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| Piano Solos Of Latin America / Estela Olevsky | |||||
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Release Date: 04/15/2000 Label: Centaur Records Catalog #: 2202 Spars Code: DDD Composer: Ignacio Cervantes, Alberto Ginastera, Carlos Guastavino, Heitor Villa-Lobos, Ernesto Nazareth, Robert Stern, Carlos Chavez, Aaron Copland Performer: Estela Olevsky
Number of Discs: 1 |
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CD
$17.99
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| Notes & Reviews | Back to Top | ||||
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| Selections recorded July and August, 1993 at the Fine Arts Center Concert Hall, University of Massachusetts, Amherst. | |||||
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| Works on This Recording | Back to Top | ||||
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| 1. |
La celosa by Ignacio Cervantes | ||||
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Performer:
Estela Olevsky (Piano)
Period: Romantic Written: 1875-1895; Cuba |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 2 Minutes 52 Secs. |
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| Notes: This selection shares a track and timing with "Los tres golpes" and "Si!" | |||||
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| 2. |
Los tres golpes by Ignacio Cervantes | ||||
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Performer:
Estela Olevsky (Piano)
Period: Romantic Written: 1875-1895; Cuba |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst |
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| Notes: This selection shares a track and timing with "La celosa" and "Si!" | |||||
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| 3. |
Siempre Si! by Ignacio Cervantes | ||||
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Performer:
Estela Olevsky (Piano)
Period: Romantic Written: 1875-1895; Cuba |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst |
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| Notes: This selection shares a track and timing with "La celosa" and "Los tres golpes." | |||||
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| 4. |
Zigs-Zags by Ignacio Cervantes | ||||
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Performer:
Estela Olevsky (Piano)
Period: Romantic Written: 1875-1895; Cuba |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 2 Minutes 52 Secs. |
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| Notes: This selection shares a track and timing with "Porqué-eh?" and "Pst!" | |||||
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| 5. |
Porqué, eh? by Ignacio Cervantes | ||||
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Performer:
Estela Olevsky (Piano)
Period: Romantic Written: 1875-1895; Cuba |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst |
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| Notes: This selection shares a track and timing with "Zigs-Zags" and "Pst!" | |||||
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| 6. |
Pst! by Ignacio Cervantes | ||||
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Performer:
Estela Olevsky (Piano)
Period: Romantic Written: 1875-1895; Cuba |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst |
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| Notes: This selection shares a track and timing with "Zigs-Zags" and "Porqué-eh?" | |||||
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| 7. |
La carcajada by Ignacio Cervantes | ||||
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Performer:
Estela Olevsky (Piano)
Period: Romantic Written: 1875-1895; Cuba |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 3 Minutes 11 Secs. |
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| Notes: This selection shares a track and timing with "Cri-Cri!," "Sincopada, and "Improvisada." | |||||
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| 8. |
Cri-Cri! by Ignacio Cervantes | ||||
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Performer:
Estela Olevsky (Piano)
Period: Romantic Written: 1875-1895; Cuba |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst |
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| Notes: This selection shares a track and timing with "La carcajada," "Sincopada," and "Improvisada." | |||||
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| 9. |
Sincopada by Ignacio Cervantes | ||||
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Performer:
Estela Olevsky (Piano)
Period: Romantic Written: 1875-1895; Cuba |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst |
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| Notes: This selection shares a track and timing with "La carcajada," "Cri-Cri!," and "Improvisada." | |||||
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| 10. |
Improvisada by Ignacio Cervantes | ||||
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Performer:
Estela Olevsky (Piano)
Period: Romantic Written: 1875-1895; Cuba |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst |
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| Notes: This selection shares a track and timing with "La carcajada," "Cri-Cri!," and "Sincopada." | |||||
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| 11. |
Malambo, Op. 7 by Alberto Ginastera | ||||
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Performer:
Estela Olevsky (Piano)
Period: 20th Century Written: 1940; Argentina |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 2 Minutes 47 Secs. |
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| 12. |
Canciones (2), Op. 3: no 2, Canción al árbol del olvido "Milonga" by Alberto Ginastera | ||||
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Performer:
Estela Olevsky (Piano)
Period: 20th Century Written: 1938; Argentina |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 2 Minutes 25 Secs. |
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| Notes: Transcribed: Alberto Ginastera | |||||
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| 13. |
Preludes (10) on themes from popular Argentinian songs by Carlos Guastavino | ||||
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Performer:
Estela Olevsky (Piano)
Period: 20th Century Written: 1952; Argentina |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 19 Minutes 32 Secs. |
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| 14. |
Chôros no 5 for Piano "Alma brasileira" by Heitor Villa-Lobos | ||||
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Performer:
Estela Olevsky (Piano)
Period: 20th Century Written: 1925; Paris, France |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 6 Minutes 3 Secs. |
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| 15. |
Escovado by Ernesto Nazareth | ||||
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Performer:
Estela Olevsky (Piano)
Period: 20th Century Written: Brazil |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 3 Minutes 14 Secs. |
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| 16. |
Perigoso by Ernesto Nazareth | ||||
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Performer:
Estela Olevsky (Piano)
Period: 20th Century Written: Brazil |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 6 Minutes 34 Secs. |
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| 17. |
Odeon by Ernesto Nazareth | ||||
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Performer:
Estela Olevsky (Piano)
Period: 20th Century Written: 1910; Brazil |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 2 Minutes 38 Secs. |
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| 18. |
Variations on the theme "Arrorró" by Robert Stern | ||||
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Performer:
Estela Olevsky (Piano)
Period: 20th Century Written: USA |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 4 Minutes 23 Secs. |
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| 19. |
Cake-Walk by Carlos Chavez | ||||
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Performer:
Estela Olevsky (Piano)
Period: 20th Century Written: Mexico |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 1 Minutes 54 Secs. |
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| 20. |
Vals Elegia by Carlos Chavez | ||||
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Performer:
Estela Olevsky (Piano)
Period: 20th Century Written: Mexico |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 2 Minutes 54 Secs. |
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| 21. |
El salón México by Aaron Copland | ||||
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Performer:
Estela Olevsky (Piano)
Period: 20th Century Written: 1932-1936; USA |
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Date of Recording: 1993 Venue: University of Massachusetts, Amherst Length: 9 Minutes 53 Secs. |
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| Notes: Transcribed: Leonard Bernstein | |||||
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