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| Zarzuela! - Spanish Operetta / Carreras, Berganza, Et Al | |||||
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Release Date: 10/26/2004 Label: Brilliant Classics Catalog #: 92380 Spars Code: ADD Composer: Various Artists, Amadeo Vives, Reveriano Soutullo, Jacinto Guerrero, Pablo Luna y Carné, Jesus Guridi, Federico Chueca, Federico Moreno-Torroba, Simeon José Serrano, Tomás Bretón, Jerónimo Giménez, Francisco Barbieri, Ruperto Chapi Performer: José Carreras, Teresa Berganza Conductor: Antoni Ros Marbà, Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra
Number of Discs: 3 |
CD
$16.49
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| Notes & Reviews | Back to Top | ||||
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Zarzuela, that vaguely undefinable type of musical theater particular to Spain, is an amalgam of opera, operetta, and what we know as musical comedy. Some songs can be sung by actors who sing, but most need singers who can act. In any case, many are rhythmically and melodically interesting, and when sung by healthy operatic voices with an understanding of the essential Spanish flavor and style, they're as handsome and varied as anything in Italian opera. Here are re-releases of some albums recorded in the mid-'70s by two great Spanish singers: José Carreras and Teresa Berganza. Berganza's mezzo is lightish and agile, with a Mediterranean warmth and a nice, full lower register. She can sound innocent or suggestively coy and sophisticated. In 1975 Carreras' tenor was at its peak--the most beautiful sound ever heard, burnished, with a dark hue and a gleaming top, every note produced evenly. Fans of the tenor should leap to hear this despite the fact that Carreras rarely colors his tone to suit the individual character or situation, and his volume level tends to remain the same throughout. It is a tribute to the beauty of his tone, his impeccable diction, smooth-as-silk legato, and what at first hearing seems to be an involvement in the text, that his CD (he gets one disc, she gets two) never bores or tires the ear. The "passionate" songs come off best, due to the tenor's natural ardency, but he does manage some nice energy in "Jota" from La Bruja by Ruperto Chapi, and he's almost playful in Serrano's "Cancion guajira", with its repeated "la la las" and well-placed grace notes. And Berganza is just sensational: the famous "Cancion Espanola" from El nino judio by Pablo Luna is gorgeously sung, with just the right elegant turns and decorations, and the love songs are all understated and caressed with a wide dynamic range. Each CD contains a few orchestral interludes as well. The accompaniments are ideal (from a British ensemble!) and the sound is warm and natural. There are no texts or translations, but we do get intelligent, informative notes. This is a delightful collection, at a giveaway price. --Robert Levine, ClassicsToday.com
CD 1
CD 2
CD 3 |
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| Works on This Recording | Back to Top | ||||
| 1. |
Doña Francisquita: Por el humo se sabe by Amadeo Vives | ||||
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Performer:
José Carreras (Tenor)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1923; Spain |
Date of Recording: 10/1977 Venue: Live Kingsway Hall, London, England Length: 4 Minutes 33 Secs. Language: Spanish |
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| 2. |
El último romántico: Noche de amor by Reveriano Soutullo | ||||
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Performer:
José Carreras (Tenor)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1927; Spain |
Date of Recording: 10/1977 Venue: Live Kingsway Hall, London, England Length: 4 Minutes 15 Secs. Language: Spanish |
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| Notes: This work was written in collaboration with Juan Vert. | |||||
| 3. |
El huésped del Sevillano: Raquel... by Jacinto Guerrero | ||||
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Performer:
José Carreras (Tenor)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1926; Spain |
Date of Recording: 10/1977 Venue: Live Kingsway Hall, London, England Length: 3 Minutes 28 Secs. Language: Spanish |
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| 4. |
La picara molinera: Paxarin, tú que vuelas by Pablo Luna y Carné | ||||
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Performer:
José Carreras (Tenor)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: by 1928; Spain |
Date of Recording: 10/1977 Venue: Live Kingsway Hall, London, England Length: 4 Minutes 48 Secs. Language: Spanish |
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| 5. |
El caserío: Romanza by Jesus Guridi | ||||
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Performer:
José Carreras (Tenor)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1926; Spain |
Date of Recording: 10/1977 Venue: Live Kingsway Hall, London, England Length: 5 Minutes 10 Secs. Language: Spanish |
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| 6. |
La Gran Vía: Tango de la Ermenegilda by Federico Chueca | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1886; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 3 Minutes 37 Secs. Language: Spanish |
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| 7. |
La Gran Via: Schotis del Eliseo madrileño by Federico Chueca | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1886; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 3 Minutes 37 Secs. Language: Spanish |
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| 8. |
Agua, azucarillos y aguardiente: Prelude by Federico Chueca | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: by 1897; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 2 Minutes 35 Secs. |
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| 9. |
Luisa Fernanda: De este apacible rincón by Federico Moreno-Torroba | ||||
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Performer:
José Carreras (Tenor)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1932; Spain |
Date of Recording: 10/1977 Venue: Live Kingsway Hall, London, England Length: 3 Minutes 42 Secs. Language: Spanish |
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| 10. |
Alma de Dios: Canción húngara by Simeon José Serrano | ||||
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Performer:
José Carreras (Tenor)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: by 1907; Spain |
Date of Recording: 10/1977 Venue: Live Kingsway Hall, London, England Length: 4 Minutes 58 Secs. Language: Spanish |
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| 11. |
La alegría del batallón: Cancion y guajiras by Simeon José Serrano | ||||
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Performer:
José Carreras (Tenor)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1907; Spain |
Date of Recording: 10/1977 Venue: Live Kingsway Hall, London, England Length: 2 Minutes 24 Secs. Language: Spanish |
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| 12. |
Los de Aragón: Cuantas veces solo by Simeon José Serrano | ||||
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Performer:
José Carreras (Tenor)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: by 1927; Spain |
Date of Recording: 10/1977 Venue: Live Kingsway Hall, London, England Length: 4 Minutes 52 Secs. Language: Spanish |
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| 13. |
La Verbena de la Paloma: Introduction by Tomás Bretón | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1894; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 4 Minutes 0 Secs. |
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| 14. |
El baile de Luis Alonso: Intermedio by Jerónimo Giménez | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1896; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 3 Minutes 20 Secs. |
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| 15. |
La alegría de la huerta: Prelude by Federico Chueca | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1900; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 4 Minutes 53 Secs. |
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| 16. |
El niño judío: Canción española by Pablo Luna y Carné | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1918; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 5 Minutes 37 Secs. Language: Spanish |
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| 17. |
Soleares: Intermedio by Jerónimo Giménez | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1919; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 3 Minutes 35 Secs. |
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| 18. |
La tempránica: Romanza by Jerónimo Giménez | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1900; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 6 Minutes 3 Secs. Language: Spanish |
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| 19. |
La tempránica: Zapateado "La tarántula é un bicho mú malo" by Jerónimo Giménez | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: Romantic |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 1 Minutes 40 Secs. Language: Spanish |
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| 20. |
Los borrachos: Prelude by Jerónimo Giménez | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: by 1899; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 5 Minutes 45 Secs. |
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| 21. |
La leyenda del beso: Intermezzo by Reveriano Soutullo | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1924; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 3 Minutes 43 Secs. |
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| 22. |
El baile de Luis Alonso: Polka by Jerónimo Giménez | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1896; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 2 Minutes 23 Secs. |
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| 23. |
El niño judío: Arabian Dance by Pablo Luna y Carné | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1918; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 2 Minutes 2 Secs. |
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| 24. |
Doña Francisquita: Fandango by Amadeo Vives | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1923; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 2 Minutes 27 Secs. |
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| 25. |
Alma de Dios: Overture by Simeon José Serrano | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: by 1907; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 1 Minutes 15 Secs. |
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| 26. |
Alma de Dios: Escena y Farruca by Simeon José Serrano | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: by 1907; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 4 Minutes 25 Secs. |
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| 27. |
El barberillo de Lavapiés: Canción de la paloma by Francisco Barbieri | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1874; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 2 Minutes 25 Secs. Language: Spanish |
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| 28. |
La reina mora: Coplas by Simeon José Serrano | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1903; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 5 Minutes 45 Secs. |
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| 29. |
El último romántico: Romanza de Encarnación by Reveriano Soutullo | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1927; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 3 Minutes 35 Secs. Language: Spanish |
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| 30. |
La alegría del batallón: Escena by Simeon José Serrano | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1907; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 4 Minutes 55 Secs. |
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| 31. |
La alegría del batallón: A una gitana preciosa by Simeon José Serrano | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1907; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 1 Minutes 40 Secs. Language: Spanish |
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| 32. |
El año pasado por agua: Oiga usté, caballero "Habanera" by Federico Chueca | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 3 Minutes 7 Secs. Language: Spanish |
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| Notes: Composition written: Spain (1888 - 1889). | |||||
| 33. |
La boda de Luis Alonso: Canción gitana by Jerónimo Giménez | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1897; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 2 Minutes 47 Secs. Language: Spanish |
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| 34. |
Los de Aragón: Romanza de Pilar by Simeon José Serrano | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: by 1927; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 4 Minutes 5 Secs. Language: Spanish |
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| 35. |
Enseñanza libre: Gavotte by Jerónimo Giménez | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1901; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 3 Minutes 57 Secs. |
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| 36. |
El bateo: Prelude by Federico Chueca | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: by 1901; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 3 Minutes 2 Secs. |
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| 37. |
Benamor: Fire Dance by Pablo Luna y Carné | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: by 1923; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 6 Minutes 27 Secs. |
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| 38. |
La Bruja: No extrañes, no, que se escapen "Jota" by Ruperto Chapi | ||||
|
Performer:
José Carreras (Tenor)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1887; Madrid, Spain |
Date of Recording: 10/1977 Venue: Live Kingsway Hall, London, England Length: 4 Minutes 20 Secs. Language: Spanish |
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| 39. |
Las bravías: Schotis by Ruperto Chapi | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1896; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 1 Minutes 55 Secs. |
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| 40. |
El barquillero: Romanza de Socorro by Ruperto Chapi | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: by 1900; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 5 Minutes 30 Secs. Language: Spanish |
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| 41. |
La chavala: Cancion de la gitana by Ruperto Chapi | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: by 1898; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 5 Minutes 22 Secs. Language: Spanish |
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| 42. |
Las hijas del Zebedeo: Carceleras by Ruperto Chapi | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1889; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 4 Minutes 38 Secs. Language: Spanish |
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| 43. |
La patria chica: Canción de Pastora by Ruperto Chapi | ||||
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Performer:
Teresa Berganza (Mezzo Soprano)
Conductor: Enrique Garcia-Asensio Orchestra/Ensemble: English Chamber Orchestra Period: 20th Century Written: 1907; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 1 Minutes 25 Secs. Language: Spanish |
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| 44. |
La revoltosa: Eso le pasa a las hembras "Guajira" by Ruperto Chapi | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1897; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 3 Minutes 35 Secs. |
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| 45. |
La revoltosa: Overture by Ruperto Chapi | ||||
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Conductor:
Enrique Garcia-Asensio
Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1897; Spain |
Date of Recording: 1975 Venue: EMI Abbey Road Studios, London Length: 5 Minutes 8 Secs. |
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