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| Notes & Reviews | Back to Top | ||||
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BEST CLASSICS 100 offers an impressive assortment of well-known and beloved classical compositions grouped thematically across a six-disc set. The "Uplifting Classics" section promises excitement through a lineup that includes Beethoven's "Ode to Joy," Tchaikovsky's "1812" Overture, and Bach's Toccata in D Minor, among others. Elsewhere, "Relaxing Classics" presents serenely sublime works, notably Pachelbel's Canon in D Major, Albinoni's Adagio in G Minor, and the Andante movement of Mozart's "Elvira Madigan" Piano Concerto. "Spiritual Classics" features masterpieces of faith and devotion, including Handel's "Hallelujah" Chorus and Franck's "Panis Angelicus," while Mascagni's Intermezzo from 'Cavalleria rusticana,' the "Fantasy" Overture from Tchaikovsky's 'Romeo and Juliet,' and Borodin's "Polovtsian Dances," along with many other crowd-pleasers, fall under the rubric of "Favourite Classics." The "Vocal Classics" segment overflows with beautiful arias, songs, and choruses magnificently sung by the likes of José Carreras, Maria Callas, Roberto Alagna, and Dame Janet Baker. It's no surprise that the performances are all of the highest quality imaginable, culled as they were from the vast EMI vaults. BEST CLASSICS 100 is a first-rate sampler loaded with well-chosen musical treasures. |
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| Works on This Recording | Back to Top | ||||
| 1. |
Solomon, HWV 67: Arrival of the Queen of Sheba by George Frideric Handel | ||||
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Conductor:
Sir Neville Marriner
Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Baroque Written: by 1749; London, England |
Length: 2 Minutes 47 Secs. |
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| 2. |
Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera": Allegro by Antonio Vivaldi | ||||
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Performer:
Yehudi Menuhin (Violin)
Conductor: Alberto Lysy Orchestra/Ensemble: Camerata Lysy Period: Baroque Written: 1725; Venice, Italy |
Length: 3 Minutes 39 Secs. |
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| 3. |
Toccata and Fugue in D minor, BWV 565: Toccata by Johann Sebastian Bach | ||||
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Performer:
Piano] Wayne [Organ Marshall (Organ)
Period: Baroque Written: by 1708; Arnstadt, Germany |
Length: 3 Minutes 20 Secs. |
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| 4. |
Concerto for Horn no 4 in E flat major, K 495: 3rd movement, Rondo by Wolfgang Amadeus Mozart | ||||
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Performer:
Barry Tuckwell (French Horn)
Conductor: Sir Neville Marriner Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Classical Written: 1786; Vienna, Austria |
Length: 3 Minutes 34 Secs. |
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| 5. |
Symphony no 5 in C minor, Op. 67: 1st movement, Allegro con brio by Ludwig van Beethoven | ||||
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Conductor:
Kurt Sanderling
Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1807-1808; Vienna, Austria |
Length: 6 Minutes 32 Secs. |
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| 6. |
1812 Overture, Op. 49: Finale by Peter Ilyich Tchaikovsky | ||||
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Conductor:
Mariss Jansons
Orchestra/Ensemble: Oslo Philharmonic Orchestra Period: Romantic Written: 1880; Russia |
Length: 3 Minutes 31 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 7. |
Symphony no 9 in D minor, Op. 125 "Choral": 4th movement, Finale - Ode by Ludwig van Beethoven | ||||
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Performer:
James Morris (Bass)
Conductor: Riccardo Muti Orchestra/Ensemble: Philadelphia Orchestra, Westminster Choir Period: Classical Written: 1822-1824; Vienna, Austria |
Length: 3 Minutes 19 Secs. |
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| 8. |
Concerto for Piano in A minor, Op. 16: 1st movement, Allegro molto moderato by Edvard Grieg | ||||
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Performer:
Cécile Ousset (Piano)
Conductor: Sir Neville Marriner Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1868/1907; Norway |
Length: 4 Minutes 24 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 9. |
Karelia Suite, Op. 11: no 3, Alla marcia by Jean Sibelius | ||||
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Conductor:
Sir John Barbirolli
Orchestra/Ensemble: Hallé Orchestra Period: Romantic Written: 1893; Finland |
Length: 4 Minutes 38 Secs. |
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| 10. |
The Planets, Op. 32/H 125: Jupiter by Gustav Holst | ||||
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Conductor:
Simon Rattle
Orchestra/Ensemble: Philharmonia Orchestra Period: 20th Century Written: 1914-1916; England |
Length: 4 Minutes 46 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 11. |
Concerto for Piano no 1 in B flat minor, Op. 23: 1st movement, Allegro non troppo by Peter Ilyich Tchaikovsky | ||||
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Performer:
Horacio Gutierrez (Piano)
Conductor: André Previn Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1874-1875; Russia |
Length: 3 Minutes 21 Secs. |
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| 12. |
Finlandia, Op. 26 by Jean Sibelius | ||||
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Conductor:
Sir John Barbirolli
Orchestra/Ensemble: Hallé Orchestra Period: Romantic Written: Finland |
Length: 8 Minutes 25 Secs. |
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| Notes: Composition written: Finland (1899 - 1900). | |||||
| 13. |
Aida: Gloria all' Egitto by Giuseppe Verdi | ||||
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Conductor:
Riccardo Muti
Orchestra/Ensemble: Royal Opera House Covent Garden Chorus, New Philharmonia Orchestra Period: Romantic Written: 1871; Italy |
Length: 4 Minutes 33 Secs. Language: Italian |
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| 14. |
Romeo and Juliet Suite no 2, Op. 64b: Montagues and Capulets by Sergei Prokofiev | ||||
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Conductor:
Riccardo Muti
Orchestra/Ensemble: Philadelphia Orchestra Period: 20th Century Written: 1936; Paris, France |
Length: 1 Minutes 49 Secs. |
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| 15. |
Radetzky March, Op. 228 by Johann Strauss Sr. | ||||
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Conductor:
Willi Boskovsky
Orchestra/Ensemble: Johann Strauss Orchestra Vienna Period: Romantic Written: 1848; Vienna, Austria |
Length: 2 Minutes 51 Secs. |
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| 16. |
Pomp and Circumstance Marches (5), Op. 39: no 1 in D major by Sir Edward Elgar | ||||
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Conductor:
Sir Andrew Davis
Orchestra/Ensemble: London Philharmonic Orchestra, Royal Choral Society Period: Romantic Written: 1901; England |
Length: 2 Minutes 34 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 17. |
Concerto for Piano no 3 in D minor, Op. 30: 1st movement, Allegro ma non tanto by Sergei Rachmaninov | ||||
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Performer:
Mikhail Rudy (Piano)
Conductor: Mariss Jansons Orchestra/Ensemble: St. Petersburg Philharmonic Orchestra Period: Romantic Written: 1909; Russia |
Length: 2 Minutes 50 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 18. |
Symphony no 3 in C minor, Op. 78 "Organ": Maestoso/Allegro "Finale" by Camille Saint-Saëns | ||||
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Performer:
Matthias Eisenberg (Organ)
Conductor: Michel Plasson Orchestra/Ensemble: Toulouse Capitole Orchestra Period: Romantic Written: 1886; France |
Length: 8 Minutes 8 Secs. |
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| 19. |
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach | ||||
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Conductor:
Sir Neville Marriner
Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Baroque Written: circa 1729-1731; Leipzig, Germany |
Length: 3 Minutes 32 Secs. |
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| 20. |
Orfeo ed Euridice: Dance of the Blessed Spirits by Christoph W. Gluck | ||||
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Conductor:
Riccardo Muti
Orchestra/Ensemble: New Philharmonia Orchestra Period: Classical Written: 1762/1774; Vienna, Austria |
Length: 2 Minutes 12 Secs. |
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| 21. |
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon by Johann Pachelbel | ||||
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Conductor:
Sir Neville Marriner
Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Baroque Written: Germany |
Length: 4 Minutes 59 Secs. |
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| 22. |
Concerto for Clarinet in A major, K 622: 2nd movement, Adagio by Wolfgang Amadeus Mozart | ||||
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Performer:
Sabine Meyer (Basset Clarinet)
Conductor: Hans Vonk Orchestra/Ensemble: Dresden Staatskapelle Period: Classical Written: 1791; Vienna, Austria |
Length: 6 Minutes 35 Secs. |
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| 23. |
Goldberg Variations, BWV 988: Theme "Aria" by Johann Sebastian Bach | ||||
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Performer:
Julia Thornton (Harp)
Period: Baroque Written: Nuremberg, Germany |
Length: 2 Minutes 7 Secs. |
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| Notes: Arranger: Craig Leon. | |||||
| 24. |
Adagio for Organ and Strings in G minor by Tomaso Albinoni | ||||
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Conductor:
Sir Neville Marriner
Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Baroque Written: Venice, Italy |
Length: 5 Minutes 49 Secs. |
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Notes: This selection is presented in excerpted form. Arranger: Remo Giazotto. This work was reconstructed by Remo Giazotto in 1945 from a fragment by Albinoni. |
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| 25. |
Sonata for Piano no 14 in C sharp minor, Op. 27 no 2 "Moonlight": 1st movement, Adagio sostenuto by Ludwig van Beethoven | ||||
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Performer:
Moura Lympany (Piano)
Period: Classical Written: 1801; Vienna, Austria |
Length: 3 Minutes 55 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 26. |
Concerto for Flute and Harp in C major, K 299 (297c): 2nd movement, Andantino by Wolfgang Amadeus Mozart | ||||
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Performer:
James Galway (Flute),
Fritz Helmis (Harp)
Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: 1778; Paris, France |
Length: 3 Minutes 58 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 27. |
Concerto for Violin in E minor, Op. 64: 2nd movement, Andante by Felix Mendelssohn | ||||
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Performer:
Yehudi Menuhin (Violin)
Conductor: Efrem Kurtz Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1844; Germany |
Length: 4 Minutes 27 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 28. |
Concerto for Piano no 21 in C major, K 467: 2nd movement, Andante by Wolfgang Amadeus Mozart | ||||
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Performer:
Stephen Hough (Piano)
Conductor: Bryden Thomson Orchestra/Ensemble: Hallé Orchestra Period: Classical Written: 1785; Vienna, Austria |
Length: 6 Minutes 45 Secs. |
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| 29. |
Symphony no 9 in E minor, Op. 95/B 178 "From the New World": 2nd movement, Largo by Antonín Dvorák | ||||
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Conductor:
Mariss Jansons
Orchestra/Ensemble: Oslo Philharmonic Orchestra Period: Romantic Written: 1893; USA |
Length: 4 Minutes 43 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 30. |
Concerto for Violin no 1 in G minor, Op. 26: 2nd movement, Adagio by Max Bruch | ||||
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Performer:
Yehudi Menuhin (Violin)
Conductor: Walter Susskind Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1868; Germany |
Length: 4 Minutes 21 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 31. |
Variations on an Original Theme, Op. 36 "Enigma": Variation 9, Nimrod by Sir Edward Elgar | ||||
|
Conductor:
Sir Adrian Boult
Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1898-1899; England |
Length: 3 Minutes 55 Secs. |
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| 32. |
Concierto de Aranjuez for Guitar: 2nd movement, Adagio by Joaquin Rodrigo | ||||
|
Performer:
Julian Bream (Guitar)
Conductor: Simon Rattle Orchestra/Ensemble: City of Birmingham Symphony Orchestra Period: 20th Century Written: 1939; Spain |
Length: 4 Minutes 44 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 33. |
The lark ascending by Ralph Vaughan Williams | ||||
|
Performer:
Nigel Kennedy (Violin)
Conductor: Simon Rattle Orchestra/Ensemble: City of Birmingham Symphony Orchestra Period: 20th Century Written: 1914/1920; England |
Length: 6 Minutes 51 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 34. |
Symphony no 5 in C sharp minor: 4th movement, Adagietto by Gustav Mahler | ||||
|
Conductor:
Sir John Barbirolli
Orchestra/Ensemble: New Philharmonia Orchestra Period: Romantic Written: 1901-1902; Vienna, Austria |
Length: 3 Minutes 5 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 35. |
Rhapsody on a theme of Paganini, Op. 43: Variation 18 by Sergei Rachmaninov | ||||
|
Performer:
Cécile Ousset (Piano)
Conductor: Simon Rattle Orchestra/Ensemble: City of Birmingham Symphony Orchestra Period: Romantic Written: 1934; USA |
Length: 2 Minutes 57 Secs. |
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| 36. |
Les pęcheurs de perles: Au fond du temple saint by Georges Bizet | ||||
|
Performer:
Ernest Blanc (Baritone),
Nicolai Gedda (Tenor)
Conductor: Pierre Dervaux Orchestra/Ensemble: Paris Opéra Comique Orchestra Period: Romantic Written: 1863; France |
Length: 5 Minutes 22 Secs. Language: French |
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| 37. |
Rusalka, Op 114/B 203: O moon high up "Song to the moon" by Antonín Dvorák | ||||
|
Performer:
Lucia Popp (Soprano)
Conductor: Stefan Soltesz Orchestra/Ensemble: Munich Radio Symphony Orchestra Period: Romantic Written: 1900; Bohemia |
Length: 5 Minutes 52 Secs. Language: Czech |
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| 38. |
Lakmé: Viens, Mallikŕ...Sous le dôme épais "Flower Duet" by Léo Delibes | ||||
|
Performer:
Danielle Millet (Mezzo Soprano),
Mady Mesplé (Soprano)
Conductor: Alain Lombard Orchestra/Ensemble: Paris Opéra Comique Orchestra Period: Romantic Written: 1883; France |
Length: 3 Minutes 27 Secs. Language: French |
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| 39. |
Carmen: La fleur que tu m'avais jetée "Flower song" by Georges Bizet | ||||
|
Performer:
Nicolai Gedda (Tenor)
Conductor: Georges Prętre Orchestra/Ensemble: Paris Opéra Comique Orchestra Period: Romantic Written: 1873-1874; France |
Length: 3 Minutes 48 Secs. Language: French |
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| Notes: Composition written: France (1873 - 1874). | |||||
| 40. |
Orfeo ed Euridice: Che farň senza Euridice? by Christoph W. Gluck | ||||
|
Performer:
Agnes Baltsa (Mezzo Soprano)
Conductor: Riccardo Muti Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1762/1774; Vienna, Austria |
Length: 5 Minutes 26 Secs. Language: Italian |
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| 41. |
Norma: Casta diva by Vincenzo Bellini | ||||
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Performer:
Maria Callas (Soprano)
Conductor: Tullio Serafin Orchestra/Ensemble: Milan Teatro alla Scala Orchestra, Milan Teatro alla Scala Chorus Period: Romantic Written: 1831; Italy |
Length: 5 Minutes 33 Secs. Language: Italian |
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| 42. |
La Bohčme: Che gelida manina by Giacomo Puccini | ||||
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Performer:
Roberto Alagna (Tenor)
Conductor: Richard Armstrong Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1896; Italy |
Length: 4 Minutes 50 Secs. Language: Italian |
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| 43. |
Gianni Schicchi: O mio babbino caro by Giacomo Puccini | ||||
|
Performer:
Angela Gheorghiu (Soprano)
Conductor: Antonio Pappano Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1918; Italy |
Length: 2 Minutes 4 Secs. Language: Italian |
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| 44. |
Chants d'Auvergne: Volume 1 - no 2, Baďlčro by Joseph Canteloube | ||||
|
Performer:
Victoria de los Angeles (Soprano)
Conductor: Jean-Pierre Jacquillat Orchestra/Ensemble: Lamoureux Concerts Association Orchestra Period: 20th Century Written: 1923-1930; France |
Length: 4 Minutes 49 Secs. Language: French |
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| 45. |
Madama Butterfly: Vogliatemi bene...O quanti occhi fisi by Giacomo Puccini | ||||
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Performer:
Renata Scotto (Soprano),
Carlo Bergonzi (Tenor)
Conductor: Sir John Barbirolli Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1904; Italy |
Length: 7 Minutes 53 Secs. Language: Italian |
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| 46. |
Nabucco: Va, pensiero by Giuseppe Verdi | ||||
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Conductor:
Bernard Haitink
Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra, Royal Opera House Covent Garden Chorus Period: Romantic Written: 1842; Italy |
Length: 5 Minutes 26 Secs. Language: Italian |
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| 47. |
Die lustige Witwe: Es lebt eine Vilja...Vilja, o Vilja by Franz Lehár | ||||
|
Performer:
Elisabeth Schwarzkopf (Soprano)
Conductor: Lovro von Matacic Orchestra/Ensemble: Philharmonia Orchestra, Philharmonia Chorus Period: Romantic Written: 1905; Vienna, Austria |
Length: 4 Minutes 52 Secs. Language: German |
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| 48. |
Serse, HWV 40: Ombra mai fu "Largo" by George Frideric Handel | ||||
|
Performer:
Richard Lewis (Tenor)
Conductor: Sir John Barbirolli Orchestra/Ensemble: Hallé Orchestra Period: Baroque Written: 1738; London, England |
Length: 3 Minutes 15 Secs. Language: Italian |
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| Notes: Arranger: Hoffman. | |||||
| 49. |
Ellens Gesang III, D 839/Op. 52 no 6 "Ave Maria" by Franz Schubert | ||||
|
Performer:
Gerald Moore (Piano),
Dame Janet Baker (Soprano)
Period: Romantic Written: 1825; Vienna, Austria |
Length: 6 Minutes 41 Secs. |
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| Notes: This selection is sung in German and Latin. | |||||
| 50. |
Minuit, Chrétiens "O holy night" by Adolphe-Charles Adam | ||||
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Performer:
Roberto Alagna (Tenor)
Conductor: Michel Plasson Orchestra/Ensemble: Toulouse Capitole Orchestra, Toulouse Capitole Chorus, Petits Chanteurs ŕ la Croix Potencée Period: Romantic Written: France |
Length: 4 Minutes 57 Secs. Language: French |
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| Notes: Arranger: Alain Kremski. | |||||
| 51. |
Turandot: Nessun dorma! by Giacomo Puccini | ||||
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Performer:
José Carreras (Tenor)
Conductor: Alain Lombard Orchestra/Ensemble: Strasbourg Philharmonic Orchestra, Rhine Opera Chorus Period: Romantic Written: 1926; Italy |
Length: 4 Minutes 10 Secs. Language: Italian |
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| 52. |
Le nozze di Figaro, K 492: Overture by Wolfgang Amadeus Mozart | ||||
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Conductor:
Sir Colin Davis
Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Classical Written: 1786; Vienna, Austria |
Length: 4 Minutes 18 Secs. |
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| 53. |
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach | ||||
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Performer:
Celia Nicklin (Oboe)
Conductor: Sir Neville Marriner Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Baroque Written: 1723; Leipzig, Germany |
Length: 5 Minutes 12 Secs. |
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| Notes: Arranger: Sir Neville Marriner. | |||||
| 54. |
Concerto for Piano no 5 in E flat major, Op. 73 "Emperor": 1st movement, Allegro by Ludwig van Beethoven | ||||
|
Performer:
Emil Gilels (Piano)
Conductor: George Szell Orchestra/Ensemble: The Cleveland Symphony Orchestra Period: Classical Written: 1809; Vienna, Austria |
Length: 6 Minutes 39 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 55. |
Suite in D major: Prince of Denmark's March "Trumpet Voluntary" by Jeremiah Clarke | ||||
|
Performer:
Jane Parker-Smith (Organ),
Maurice André (Trumpet)
Period: Baroque Written: by 1700; England |
Length: 2 Minutes 52 Secs. |
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| Notes: Arranger: Jean-Michel Defaye. | |||||
| 56. |
Mors et vita: Judex by Charles Gounod | ||||
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Conductor:
Maurice Handford
Orchestra/Ensemble: Hallé Orchestra Period: Romantic Written: ?1885; France |
Length: 4 Minutes 39 Secs. |
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| 57. |
Suite for Harpsichord in D minor, HWV 437: no 4, Sarabande with Variations by George Frideric Handel | ||||
|
Conductor:
Alex Briger
Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Baroque Written: by 1733; London, England |
Length: 3 Minutes 24 Secs. |
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| Notes: Arranger: Simon Hale. | |||||
| 58. |
Nutcracker, Op. 71: no 13, Act 2 - Waltz of the Flowers by Peter Ilyich Tchaikovsky | ||||
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Conductor:
André Previn
Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Romantic Written: 1891-1892; Russia |
Length: 6 Minutes 50 Secs. |
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| 59. |
Lieutenant Kijé Suite, Op. 60: Troika by Sergei Prokofiev | ||||
|
Conductor:
Klaus Tennstedt
Orchestra/Ensemble: London Philharmonic Orchestra Period: 20th Century Written: 1934; Paris, France |
Length: 2 Minutes 51 Secs. |
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| 60. |
Fantasia on Greensleeves by Ralph Vaughan Williams | ||||
|
Conductor:
Sir John Barbirolli
Orchestra/Ensemble: Sinfonia of London Period: 20th Century Written: 1934; England |
Length: 4 Minutes 37 Secs. |
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| Notes: Arranger: Ralph Greaves. | |||||
| 61. |
Suite bergamasque: 3rd movement, Clair de Lune by Claude Debussy | ||||
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Performer:
Moura Lympany (Piano)
Period: 20th Century Written: 1890/1905; France |
Length: 4 Minutes 55 Secs. |
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| 62. |
Swan Lake, Op. 20: no 10, Act 2 - Scčne, Allegro moderato by Peter Ilyich Tchaikovsky | ||||
|
Conductor:
André Previn
Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1875-1876; Russia |
Length: 2 Minutes 47 Secs. |
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| 63. |
The Deer Hunter: Cavatina by Stanley Myers | ||||
|
Performer:
Steve Morse (Guitar),
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1979 |
Length: 3 Minutes 14 Secs. |
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| 64. |
Concerto for Piano no 1 in E minor, B 53/Op. 11: 2nd movement, Romanze by Frédéric Chopin | ||||
|
Performer:
Garrick Ohlsson (Piano)
Conductor: Jerzy Maksymiuk Orchestra/Ensemble: Polish National Symphony Orchestra Period: Romantic Written: 1830; Poland |
Length: 4 Minutes 3 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 65. |
Titanic: My heart will go on by James Horner | ||||
|
Conductor:
David Abel
Orchestra/Ensemble: Orchestra |
Length: 4 Minutes 19 Secs. |
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| 66. |
Time to say goodbye by Lucio Quarantotto | ||||
|
Conductor:
David Abel
Orchestra/Ensemble: Orchestra Period: 20th Century Written: 1998 |
Length: 3 Minutes 57 Secs. |
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| 67. |
An der schönen, blauen Donau, Op. 314 by Johann Strauss Jr. | ||||
|
Conductor:
Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1867; Vienna, Austria |
Length: 3 Minutes 45 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 68. |
Cavalleria Rusticana: Intermezzo by Pietro Mascagni | ||||
|
Conductor:
Riccardo Muti
Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1890; Italy |
Length: 3 Minutes 41 Secs. |
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|
Notes: Composition written: Italy (1888). Composition revised: Italy (1889). |
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| 69. |
Concerto for Piano no 2 in C minor, Op. 18: 2nd movement, Adagio sostenuto by Sergei Rachmaninov | ||||
|
Performer:
Cécile Ousset (Piano)
Conductor: Simon Rattle Orchestra/Ensemble: City of Birmingham Symphony Orchestra Period: Romantic Written: 1900-1901; Russia |
Length: 4 Minutes 28 Secs. |
||||
| Notes: This selection is presented in excerpted form. | |||||
| 70. |
Peer Gynt, Op. 23: no 13, Act 4 Prelude - Morning by Edvard Grieg | ||||
|
Conductor:
Sir Neville Marriner
Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Romantic Written: 1875/1892; Norway |
Length: 4 Minutes 14 Secs. |
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| 71. |
Gadfly, Op. 97: Romance by Dmitri Shostakovich | ||||
|
Performer:
Piers Lane (Piano),
Tasmin Little (Violin)
Period: 20th Century Written: 1955; USSR |
Length: 3 Minutes 12 Secs. |
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| 72. |
Adagio for Strings, Op. 11 by Samuel Barber | ||||
|
Performer:
Eugene Ormandy ()
Orchestra/Ensemble: Philadelphia Orchestra Period: 20th Century Written: 1936; Rome, Italy |
Length: 6 Minutes 20 Secs. |
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| 73. |
Scheherazade, Op. 35: 2nd movement, The Kalender Prince by Nikolai Rimsky-Korsakov | ||||
|
Conductor:
Riccardo Muti
Orchestra/Ensemble: Philadelphia Orchestra Period: Romantic Written: 1888; Russia |
Length: 3 Minutes 50 Secs. |
||||
| Notes: This selection is presented in excerpted form. | |||||
| 74. |
Thaďs: Meditation by Jules Massenet | ||||
|
Performer:
Anne-Sophie Mutter (Violin)
Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1894; France |
Length: 6 Minutes 44 Secs. |
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| 75. |
Spartacus Suite no 2: Adagio of Spartacus and Phrygia by Aram Khachaturian | ||||
|
Conductor:
Yuri Temirkanov
Orchestra/Ensemble: Royal Philharmonic Orchestra Period: 20th Century Written: 1955-1957; USSR |
Length: 4 Minutes 43 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 76. |
Romeo and Juliet Overture by Peter Ilyich Tchaikovsky | ||||
|
Conductor:
Mariss Jansons
Orchestra/Ensemble: Oslo Philharmonic Orchestra Period: Romantic Written: 1869/1880; Russia |
Length: 5 Minutes 1 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 77. |
Symphony no 7 in A major, Op. 92: 2nd movement, Allegretto by Ludwig van Beethoven | ||||
|
Conductor:
Kurt Sanderling
Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1811-1812; Vienna, Austria |
Length: 3 Minutes 54 Secs. |
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| Notes: This selection is presented in excerpted form. | |||||
| 78. |
Concerto for 2 Violins in D minor, BWV 1043: 2nd movement, Largo ma non tanto by Johann Sebastian Bach | ||||
|
Performer:
Christian Ferras (Violin),
Yehudi Menuhin (Violin)
Conductor: Yehudi Menuhin Orchestra/Ensemble: Bath Festival Orchestra Period: Baroque Written: 1717-1723; Cöthen, Germany |
Length: 7 Minutes 41 Secs. |
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| 79. |
Schindler's List: Main Theme by John T. Williams | ||||
|
Performer:
Tasmin Little (Violin)
Conductor: Iain Sutherland Orchestra/Ensemble: New World Philharmonic Period: 20th Century Written: 1993; USA |
Length: 5 Minutes 2 Secs. |
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| 80. |
Nutcracker, Op. 71: no 12e, Act 2 - Dance of the Flutes "Toy Trumpets" by Peter Ilyich Tchaikovsky | ||||
|
Conductor:
André Previn
Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1891-1892; Russia |
Length: 2 Minutes 17 Secs. |
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| 81. |
Symphony no 6 in F major, Op. 68 "Pastoral": 5th movement, Allegretto by Ludwig van Beethoven | ||||
|
Conductor:
Riccardo Muti
Orchestra/Ensemble: Philadelphia Orchestra Period: Classical Written: 1808; Vienna, Austria |
Length: 6 Minutes 41 Secs. |
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| 82. |
Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel | ||||
|
Conductor:
Sir Andrew Davis
Orchestra/Ensemble: London Philharmonic Orchestra, Royal Choral Society Period: Baroque Written: 1727; London, England |
Length: 6 Minutes 1 Secs. Language: English |
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| 83. |
Miserere mei Deus by Gregorio Allegri | ||||
|
Performer:
Timothy Beasley-Murray (Treble),
Gerald Finley (Cantor)
Conductor: Stephen Cleobury Orchestra/Ensemble: Cambridge King's College Choir Period: Renaissance Written: by 1603; Italy |
Length: 5 Minutes 45 Secs. Language: Latin |
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| 84. |
German Mass in F major, D 872: Sanctus by Franz Schubert | ||||
|
Performer:
Wolfgang Meyer (Organ)
Conductor: Karl Foster Orchestra/Ensemble: St. Hedwig's Cathedral Choir, Berlin Symphony Orchestra Period: Romantic Written: 1827; Vienna, Austria |
Length: 3 Minutes 44 Secs. Language: German |
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| 85. |
Panis angelicus by César Franck | ||||
|
Conductor:
Maurice Handford
Orchestra/Ensemble: Hallé Orchestra, Hallé Orchestra Chorus Period: Romantic Written: 1872; France |
Length: 4 Minutes 54 Secs. Language: Latin |
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| Notes: Arranger: Gustave Sandré. | |||||
| 86. |
L'enfance du Christ, Op. 25: L'adieu des bergers by Hector Berlioz | ||||
|
Conductor:
André Cluytens
Orchestra/Ensemble: René Duclos Chorus, Orchestre de la Société du Conservatoire Paris Period: Romantic Written: 1850-1854; France |
Length: 3 Minutes 47 Secs. Language: French |
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| 87. |
Messe solennelle de Sainte Cécile: Sanctus by Charles Gounod | ||||
|
Performer:
Henriette Puig-Roget (Organ),
Heinz Hoppe (Tenor)
Conductor: Jean-Claude Hartemann Orchestra/Ensemble: René Duclos Chorus, Orchestre de la Société du Conservatoire Paris Period: Romantic Written: 1855; France |
Length: 5 Minutes 16 Secs. Language: French |
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| 88. |
Requiem, Op. 48: In paradisum by Gabriel Fauré | ||||
|
Performer:
José Luis Garcia (Violin),
Peter Barley (Organ)
Conductor: Stephen Cleobury Orchestra/Ensemble: English Chamber Orchestra, Cambridge King's College Choir Period: Romantic Written: 1887-1890; France |
Length: 3 Minutes 26 Secs. Language: Latin |
||||
| Notes: Composition written: France (1877 - 1890). | |||||
| 89. |
Vesperae solennes de confessore, K 339: Laudate Dominum by Wolfgang Amadeus Mozart | ||||
|
Performer:
Edda Moser (Soprano)
Conductor: Eugen Jochum Orchestra/Ensemble: Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus Period: Classical Written: 1780; Salzburg, Austria |
Length: 5 Minutes 6 Secs. Language: Latin |
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| 90. |
Cantique de Jean Racine, Op. 11 by Gabriel Fauré | ||||
|
Orchestra/Ensemble:
Monks of Downside Abbey,
Choirboys of Downside Abbey
Period: Romantic Written: 1865; France |
Length: 5 Minutes 10 Secs. Language: French |
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| 91. |
Requiem Mass: Ingemisco by Giuseppe Verdi | ||||
|
Performer:
Luciano Pavarotti (Tenor)
Conductor: Riccardo Muti Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1874; Italy |
Length: 3 Minutes 39 Secs. Language: Latin |
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| 92. |
Ave verum corpus in D major, K 618 by Wolfgang Amadeus Mozart | ||||
|
Performer:
Stephen Layton (Organ)
Conductor: Stephen Cleobury Orchestra/Ensemble: Cambridge Classical Players, Cambridge King's College Choir Period: Classical Written: 1791; Austria |
Length: 3 Minutes 3 Secs. Language: Latin |
||||
| 93. |
Messiah, HWV 56: I know that my redeemer liveth by George Frideric Handel | ||||
|
Performer:
Elizabeth Harwood (Soprano)
Conductor: Sir Charles Mackerras Orchestra/Ensemble: English Chamber Orchestra Period: Baroque Written: 1742; London, England |
Length: 6 Minutes 39 Secs. Language: English |
||||
| Notes: Arranger: Basil Lam. | |||||
| 94. |
The Creation, H 21 no 2: The heavens are telling by Franz Joseph Haydn | ||||
|
Performer:
John Shirley-Quirk (Baritone),
Heather Harper (Soprano),
Robert Tear (Tenor)
Conductor: Sir David Willcocks Orchestra/Ensemble: Academy of St. Martin in the Fields, Cambridge King's College Choir Period: Classical Written: 1796-1798; Vienna, Austria |
Length: 4 Minutes 53 Secs. Language: English |
||||
| 95. |
Requiem, Op. 48: Pie Jesu by Gabriel Fauré | ||||
|
Performer:
Henriette Puig-Roget (Organ),
Victoria de los Angeles (Soprano)
Conductor: André Cluytens Orchestra/Ensemble: Orchestre de la Société du Conservatoire Paris Period: Romantic Written: 1888 rev 1893; France |
Length: 3 Minutes 17 Secs. Language: Latin |
||||
| 96. |
Requiem in D minor, K 626: Lacrymosa by Wolfgang Amadeus Mozart | ||||
|
Performer:
David Bell (Organ)
Conductor: Franz Welser-Möst Orchestra/Ensemble: London Philharmonic Orchestra, London Philharmonic Choir Period: Classical Written: 1791; Vienna, Austria |
Length: 2 Minutes 57 Secs. Language: Latin |
||||
| Notes: Arranger: Franz Beyer. | |||||
| 97. |
Messiah, HWV 56: Hallelujah! by George Frideric Handel | ||||
|
Conductor:
Sir Charles Mackerras
Orchestra/Ensemble: English Chamber Orchestra, Ambrosian Singers Period: Baroque Written: 1742; London, England |
Length: 4 Minutes 3 Secs. Language: English |
||||
| Notes: Arranger: Basil Lam. | |||||
| 98. |
Prince Igor: Polovtsian Dances by Alexander Borodin | ||||
|
Conductor:
Sir Thomas Beecham
Orchestra/Ensemble: Royal Philharmonic Orchestra, Beecham Choral Society Period: Romantic Written: 1869-1887; Russia |
Length: 3 Minutes 49 Secs. |
||||
|
Notes: This selection is presented in excerpted form. Arrangers: Nikolai Rimsky-Korsakov; Alexander Glazunov. Composition written: Russia (1869 - 1887). |
|||||
| 99. |
La scala di seta: Overture by Gioachino Rossini | ||||
|
Conductor:
Jerzy Maksymiuk
Orchestra/Ensemble: Polish Chamber Orchestra Period: Romantic Written: 1812; Italy |
Length: 5 Minutes 21 Secs. |
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| 100. |
Wachet auf, ruft uns die Stimme, BWV 140: no 4, Zion hört die Wächter singen, das Herz tut in ihr by Johann Sebastian Bach | ||||
|
Conductor:
Wolfgang Gönnenwein
Orchestra/Ensemble: South German Madrigal Choir Stuttgart, Consortium Musicum Period: Baroque Written: 1731; Leipzig, Germany |
Length: 4 Minutes 45 Secs. Language: German |
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