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| Notes & Reviews | Back to Top | ||||
| Includes work(s) by various composers. | |||||
| Works on This Recording | Back to Top | ||||
| 1. |
Solomon, HWV 67: Arrival of the Queen of Sheba by George Frideric Handel | ||||
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Performer:
Kenneth Solway (Oboe),
Antoine Saint-Pierre (Oboe),
Marc Destrubé (Violin),
Susan Graves (Bassoon), Jeanne Lamon (Violin), Christina Mahler (Cello), Jaak Liivoja-Lorius (Violin), Alison Mackay (Violin), Charlotte Nediger (Harpsichord), Ivars Taurins (Viola), Deborah Paul Orenstein (Violin) Orchestra/Ensemble: Tafelmusik Period: Baroque Written: by 1749; London, England |
Date of Recording: 03/1982 Venue: St Anne's Anglican Church, Toronto Length: 3 Minutes 6 Secs. |
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| 2. |
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach | ||||
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Conductor:
Jeanne Lamon
Orchestra/Ensemble: Tafelmusik Period: Baroque Written: circa 1729-1731; Leipzig, Germany |
Length: 4 Minutes 49 Secs. |
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| 3. |
Suite for Orchestra no 3 in D major, BWV 1068: Gavottes 1 and 2 by Johann Sebastian Bach | ||||
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Conductor:
Jeanne Lamon
Orchestra/Ensemble: Tafelmusik Period: Baroque Written: circa 1729-1731; Leipzig, Germany |
Length: 3 Minutes 28 Secs. |
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| 4. |
Goldberg Variations, BWV 988: Theme "Aria" by Johann Sebastian Bach | ||||
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Performer:
Luc Beauséjour (Harpsichord)
Period: Baroque Written: Nuremberg, Germany |
Length: 4 Minutes 6 Secs. |
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| 5. |
Suite for Cello solo no 1 in G major, BWV 1007: 1st movement, Prelude by Johann Sebastian Bach | ||||
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Performer:
Sergei Istomin (Cello)
Period: Baroque Written: circa 1720; Cöthen, Germany |
Length: 2 Minutes 28 Secs. |
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| 6. |
Dido and Aeneas, Z 626: Thy hand, Belinda...When I am laid in earth by Henry Purcell | ||||
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Performer:
Shannon Mercer (Soprano)
Conductor: Olivier Fortin Orchestra/Ensemble: Masques Period: Baroque Written: 1689; England |
Length: 3 Minutes 23 Secs. Language: English |
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| Notes: This selection omits the recitative, beginning with "When I am laid..." | |||||
| 7. |
Abdelazer, Z 570 "Moor's Revenge": Rondeau by Henry Purcell | ||||
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Conductor:
Jeanne Lamon
Orchestra/Ensemble: Tafelmusik Period: Baroque Written: 1695; England |
Date of Recording: 04/1995 Venue: Glenn Gould Studio, CBC Toronto, Canada Length: 1 Minutes 31 Secs. |
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| 8. |
Le reniement de St Pierre, H 424 "Cum cenasset Jesus": no 1, Historicus by Marc-Antoine Charpentier | ||||
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Conductor:
Christopher Jackson
Orchestra/Ensemble: Montreal Ancient Music Studio Period: Baroque Written: by 1687; France |
Date of Recording: 10/1994 Length: 0 Minutes 47 Secs. Language: Latin |
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| 9. |
Le reniement de St Pierre, H 424 "Cum cenasset Jesus": no 4, Historicus by Marc-Antoine Charpentier | ||||
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Conductor:
Christopher Jackson
Orchestra/Ensemble: Montreal Ancient Music Studio Period: Baroque Written: by 1687; France |
Date of Recording: 10/1994 Length: 0 Minutes 59 Secs. Language: Latin |
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| 10. |
Sonatas (6) for 2 Flutes/Violins, Op 5 "Melodious Canons": no 5 in A major, TV 40 no 122: Scherzando by Georg Philipp Telemann | ||||
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Performer:
Angèle Dubeau (Violin)
Period: Baroque Written: by 1738; Germany |
Length: 2 Minutes 27 Secs. |
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| 11. |
Fantasias (12) for Violin solo: no 7 in E flat major, TV 40 no 20/P 35 no 7: Dolce by Georg Philipp Telemann | ||||
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Performer:
Angèle Dubeau (Violin)
Period: Baroque Written: by 1735; Hamburg, Germany |
Length: 2 Minutes 0 Secs. |
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| 12. |
Cain overo Il primo omicidio: Perchè mormora il ruscello by Alessandro Scarlatti | ||||
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Performer:
Matthew White (Countertenor)
Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Period: Baroque Written: 1707; Venice, Italy |
Length: 4 Minutes 37 Secs. Language: Italian |
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| 13. |
Christe, adoramus te a 5 by Claudio Monteverdi | ||||
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Conductor:
James Fankhauser
Orchestra/Ensemble: Vancouver Cantata Singers Period: Baroque Written: by 1620; Italy |
Length: 3 Minutes 34 Secs. Language: Latin |
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| 14. |
Partita for Violin solo no 1 in B minor, BWV 1002: Double by Johann Sebastian Bach | ||||
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Performer:
James Ehnes (Violin)
Period: Baroque Written: circa 1720; Cöthen, Germany |
Length: 3 Minutes 9 Secs. |
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| 15. |
Pièces de clavecin, Book 2: Ordre 6 in B flat major - Les baricades mistérieuses by François Couperin | ||||
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Performer:
Luc Beauséjour (Harpsichord)
Period: Baroque Written: by 1717; Paris, France |
Length: 2 Minutes 23 Secs. |
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| 16. |
Trio Sonata for 2 Violins and Basso Continuo in D minor, Op. 1 no 12/RV 63 "La Follia" by Antonio Vivaldi | ||||
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Performer:
Thérèse Motard (Cello),
Marcelle Mallet (Violin),
Angèle Dubeau (Violin)
Orchestra/Ensemble: La Pieta Period: Baroque Written: 1705; Venice, Italy |
Length: 10 Minutes 44 Secs. |
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| 17. |
Sum in medio tempestatum, RV 632: Aria, Sum in medio by Antonio Vivaldi | ||||
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Performer:
Carole Bogenez (Cello),
René Gosselin (Double Bass),
Sylvain Bergeron (Theorbo),
Jean-François Gauthier (Keyboard), Jean-Louis Blouin (Viola), Nicole Trotier (Violin), Pascale Giguère (Violin), Karina Gauvin (Soprano) Conductor: Jean-François Gauthier Orchestra/Ensemble: Les Chambristes de Ville-Marie Period: Baroque Written: Italy |
Date of Recording: 05/1997 Venue: St. Augustin de Mirabel Church, Québec Length: 7 Minutes 51 Secs. Language: Latin |
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