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| Fairest Work Of Happy Nature - Blow: Songs & Keyboard Music | |||||
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Release Date: 04/16/1995 Label: Hyperion Catalog #: 66646 Spars Code: DDD Composer: John Blow Performer: Paula Chateauneuf, Timothy Roberts, John Mark Ainsley
Number of Discs: 1 |
CD
$19.99
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| Works on This Recording | Back to Top | ||||
| 1. |
No Form more the dear, the lovely nymph by John Blow | ||||
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Performer:
Paula Chateauneuf (Theorbo),
Timothy Roberts (Organ),
John Mark Ainsley (Tenor)
Period: Baroque Written: England |
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| 2. |
Prelude for Keyboard in G major by John Blow | ||||
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Performer:
Timothy Roberts (Spinet)
Period: Baroque Written: England |
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| 3. |
It is not that I love you less "The Self-banish'd" by John Blow | ||||
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Performer:
Paula Chateauneuf (Theorbo),
John Mark Ainsley (Tenor)
Period: Baroque Written: by 1700; England |
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| 4. |
Lovely Selina by John Blow | ||||
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Performer:
John Mark Ainsley (Tenor),
Timothy Roberts (Spinet),
Paula Chateauneuf (Guitar)
Period: Baroque Written: 1689; England |
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| 5. |
Mortlack's Ground by John Blow | ||||
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Performer:
Timothy Roberts (Spinet)
Period: Baroque Written: 17th Century; England |
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| 6. |
O turn not those fine eyes away by John Blow | ||||
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Performer:
Timothy Roberts (Harpsichord),
John Mark Ainsley (Tenor)
Period: Baroque Written: by 1700; England |
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| 7. |
Suite for Harpsichord no 1 in D minor by John Blow | ||||
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Performer:
Timothy Roberts (Harpsichord)
Period: Baroque Written: England |
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| 8. |
Fairest work of happy nature by John Blow | ||||
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Performer:
Paula Chateauneuf (Theorbo),
John Mark Ainsley (Tenor)
Period: Baroque Written: England |
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| 9. |
Why, Flavia, why so wanton still? by John Blow | ||||
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Performer:
Timothy Roberts (Harpsichord),
John Mark Ainsley (Tenor)
Period: Baroque Written: England |
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| 10. |
Ground in G minor by John Blow | ||||
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Performer:
Timothy Roberts (Harpsichord)
Period: Baroque Written: 17th Century; England |
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| 11. |
O that mine eyes would melt into a flood by John Blow | ||||
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Performer:
Timothy Roberts (Organ),
Paula Chateauneuf (Theorbo),
John Mark Ainsley (Tenor)
Period: Baroque Written: England |
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| 12. |
Verse in G minor by John Blow | ||||
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Performer:
Timothy Roberts (Spinet)
Period: Baroque Written: England |
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| Notes: The composer of this work is uncertain. | |||||
| 13. |
O mighty God, who sit'st on high by John Blow | ||||
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Performer:
Timothy Roberts (Organ),
Paula Chateauneuf (Theorbo),
John Mark Ainsley (Tenor)
Period: Baroque Written: England |
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| 14. |
Suite for Harpsichord no 3 in A minor by John Blow | ||||
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Performer:
Timothy Roberts (Spinet)
Period: Baroque Written: England |
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| 15. |
Sabina has a thousand charms by John Blow | ||||
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Performer:
John Mark Ainsley (Tenor),
Timothy Roberts (Spinet)
Period: Baroque Written: by 1700; England |
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| 16. |
Of all the torments by John Blow | ||||
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Performer:
Timothy Roberts (Harpsichord),
Paula Chateauneuf (Theorbo),
John Mark Ainsley (Tenor),
Timothy Roberts (Organ) Period: Baroque Written: by 1700; England |
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| 17. |
Ground in C major by John Blow | ||||
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Performer:
Timothy Roberts (Harpsichord)
Period: Baroque Written: England |
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| 18. |
No, Lesbia, no, you ask in vain "The Queen's Epicedium" by John Blow | ||||
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Performer:
Timothy Roberts (Organ),
John Mark Ainsley (Tenor),
Paula Chateauneuf (Theorbo)
Period: Baroque Written: 17th Century; England |
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