/Ensemble: RCA Victor Orchestra Period: Romantic Written: 1892; Italy |
Date of Recording: 01/1953 Venue: Manhattan Center, New York |
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| 49. |
Le postillon de Lonjumeau: Mes amis, écoutez l'histoire by Adolphe-Charles Adam | ||||
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Performer:
Henri Legay (Tenor)
Conductor: Georges Tzipine Orchestra/Ensemble: Orchestra Period: Romantic Written: ?1836; France |
Date of Recording: 10/1956 Venue: Salle de la Mutualité, Paris |
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| 50. |
Die Zauberflöte, K 620: Dies Bildnis ist bezaubernd schön by Wolfgang Amadeus Mozart | ||||
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Performer:
Léopold Simoneau (Tenor)
Conductor: André Jouve Orchestra/Ensemble: Champs-Élysées Theater Orchestra Period: Classical Written: 1791; Vienna, Austria |
Date of Recording: 05/1955 Venue: Théâtre Apollo, France |
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| 51. |
Werther: Pourquoi me réveiller? by Jules Massenet | ||||
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Performer:
Albert Lance (Tenor)
Conductor: Albert Wolff Orchestra/Ensemble: Paris Opéra Comique Orchestra Period: Romantic Written: 1892; France |
Date of Recording: 05/1957 Venue: Salle de la Mutualité, Paris |
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| 52. |
Cavalleria Rusticana: Mamma, quel vino è generoso "Addio" by Pietro Mascagni | ||||
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Performer:
Eugenio Fernandi (Tenor)
Conductor: Nicola Rescigno Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1890; Italy |
Date of Recording: 09/1958 Venue: No.1 Studio, Abbey Road, London |
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| 53. |
La Fanciulla del West: Una parola sola by Giacomo Puccini | ||||
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Performer:
Birgit Nilsson (Soprano),
Joao Gibin (Tenor)
Conductor: Lovro von Matacic Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1910; Italy |
Date of Recording: 07/1958 Venue: Teatro alla Scala, Milan |
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| 54. |
Messiah, HWV 56: Ev'ry valley shall be exalted by George Frideric Handel | ||||
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Performer:
Richard Lewis (Tenor)
Conductor: Sir Malcolm Sargent Orchestra/Ensemble: Royal Liverpool Philharmonic Orchestra Period: Baroque Written: 1742; London, England |
Date of Recording: 06/1959 Venue: Huddersfield Town Hall |
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| 55. |
Manon Lescaut: Donna non vidi mai by Giacomo Puccini | ||||
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Performer:
Charles Craig (Tenor)
Conductor: Michael Collins Orchestra/Ensemble: Orchestra Period: Romantic Written: 1893; Italy |
Date of Recording: 02/1959 Venue: No.1 Studio, Abbey Road, London |
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| 56. |
La Fanciulla del West: Ch'ella mi creda libero e lontano by Giacomo Puccini | ||||
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Performer:
Giuseppe Campora (Tenor)
Conductor: Gabriele Santini Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1910; Italy |
Date of Recording: 07/1958 Venue: Opera House, Rome |
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| 57. |
Martha: Ach, so fromm by Friedrich von Flotow | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Berislav Klobucar Orchestra/Ensemble: Berlin Symphony Orchestra Period: Romantic Written: 1847; Germany |
Date of Recording: 06/1960 Venue: Grunewaldkirche, Berlin |
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| 58. |
Oedipus rex: Nonne erubescite, reges, clamare by Igor Stravinsky | ||||
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Performer:
Ronald Dowd (Tenor)
Conductor: Sir Colin Davis Orchestra/Ensemble: Royal Philharmonic Orchestra Period: 20th Century Written: 1926-1927; France |
Date of Recording: 11/1961 Venue: Kingsway Hall, London |
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| 59. |
Così fan tutte, K 588: Un' aura amorosa by Wolfgang Amadeus Mozart | ||||
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Performer:
Alfredo Kraus (Tenor)
Conductor: Karl Böhm Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1790; Vienna, Austria |
Date of Recording: 09/1962 Venue: Kingsway Hall, London |
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| 60. |
Il barbiere di Siviglia: All' idea di qual metallo by Gioachino Rossini | ||||
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Performer:
Sesto Bruscantini (Baritone),
Luigi Alva (Tenor)
Conductor: Vittorio Gui Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Romantic Written: 1816; Italy |
Date of Recording: 09/1962 Venue: No.1 Studio, Abbey Road, London |
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| 61. |
Dies natalis, Op. 8: Wonder by Gerald Finzi | ||||
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Performer:
William Brown (Tenor)
Conductor: Christopher Finzi Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1925-1939; England |
Date of Recording: 09/1963 Venue: No.1 Studio, Abbey Road, London |
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| 62. |
Lohengrin: In fernem Land by Richard Wagner | ||||
|
Performer:
Jess Thomas (Tenor)
Conductor: Rudolf Kempe Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: 1846-1847; Germany |
Date of Recording: 1962-1963 Venue: Theater an der Wien, Vienna |
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| 63. |
La Favorita: Spirto gentil by Gaetano Donizetti | ||||
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Performer:
Franco Corelli (Tenor)
Conductor: Franco Ferraris Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1840; Italy |
Date of Recording: 1961-1962 Venue: Kingsway Hall, London |
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| 64. |
Undine: Vater, Mutter, Schwestern, Brüder by Albert Lortzing | ||||
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Performer:
Peter Schreier (Tenor)
Conductor: Robert Heger Orchestra/Ensemble: Berlin Radio Symphony Orchestra Period: Romantic Written: 1845; Germany |
Date of Recording: 1966 Venue: Berlin |
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| 65. |
Die Königin von Saba, Op. 27: Magische Töne by Karl Goldmark | ||||
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Performer:
Nicolai Gedda (Tenor)
Conductor: Heinrich Bender Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Romantic Written: by 1875; Vienna, Austria |
Date of Recording: 06/1967 Venue: Bürgerbräu, Munich |
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| 66. |
Fedora: Amor ti vieta by Umberto Giordano | ||||
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Performer:
James King (Tenor)
Conductor: Kurt Eichorn Orchestra/Ensemble: Bavarian Radio Symphony Orchestra Period: Romantic Written: 1898; Italy |
Date of Recording: 07/1968 Venue: Munich |
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| 67. |
L'Amico Fritz: Ed anche Beppe amò...O amore, o bella luce by Pietro Mascagni | ||||
|
Performer:
Luciano Pavarotti (Tenor)
Conductor: Gianandrea Gavazzeni Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1891; Italy |
Date of Recording: 1968 Venue: No.1 Studio, Abbey Road, London |
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| 68. |
Andrea Chénier: Nemico della patria by Umberto Giordano | ||||
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Performer:
Tito Gobbi (Baritone)
Conductor: Oliviero de Fabritiis Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1896; Italy |
Date of Recording: 10/1955 Venue: Teatro dell’Opera, Rome |
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| 69. |
Nabucco: Sperate, o figli...D'Egitto la sui lidi...Come notte by Giuseppe Verdi | ||||
|
Performer:
Boris Christoff (Bass)
Conductor: Vittorio Gui Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1842; Italy |
Date of Recording: 10/1955 Venue: Teatro dell’Opera, Rome |
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| 70. |
Il trovatore: Il balen del suo sorriso by Giuseppe Verdi | ||||
|
Performer:
Rolando Panerai (Baritone)
Conductor: Herbert von Karajan Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1853; Italy |
Date of Recording: 08/1956 Venue: Teatro alla Scala, Milan |
||||
| 71. |
La Bohème: Vecchia zimarra by Giacomo Puccini | ||||
|
Performer:
Nicola Zaccaria (Bass)
Conductor: Antonino Votto Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1896; Italy |
Date of Recording: 1956 Venue: Teatro alla Scala, Milan |
||||
| 72. |
Si j'étais roi: Dans le sommeil by Adolphe-Charles Adam | ||||
|
Performer:
Michel Dens (Baritone)
Conductor: Pierre Dervaux Orchestra/Ensemble: Paris Opéra Comique Orchestra Period: Romantic Written: ?1852; France |
Date of Recording: 09/1956 Venue: Salle de la Mutualité, Paris |
||||
| 73. |
Don Giovanni, K 527: Deh vieni alla finestra [Serenade] by Wolfgang Amadeus Mozart | ||||
|
Performer:
Eberhard Waechter (Baritone)
Conductor: Carlo Maria Giulini Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1787; Prague, Czech Republ |
Date of Recording: 1959 Venue: No.1 Studio, Abbey Road, London |
||||
| 74. |
Thaïs: Voilà donc la terrible cité by Jules Massenet | ||||
|
Performer:
Ernest Blanc (Baritone)
Conductor: Georges Prêtre Orchestra/Ensemble: Society of the Conservatory Concerts Orchestra Period: Romantic Written: 1894; France |
Date of Recording: 09/1961 Venue: Salle Wagram, Paris |
||||
| 75. |
Die Zauberflöte, K 620: Der Vogelfänger bin ich ja by Wolfgang Amadeus Mozart | ||||
|
Performer:
Hermann Prey (Baritone)
Conductor: Horst Stein Orchestra/Ensemble: Berlin Symphony Orchestra Period: Classical Written: 1791; Vienna, Austria |
Date of Recording: c1961 |
||||
| 76. |
Don Giovanni, K 527: Finch' han dal vino [Brindisi] by Wolfgang Amadeus Mozart | ||||
|
Performer:
Nicolai Ghiaurov (Bass)
Conductor: Otto Klemperer Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1787; Prague, Czech Republ |
Date of Recording: 1966 Venue: No.1 Studio, Abbey Road, London |
||||
| 77. |
Rigoletto: Cortigiani, vil razza dannata by Giuseppe Verdi | ||||
|
Performer:
Cornell MacNeil (Baritone)
Conductor: Francesco Molinari-Pradelli Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1851; Italy |
Date of Recording: 07/1967 Venue: Teatro dell’Opera, Rome |
||||
| 78. |
La forza del destino: Me pellegrina ed orfana by Giuseppe Verdi | ||||
|
Performer:
Martina Arroyo (Soprano)
Conductor: Lamberto Gardelli Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Romantic Written: Italy |
Date of Recording: 1969 Venue: Watford Town Hall |
||||
| 79. |
Roméo et Juliette: Je veux vivre dans le rêve "Waltz Song" by Charles Gounod | ||||
|
Performer:
Mady Mesplé (Soprano)
Conductor: Jean-Pierre Marty Orchestra/Ensemble: Paris Opera Orchestra Period: Romantic Written: 1867; France |
Date of Recording: 1969 Venue: Salle Wagram, Paris |
||||
| 80. |
Ridente la calma, K 152 (210a) by Wolfgang Amadeus Mozart | ||||
|
Performer:
Elly Ameling (Soprano),
Jörg Demus (Piano)
Conductor: None Orchestra/Ensemble: None Period: Classical Written: 1772-1775; Italy |
Date of Recording: 12/1969 Venue: Gemeindhaus Studio, Berlin-Zehlendorf |
||||
| 81. |
Il pirata: Col sorriso d'innocenza by Vincenzo Bellini | ||||
|
Performer:
Montserrat Caballé (Soprano)
Conductor: Gianandrea Gavazzeni Orchestra/Ensemble: Italian Radio Symphony Orchestra Rome Period: Romantic Written: 1827; Italy |
Date of Recording: 07/1970 Venue: RAI Studios, Rome |
||||
| 82. |
Fidelio, Op. 72: O namenlose Freude by Ludwig van Beethoven | ||||
|
Performer:
Helga Dernesch (Soprano)
Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: 1805/1814; Vienna, Austria |
Date of Recording: 1970 Venue: Jesus-Christus-Kirche, Berlin |
||||
| 83. |
The Seasons, H 21 no 3: Knurre, schnurre, knurre by Franz Joseph Haydn | ||||
|
Performer:
Gundula Janowitz (Soprano)
Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical |
Date of Recording: 11/1972 Venue: Jesus-Christus-Kirche, Berlin-Dahlem |
||||
| 84. |
Die Zauberflöte, K 620: O zittre nicht...Zum Leiden bin ich by Wolfgang Amadeus Mozart | ||||
|
Performer:
Edda Moser (Soprano)
Conductor: Wolfgang Sawallisch Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Classical Written: 1791; Vienna, Austria |
Date of Recording: 08/1972 Venue: Bürgerbraü, Munich |
||||
| 85. |
Songs (6), Op. 6: no 6, None but the lonely heart by Peter Ilyich Tchaikovsky | ||||
|
Performer:
James Lockhart (Piano),
Margaret Price (Soprano)
Conductor: None Orchestra/Ensemble: None Period: Romantic Written: 1869; Russia |
Date of Recording: 08/1973 Venue: Barking Town Hall |
||||
| 86. |
Il barbiere di Siviglia: Una voce poco fa...Io sono dolcile by Gioachino Rossini | ||||
|
Performer:
Beverly Sills (Soprano)
Conductor: James Levine Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1816; Italy |
Date of Recording: 1974-1975 Venue: All Saints’ Church, Tooting Graveney |
||||
| 87. |
Satires (5), Op. 109: no 2, Spring Awakening by Dmitri Shostakovich | ||||
|
Performer:
Mstislav Rostropovich (Piano),
Galina Vishnevskaya (Soprano)
Conductor: None Orchestra/Ensemble: None Period: 20th Century Written: 1960; USSR |
Date of Recording: 10/1974 Venue: Salle Wagram, Paris |
||||
| 88. |
Le nozze di Figaro, K 492: Porgi, amor, qualche ristoro by Wolfgang Amadeus Mozart | ||||
|
Performer:
Heather Harper (Soprano)
Conductor: Daniel Barenboim Orchestra/Ensemble: English Chamber Orchestra Period: Classical Written: 1786; Vienna, Austria |
Date of Recording: 08/1976 Venue: Kingsway Hall, London |
||||
| 89. |
Il trovatore: D'amor sull' ali rosee by Giuseppe Verdi | ||||
|
Performer:
Leontyne Price (Soprano)
Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1853; Italy |
Date of Recording: 09/1977 Venue: Philharmonie, Berlin |
||||
| 90. |
Manon: Allons! Il le faut by Jules Massenet | ||||
|
Performer:
Ileana Cotrubas (Soprano)
Conductor: Michel Plasson Orchestra/Ensemble: Toulouse Capitole Orchestra Period: Romantic Written: 1883-1884; France |
Date of Recording: 07/1982 Venue: Halle-aux-Grains, Toulouse |
||||
| 91. |
War Requiem, Op. 66: Dies irae by Benjamin Britten | ||||
|
Performer:
Elisabeth Söderström (Soprano)
Conductor: Simon Rattle Orchestra/Ensemble: City of Birmingham Symphony Orchestra Period: 20th Century Written: 1961; England |
Date of Recording: 1983 Venue: Great Hall, University of Birmingham |
||||
| 92. |
Shéhérazade: no 2, La flûte enchantée by Maurice Ravel | ||||
|
Performer:
Dame Kiri Te Kanawa (Soprano)
Conductor: John Pritchard Orchestra/Ensemble: National Opera Orchestra Period: 20th Century Written: 1903; France |
Date of Recording: 1983 Venue: Radio Building, Brussels |
||||
| 93. |
I lombardi: Te, Vergin santa...Salve Maria by Giuseppe Verdi | ||||
|
Performer:
Ghena Dimitrova (Soprano)
Conductor: Lamberto Gardelli Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1843; Italy |
Date of Recording: 02/1984 Venue: Bavarian Music Studios, Munich |
||||
| 94. |
La belle Hélène: Amours divins by Jacques Offenbach | ||||
|
Performer:
Jessye Norman (Soprano)
Conductor: Michel Plasson Orchestra/Ensemble: Toulouse Capitole Orchestra Period: Romantic Written: 1864; Paris, France |
Date of Recording: 07/1984 Venue: Halle-aux-Grains, Toulouse |
||||
| 95. |
La sonnambula: Come per me sereno...Sovra il sen by Vincenzo Bellini | ||||
|
Performer:
Edita Gruberova (Soprano)
Conductor: Kurt Eichorn Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1831; Italy |
Date of Recording: 11/1984 Venue: Bayerischer Rundfunk, Munich |
||||
| 96. |
Die Walküre: Der Männer Sippe sass hier im Saal by Richard Wagner | ||||
|
Performer:
Hildegard Behrens (Soprano)
Conductor: Peter Schneider Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1856; Germany |
Date of Recording: 1986 Venue: Bayerischer Rundfunk, Munich |
||||
| 97. |
Les contes d'Hoffmann: Les oiseaux dans la charmille by Jacques Offenbach | ||||
|
Performer:
Luciana Serra (Soprano)
Conductor: Sylvain Cambreling Orchestra/Ensemble: Brussels Théâtre de la Monnaie Orchestra Period: Romantic Written: 1881; Paris, France |
Date of Recording: 1988 Venue: Palais des Beaux-Arts, Brussels |
||||
| 98. |
Carmen: L'amour est un oiseau rebelle "Habañera" by Georges Bizet | ||||
|
Performer:
Grace Bumbry (Mezzo Soprano)
Conductor: R. Frühbeck de Burgos Orchestra/Ensemble: National Opera Orchestra Period: Romantic Written: 1873-1874; France |
Date of Recording: 1969-1970 Venue: Salle Wagram, Paris |
||||
| 99. |
Don Carlos: Nel giardin del bello "Veil Song" by Giuseppe Verdi | ||||
|
Performer:
Shirley Verrett (Mezzo Soprano)
Conductor: Carlo Maria Giulini Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1867/1884; Italy |
Date of Recording: 08/1970 Venue: Walthamstow Town Hall |
||||
| 100. |
Così fan tutte, K 588: E amore un ladroncello by Wolfgang Amadeus Mozart | ||||
|
Performer:
Yvonne Minton (Mezzo Soprano)
Conductor: Otto Klemperer Orchestra/Ensemble: New Philharmonia Orchestra Period: Classical Written: 1790; Vienna, Austria |
Date of Recording: 1971 Venue: Kingsway Hall, London |
||||
| 101. |
Ariettes oubliées: no 2, Il pleure dans mon coeur by Claude Debussy | ||||
|
Performer:
Frederica Von Stade (Mezzo Soprano),
Dalton Baldwin (Piano)
Conductor: None Orchestra/Ensemble: None Period: 20th Century Written: 1885-1888; France |
Date of Recording: 1978 Venue: Salle Wagram, Paris |
||||
| 102. |
Macbeth: La luce langue by Giuseppe Verdi | ||||
|
Performer:
Fiorenza Cossotto (Mezzo Soprano)
Conductor: Riccardo Muti Orchestra/Ensemble: New Philharmonia Orchestra Period: Romantic Written: Italy |
Date of Recording: 07/1976 Venue: Abbey Road Studios & Kingsway Hall, Lond |
||||
| 103. |
Ivan the Terrible, Op. 116: Song about the beaver by Sergei Prokofiev | ||||
|
Performer:
Irina Arkhipova (Mezzo Soprano)
Conductor: Riccardo Muti Orchestra/Ensemble: Philharmonia Orchestra Period: 20th Century |
Date of Recording: 1977 Venue: Kingsway Hall, London |
||||
| 104. |
Adriana Lecouvreur: Acerba volutta by Francesco Cilèa | ||||
|
Performer:
Elena Obraztsova (Mezzo Soprano)
Conductor: Giuseppe Patané Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1902; Italy |
Date of Recording: 07/1977 Venue: Kingsway Hall, London |
||||
| 105. |
Le nozze di Figaro, K 492: Non so più cosa son, cosa faccio by Wolfgang Amadeus Mozart | ||||
|
Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Daniel Barenboim Orchestra/Ensemble: English Chamber Orchestra Period: Classical Written: 1786; Vienna, Austria |
Date of Recording: 08/1976 Venue: Kingsway Hall, London |
||||
| 106. |
Werther: Va! laisse couler mes larmes! by Jules Massenet | ||||
|
Performer:
Tatiana Troyanos (Mezzo Soprano)
Conductor: Michel Plasson Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1892; France |
Date of Recording: 1979 Venue: No.1 Studio, Abbey Road, London |
||||
| 107. |
Don Carlos: O don fatale by Giuseppe Verdi | ||||
|
Performer:
Agnes Baltsa (Mezzo Soprano)
Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic |
Date of Recording: 09/1978 Venue: Philharmonie, Berlin |
||||
| 108. |
Auf dem Wasser zu singen, D 774/Op. 72 by Franz Schubert | ||||
|
Performer:
Dame Janet Baker (Mezzo Soprano),
Geoffrey Parsons (Piano)
Conductor: None Orchestra/Ensemble: None Period: Romantic Written: 1823; Vienna, Austria |
Date of Recording: 1980 Venue: No.1 Studio, Abbey Road, London |
||||
| 109. |
Padmâvatî, Op. 18: Aux armes...Il est trop tard by Albert Roussel | ||||
|
Performer:
Marilyn Horne (Mezzo Soprano)
Conductor: Michel Plasson Orchestra/Ensemble: Toulouse Capitole Orchestra Period: 20th Century |
Date of Recording: 1982-1983 Venue: Halle-aux-Grains, Toulouse |
||||
| 110. |
La clemenza di Tito, K 621: Parto, parto, ma tu ben mio by Wolfgang Amadeus Mozart | ||||
|
Performer:
Ann Murray (Mezzo Soprano)
Conductor: Raymond Leppard Orchestra/Ensemble: Scottish Chamber Orchestra Period: Classical Written: 1791; Prague, Czech Republ |
Date of Recording: 04/1984 Venue: Queen’s Hall, Edinburgh |
||||
| 111. |
La Forza del Destino: La vita è inferno all'infelica... O tu che in seno agli angeli by Giuseppe Verdi | ||||
|
Performer:
Carlo Bergonzi (Tenor)
Conductor: Lamberto Gardelli Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Romantic Written: Italy |
Date of Recording: 1969 Venue: Watford Town Hall |
||||
| 112. |
Carmen: La fleur que tu m'avais jetée "Flower song" by Georges Bizet | ||||
|
Performer:
Jon Vickers (Tenor)
Conductor: R. Frühbeck de Burgos Orchestra/Ensemble: Paris National Opera Orchestra Period: Romantic Written: 1873-1874; France |
Date of Recording: 1969-1970 Venue: Salle Wagram, Paris |
||||
| 113. |
Die Meistersinger von Nürnberg: Abendlich glühend by Richard Wagner | ||||
|
Performer:
René Kollo (Tenor)
Conductor: Herbert von Karajan Orchestra/Ensemble: Dresden Staatskapelle Period: Romantic Written: 1862-1867; Germany |
Date of Recording: 1970 Venue: Lukaskirche, Dresden |
||||
| 114. |
Die schöne Müllerin, D 795/Op. 25: no 7, Ungeduld by Franz Schubert | ||||
|
Performer:
Ian Partridge (Tenor),
Jennifer Partridge (Piano)
Conductor: None Orchestra/Ensemble: None Period: Romantic Written: 1823; Vienna, Austria |
Date of Recording: 01/1973 Venue: St Dunstan’s Church, East Cheam |
||||
| 115. |
Macbeth: O figli, o figli miei... Ah, la paterna mano by Giuseppe Verdi | ||||
|
Performer:
Donald Smith (Tenor)
Conductor: Vanco Cavdarski Orchestra/Ensemble: Tasmanian Symphony Orchestra Period: Romantic Written: 1847/1865; Italy |
Date of Recording: 1973 Venue: Australian Broadcasting Corporation Stud |
||||
| 116. |
Il trovatore: Di quella pira by Giuseppe Verdi | ||||
|
Performer:
Franco Bonisolli (Tenor),
Horst Nitsche (Tenor),
Leontyne Price (Soprano)
Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1853; Italy |
Date of Recording: 09/1977 Venue: Philharmonie, Berlin |
||||
| 117. |
Don Carlos: Io l'ho perduta by Giuseppe Verdi | ||||
|
Performer:
José Carreras (Tenor)
Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1867/1884; Italy |
Date of Recording: 09/1978 Venue: Philharmonie, Berlin |
||||
| 118. |
Les pêcheurs de perles: Je crois entendre encore by Georges Bizet | ||||
|
Performer:
Alain Vanzo (Tenor)
Conductor: Georges Prêtre Orchestra/Ensemble: Paris Opera Orchestra Period: Romantic Written: 1863; France |
Date of Recording: 07/1977 Venue: Salle Wagram, Paris |
||||
| 119. |
Les contes d'Hoffmann: Ils se sont Éloignés enfin! by Jacques Offenbach | ||||
|
Performer:
Luciana Serra (Soprano),
Neil Shicoff (Tenor)
Conductor: Sylvain Cambreling Orchestra/Ensemble: Brussels Théâtre de la Monnaie Orchestra Period: Romantic |
Date of Recording: 1988 Venue: Palais des Beaux-Arts, Brussels |
||||
| 120. |
Mystical Songs (5): no 4, The call by Ralph Vaughan Williams | ||||
|
Performer:
John Shirley-Quirk (Baritone)
Conductor: Sir David Willcocks Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1911; England |
Date of Recording: 08/1966 Venue: King’s College Chapel, Cambridge |
||||
| 121. |
La forza del destino: Urna fatale del mio destino by Giuseppe Verdi | ||||
|
Performer:
Piero Cappuccilli (Baritone)
Conductor: Lamberto Gardelli Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Romantic Written: Italy |
Date of Recording: 1969 Venue: Watford Town Hall |
||||
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