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100 BEST TENOR ARIAS is another release in EMI’s highly successful 100 BEST series. This 6 CD set contains a collection of 100 tenor arias from opera, oratorio and sacred classics performed by some of the world’s finest singers.
The programme covers arias from all the best-loved operas in the repertoire, from Handel’s Serse and Semele through Mozart’s Don Giovanni and Così fan tutte, Verdi’s Rigoletto and Aida, Puccini’s Tosca and Turandot to Gounod’s Faust and Roméo et Juliette, and ends with extracts from Wagner’s Ring. Also included are famous arias from oratorios and sacred works such as Handel’s Messiah, Rossini’s Stabat Mater and Petite Messe solennelle, and Verdi’s moving Requiem, as well as arias from all the most popular French operas, CD 3 includes items from the original French versions of works that are also widely known in their Italian translations, such as Rossini’s Guillaume Tell and Donizetti’s La Fille du régiment. Operetta is represented on CD 6 by two of the most popular arias by Franz Lehár: ‘Dein ist mein ganzes Herz’ (Das Land des Lächelns) and ‘Gern hab’ ich die Frau’n geküßt’ (Paganini) as well as one by Johann Strauss II: ‘Als flotter Geist...Ja, das alles auf Ehr’’ (Der Zigeunerbaron). Spanish zarzuela is also included with two items on CD 4: ‘Mi aldea’ (Los gavilanes) by Guerrero and ‘No puede ser’ (La taberna del puerto) by Sorozábal. The singers include the greatest names of the present and the past, headed by the iconic three tenors Placido Domingo, Luciano Pavarotti and José Carreras. The stars of today are represented by singers such as Rolando Villazón, Roberto Alagna and Ian Bostridge, while Wagner is sung by Klaus König, Peter Seiffert, Ben Heppner and Siegfried Jerusalem among others. The older generation of singers include Nicolai Gedda, Alfredo Kraus, Giuseppe di Stefano, Carlo Bergonzi and Luigi Alva, as well as two of the most famous tenors of all time: Jussi Björling and Beniamino Gigli. |
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| Works on This Recording | Back to Top | ||||
| 1. |
Messiah: Ev'ry valley shall be exalted by George Frideric Handel | ||||
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Performer:
John Aler (Tenor)
Conductor: Sir Andrew Davis Orchestra/Ensemble: Toronto Symphony Orchestra Period: Baroque Written: 1742; London, England |
Length: 3 Minutes 25 Secs. |
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| 2. |
Serse: Ombra mai fu by George Frideric Handel | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Hans Müller-Kray Orchestra/Ensemble: Bavarian State Orchestra Period: Baroque Written: 1738; London, England |
Length: 3 Minutes 6 Secs. |
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| 3. |
Semele: Where'er you walk by George Frideric Handel | ||||
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Performer:
John Mark Ainsley (Tenor)
Conductor: Sir Andrew Davis Orchestra/Ensemble: London Philharmonic Orchestra Period: Baroque Written: 1744; London, England |
Length: 4 Minutes 25 Secs. |
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| 4. |
Acis and Galatea: Love sounds th' alarm by George Frideric Handel | ||||
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Performer:
Ian Bostridge (Tenor)
Conductor: Harry Bicket Orchestra/Ensemble: Orchestra of the Age of Enlightenment Period: Baroque |
Length: 4 Minutes 31 Secs. |
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Notes: Composition written: Cannons, England (1718). Composition revised: London, England (1736). |
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| 5. |
Giulio Cesare in Egitto: Vani sono i lamenti...Svegliatevi nel core by George Frideric Handel | ||||
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Performer:
Placido Domingo (Tenor)
Conductor: Eugene Kohn Orchestra/Ensemble: National Philharmonic Orchestra Period: Baroque Written: 1724; London, England |
Length: 4 Minutes 59 Secs. |
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| 6. |
Idomeneo: Fuor del mar by Wolfgang Amadeus Mozart | ||||
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Performer:
Placido Domingo (Tenor)
Conductor: Eugene Kohn Orchestra/Ensemble: Munich Radio Orchestra Period: Classical Written: 1781; Munich, Germany |
Length: 4 Minutes 53 Secs. |
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| 7. |
Die Entführung aus dem Serail: Hier soll ich dich by Wolfgang Amadeus Mozart | ||||
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Performer:
Léopold Simoneau (Tenor)
Conductor: Sir Thomas Beecham Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Classical Written: 1782; Vienna, Austria |
Length: 3 Minutes 7 Secs. |
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| 8. |
Die Entführung aus dem Serail: Konstanze! Konstanze!...O wie ängstlich by Wolfgang Amadeus Mozart | ||||
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Performer:
Fritz Wunderlich (Tenor)
Conductor: Berislav Klobucar Orchestra/Ensemble: Berlin Symphony Orchestra Period: Classical Written: 1782; Vienna, Austria |
Length: 5 Minutes 16 Secs. |
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| 9. |
Die Entführung aus dem Serail: Frisch zum Kampfe! by Wolfgang Amadeus Mozart | ||||
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Performer:
Placido Domingo (Tenor)
Conductor: Eugene Kohn Orchestra/Ensemble: Munich Radio Orchestra Period: Classical Written: 1782; Vienna, Austria |
Length: 3 Minutes 27 Secs. |
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| 10. |
Die Entführung aus dem Serail: Wenn der Freude Tränen fließen by Wolfgang Amadeus Mozart | ||||
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Performer:
Léopold Simoneau (Tenor)
Conductor: Sir Thomas Beecham Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Classical Written: 1782; Vienna, Austria |
Length: 4 Minutes 32 Secs. |
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| 11. |
Don Giovanni: Dalla sua pace by Wolfgang Amadeus Mozart | ||||
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Performer:
Luigi Alva (Tenor)
Conductor: Carlo Maria Giulini Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1787; Prague, Czech Republ |
Length: 4 Minutes 24 Secs. |
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| 12. |
Don Giovanni: Il mio tesaro by Wolfgang Amadeus Mozart | ||||
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Performer:
Luigi Alva (Tenor)
Conductor: Carlo Maria Giulini Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1787; Prague, Czech Republ |
Length: 4 Minutes 42 Secs. |
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| 13. |
Così fan tutte: Un'aura amorosa by Wolfgang Amadeus Mozart | ||||
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Performer:
Alfredo Kraus (Tenor)
Conductor: Karl Böhm Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1790; Vienna, Austria |
Length: 4 Minutes 49 Secs. |
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| 14. |
Così fan tutte: In qual fiero contrasto...Tradito, schernito by Wolfgang Amadeus Mozart | ||||
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Performer:
Alfredo Kraus (Tenor)
Conductor: Karl Böhm Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1790; Vienna, Austria |
Length: 3 Minutes 41 Secs. |
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| 15. |
Die Zauberflöte: Dies Bildnis ist bezaubernd schön by Wolfgang Amadeus Mozart | ||||
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Performer:
Alfredo Kraus (Tenor)
Conductor: Karl Böhm Orchestra/Ensemble: Philharmonia Orchestra Period: Classical Written: 1791; Vienna, Austria |
Length: 4 Minutes 10 Secs. |
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| 16. |
La Clemenza di Tito: Ah, se fosse intorno al trono by Wolfgang Amadeus Mozart | ||||
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Performer:
Placido Domingo (Tenor)
Conductor: Eugene Kohn Orchestra/Ensemble: Munich Radio Orchestra Period: Classical Written: 1791; Prague, Czech Republ |
Length: 2 Minutes 22 Secs. |
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| 17. |
Macbeth: O figli, o figli miei!...Ah, la paterna mano by Giuseppe Verdi | ||||
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Performer:
José Carreras (Tenor)
Conductor: Riccardo Muti Orchestra/Ensemble: New Philharmonia Orchestra Period: Romantic Written: 1847/1865; Italy |
Length: 3 Minutes 48 Secs. |
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| 18. |
Attila: Oh, tutto di navicelle...Ella in poter del barbero...Cara patria by Giuseppe Verdi | ||||
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Performer:
Placido Domingo (Tenor)
Conductor: Eugene Kohn Orchestra/Ensemble: National Philharmonic Orchestra Period: Romantic Written: 1846; Italy |
Length: 7 Minutes 21 Secs. |
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| 19. |
Luisa Miller: Oh! fede negar potessi...Quando le serre by Giuseppe Verdi | ||||
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Performer:
Franco Corelli (Tenor)
Conductor: Franco Ferraris Orchestra/Ensemble: New Philharmonia Orchestra Period: Romantic Written: 1849; Italy |
Length: 5 Minutes 18 Secs. |
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| 20. |
Rigoletto: Questa o quella by Giuseppe Verdi | ||||
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Performer:
Alfredo Kraus (Tenor)
Conductor: Julius Rudel Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1851; Italy |
Length: 1 Minutes 49 Secs. |
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| 21. |
Rigoletto: Ella mi fu rapita!...Parmi veder le lagrime by Giuseppe Verdi | ||||
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Performer:
Alfredo Kraus (Tenor)
Conductor: Julius Rudel Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1851; Italy |
Length: 5 Minutes 29 Secs. |
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| 22. |
Rigoletto: La donna è mobile by Giuseppe Verdi | ||||
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Performer:
Alfredo Kraus (Tenor)
Conductor: Julius Rudel Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1851; Italy |
Length: 2 Minutes 18 Secs. |
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| 23. |
Il trovatore: Ah si, ben mio by Giuseppe Verdi | ||||
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Performer:
Franco Corelli (Tenor)
Conductor: Thomas Schippers Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1853; Italy |
Length: 3 Minutes 29 Secs. |
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| 24. |
Il trovatore: Di quella pira by Giuseppe Verdi | ||||
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Performer:
Franco Corelli (Tenor)
Conductor: Thomas Schippers Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1853; Italy |
Length: 2 Minutes 5 Secs. |
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| 25. |
La traviata: Lunge da lei...De' miei bollenti spiritì...O mio rimorso by Giuseppe Verdi | ||||
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Performer:
Rolando Villazón (Tenor)
Conductor: Marcello Viotti Orchestra/Ensemble: Munich Radio Orchestra Period: Romantic Written: 1853; Italy |
Length: 5 Minutes 20 Secs. |
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| 26. |
Un ballo in maschera: Di'tu se fedele by Giuseppe Verdi | ||||
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Performer:
Nicolai Gedda (Tenor)
Conductor: Giuseppe Patané Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1859; Italy |
Length: 3 Minutes 13 Secs. |
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| 27. |
Un ballo in maschera: Forse la soglia attinse...Ma se m'è forza perderti by Giuseppe Verdi | ||||
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Performer:
Placido Domingo (Tenor)
Conductor: Riccardo Muti Orchestra/Ensemble: New Philharmonia Orchestra Period: Romantic Written: 1859; Italy |
Length: 5 Minutes 20 Secs. |
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| 28. |
La forza del destino: La vita è inferno...O tu che in seno agli angeli by Giuseppe Verdi | ||||
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Performer:
Carlo Bergonzi (Tenor)
Conductor: Lamberto Gardelli Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Romantic Written: Italy |
Length: 6 Minutes 27 Secs. |
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Notes: Composition written: Italy (1862). Composition revised: 1869. |
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| 29. |
Don Carlo: Io l'ho perduta...lo la vidi by Giuseppe Verdi | ||||
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Performer:
José Carreras (Tenor)
Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic |
Length: 3 Minutes 26 Secs. |
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Notes: Composition written: Paris, France (03/11/1867). Composition revised: Naples, Italy (1872). Composition revised: La Scala Opera House, Milan, Italy (01/10/1884). |
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| 30. |
Aida: Celeste Aida by Giuseppe Verdi | ||||
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Performer:
Placido Domingo (Tenor)
Conductor: Riccardo Muti Orchestra/Ensemble: New Philharmonia Orchestra Period: Romantic Written: 1871; Italy |
Length: 4 Minutes 24 Secs. |
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| 31. |
Requiem: Ingemisco by Giuseppe Verdi | ||||
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Performer:
Luciano Pavarotti (Tenor)
Conductor: Riccardo Muti Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1874; Italy |
Length: 3 Minutes 41 Secs. |
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| 32. |
Otello: Niun mi tema by Giuseppe Verdi | ||||
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Performer:
Placido Domingo (Tenor)
Conductor: John Barker Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1887; Italy |
Length: 5 Minutes 26 Secs. |
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| 33. |
Manon Lescaut: Donna non vidi mai by Giacomo Puccini | ||||
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Performer:
Charles Craig (Tenor)
Conductor: Michael Collins Period: Romantic Written: 1893; Italy |
Length: 2 Minutes 19 Secs. |
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| 34. |
La Bohème: Che gelida manina by Giacomo Puccini | ||||
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Performer:
Roberto Alagna (Tenor)
Conductor: Antonio Pappano Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1896; Italy |
Length: 4 Minutes 44 Secs. |
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| 35. |
Tosca: Recondita armonia by Giacomo Puccini | ||||
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Performer:
Placido Domingo (Tenor)
Conductor: Eugene Kohn Orchestra/Ensemble: National Philharmonic Orchestra Period: Romantic Written: 1900; Italy |
Length: 2 Minutes 57 Secs. |
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| 36. |
Tosca: E lucevan le stelle by Giacomo Puccini | ||||
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Performer:
Franco Corelli (Tenor)
Conductor: Franco Ferraris Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1900; Italy |
Length: 3 Minutes 24 Secs. |
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| 37. |
Madama Butterfly: Addio, fiorito asil by Giacomo Puccini | ||||
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Performer:
Jussi Björling (Tenor),
Mario Sereni (Baritone)
Conductor: Gabriele Santini Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1904; Italy |
Length: 1 Minutes 49 Secs. |
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| 38. |
Gianni Schicchi: Firenze è come un albero fiorito by Giacomo Puccini | ||||
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Performer:
Roberto Alagna (Tenor)
Conductor: Antonio Pappano Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1918; Italy |
Length: 2 Minutes 31 Secs. |
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| 39. |
La Fanciulla del West: Or son sei mesi by Giacomo Puccini | ||||
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Performer:
Giuseppe Di Stefano (Tenor)
Conductor: Antonino Votto Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1910; Italy |
Length: 3 Minutes 59 Secs. |
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| Notes: This selection is a mono recording. | |||||
| 40. |
La fanciulla del West: Ch'ella mi creda libero by Giacomo Puccini | ||||
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Performer:
Giuseppe Di Stefano (Tenor)
Conductor: Antonino Votto Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1910; Italy |
Length: 2 Minutes 21 Secs. |
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| Notes: This selection is a mono recording. | |||||
| 41. |
Turandot: Nessun Dorma by Giacomo Puccini | ||||
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Performer:
José Carreras (Tenor)
Conductor: Alain Lombard Orchestra/Ensemble: Strasbourg Philharmonic Orchestra Period: Romantic Written: 1926; Italy |
Length: 4 Minutes 14 Secs. |
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| 42. |
Andrea Chénier: Colpito...Un dì all'azzurro spazio by Umberto Giordano | ||||
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Performer:
Franco Corelli (Tenor)
Conductor: Gabriele Santini Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1896; Italy |
Length: 5 Minutes 39 Secs. |
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| 43. |
Andrea Chénier: Legray!...Andrea Chénier!...Sì, fui soldato by Umberto Giordano | ||||
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Performer:
Mario Sereni (Baritone),
Giuseppe Modesti (Bass),
Antonietta Stella (Soprano),
Paolo Pedani (Baritone), Franco Corelli (Tenor) Conductor: Gabriele Santini Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1896; Italy |
Length: 3 Minutes 19 Secs. |
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| 44. |
Andrea Chénier: Come un bel dì di maggio by Umberto Giordano | ||||
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Performer:
Franco Corelli (Tenor)
Conductor: Gabriele Santini Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1896; Italy |
Length: 3 Minutes 25 Secs. |
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| 45. |
Fedora: Amor ti vieta by Umberto Giordano | ||||
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Performer:
Beniamino Gigli (Tenor)
Conductor: Umberto Berrettoni Period: Romantic Written: 1898; Italy |
Length: 2 Minutes 3 Secs. |
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| Notes: This selection is a mono recording. | |||||
| 46. |
L'Arlesiana: E la solita storia by Francesco Cilèa | ||||
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Performer:
Rolando Villazón (Tenor)
Conductor: Marcello Viotti Orchestra/Ensemble: Munich Radio Orchestra Period: Romantic Written: 1897/1937; Italy |
Length: 4 Minutes 47 Secs. |
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| 47. |
Cavalleria rusticana: Intanto amici...Viva il vino spumeggiante by Pietro Mascagni | ||||
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Performer:
Adriana Lazzarini (Mezzo Soprano),
Franco Corelli (Tenor)
Conductor: Gabriele Santini Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1890; Italy |
Length: 2 Minutes 57 Secs. |
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| 48. |
Cavalleria Rusticana: Mamma, quel vino è generoso "Addio" by Pietro Mascagni | ||||
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Performer:
Corinna Vozza (Mezzo Soprano),
Franco Corelli (Tenor)
Conductor: Gabriele Santini Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1890; Italy |
Length: 4 Minutes 8 Secs. |
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| 49. |
L'amico Fritz: O amore, o bella luce del core by Pietro Mascagni | ||||
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Performer:
Luciano Pavarotti (Tenor)
Conductor: Gianandrea Gavazzeni Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1891; Italy |
Length: 2 Minutes 31 Secs. |
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| 50. |
Pagliacci: Recitar!...Vesti la giubba by Ruggero Leoncavallo | ||||
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Performer:
José Carreras (Tenor)
Conductor: Riccardo Muti Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1892; Italy |
Length: 3 Minutes 53 Secs. |
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| 51. |
Il giustino: All'armi, o guerrieri! by Antonio Vivaldi | ||||
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Performer:
Leonardo De Lisi (Tenor)
Conductor: Alan Curtis Orchestra/Ensemble: Il Complesso Barocco Period: Baroque Written: 1724; Rome, Italy |
Length: 1 Minutes 16 Secs. |
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| 52. |
I puritani: A te, o cara by Vincenzo Bellini | ||||
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Performer:
Franco Corelli (Tenor)
Conductor: Franco Ferraris Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1835; Italy |
Length: 3 Minutes 34 Secs. |
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| 53. |
Norma: Meco all'altar di Venere...Me protegge, me difende by Vincenzo Bellini | ||||
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Performer:
Piero de Palma (Tenor),
Franco Corelli (Tenor)
Conductor: Tullio Serafin Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1831; Italy |
Length: 6 Minutes 10 Secs. |
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| 54. |
Il barbiere di Siviglia: Ecco ridente in cielo by Gioachino Rossini | ||||
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Performer:
Luigi Alva (Tenor)
Conductor: Vittorio Gui Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Romantic Written: 1816; Italy |
Length: 4 Minutes 26 Secs. |
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| 55. |
Stabat mater: Cujus animam by Gioachino Rossini | ||||
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Performer:
Robert Gambill (Tenor)
Conductor: Riccardo Muti Orchestra/Ensemble: Florence Maggio Musicale Orchestra Period: Romantic Written: 1832/1842; Italy |
Length: 6 Minutes 59 Secs. |
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| 56. |
Petite Messe solennelle: Domine Deus by Gioachino Rossini | ||||
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Performer:
Franco Corelli (Tenor)
Conductor: Rafaele Mingardo Period: Romantic Written: 1863; Italy |
Length: 4 Minutes 24 Secs. |
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| Notes: Arranger: Rafaele Mingardo. | |||||
| 57. |
La Favorita: Favorita del re!...Spirto gentil by Gaetano Donizetti | ||||
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Performer:
Franco Corelli (Tenor)
Conductor: Franco Ferraris Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1840; Italy |
Length: 4 Minutes 52 Secs. |
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| 58. |
Don Pasquale: Com'è gentil by Gaetano Donizetti | ||||
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Performer:
Alfredo Kraus (Tenor)
Conductor: Sarah Caldwell Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1843; Italy |
Length: 3 Minutes 53 Secs. |
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| 59. |
L'elisir d'amore: Quanto è bella by Gaetano Donizetti | ||||
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Performer:
Nicolai Gedda (Tenor)
Conductor: Francesco Molinari-Pradelli Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1832; Italy |
Length: 2 Minutes 38 Secs. |
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| 60. |
L'Elisir d'Amore: Una furtiva lagrima by Gaetano Donizetti | ||||
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Performer:
Nicolai Gedda (Tenor)
Conductor: Francesco Molinari-Pradelli Orchestra/Ensemble: Rome Opera House Orchestra Period: Romantic Written: 1832; Italy |
Length: 4 Minutes 54 Secs. |
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| 61. |
Lucia di Lammermoor: Tombe degli avi miei...Fra poco a me ricovero by Gaetano Donizetti | ||||
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Performer:
Alfredo Kraus (Tenor)
Conductor: Nicola Rescigno Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Romantic Written: 1835; Italy |
Length: 7 Minutes 59 Secs. |
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| 62. |
Lucia di Lammermoor: Tu che a Dio spiegasti l'ali by Gaetano Donizetti | ||||
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Performer:
Robert Lloyd (Bass),
Alfredo Kraus (Tenor)
Conductor: Nicola Rescigno Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Romantic Written: 1835; Italy |
Length: 5 Minutes 4 Secs. |
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| 63. |
Mefistofele: Dai campi, dai prati by Arrigo Boito | ||||
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Performer:
Peter Seiffert (Tenor)
Conductor: Heinz Wallberg Orchestra/Ensemble: Berlin Deutsche Oper Orchestra Period: Romantic Written: 1868; Italy |
Length: 2 Minutes 24 Secs. |
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| 64. |
La Gioconda: Cielo e mar! by Amilcare Ponchielli | ||||
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Performer:
Franco Corelli (Tenor)
Conductor: Franco Ferraris Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1876; Italy |
Length: 4 Minutes 43 Secs. |
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| 65. |
Los gavilanes: Mi aldea by Jacinto Guerrero | ||||
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Performer:
Placido Domingo (Tenor)
Conductor: Manuel Moreno-Buendia Orchestra/Ensemble: Madrid Symphony Orchestra Period: 20th Century Written: 1923; Spain |
Length: 3 Minutes 47 Secs. |
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| 66. |
La taberna del puerto: No puede ser by Pablo Sorozabal | ||||
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Performer:
Rolando Villazón (Tenor)
Conductor: Placido Domingo Orchestra/Ensemble: Madrid Community Orchestra Period: 20th Century Written: 1940; Spain |
Length: 2 Minutes 42 Secs. |
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| 67. |
L'Africaine: Pays merveilleux...O paradis by Giacomo Meyerbeer | ||||
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Performer:
José Carreras (Tenor)
Conductor: Jacques Delacôte Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1865; Germany |
Length: 3 Minutes 25 Secs. |
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| 68. |
La Fille du régiment: Ah! mes amis, quel jour de fête...Pour mon âme by Gaetano Donizetti | ||||
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Performer:
Rockwell Blake (Tenor)
Conductor: Patrick Fournillier Orchestra/Ensemble: Monte Carlo Philharmonic Orchestra Period: Romantic Written: 1840; Italy |
Length: 3 Minutes 52 Secs. |
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| 69. |
La juive: Rachel, quand du Seigneur by Jacques Halévy | ||||
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Performer:
José Carreras (Tenor)
Conductor: Jacques Delacôte Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1835; Paris, France |
Length: 6 Minutes 20 Secs. |
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| 70. |
Guillaume Tell: Asile héréditaire by Gioachino Rossini | ||||
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Performer:
Nicolai Gedda (Tenor)
Conductor: Lamberto Gardelli Orchestra/Ensemble: Royal Philharmonic Orchestra Period: Romantic Written: 1829; Italy |
Length: 3 Minutes 44 Secs. |
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| 71. |
Le Comte Ory: Que les destins prospères by Gioachino Rossini | ||||
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Performer:
Rockwell Blake (Tenor)
Conductor: Patrick Fournillier Orchestra/Ensemble: Monte Carlo Philharmonic Orchestra Period: Romantic Written: 1828; Italy |
Length: 4 Minutes 18 Secs. |
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| 72. |
Le postillon de Lonjumeau: Mes amis, écoutez l'histoire by Adolphe-Charles Adam | ||||
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Performer:
John Aler (Tenor)
Conductor: Thomas Fulton Orchestra/Ensemble: Monte Carlo Philharmonic Orchestra Period: Romantic Written: ?1836; France |
Length: 4 Minutes 31 Secs. |
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| 73. |
Manon: Je suis seul...Ah! fuyez, douce image by Jules Massenet | ||||
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Performer:
Alfredo Kraus (Tenor)
Conductor: Michel Plasson Orchestra/Ensemble: Toulouse Capitole Orchestra Period: Romantic Written: 1883-1884; France |
Length: 4 Minutes 49 Secs. |
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| 74. |
Le Cid: Ah! tout est bien fini!...O souverain, ô juge, ô juge, ô père by Jules Massenet | ||||
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Performer:
José Carreras (Tenor)
Conductor: Jacques Delacôte Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1885; France |
Length: 5 Minutes 21 Secs. |
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| 75. |
Werther: Traduire...Pourquoi me réveiller by Jules Massenet | ||||
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Performer:
Roberto Alagna (Tenor)
Conductor: Antonio Pappano Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1892; France |
Length: 3 Minutes 19 Secs. |
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| 76. |
Roméo et Juliette: L'amour! L'amour...Ah! Lève-toi, soleil! by Charles Gounod | ||||
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Performer:
Roberto Alagna (Tenor)
Conductor: Michel Plasson Orchestra/Ensemble: Toulouse Capitole Orchestra Period: Romantic Written: 1867; France |
Length: 3 Minutes 59 Secs. |
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| 77. |
Faust: Quel trouble inconnu...Salut, demeure chaste et pure by Charles Gounod | ||||
|
Performer:
Nicolai Gedda (Tenor)
Conductor: Giuseppe Patané Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1859; France |
Length: 5 Minutes 33 Secs. |
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| 78. |
Le Roi d'Ys: Puisqu'on ne peut fléchir...Vainement, ma bien-aimée by Edouard Lalo | ||||
|
Performer:
Beniamino Gigli (Tenor)
Conductor: Rinaldo Zamboni Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1875-1888; France |
Length: 3 Minutes 25 Secs. |
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| Notes: This selection is a mono recording. | |||||
| 79. |
Mignon: Adieu, Mignon, courage by Ambroise Thomas | ||||
|
Performer:
Nicolai Gedda (Tenor)
Conductor: Georges Prêtre Orchestra/Ensemble: French National Radio Orchestra Period: Romantic Written: 1866; France |
Length: 2 Minutes 27 Secs. |
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| 80. |
Mignon: Elle ne croyait pas by Ambroise Thomas | ||||
|
Performer:
Nicolai Gedda (Tenor)
Conductor: Georges Prêtre Orchestra/Ensemble: French National Radio Orchestra Period: Romantic Written: 1866; France |
Length: 3 Minutes 34 Secs. |
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| 81. |
Carmen: La fleur que tu m'avais jetée "Flower song" by Georges Bizet | ||||
|
Performer:
Jon Vickers (Tenor)
Conductor: R. Frühbeck de Burgos Orchestra/Ensemble: Paris Opera Orchestra Period: Romantic Written: 1873-1874; France |
Length: 4 Minutes 22 Secs. |
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| 82. |
Les Pêcheurs de perles: Je crois entendre encord by Georges Bizet | ||||
|
Performer:
Alain Vanzo (Tenor)
Conductor: Georges Prêtre Orchestra/Ensemble: Paris Opera Orchestra Period: Romantic Written: 1863; France |
Length: 3 Minutes 10 Secs. |
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| 83. |
Les Contes d'Hoffmann: Va, pour Kleinzach! by Jacques Offenbach | ||||
|
Performer:
André Mallabrera (Tenor),
Nicolai Gedda (Tenor)
Conductor: André Cluytens Orchestra/Ensemble: Orchestre de la Société du Conservatoire Paris Period: Romantic Written: 1881; Paris, France |
Length: 5 Minutes 20 Secs. |
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| 84. |
La belle Hélène: Au mont Ida trois déesses by Jacques Offenbach | ||||
|
Performer:
Roberto Alagna (Tenor)
Conductor: Richard Armstrong Orchestra/Ensemble: Royal Opera House Covent Garden Orchestra Period: Romantic Written: 1864; Paris, France |
Length: 3 Minutes 15 Secs. |
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| 85. |
The Queen of Spades: Chto nasha zhizhn? Igra! by Peter Ilyich Tchaikovsky | ||||
|
Performer:
Nicolai Gedda (Tenor)
Conductor: Gika Zdravkovitch Orchestra/Ensemble: Belgrade Philharmonic Orchestra Period: Romantic Written: 1890; Russia |
Length: 2 Minutes 22 Secs. |
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| 86. |
Eugene Onegin: Kuda, kuda by Peter Ilyich Tchaikovsky | ||||
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Performer:
Rolando Villazón (Tenor)
Conductor: Michel Plasson Orchestra/Ensemble: Munich Radio Orchestra Period: Romantic Written: 1877-1878; Russia |
Length: 6 Minutes 21 Secs. |
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| 87. |
Fidelio: Gott! Welch Dunkel hier! by Ludwig van Beethoven | ||||
|
Performer:
Jon Vickers (Tenor)
Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: Vienna, Austria |
Length: 7 Minutes 51 Secs. |
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|
Notes: Composition written: Vienna, Austria (1804). Composition revised: Vienna, Austria (1806). Composition revised: Vienna, Austria (1814). |
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| 88. |
Martha: Ach, so fromm by Friedrich von Flotow | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Berislav Klobucar Orchestra/Ensemble: Berlin Symphony Orchestra Period: Romantic Written: 1847; Germany |
Length: 2 Minutes 53 Secs. |
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| 89. |
Der Freischütz: Nein, länger trag' ich nicht...Durch die Wälder by Carl Maria von Weber | ||||
|
Performer:
Rudolf Schock (Tenor)
Conductor: Joseph Keilberth Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1817-1821; Dresden, Germany |
Length: 6 Minutes 56 Secs. |
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| 90. |
Undine: Vater, Mutter, Schwestern, Brüder by Albert Lortzing | ||||
|
Performer:
Peter Schreier (Tenor)
Conductor: Robert Heger Orchestra/Ensemble: Berlin Symphony Orchestra Period: Romantic Written: 1845; Germany |
Length: 3 Minutes 32 Secs. |
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| 91. |
Die Königin von Saba: Magische Töne by Karl Goldmark | ||||
|
Performer:
Nicolai Gedda (Tenor)
Conductor: Heinrich Bender Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Romantic Written: by 1875; Vienna, Austria |
Length: 3 Minutes 44 Secs. |
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| 92. |
Das Land des Lächelns: Dein ist mein ganzes Herz by Franz Lehár | ||||
|
Performer:
Fritz Wunderlich (Tenor)
Conductor: Carl Michalski Period: Romantic Written: 1929; Vienna, Austria |
Length: 3 Minutes 40 Secs. |
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| 93. |
Paganini: Gern hab' ich die Frau'n geküsst by Franz Lehár | ||||
|
Performer:
Nicolai Gedda (Tenor)
Conductor: Willi Boskovsky Orchestra/Ensemble: Bavarian Symphony Orchestra Period: Romantic Written: 1925; Vienna, Austria |
Length: 3 Minutes 20 Secs. |
||||
| 94. |
Der Zigeunerbaron: Als flotter Geist...Ja, das alles auf Ehr' by Johann Strauss Jr. | ||||
|
Performer:
Peter Seiffert (Tenor)
Conductor: Peter Falk Orchestra/Ensemble: Vienna Volksoper Opernball-Orchester Period: Romantic Written: 1885; Vienna, Austria |
Length: 3 Minutes 1 Secs. |
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| 95. |
Tannhäuser: Dir töne Lob! by Richard Wagner | ||||
|
Performer:
Klaus König (Tenor)
Conductor: Bernard Haitink Orchestra/Ensemble: Bavarian Radio Symphony Orchestra Period: Romantic Written: 1845/1861; Germany |
Length: 1 Minutes 54 Secs. |
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| 96. |
Lohengrin: In fernem Land by Richard Wagner | ||||
|
Performer:
Nicolai Gedda (Tenor)
Conductor: Heinrich Bender Orchestra/Ensemble: Bavarian State Opera Orchestra Period: Romantic Written: 1846-1847; Germany |
Length: 5 Minutes 25 Secs. |
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| 97. |
Lohengrin: Mein lieber Schwan by Richard Wagner | ||||
|
Performer:
Rudolf Schock (Tenor)
Conductor: Wilhelm Schüchter Orchestra/Ensemble: North German Radio Symphony Orchestra Hamburg Period: Romantic Written: 1846-1847; Germany |
Length: 4 Minutes 11 Secs. |
||||
| Notes: This selection is a mono recording. | |||||
| 98. |
Die Meistersinger von Nürmberg: Morgendlich leuchtend im rosigen Schein by Richard Wagner | ||||
|
Performer:
Ben Heppner (Tenor),
Kurt Moll (Bass),
Cheryl Studer (Soprano),
Bernd Weikl (Baritone) Conductor: Wolfgang Sawallisch Orchestra/Ensemble: Bavarian State Orchestra Period: Romantic Written: 1862-1867; Germany |
Length: 6 Minutes 2 Secs. |
||||
| 99. |
Die Walküre: Winterstürme wichen dem Wonnemond by Richard Wagner | ||||
|
Performer:
Peter Seiffert (Tenor)
Conductor: Heinz Wallberg Orchestra/Ensemble: Berlin Deutsche Oper Orchestra Period: Romantic Written: 1856; Germany |
Length: 3 Minutes 17 Secs. |
||||
| 100. |
Siegfried: Was am besten er kann...Notung! Notung! by Richard Wagner | ||||
|
Performer:
Siegfried Jerusalem (Tenor),
Peter Haage (Tenor)
Conductor: Bernard Haitink, Bavarian Radio Symphony O Period: Romantic Written: 1871; Germany |
Length: 5 Minutes 52 Secs. |
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