![]() |
![]() |
||||||||||
![]() |
|||||||||||
| Composers | | Conductors | | Performers | | Ensembles | | Operas | | Labels | | ArkivCDs | | DVDs | | Search | | More... | ![]() |
New ArkivMusic Reissues On Sale | ![]() |
|
Home >
Composers >
Works >
|
| Thomas Tallis: Complete Keyboard Works / Rachelle Taylor | |||||
|
Release Date: 03/28/2006 Label: Atma Classique Catalog #: 22349 Spars Code: n/a Composer: Thomas Tallis Performer: Rachelle Taylor
Number of Discs: 1 |
CD
$15.99
In Stock |
|||
| In Stock: Usually ships in 24 hours. | |||||
| |||||
| Notes & Reviews | Back to Top | ||||
|
While remembered primarily for his innovative choral writing, Thomas Tallis also was an active organist throughout his long and prolific life. Given this, as well as the inordinate diversity of these 23 mostly brief works (the majority lasting less than two minutes), we can only regret that (according to Rachelle Taylor's notes) this collection represents only a fraction of Tallis' total keyboard output, the rest having been lost. Judging from the quality of these few remaining works it's evident that Tallis displays an affinity for keyboard writing on par with any other composer of his generation. Nearly all of the pieces here were composed for the English Chapel Royal where Tallis was in residence for most of his career. Pensive organ selections such as the opening Per havec nos and following Clarifica me pater (three versions), as well as the more vibrant Natus est nobis hodie, reedy Gloria tibi Trinitas, and processional Veni Redemptor gentium (two versions), couldn't be more ideally suited for such a spiritually sublime setting. The virginal and harpsichord works included are equally delightful--and fascinating in contrast to the sacred fare. The longest selections--two Felix namque settings from the Fitzwilliam Virginal Book--are remarkably progressive exercises where momentum is often hindered by an imaginatively conceived series of rhythmic variations. Atma's audiophile sound is outstanding, with remarkable clarity and presence. In sum, this is a wonderful, well-conceived program that benefits not only from fine, authoritative playing, but also from the listener-friendly way the pieces are organized to maximize the different instrumental timbres. --John Greene, ClassicsToday.com |
|||||
| Works on This Recording | Back to Top | ||||
| 1. |
Salve intemerata virgo: Per haec nos by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Virginal),
Rachelle Taylor (Organ),
Rachelle Taylor (Harpsichord)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 2. |
Lesson by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Virginal),
Rachelle Taylor (Organ)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 3. |
When shall my sorrowful sighing slake by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Organ),
Rachelle Taylor (Virginal),
Rachelle Taylor (Harpsichord)
Period: Renaissance Written: England |
Venue: Aberdeen, Scotland |
||||
| 4. |
Jam lucis orto sidere by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Virginal),
Rachelle Taylor (Organ)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 5. |
Poyncte for the Virginals by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Organ),
Rachelle Taylor (Virginal),
Rachelle Taylor (Harpsichord)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 6. |
Natus est nobis hodie by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Organ),
Rachelle Taylor (Virginal),
Rachelle Taylor (Harpsichord)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 7. |
Gloria tibi Trinitas by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Virginal),
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Organ)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 8. |
O ye tender babes by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Virginal),
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Organ)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 9. |
Fantasy for Keyboard by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Organ),
Rachelle Taylor (Virginal)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 10. |
Iste confessor Domini sacratus by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Organ),
Rachelle Taylor (Virginal)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 11. |
Like as the doleful dove by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Organ),
Rachelle Taylor (Virginal)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 12. |
Fond youth is a bubble by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Virginal),
Rachelle Taylor (Organ)
Period: Renaissance Written: England |
Venue: Aberdeen, Scotland |
||||
| 13. |
Veni Redemptor gentium II by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Organ),
Rachelle Taylor (Virginal)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 14. |
Remember not, O Lord God by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Virginal),
Rachelle Taylor (Organ)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 15. |
Ex more docti mistico by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Virginal),
Rachelle Taylor (Organ)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 16. |
Clarifica me Pater no 1 by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Virginal),
Rachelle Taylor (Organ),
Rachelle Taylor (Harpsichord)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 17. |
Clarifica me Pater no 2 by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Virginal),
Rachelle Taylor (Organ),
Rachelle Taylor (Harpsichord)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 18. |
Clarifica me Pater no 3 by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Virginal),
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Organ)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 19. |
Ecce tempus idoneum no 1 by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Virginal),
Rachelle Taylor (Organ),
Rachelle Taylor (Harpsichord)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 20. |
Ecce tempus idoneum no 2 by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Virginal),
Rachelle Taylor (Organ),
Rachelle Taylor (Harpsichord)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 21. |
Felix Namque no 1 by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Virginal),
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Organ)
Period: Renaissance Written: 1562; England |
Venue: Aberdeen, Scotland |
||||
| 22. |
Veni Redemptor gentium I by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Organ),
Rachelle Taylor (Virginal)
Period: Renaissance Written: 16th Century; England |
Venue: Aberdeen, Scotland |
||||
| 23. |
Felix Namque no 2 by Thomas Tallis | ||||
|
Performer:
Rachelle Taylor (Harpsichord),
Rachelle Taylor (Virginal),
Rachelle Taylor (Organ)
Period: Renaissance Written: 1564; England |
Venue: Aberdeen, Scotland |
||||
| About ArkivMusic Contact Us Partner Program Institutional Sales Terms & Conditions Privacy Policy Help Your Account Shortcuts |
| ArkivMusic - The Source for Classical Music! |
| Copyright ArkivMusic LLC, 2009. | |||
| Data supplied by Muze, Inc. Copyright 1948-2009. For personal use only. All rights reserved. |
|
||
| Reviews provided by ClassicsToday.com Copyright 1999-2004 | |||