Perhaps the jazziest number in the whole collection is Villa-Lobos’s Estrella é lua nóva, arranged by the composer’s New York-based fellow Brazilian Eliane Elias. She uses a trio comprising piano, acoustic bass and percussion. For performances of their own works by two Cuban musicians, José María Vitier has a quintet, while Chucho Valdés simply accompanies at the piano.

The original challenge was to synthesise classic, jazz and Latin music, to present graceful melodies in uncluttered arrangements. This has been achieved extraordinarily successfully. Nothing conspires to destroy the atmosphere of relaxed sensuality and eroticism that pervades the whole collection. Piazzolla’s Milonga sin Palabras, performed as a wordless vocalise with piano, bandoneon, bass and flute, is perhaps the most haunting item in an altogether beguiling collection.

-- Andrew Lamb, Gramophone