Scored for mezzo-soprano and a bevy of instruments (not all of which ever play at once)--flutes, oboe, English horn, clarinets, bassoons, horns, trumpets, various percussion, harp, piano, and strings--the songs are all "approachable" modern music, filled with both drama and, at times, a distinctively Spanish flavor. Careful listeners will hear some early Alban Berg-like textures as well. The songs range from a sensual appreciation of the beloved and a fear of separation to a peaceful but very sad evocation: "My love, if I die and you don't."

Lieberson clearly composed them with great love for his wife; we the listeners benefit from that love in the direct, candid music and performances. The marriage of words and music rarely has been so happy--the sign of a great song cycle--and the mood of longing, satisfaction, and leisurely sensuality carries us from start to finish. James Levine leads the BSO with sensitivity and warmth. This cycle may just be the Four Last Songs of the 21st century. A must.

--Robert Levine, ClassicsToday.com