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| Music Of Tom Flaherty / Tom Flaherty, Karl Kohn, Et Al | |||||
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Release Date: 07/26/2005 Label: Bridge Catalog #: 9162 Spars Code: DDD Composer: Tom Flaherty Performer: Karl Kohn, Margaret Kohn, Peter Yates, Tom Flaherty, Cynthia Fogg
Number of Discs: 1 |
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| Notes & Reviews | Back to Top | ||||
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| Tom Flaherty's compositions grow organically from small motives or cells that expand and contract in unpredictable yet satisfyingly logical spans. Always governed by a truly musical ear, Flaherty's music is too restless to be called minimalist, and too repetitive to be termed maximalist. The two duo piano works that open and close this CD sound radically different from each other. Vorarlberg Resonance is a response to bells the composer heard in Austria, and makes use of the overtones that bells and pianos have in common. Time to Travel uses a series of rhythmic ostinati that evolve continuously throughout the course of the composition. The two compositions using digital processor- Trio for Cello and Quartet for Viola and Cello use the processor to delay and transpose the input from the live instruments. When the delay pattern is overlaid with live playing, many different tempi and meters emerge from the composite. These two works, so seemingly simple in their materials, emerge as wonderfully rich musical statements. Timeflies for guitar and cello, and Semi-Suite for solo cello further pursue the composer's interest in exploring rhyhmic and metric interaction while writing challenging music for himself to perform. Tom Flaherty was a cello student of Bernard Greenhouse and Timothy Eddy, and studied composition with, among others, Martin Boykan, Billy Jim Layton, Bülent Arel, Robert Linn, and Fredrick Lesemann. A recipient of numerous grants and commissions, Tom Flaherty is an Associate Professor of Music at Pomona College, and an active cellist in the Los Angeles area. | |||||
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| Works on This Recording | Back to Top | ||||
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| 1. |
Vorarlberg Resonance by Tom Flaherty | ||||
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Performer:
Karl Kohn (Piano),
Margaret Kohn (Piano)
Period: 20th Century Written: 1991; USA |
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Date of Recording: 10/07/2000 Venue: Lyman Hall, Pomona Colege, Claremont, CA Length: 9 Minutes 44 Secs. |
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| 2. |
Timeflies by Tom Flaherty | ||||
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Performer:
Peter Yates (Guitar),
Tom Flaherty (Cello)
Period: 20th Century Written: 1996; USA |
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Date of Recording: 10/07/2000 Venue: Bridges Auditorium, Pomona College Length: 11 Minutes 56 Secs. |
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| 3. |
Trio for Cello and Digital Processor by Tom Flaherty | ||||
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Performer:
Tom Flaherty (Cello)
Period: 20th Century Written: 1991; USA |
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Date of Recording: 07/08/1994 Venue: Electronic Studio, Pomona College, Clare Length: 12 Minutes 37 Secs. |
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| 4. |
Semi-Suite by Tom Flaherty | ||||
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Performer:
Tom Flaherty (Cello)
Period: 20th Century Written: 1990; USA |
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Date of Recording: 05/30/2000 Venue: Bridges Auditorium, Pomona College Length: 6 Minutes 55 Secs. |
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| 5. |
Quartet for Viola, Cello and Digital Processor by Tom Flaherty | ||||
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Performer:
Cynthia Fogg (Viola),
Tom Flaherty (Cello)
Period: 20th Century Written: 1991; USA |
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Date of Recording: 01/01/1994 Venue: Electronic Studio, Pomona College, Clare Length: 9 Minutes 35 Secs. |
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| 6. |
Time to Travel by Tom Flaherty | ||||
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Performer:
Karl Kohn (Piano),
Margaret Kohn (Piano)
Period: 20th Century Written: 1996; USA |
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Date of Recording: 09/03/1996 Venue: Lyman Hall, Pomona Colege, Claremont, CA Length: 10 Minutes 58 Secs. |
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