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| Works on This Recording | Back to Top | ||||
| 1. |
Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel | ||||
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Conductor:
Stephen Cleobury
Orchestra/Ensemble: Academy of Ancient Music, Cambridge King's College Choir Period: Baroque Written: 1727; London, England |
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| 2. |
Pavan for Keyboard "Lachrymae" by John Dowland | ||||
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Orchestra/Ensemble:
Fretwork
Period: Renaissance Written: England |
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| 3. |
Abdelazer, Z 570 "Moor's Revenge": Rondeau by Henry Purcell | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players Period: Baroque Written: 1695; England |
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| 4. |
Spem in alium by Thomas Tallis | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Consort Period: Renaissance Written: after 1559; England |
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| 5. |
With lilies white by William Byrd | ||||
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Performer:
Gérard Lesne (Countertenor)
Orchestra/Ensemble: Orlando Gibbons Viol Ensemble Period: Renaissance Written: circa 1608; England |
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| 6. |
Dido and Aeneas, Z 626: Overture by Henry Purcell | ||||
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Performer:
Susan Graham (Soprano)
Conductor: Emmanuelle Haïm Orchestra/Ensemble: Le Concert D'Astrée, European Voices Period: Baroque Written: 1689; England |
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| 7. |
Dido and Aeneas, Z 626: Excerpt(s) by Henry Purcell | ||||
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Performer:
Susan Graham (Soprano)
Conductor: Emmanuelle Haïm Orchestra/Ensemble: Le Concert D'Astrée, European Voices Period: Baroque Written: 1689; England |
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| 8. |
Come, ye sons of art, away, Z 323: Sound the trumpet by Henry Purcell | ||||
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Performer:
Christopher Robson (Countertenor),
James Bowman (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Orchestra of the Age of Enlightenment Period: Baroque Written: 1694; England |
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| 9. |
O solitude, my sweetest choice, Z 406 by Henry Purcell | ||||
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Performer:
Richard Boothby (Viola da gamba),
Nigel North (Lute),
Nancy Argenta (Soprano),
Paul Nicholson (Harpsichord), Paul Nicholson (Organ) Period: Baroque Written: by 1687; England |
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| 10. |
Solomon, HWV 67: Arrival of the Queen of Sheba by George Frideric Handel | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players Period: Baroque Written: by 1749; London, England |
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| 11. |
Messiah, HWV 56: Hallelujah! by George Frideric Handel | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Andrew Parrott Orchestra/Ensemble: Taverner Players, Taverner Choir Period: Baroque Written: 1742; London, England |
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| 12. |
Messiah, HWV 56: He was despised and rejected by George Frideric Handel | ||||
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Performer:
James Bowman (Countertenor)
Conductor: Andrew Parrott Orchestra/Ensemble: Taverner Players, Taverner Choir Period: Baroque Written: 1742; London, England |
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| 13. |
Water Music Suite no 2 in D major, HWV 349: no 2, Alla Hornpipe by George Frideric Handel | ||||
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Conductor:
Roger Norrington
Orchestra/Ensemble: London Classical Players Period: Baroque Written: circa 1715-1717; London, England |
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| 14. |
Xerse: Ombra mai fu by Pier Francesco Cavalli | ||||
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Performer:
David Daniels (Countertenor)
Conductor: Roger Norrington Orchestra/Ensemble: Orchestra of the Age of Enlightenment Period: Baroque Written: 1654; Italy |
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| 15. |
Dixit Dominus, HWV 232: Dixit Dominus by George Frideric Handel | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players, Taverner Choir Period: Baroque Written: 1707; Italy |
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| 16. |
Giulio Cesare, HWV 17: Dall'ondoso periglio by George Frideric Handel | ||||
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Performer:
Stephanie Blythe (Alto)
Conductor: John Nelson Orchestra/Ensemble: Paris Orchestral Ensemble Period: Baroque Written: by 1724; London, England |
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| 17. |
Alcina, HWV 34: Verdi prati by George Frideric Handel | ||||
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Performer:
Della Jones (Mezzo Soprano)
Conductor: Richard Hickox Orchestra/Ensemble: City of London Baroque Sinfonia Period: Baroque Written: 1735; London, England |
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| 18. |
L'Orfeo: Sinfonia by Claudio Monteverdi | ||||
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Conductor:
Emmanuelle Haïm
Orchestra/Ensemble: Le Concert D'Astrée Period: Baroque Written: 1607; Mantua, Italy |
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| 19. |
Madrigals, Book 8: Altri canti d'amor by Claudio Monteverdi | ||||
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Conductor:
Anthony Rooley
Orchestra/Ensemble: Consort of Musicke Period: Baroque Written: by 1638; Italy |
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| 20. |
Beatus vir a 7 by Claudio Monteverdi | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players, Taverner Choir Period: Baroque Written: Italy |
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| 21. |
Adagio for Organ and Strings in G minor by Tomaso Albinoni | ||||
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Conductor:
Jonathan Rees
Orchestra/Ensemble: Scottish Ensemble Period: Baroque Written: Venice, Italy |
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| Notes: This work was reconstructed by Remo Giazotto in 1945 from a fragment by Albinoni. | |||||
| 22. |
Miserere mei Deus: Miserere mei by Gregorio Allegri | ||||
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Conductor:
Stephen Cleobury
Orchestra/Ensemble: Cambridge King's College Choir Period: Baroque Written: 17th Century; Italy |
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| Notes: This selection is presented in excerpted form. | |||||
| 23. |
Sacrae symphoniae, Book 1: Sonata pian e forte alla quarta bassa by Giovanni Gabrieli | ||||
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Conductor:
Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort Period: Renaissance Written: by 1597; Venice, Italy |
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| 24. |
Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi | ||||
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Performer:
Monica Huggett (Violin)
Conductor: Nicholas Kraemer Orchestra/Ensemble: Raglan Baroque Players Period: Baroque Written: 1725; Venice, Italy |
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| 25. |
Gloria in D major, RV 589: Gloria in excelsis Deo by Antonio Vivaldi | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Consort, Taverner Players, Taverner Choir Period: Baroque Written: Venice, Italy |
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| 26. |
Concerto for Oboe in D minor: 2nd movement, Adagio by Alessandro Marcello | ||||
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Performer:
Ray Still (Oboe)
Conductor: Richard Stamp Orchestra/Ensemble: Academy of London Period: Baroque Written: by 1717; Italy |
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| 27. |
Quintet for Guitar and Strings no 7 in E minor, G 451: Allegro moderato by Luigi Boccherini | ||||
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Orchestra/Ensemble:
Europa Galante
Period: Classical Written: 1798; Spain |
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| 28. |
Sonata for Harpsichord in D minor, K 9/L 413 by Domenico Scarlatti | ||||
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Performer:
Mikhail Pletnev (Piano)
Period: Baroque Written: by 1738 |
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| 29. |
Stabat Mater: Excerpt(s) by Giovanni Battista Pergolesi | ||||
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Performer:
Gérard Lesne (Countertenor),
Véronique Gens (Soprano)
Orchestra/Ensemble: Seminario Musicale Period: Baroque Written: 1736; Pozzuoli, Italy |
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| 30. |
Concerto for 2 Mandolins in G major, RV 532: Allegro by Antonio Vivaldi | ||||
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Performer:
Sonia Maurer (Mandolin),
Giovanni Scaramuzzino (Mandolin)
Conductor: Fabio Biondi Orchestra/Ensemble: Europa Galante Period: Baroque Written: Venice, Italy |
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| 31. |
Crucifixus by Antonio Lotti | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Consort, Taverner Choir Period: Baroque Written: Italy |
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| 32. |
Sonata for Violin and Basso Continuo in G minor, Op. 1 no 4 "Devil's Trill": Allegro by Giuseppe Tartini | ||||
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Conductor:
Jean-Jacques Kantorow
Orchestra/Ensemble: Ensemble d'Auvergne Period: Baroque Written: Italy |
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| 33. |
Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi | ||||
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Performer:
Chiara Banchini (Violin)
Conductor: Andrew Parrott Orchestra/Ensemble: Taverner Players Period: Baroque Written: circa 1725; Venice, Italy |
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| 34. |
Fandango for Keyboard by Antonio Soler | ||||
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Performer:
Maggie Cole (Harpsichord)
Period: Classical Written: 18th Century; Spain |
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| 35. |
O vos omnes, qui transitis per viam by Tomás Luis de Victoria | ||||
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Orchestra/Ensemble:
The Sixteen
Period: Renaissance Written: by 1572; Spain |
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| 36. |
Diferencias sobre las Folias by Antonio Martin y Coll | ||||
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Conductor:
Jordi Savall
Orchestra/Ensemble: Hespèrion XX Period: Baroque Written: by 1706 |
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| 37. |
Ay luna que reluzes by Anonymous | ||||
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Performer:
Montserrat Figueras (Soprano)
Conductor: Jordi Savall Orchestra/Ensemble: Hespèrion XX Period: Renaissance Written: Spain |
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| 38. |
Tres libros de musica en cifras: Pavana and galliard de Alexandra by Alonso de Mudarra | ||||
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Conductor:
Nancy Hadden
Orchestra/Ensemble: Ensemble Circa 1500 Period: Renaissance Written: by 1546; Spain |
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| 39. |
Marche de Triomphe by François-André Danican Philidor | ||||
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Conductor:
Hugo Reyne
Orchestra/Ensemble: La Simphonie du Marais Period: Baroque Written: France |
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| 40. |
Marche des Mousquetaires by Jean-Baptiste Lully | ||||
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Conductor:
Hugo Reyne
Orchestra/Ensemble: La Simphonie du Marais Period: Baroque Written: 1658; France |
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| 41. |
Symphonies du Festin Royal: Contradance by François Francoeur | ||||
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Conductor:
Hugo Reyne
Orchestra/Ensemble: La Simphonie du Marais Period: Baroque Written: by 1773; France |
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| 42. |
Marche de triomphe in C major, H 547 no 1 by Marc-Antoine Charpentier | ||||
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Conductor:
Fritz Lehan
Orchestra/Ensemble: Consortium Musicum Period: Baroque Written: 1725; Leipzig, Germany |
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| 43. |
Sinfonies pour les soupers du roi: Suite no 7 in A major - Caprice no 1 "de Villers-Cotterêts" by Michel Richard Delalande | ||||
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Performer:
Maurice André (Trumpet),
Bernard Soustrot (Trumpet),
Guy Touvron (Trumpet)
Conductor: Jean-Pierre Wallez Orchestra/Ensemble: Paris Orchestral Ensemble Period: Baroque Written: circa 1690-1700; France |
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| 44. |
Chaconne by Antoine Dauvergne | ||||
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Orchestra/Ensemble:
Concerto Cologne
Period: Classical Written: Paris, France |
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| 45. |
Te Deum in D major, H 146: Prelude by Marc-Antoine Charpentier | ||||
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Conductor:
William Christie
Orchestra/Ensemble: Les Arts Florissants Period: Baroque Written: circa ?1690; France |
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| 46. |
Mass for Organ no 2 "propre pour les convents de religeux...": Offertoire sur les Grands Jeux by François Couperin | ||||
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Performer:
Jean-Patrice Brosse (Organ)
Period: Baroque Written: by 1690; France |
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| 47. |
Regina coeli laetare, H 30 by Marc-Antoine Charpentier | ||||
|
Conductor:
Emmanuel Mandrin
Orchestra/Ensemble: Les Demoiselles de Saint-Cyr Period: Baroque Written: circa ?1690 |
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| 48. |
Panis angelicus by Louis-Nicolas Clérambault | ||||
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Performer:
Mark Padmore (Tenor)
Orchestra/Ensemble: Seminario Musicale Period: Baroque Written: France |
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| 49. |
In convertendo by Jean-Philippe Rameau | ||||
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Conductor:
Hervé Niquet
Orchestra/Ensemble: Le Concert Spirituel Period: Baroque Written: circa 1718; France |
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| 50. |
Plainte sur la mort de Monsieur Lambert by Lambert du Buisson | ||||
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Performer:
Gérard Lesne (Countertenor)
Orchestra/Ensemble: Instrumental Ensemble Period: Baroque |
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| 51. |
Suite in C minor: La Plainte, ou le Tombeau de Mesdemoiselles by Robert de Visée | ||||
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Performer:
Pascal Monteilhet (Theorbo)
Period: Baroque Written: France |
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| 52. |
Tambourins by Jean-Philippe Rameau | ||||
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Orchestra/Ensemble:
Sonnerie Trio
Period: Baroque |
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| 53. |
Pièces de viole, Book 3: Plainte by Marin Marais | ||||
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Period: Baroque Written: by 1711; Paris, France |
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| 54. |
Canon de Versailles by François-André Danican Philidor | ||||
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Conductor:
Hugo Reyne
Orchestra/Ensemble: La Simphonie du Marais Period: Baroque Written: France |
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| 55. |
Isis, LWV 54: Air de trembleurs by Jean-Baptiste Lully | ||||
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Performer:
Bernard Delétré (Bass),
Isabelle Desrochers (Soprano)
Conductor: Hugo Reyne Orchestra/Ensemble: La Simphonie du Marais Period: Baroque Written: by 1677; France |
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| 56. |
Les Indes galantes: Chaconne by Jean-Philippe Rameau | ||||
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Performer:
Patricia Petibon (Soprano)
Conductor: Patrick Cohën-Akenine Orchestra/Ensemble: Les Folies Françoises Period: Baroque Written: 1735/1761; France |
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| 57. |
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon by Johann Pachelbel | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players Period: Baroque Written: Germany |
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| 58. |
Canzonetta for Organ in A minor, BuxWV 225 by Dietrich Buxtehude | ||||
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Performer:
Nicholas Danby (Organ)
Period: Baroque Written: Germany |
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| 59. |
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players, Taverner Choir Period: Baroque Written: 1723; Leipzig, Germany |
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| 60. |
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach | ||||
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Conductor:
Sir Philip Ledger
Orchestra/Ensemble: English Chamber Orchestra Period: Baroque Written: circa 1729-1731; Leipzig, Germany |
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| 61. |
Concerto for 4 Harpsichords in A minor, BWV 1065: 1st movement, Allegro by Johann Sebastian Bach | ||||
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Performer:
Bernhard Klapprott (Harpsichord),
Carsten Lohff (Harpsichord),
Marcelo Bussi (Harpsichord),
Bob van Asperen (Harpsichord) Conductor: Bob van Asperen Orchestra/Ensemble: Melante Amsterdam Period: Baroque Written: circa 1738-1739; Leipzig, Germany |
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| 62. |
Toccata and Fugue in D minor, BWV 565: Toccata by Johann Sebastian Bach | ||||
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Performer:
Werner Jacob (Organ)
Period: Baroque Written: by 1708; Arnstadt, Germany |
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| 63. |
Toccata and Fugue in D minor, BWV 565: Fugue by Johann Sebastian Bach | ||||
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Performer:
Werner Jacob (Organ)
Period: Baroque Written: by 1708; Arnstadt, Germany |
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| 64. |
Jauchzet Gott in allen Landen, BWV 51: no 1, Jauchzet Gott in allen Landen by Johann Sebastian Bach | ||||
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Performer:
Nancy Argenta (Soprano),
Crispian Steele-Perkins (Trumpet)
Conductor: Monica Huggett Orchestra/Ensemble: Ensemble Sonnerie Period: Baroque Written: 1730; Leipzig, Germany |
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| 65. |
Concerto for Oboe in F minor: 2nd movenment, Largo by Georg Philipp Telemann | ||||
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Conductor:
Bob van Asperen
Orchestra/Ensemble: Melante Amsterdam Period: Baroque Written: Germany |
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| 66. |
Wir danken dir, Gott, BWV 29: no 1, Sinfonia in D major by Johann Sebastian Bach | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Players Period: Baroque Written: 1731; Leipzig, Germany |
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| 67. |
Goldberg Variations, BWV 988: Theme "Aria" by Johann Sebastian Bach | ||||
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Performer:
Maggie Cole (Harpsichord)
Period: Baroque Written: Nuremberg, Germany |
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| 68. |
Saint John Passion, BWV 245: no 58, Es ist vollbracht by Johann Sebastian Bach | ||||
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Performer:
Stephanie Blythe (Alto)
Conductor: John Nelson Orchestra/Ensemble: Paris Orchestral Ensemble Period: Baroque Written: 1724; Leipzig, Germany |
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| 69. |
Brandenburg Concerto no 4 in G major, BWV 1049: 3rd movement, Presto by Johann Sebastian Bach | ||||
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Performer:
Marion Scott (Recorder),
Rachel Beckett (Recorder),
Monica Huggett (Violin)
Conductor: Monica Huggett Orchestra/Ensemble: Orchestra of the Age of Enlightenment Period: Baroque Written: circa 1720; ?Cöthen, Germany |
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| 70. |
Magnificat in D major, BWV 243: Magnificat by Johann Sebastian Bach | ||||
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Conductor:
Sigiswald Kuijken
Orchestra/Ensemble: La Petite Bande, Netherlands Chamber Choir Period: Baroque Written: circa 1728-1731; Leipzig, Germany |
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| 71. |
Concerto for Harpsichord in F minor, BWV 1056 by Johann Sebastian Bach | ||||
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Conductor:
Bob van Asperen
Orchestra/Ensemble: Melante Amsterdam Period: Baroque Written: circa 1738-1739; Leipzig, Germany |
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| 72. |
Suite for Orchestra no 4 in D major, BWV 1069: Rejouissance by Johann Sebastian Bach | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Boston Early Music Festival Orchestra, Boston Early Music Festival Choir Period: Baroque Written: circa 1729-1731; Leipzig, Germany |
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| 73. |
Partita for Violin solo no 3 in E major, BWV 1006: 1st movement, Prelude by Johann Sebastian Bach | ||||
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Performer:
Christian Tetzlaff (Guitar)
Period: Baroque Written: 1720; Cöthen, Germany |
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| 74. |
Saint John Passion, BWV 245: no 67, Ruhet wohl, ihr heilgen Gebeine by Johann Sebastian Bach | ||||
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Conductor:
Andrew Parrott
Orchestra/Ensemble: Taverner Consort, Taverner Players, Taverner Choir Period: Baroque Written: 1724; Leipzig, Germany |
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| 75. |
Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach | ||||
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Performer:
Rachel Beckett (Recorder),
Paul Goodwin (Oboe),
Monica Huggett (Violin),
Mark Bennett (Trumpet) Conductor: Monica Huggett Orchestra/Ensemble: Choir of the Age of Enlightenment Period: Baroque Written: 1717-1718; ?Cöthen, Germany |
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| 76. |
Mass in B minor, BWV 232: Gloria by Johann Sebastian Bach | ||||
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Conductor:
Philippe Herreweghe
Orchestra/Ensemble: Collegium Vocale Period: Baroque Written: 1747-1749; Leipzig, Germany |
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| 77. |
Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C major, BWV 846 by Johann Sebastian Bach | ||||
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Performer:
Bob van Asperen (Harpsichord)
Period: Baroque Written: 1722; Cöthen, Germany |
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| 78. |
Concerto for 2 Violins in D minor, BWV 1043: 2nd movement, Largo ma non tanto by Johann Sebastian Bach | ||||
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Performer:
Elizabeth Wallfisch (Violin),
Alison Bury (Violin)
Orchestra/Ensemble: Orchestra of the Age of Enlightenment Period: Baroque Written: 1717-1723; Cöthen, Germany |
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| 79. |
Suite for Lute in E minor, BWV 996: 5th movement, Bourée by Johann Sebastian Bach | ||||
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Performer:
Sharon Isbin (Guitar)
Period: Baroque Written: Weimar, Germany |
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| Notes: Composition written: Weimar, Germany (1708 - 1717). | |||||
| 80. |
Suite for Lute in E minor, BWV 996: 6th movement, Gigue by Johann Sebastian Bach | ||||
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Performer:
Sharon Isbin (Guitar)
Period: Baroque Written: circa 1708-1717; Weimar, Germany |
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| 81. |
Suite for Orchestra no 2 in B minor, BWV 1067: Overture by Johann Sebastian Bach | ||||
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Conductor:
Sir Philip Ledger
Orchestra/Ensemble: English Chamber Orchestra Period: Baroque Written: Leipzig, Germany |
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| Notes: Composition written: Leipzig, Germany (1738 - 1739). | |||||
| 82. |
Partita for Keyboard no 1 in B flat major, BWV 825: Prelude by Johann Sebastian Bach | ||||
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Performer:
Gustav Leonhardt (Harpsichord)
Period: Baroque Written: 1726-1731; Leipzig, Germany |
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| 83. |
Partita for Keyboard no 1 in B flat major, BWV 825: Gigue by Johann Sebastian Bach | ||||
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Performer:
Gustav Leonhardt (Harpsichord)
Period: Baroque Written: 1726-1731; Leipzig, Germany |
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| 84. |
Magnificat in D major, BWV 243: Deposuit potentes by Johann Sebastian Bach | ||||
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Performer:
Christoph Prégardien (Tenor)
Conductor: Sigiswald Kuijken Orchestra/Ensemble: La Petite Bande Period: Baroque Written: circa 1728; Leipzig, Germany |
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| 85. |
Mass in B minor, BWV 232: Agnus Dei by Johann Sebastian Bach | ||||
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Conductor:
Philippe Herreweghe
Orchestra/Ensemble: Collegium Vocale Period: Baroque Written: 1747-1749; Leipzig, Germany |
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| 86. |
Sonata for Harpsichord in G major, F 7: Presto by Wilhelm Friedemann Bach | ||||
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Performer:
Christophe Rousset (Harpsichord)
Period: Classical Written: Berlin, Germany |
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| Notes: Composition written: Berlin, Germany (Circa 1775 - Circa 1780). | |||||
| 87. |
Concerto for Cello no 3 in A major, Wq 172/H 439: 3rd movement, Allegro assai by Carl Philipp Emmanuel Bach | ||||
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Performer:
Anner Bylsma (Cello)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Orchestra of the Age of Enlightenment Period: Classical Written: ?1753; Berlin, Germany |
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| 88. |
Auferstehung und Himmelfahrt Jesu, Wq 240/H 777: Triumph! Der Fürst des Lebens sieget! by Carl Philipp Emmanuel Bach | ||||
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Conductor:
Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale, Orchestra of the Age of Enlightenment Period: Classical Written: Hamburg, Germany |
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| Notes: Composition written: Hamburg, Germany (1774 - 1778). | |||||
| 89. |
Concerto for Cello in G minor: Allegro non tanto by Mathias Georg Monn | ||||
|
Performer:
Balázs Maté (Cello)
Conductor: Lajos Rovátkay Orchestra/Ensemble: Capella Agostino Steffani Period: Baroque Written: 18th Century; Austria |
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| 90. |
Suite in D major: Prince of Denmark's March "Trumpet Voluntary" by Jeremiah Clarke | ||||
|
Performer:
Crispian Steele-Perkins (Trumpet)
Conductor: Richard Hickox Orchestra/Ensemble: City of London Baroque Sinfonia Period: Baroque Written: by 1700; England |
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| 91. |
Messe de Requiem: Sanctus by Joao Domingos Bomtempo | ||||
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Conductor:
Michel Corboz
Orchestra/Ensemble: Gulbenkian Foundation Symphony Orchestra Lisbon, Gulbenkian Foundation Chorus Lisbon Period: Classical Written: by 1819; Paris, France |
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| 92. |
Suite for Cello solo no 1 in G major, BWV 1007: 1st movement, Prelude by Johann Sebastian Bach | ||||
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Performer:
Ralph Kirshbaum (Cello)
Period: Baroque Written: circa 1720; Cöthen, Germany |
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| 93. |
Sonata for Flute and Harpsichord in E flat major, BWV 1031 by Johann Sebastian Bach | ||||
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Performer:
Lionel Rogg (Harpsichord),
Michel Debost (Flute)
Period: Baroque Written: circa 1734; Leipzig, Germany |
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| 94. |
Concerto for Piccolo in C major, RV 444: 1st movement, Allegro non molto by Antonio Vivaldi | ||||
|
Performer:
Michel Sanvoisin (Recorder)
Conductor: Louis Auriacombe Orchestra/Ensemble: Toulouse Chamber Orchestra Period: Baroque Written: Venice, Italy |
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| 95. |
L'Incoronazione di Poppea: Pur ti miro [Final Duet] by Claudio Monteverdi | ||||
|
Performer:
Arleen Augér (Soprano),
Della Jones (Mezzo Soprano)
Conductor: Richard Hickox Orchestra/Ensemble: City of London Baroque Sinfonia Period: Baroque Written: 1642; Venice, Italy |
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