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| The James Bowman Collections / Bowman, The King's Consort | |||||
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Release Date: 05/21/1996 Label: Hyperion Catalog #: 3 Spars Code: DDD Composer: Johann Sebastian Bach, George Frideric Handel, Anonymous, Henry Purcell, Giovanni Gabrieli, Thomas Ford, François Couperin Performer: David Woodcock, James Bowman, Jonathan Peter Kenny, Mark Padmore, Evelyn Tubb, Charles Pott, David Miller, Susan Gritton, Keyboard] Robert [Conductor King, Mark Caudle, Crispian Steele-Perkins, Gillian Fisher, Katharina Spreckelsen Conductor: Robert King Orchestra/Ensemble: King's Consort
Number of Discs: 1 |
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| Notes & Reviews | Back to Top | ||||
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| 'The James Bowman Collection' deserves the strongest and warmest of recommendations ... This is glorious music-making and deserves the widest possible hearing' (The Daily Telegraph) 'La intensa expresividad, la técnica y el color de la voz del cantante brillan' (Scherzo, Spain) | |||||
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| Works on This Recording | Back to Top | ||||
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| 1. |
Saint Matthew Passion, BWV 244: no 47, Erbarme dich by Johann Sebastian Bach | ||||
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Performer:
David Woodcock (Violin),
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: ?1727; Leipzig, Germany |
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Language: English |
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| 2. |
Solomon, HWV 67: Almighty pow'r by George Frideric Handel | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: by 1749; London, England |
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| 3. |
The choice of Hercules, HWV 69: Yet can I hear that dulcet lay by George Frideric Handel | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: by 1743 |
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| 4. |
Come tread the paths by Anonymous | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Renaissance Written: England |
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| 5. |
O solitude, my sweetest choice, Z 406 by Henry Purcell | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: by 1687; England |
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| 6. |
O magnum mysterium by Giovanni Gabrieli | ||||
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Performer:
Jonathan Peter Kenny (Countertenor),
Mark Padmore (Tenor),
Evelyn Tubb (Soprano),
Charles Pott (Bass), James Bowman (Countertenor) Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Renaissance Written: by 1587; Italy |
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| 7. |
Musicke of Sundrie Kindes, Pt 1: Since first I saw your face by Thomas Ford | ||||
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Performer:
David Miller (Lute),
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Renaissance Written: 1607; England |
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| 8. |
Solomon, HWV 67: Welcome as the dawn of day by George Frideric Handel | ||||
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Performer:
Susan Gritton (Soprano),
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: by 1749; London, England |
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| 9. |
Rinaldo, HWV 7: Or la tromba in suon festante by George Frideric Handel | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: by 1711; London, England |
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| 10. |
On the brow of Richmond Hill, Z 405 by Henry Purcell | ||||
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Performer:
Keyboard] Robert [Conductor King (Chamber Organ),
James Bowman (Countertenor),
Mark Caudle (Bass Viola da gamba)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: 1692; England |
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| 11. |
Ode for the Birthday of Queen Anne, HWV 74: Eternal source of light by George Frideric Handel | ||||
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Performer:
Crispian Steele-Perkins (Trumpet),
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: 1713; London, England |
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| 12. |
Te Deum and Jubilate in D, Z 232: Vouchsafe, O Lord by Henry Purcell | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: 1694; England |
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| 13. |
Why, why are all the Muses mute?, Z 343: Britain, thou now art great by Henry Purcell | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: 1685; England |
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| 14. |
Italian Duets: no 3, Sono liete, fortunate, HWV 194 by George Frideric Handel | ||||
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Performer:
James Bowman (Countertenor),
Gillian Fisher (Soprano)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: circa 1707-1710; Italy |
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| Notes: Only the second section of this duet, beginning with "Crudeltà nè lontananza," is included on this recording. | |||||
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| 15. |
Deborah, HWV 51: Impious mortal by George Frideric Handel | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: by 1733; London, England |
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| 16. |
Now does the glorious day appear, Z 332: By beauteous softness mixed by Henry Purcell | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: 1689; England |
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| 17. |
Esther, HWV 50b: Tune your harps to cheerful strains by George Frideric Handel | ||||
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Performer:
James Bowman (Countertenor),
Katharina Spreckelsen (Oboe)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: 1732; London, England |
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| 18. |
Now that the sun hath veiled his light, Z 193 "Evening Hymn on a Ground" by Henry Purcell | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: 1688; England |
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| 19. |
Leçons de tenébres: Premier leçon - Jerusalem, convertere by François Couperin | ||||
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Performer:
Keyboard] Robert [Conductor King (Chamber Organ),
Mark Caudle (Bass Viola da gamba),
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: 1713-1717; Paris, France |
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| 20. |
Occasional Oratorio, HWV 62: Thou shalt bring them in by George Frideric Handel | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: London, England |
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Notes: Composition written: London, England (1739). Composition revised: London, England (1756). |
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| 21. |
Gott soll allein mein Herze haben, BWV 169: no 4, Stirb in mir by Johann Sebastian Bach | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Written: 1726; Leipzig, Germany |
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