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| Notes & Reviews | Back to Top | ||||
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| Recorded in: Leeds Parish Church Recorded in: St Anne's Cathedral, Leeds Recorded in: Dewsbury Town Hall Recorded in: All Saints' Church, Tooting, London Producer(s) Brian Couzens Ralph Couzens Sound Engineer(s) Ralph Couzens Richard Lee Peter Newble Richard Smoker (assistant) | |||||
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| Works on This Recording | Back to Top | ||||
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| 1. |
Zigeunermelodien (7), Op. 55: no 4, Als die alte Mutter by Antonín Dvorák | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: 1880; Bohemia |
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| Notes: Arranged: Gordon Langford | |||||
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| 2. |
Turandot: Nessun dorma! by Giacomo Puccini | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: 1926; Italy |
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| Notes: Arranged: Peter Parkes | |||||
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| 3. |
Ave Maria by Charles Gounod | ||||
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Performer:
Phillip McCann (Cornet),
Iain Robertson (Organ)
Period: Romantic Written: 1859; France |
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Notes: Arranged: Phillip McCann This work is based on J.S. Bach's Prelude no 1 in C from 'The Well-Tempered Clavier.' |
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| 4. |
Rusalka, Op 114/B 203: O moon high up "Song to the moon" by Antonín Dvorák | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: 1900; Bohemia |
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| Notes: Arranged: Gordon Langford | |||||
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| 5. |
Songs (5), Op. 49: no 4, Wiegenlied by Johannes Brahms | ||||
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Performer:
Phillip McCann (Cornet),
Iain Robertson (Organ)
Period: Romantic Written: 1868; Austria |
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| Notes: Arranged: Phillip McCann | |||||
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| 6. |
Madama Butterfly: Un bel dě vedremo by Giacomo Puccini | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: 1904; Italy |
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| Notes: Arranged: Gordon Langford | |||||
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| 7. |
Passing by by Edward Cockrane Purcell | ||||
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Performer:
Phillip McCann (Cornet),
Iain Robertson (Organ)
Period: 20th Century Written: Germany |
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| Notes: Arranged: Phillip McCann | |||||
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| 8. |
Songs (6), Op. 6: no 6, None but the lonely heart by Peter Ilyich Tchaikovsky | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: 1869; Russia |
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| Notes: Arranged: Gordon Langford | |||||
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| 9. |
Les Filles de Cadiz "Chanson Espagnole" by Léo Delibes | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: France |
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| Notes: Arranged: Gordon Langford | |||||
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| 10. |
My love is like a red, red rose by Traditional | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Written: Scotland |
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| Notes: Arranged: Gordon Langford | |||||
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| 11. |
Du bist die Ruh, D 776/Op. 59 no 3 by Franz Schubert | ||||
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Performer:
Iain Robertson (Organ),
Phillip McCann (Cornet)
Period: Romantic Written: 1823; Vienna, Austria |
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| Notes: Arranged: Phillip McCann | |||||
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| 12. |
Préludes, Book 1: no 8, La fille aux cheveux de lin by Claude Debussy | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: 20th Century Written: 1909-1910; France |
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| Notes: Arranged: Peter Parkes | |||||
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| 13. |
Gianni Schicchi: O mio babbino caro by Giacomo Puccini | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: 1918; Italy |
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| Notes: Arranged: Gordon Langford | |||||
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| 14. |
Le nozze di Figaro, K 492: Non so piů cosa son, cosa faccio by Wolfgang Amadeus Mozart | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Classical Written: 1786; Vienna, Austria |
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| Notes: Arranged: Peter Parkes | |||||
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| 15. |
The Lost Chord by Arthur Sullivan | ||||
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Performer:
Phillip McCann (Cornet),
Iain Robertson (Organ)
Period: Romantic Written: 1877; England |
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| Notes: Arranged: Phillip McCann | |||||
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| 16. |
La Bohčme: Che gelida manina by Giacomo Puccini | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: 1896; Italy |
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| Notes: Arranged: Gordon Langford | |||||
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| 17. |
Aida: Celeste Aida by Giuseppe Verdi | ||||
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Performer:
Skaila Kanga (Harp),
Phillip McCann (Cornet)
Conductor: Gordon Langford Orchestra/Ensemble: Academy of St. Martin in the Fields Chamber Ens. Period: Romantic Written: 1871; Italy |
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| Notes: Arranged: Gordon Langford | |||||
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| 18. |
Skye Boat Song by Traditional | ||||
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Performer:
Skaila Kanga (Harp),
Phillip McCann (Cornet)
Conductor: Gordon Langford Orchestra/Ensemble: Academy of St. Martin in the Fields Chamber Ens. Written: Scotland |
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| Notes: Arranged: Gordon Langford | |||||
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| 19. |
A brown bird singing by Haydn Wood | ||||
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Performer:
Phillip McCann (Cornet),
Malcolm Hicks (Organ)
Period: 20th Century Written: 1922; England |
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| Notes: Arranged: Phillip McCann | |||||
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| 20. |
Macushla, your sweet voice is calling by Dermot Macmurrough | ||||
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Performer:
Phillip McCann (Cornet),
Malcolm Hicks (Organ)
Period: Romantic Written: by 1910; Ireland |
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| Notes: Arranged: Phillip McCann | |||||
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| 21. |
Concerto for Violin no 1 in G minor, Op. 26: 2nd movement, Adagio by Max Bruch | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: 1868; Germany |
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| Notes: Arranged: Peter Parkes | |||||
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| 22. |
Carmen: La fleur que tu m'avais jetée "Flower song" by Georges Bizet | ||||
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Performer:
Skaila Kanga (Harp),
Phillip McCann (Cornet)
Conductor: Gordon Langford Orchestra/Ensemble: Academy of St. Martin in the Fields Chamber Ens. Period: Romantic Written: 1873-1874; France |
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Notes: Arranged: Gordon Langford Composition written: France (1873 - 1874). |
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| 23. |
The Holy City by Stephen Adams | ||||
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Performer:
Phillip McCann (Cornet),
Malcolm Hicks (Organ)
Period: Romantic Written: by 1892; England |
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| Notes: Arranged: Phillip McCann | |||||
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| 24. |
Cavalleria Rusticana: Intermezzo by Pietro Mascagni | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: 1890; Italy |
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Notes: Arranged: Gordon Langford Composition written: Italy (1888). Composition revised: Italy (1889). |
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| 25. |
I hear you calling me by Charles Marshall | ||||
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Performer:
Phillip McCann (Cornet),
Malcolm Hicks (Organ)
Period: 20th Century Written: 1908; England |
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| Notes: Arranged: Phillip McCann | |||||
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| 26. |
Ellens Gesang III, D 839/Op. 52 no 6 "Ave Maria" by Franz Schubert | ||||
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Performer:
Malcolm Hicks (Organ),
Phillip McCann (Cornet)
Period: Romantic Written: 1825; Vienna, Austria |
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| Notes: Arranged: Phillip McCann | |||||
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| 27. |
Concerto for Violin in E minor, Op. 64: 2nd movement, Andante by Felix Mendelssohn | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: 1844; Germany |
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| Notes: Arranged: Peter Parkes | |||||
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| 28. |
Martha: Ach, so fromm by Friedrich von Flotow | ||||
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Performer:
Phillip McCann (Cornet),
Skaila Kanga (Harp)
Conductor: Gordon Langford Orchestra/Ensemble: Academy of St. Martin in the Fields Chamber Ens. Period: Romantic Written: 1847; Germany |
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| Notes: Arranged: Gordon Langford | |||||
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| 29. |
Faust: Salut! demeure chaste et pure by Charles Gounod | ||||
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Performer:
Skaila Kanga (Harp),
Phillip McCann (Cornet)
Conductor: Gordon Langford Orchestra/Ensemble: Academy of St. Martin in the Fields Chamber Ens. Period: Romantic Written: 1859; France |
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| Notes: Arranged: Gordon Langford | |||||
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| 30. |
Lucia di Lammermoor: Quando rapito in estasi by Gaetano Donizetti | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Black Dyke Mills Band Period: Romantic Written: 1835; Italy |
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| Notes: Arranged: Peter Parkes | |||||
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| 31. |
Casanova: O Madonna, auf uns sieh "Nuns' Chorus" by Johann Strauss Jr. | ||||
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Performer:
Roy Newsome (Organ),
Phillip McCann (Cornet)
Conductor: Douglas Blackledge Orchestra/Ensemble: Sellers Engineering Band Period: Romantic |
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| Notes: Arranged: Gordon Langford | |||||
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| 32. |
Roses of Picardy by Haydn Wood | ||||
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Performer:
Simon Lindley (Organ),
Phillip McCann (Cornet)
Period: 20th Century Written: 1916; England |
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| Notes: Arranged: Phillip McCann | |||||
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| 33. |
Aprčs un ręve, Op. 7 no 1 by Gabriel Fauré | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1877; France |
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| Notes: Arranged: Peter Graham | |||||
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| 34. |
La jolie fille de Perth: A la voix d'un amant fidčle by Georges Bizet | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1866; France |
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| Notes: Arranged: Peter Graham | |||||
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| 35. |
Swedish Hymn by Traditional | ||||
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Performer:
Roy Newsome (Organ),
Phillip McCann (Cornet)
Conductor: Douglas Blackledge Orchestra/Ensemble: Sellers Engineering Band Written: Sweden |
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| Notes: Arranged: Peter Graham | |||||
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| 36. |
Concerto for Violin in F minor, Op. 8 no 4/RV 297 "L'inverno": 2nd movement, Largo by Antonio Vivaldi | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Baroque Written: 1725; Venice, Italy |
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| Notes: Arranged: Peter Graham | |||||
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| 37. |
The Old Rugged Cross by George Bennard | ||||
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Performer:
Simon Lindley (Organ),
Phillip McCann (Cornet)
Period: 20th Century Written: 1913; USA |
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| Notes: Arranged: Phillip McCann | |||||
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| 38. |
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach | ||||
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Performer:
Phillip McCann (Cornet),
Simon Lindley (Organ)
Period: Baroque Written: 1723; Leipzig, Germany |
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| Notes: Arranged: Phillip McCann | |||||
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| 39. |
Il bacio by Luigi Arditi | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1860; Italy |
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| Notes: Arranged: Peter Graham | |||||
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| 40. |
Tis the last rose of summer by Thomas Moore | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: Ireland |
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| Notes: Arranged: Gordon Langford | |||||
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| 41. |
Danny Boy "Londonderry Air" by Traditional | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Written: Ireland |
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| Notes: Arranged: Goff Richards | |||||
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| 42. |
Cavalleria Rusticana: Ineggiamo, il Signor "Easter Hymn" by Pietro Mascagni | ||||
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Performer:
Roy Newsome (Organ),
Phillip McCann (Cornet)
Conductor: Douglas Blackledge Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1890; Italy |
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| Notes: Arranged: Roy Newsome | |||||
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| 43. |
Torna a Surriento by Ernesto De Curtis | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: Italy |
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| Notes: Arranged: Richard Phillips | |||||
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| 44. |
Count Your Blessings by Edith Temple | ||||
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Performer:
Simon Lindley (Organ),
Phillip McCann (Cornet)
Period: 20th Century Written: 1948 |
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Notes: This work was composed in collaboration with Reginald Morgan. Arranged: Peter Graham |
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| 45. |
Mass for 3 Voices, Organ, Harp, Cello and Double Bass in A, M 61/Op. 12: Panis angelicus by César Franck | ||||
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Performer:
Phillip McCann (Cornet),
Simon Lindley (Organ)
Conductor: Roy Newsome Orchestra/Ensemble: Leeds Parish Church Boys' Choir Period: Romantic Written: 1872; France |
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| 46. |
Song of the Seashore by Traditional | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Written: Japan |
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| Notes: Arranged: Alan Catherall | |||||
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| 47. |
I'll take you home again, Kathleen by Thomas P. Westendorf | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1876; USA |
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| Notes: Arranged: Alan Fernie | |||||
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| 48. |
Hear my prayer: O, for the wings of a dove by Felix Mendelssohn | ||||
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Performer:
Phillip McCann (Cornet),
Simon Lindley (Organ)
Period: Romantic Written: 1844; Germany |
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| Notes: Arranged: Phillip McCann | |||||
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| 49. |
Prince Igor: Polovtsian Dances - Excerpt(s) by Alexander Borodin | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1869-1887; Russia |
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| Notes: Arranged: Alan Fernie | |||||
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| 50. |
Myfanwy by Joseph Parry | ||||
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Performer:
Phillip McCann (Cornet),
Simon Lindley (Organ)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band, Leeds Parish Church Boys' Choir Period: Romantic Written: Wales, UK |
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| Notes: Arranged: Peter Graham | |||||
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| 51. |
Believe me if all those endearing young charms by Traditional | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Written: Ireland |
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| Notes: Arranged: Roy Newsome | |||||
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| 52. |
Dank sei dir, Herr by George Frideric Handel | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Baroque |
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| Notes: Arranged: Gordon Langford | |||||
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| 53. |
Somewhere a Voice is Calling by Arthur F. Tate | ||||
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Performer:
Phillip McCann (Cornet),
Simon Lindley (Organ)
Period: Romantic Written: 1911; England |
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| Notes: Arranged: Richard Phillips | |||||
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| 54. |
Requiem, Op. 48: Pie Jesu by Gabriel Fauré | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1888 rev 1893; France |
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| Notes: Arranged: Peter Graham | |||||
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| 55. |
Vesperae solennes de confessore, K 339: Laudate Dominum by Wolfgang Amadeus Mozart | ||||
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Performer:
Phillip McCann (Cornet),
Simon Lindley (Organ)
Conductor: Roy Newsome Orchestra/Ensemble: Leeds Parish Church Boys' Choir Period: Classical Written: 1780; Salzburg, Austria |
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| Notes: Arranged: Richard Phillips | |||||
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| 56. |
Samson et Dalila, Op. 47: Mon coeur s'ouvre ŕ ta voix by Camille Saint-Saëns | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1877; France |
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| Notes: Arranged: Gordon Langford | |||||
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| 57. |
In Memoriam Harry Mortimer "A Hunting Scene" by Phillip McCann | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: 20th Century Written: England |
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| 58. |
Thaďs: Meditation by Jules Massenet | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1894; France |
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| Notes: Arranged: Alan Fernie | |||||
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| 59. |
Salut d'amour, Op. 12 by Sir Edward Elgar | ||||
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Performer:
Phillip McCann (Cornet),
Simon Lindley (Organ)
Period: Romantic Written: 1888/1889; England |
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| Notes: Arranged: Gordon Langford | |||||
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| 60. |
Suo Gan by Traditional | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Huddersfield Choral Society, Sellers Engineering Band Written: Wales, UK |
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| Notes: Arranged: Richard Phillips | |||||
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| 61. |
Beau soir by Claude Debussy | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Sellers Engineering Band Period: 20th Century Written: circa 1880; France |
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| Notes: Arranged: Gordon Langford | |||||
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| 62. |
Koanga: La Calinda by Frederick Delius | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Sellers Engineering Band Period: 20th Century Written: 1895-1897; Paris, France |
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| Notes: Arranged: Alan Fernie | |||||
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| 63. |
Pavane, Op. 50 by Gabriel Fauré | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Huddersfield Choral Society, Sellers Engineering Band Period: Romantic Written: 1887; France |
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| Notes: Arranged: Peter Graham | |||||
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| 64. |
I'll walk beside you by Alan Murray | ||||
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Performer:
Phillip McCann (Cornet),
Simon Lindley (Organ)
Conductor: Major Peter Parkes Orchestra/Ensemble: Huddersfield Choral Society Period: 20th Century Written: England |
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| Notes: Arranged: Richard Phillips | |||||
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| 65. |
Suite bergamasque: 3rd movement, Clair de Lune by Claude Debussy | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Sellers Engineering Band Period: 20th Century Written: 1890/1905; France |
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| Notes: Arranged: Goff Richards | |||||
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| 66. |
Exotica by Brian Couzens | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Sellers Engineering Band Period: 20th Century Written: circa 1965 |
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| Notes: Arranged: Gordon Langford | |||||
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| 67. |
Songs (6), Op. 34: no 2, Auf Flügeln des Gesanges by Felix Mendelssohn | ||||
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Performer:
Phillip McCann (Cornet),
Simon Lindley (Organ)
Period: Romantic Written: 1836; Germany |
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| Notes: Arranged: Peter Graham | |||||
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| 68. |
Serse, HWV 40: Ombra mai fu "Largo" by George Frideric Handel | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Huddersfield Choral Society, Sellers Engineering Band Period: Baroque Written: 1738; London, England |
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| Notes: Arranged: Gordon Langford | |||||
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| 69. |
An Eriskay Love Lilt by Marjorie Kennedy-Fraser | ||||
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Performer:
Phillip McCann (Cornet),
Simon Lindley (Organ)
Conductor: Major Peter Parkes Orchestra/Ensemble: Huddersfield Choral Society Period: Romantic Written: Scotland |
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| Notes: Arranged: Alan Fernie | |||||
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| 70. |
Tosca: Vissi d'arte, vissi d'amore by Giacomo Puccini | ||||
|
Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1900; Italy |
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||||
| |||||
| Notes: Arranged: Gordon Langford | |||||
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| 71. |
Woodland Sketches, Op. 51: no 1, To a Wild Rose by Edward MacDowell | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1896; USA |
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||||
| |||||
| Notes: Arranged: Alan Fernie | |||||
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| 72. |
Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata": Schafe können sicher weiden by Johann Sebastian Bach | ||||
|
Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Huddersfield Choral Society, Sellers Engineering Band Period: Baroque Written: 1713; Cöthen, Germany |
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||||
| |||||
| Notes: Arranged: Goff Richards | |||||
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| 73. |
Symphony no 2 in E minor, Op. 27: 3rd movement, Adagio by Sergei Rachmaninov | ||||
|
Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1906-1908; Russia |
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| |||||
| Notes: Arranged: Ray Farr | |||||
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| 74. |
Csárdás by Vittorio Monti | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Major Peter Parkes Orchestra/Ensemble: Sellers Engineering Band Period: Romantic |
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||||
| |||||
| Notes: Arranged: Peter Graham | |||||
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| 75. |
Love's Old Sweet Song by James L. Molloy | ||||
|
Performer:
Simon Lindley (Organ),
Phillip McCann (Cornet)
Period: Romantic Written: England |
|
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| |||||
| Notes: Arranged: Phillip McCann | |||||
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| 76. |
Because by Helen Guy | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1902; France |
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||||
| |||||
| Notes: Arranged: Goff Richards | |||||
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| 77. |
Plaisir d'amour by Johann Paul A. Martini | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Classical Written: by 1775; France |
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||||
| |||||
| Notes: Arranged: Peter Graham | |||||
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| 78. |
Mattinata by Ruggero Leoncavallo | ||||
|
Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Period: Romantic Written: 1904; Italy |
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| |||||
| Notes: Arranged: Gordon Langford | |||||
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| 79. |
Shepherd's Song "La Baylčre" by Traditional | ||||
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Performer:
Phillip McCann (Cornet)
Conductor: Roy Newsome Orchestra/Ensemble: Sellers Engineering Band Written: Auvergne, France |
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| |||||
| Notes: Arranged: Peter Graham | |||||
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