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 Sounds Sublime - The Essential Collection / Christophers, The Sixteen
Release Date: 09/08/2009 
Label:  Coro   Catalog #: 16073   Spars Code: n/a 
Composer:  Johann Sebastian BachTomás Luis de VictoriaWolfgang Amadeus MozartDomenico ScarlattiThomas Tallis
Henry PurcellGeorge Frideric HandelJohannes BrahmsAntonio Lotti
John TavenerAntonio TeixeiraLeonard BernsteinJean Yves Daniel-Lesur
Gabriel FauréFrancis PoulencBenjamin BrittenGregorio Allegri
Giovanni PalestrinaJuan Gutierrez de PadillaJohn SheppardFrank Martin
Samuel BarberAntonio Vivaldi
Performer:  Libby CrabtreeChristopher GlynnGary CooperLynda RussellElin Manahan Thomas
Nicola JenkinMichael GeorgeRoger MontgomeryRuth Dean
Christopher PurvesSally DunkleyLynne DawsonCrispian Steele-Perkins

Conductor:  Harry Christophers
Orchestra/Ensemble:  The SixteenAcademy of St. Martin in the FieldsBBC Philharmonic Orchestra

Number of Discs: 2 
Recorded in: Stereo 

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Notes & Reviews   Works on This Recording   Sound Samples   
 Notes & Reviews Back to Top 
The Sixteen - Sounds Sublime 'The Essential Collection' A collection of some of the most celebrated recordings from Harry Christophers and his award-winning ensemble. Equally appealing to fans of The Sixteen and those who are new to the group, this disc provides a definitive collection of familiar classics and lesser-known treasures. Always Sublime...Always Captivating...Always The Sixteen "Astounding music all, all astoundingly performed..." INTERNATIONAL RECORD REVIEW
 Works on This Recording Back to Top 
1.  Magnificat anima mea Dominum (from Magnificat in D, BWV 243) by Johann Sebastian Bach
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: 1723; Leipzig, Germany 
Length: 2 Minutes 55 Secs. 
2.  Ave Maria À 8 by Tomás Luis de Victoria
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Renaissance 
Written: by 1572; Italy 
Length: 4 Minutes 3 Secs. 
3.  Ave Verum corpus (K618) by Wolfgang Amadeus Mozart
Conductor:  Harry Christophers
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  The Sixteen
Period: Classical 
Written: 1791; Baden, Austria 
Length: 2 Minutes 54 Secs. 
4.  Iste confessor by Domenico Scarlatti
Performer:  Libby Crabtree (Soprano)
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: circa 1715; Rome, Italy 
Length: 3 Minutes 23 Secs. 
5.  Spem in alium by Thomas Tallis
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Renaissance 
Written: after 1559; England 
Length: 9 Minutes 35 Secs. 
6.  Man that is born of a woman (from Funeral Sentences, first set) by Henry Purcell
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: circa 1680-1682; England 
Length: 2 Minutes 43 Secs. 
7.  Thou knowest, Lord, the secrets of our hearts by Henry Purcell
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Length: 2 Minutes 1 Secs. 
8.  Coronation Anthem: Zadok the Priest (HWV 258) by George Frideric Handel
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: 1727; London, England 
Length: 5 Minutes 43 Secs. 
9.  Wie lieblich sind deine Wohnungen (from Ein Deutsches Requiem) by Johannes Brahms
Performer:  Christopher Glynn (Piano), Gary Cooper (Piano)
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Romantic 
Written: 1854-1868; Austria 
Length: 6 Minutes 32 Secs. 
10.  Crucifixus a 8 by Antonio Lotti
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: Italy 
Length: 3 Minutes 14 Secs. 
11.  A Hymn to the Mother of God by John Tavener
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: 20th Century 
Written: 1985; England 
Length: 3 Minutes 18 Secs. 
12.  Te gloriosus Apostolorum (from Te Deum) by Antonio Teixeira
Performer:  Lynda Russell (Soprano)
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Length: 5 Minutes 18 Secs. 
13.  Spring Song (from The Lark) by Leonard Bernstein
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: 20th Century 
Written: 1955; USA 
Length: 1 Minutes 54 Secs. 
14.  La voix du bien-aimé (from Le Cantique des Cantiques) by Jean Yves Daniel-Lesur
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: 20th Century 
Length: 3 Minutes 49 Secs. 
15.  Pie Jesu (from Requiem) by Gabriel Fauré
Performer:  Elin Manahan Thomas (Soprano)
Conductor:  Harry Christophers
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  The Sixteen
Period: Romantic 
Written: 1877-1890; France 
Length: 3 Minutes 23 Secs. 
16.  Una hora (from Sept Répons des Ténèbres) by Francis Poulenc
Conductor:  Harry Christophers
Orchestra/Ensemble:  BBC Philharmonic Orchestra,  The Sixteen
Period: 20th Century 
Length: 3 Minutes 27 Secs. 
17.  A Hymn of Saint Columba by Benjamin Britten
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: 20th Century 
Written: 1962; England 
Length: 1 Minutes 59 Secs. 
18.  Moses and the children of Israel (from Israel in Egypt, HWV 54) by George Frideric Handel
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: by 1739; London, England 
Length: 0 Minutes 57 Secs. 
19.  I will sing unto the Lord (from Israel in Egypt, HWV 54) by George Frideric Handel
Performer:  Nicola Jenkin (Soprano)
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Length: 2 Minutes 41 Secs. 
20.  Quoniam tu solus sanctus (from Mass in B minor, BWV 232) by Johann Sebastian Bach
Performer:  Michael George (Bass), Roger Montgomery (Horns)
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: 1747-1749; Leipzig, Germany 
Length: 4 Minutes 30 Secs. 
21.  Cum Sancto Spiritu (from Mass in B minor, BWV 232) by Johann Sebastian Bach
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: 1747-1749; Leipzig, Germany 
Length: 3 Minutes 50 Secs. 
22.  Arrival of the Queen of Sheba (from Solomon, HWV 67) by George Frideric Handel
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: by 1749; London, England 
Length: 3 Minutes 3 Secs. 
23.  Laudate Dominum (from Vesperae solennes de Confessore, K339) by Wolfgang Amadeus Mozart
Conductor:  Harry Christophers
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  The Sixteen
Period: Classical 
Written: 1780; Salzburg, Austria 
Length: 3 Minutes 59 Secs. 
24.  Miserere mei Deus by Gregorio Allegri
Performer:  Ruth Dean (Soprano), Christopher Purves (Bass), Sally Dunkley (Soprano)
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Renaissance 
Written: by 1603; Italy 
Length: 12 Minutes 11 Secs. 
25.  Kyrie (from Missa Papae Marcelli) by Giovanni Palestrina
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Renaissance 
Written: by 1567; Italy 
Length: 3 Minutes 59 Secs. 
26.  Deus in adiutorium meum intende by Juan Gutierrez de Padilla
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: Mexico 
Length: 2 Minutes 8 Secs. 
27.  O Domine Iesu Christe by Tomás Luis de Victoria
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Renaissance 
Length: 3 Minutes 36 Secs. 
28.  Libera nos by John Sheppard
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Renaissance 
Written: 16th Century; England 
Length: 3 Minutes 22 Secs. 
29.  Agnus Dei (from Mass for Double Choir) by Frank Martin
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: 20th Century 
Written: 1922-1926; Switzerland 
Length: 5 Minutes 41 Secs. 
30.  The Lamb "Little Lamb, who made thee?" by John Tavener
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: 20th Century 
Written: 1982; England 
Length: 3 Minutes 35 Secs. 
31.  Funeral motet: Versa est in luctum by Tomás Luis de Victoria
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Renaissance 
Written: by 1583; Italy 
Length: 4 Minutes 3 Secs. 
32.  Agnus Dei by Samuel Barber
Performer:  Ruth Dean (Soprano)
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: 20th Century 
Written: 1967; USA 
Length: 8 Minutes 25 Secs. 
Notes: This work is a vocal arrangement of the composer's 'Adagio for Strings.' 
33.  Advance Democracy by Benjamin Britten
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: 20th Century 
Written: 1938; England 
Length: 3 Minutes 17 Secs. 
34.  Hallelujah (from Messiah HWV 56) by George Frideric Handel
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: 1742; London, England 
Length: 3 Minutes 52 Secs. 
35.  Cantata BWV 147: Chorus. Herz und Mund und Tat und Leben by Johann Sebastian Bach
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: 1723; Leipzig, Germany 
Length: 2 Minutes 42 Secs. 
36.  Gloria in excelsis Deo (from Gloria in D) by Antonio Vivaldi
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: Venice, Italy 
Length: 2 Minutes 26 Secs. 
37.  Cantata 50 BWV 50: Nun ist das Heil und die Kraft by Johann Sebastian Bach
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: ?1723; ?Leipzig, Germany 
Length: 3 Minutes 43 Secs. 
38.  Let the bright seraphim (from Samson HWV 57) (Air & Chorus) by George Frideric Handel
Performer:  Lynne Dawson (Soprano), Crispian Steele-Perkins (Trumpet)
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Baroque 
Written: by 1743; London, England 
Length: 6 Minutes 29 Secs. 
 Sound Samples Back to Top 
Ave Maria à 8 (Victoria)
Israel in Egypt (Handel)
"I will sing unto the Lord"
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