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| Notes & Reviews | Back to Top | ||||
| Includes work(s) by various composers. Soloists: Manuel Barrueco, Julian Bream, Sharon Isbin, Christopher Parkening, Andrés Segovia. | |||||
| Works on This Recording | Back to Top | ||||
| 1. |
Partita for Lute in E major, BWV 1006a: 3rd movement, Gavotte en Rondeau by Johann Sebastian Bach | ||||
|
Performer:
Sharon Isbin (Guitar)
Period: Baroque Written: after 1720; Germany |
Length: 3 Minutes 12 Secs. |
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| 2. |
Allemande by John Dowland | ||||
|
Performer:
Christopher Parkening (Guitar)
Period: Renaissance Written: England |
Length: 1 Minutes 38 Secs. |
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| Notes: Arranger: Christopher Parkening. | |||||
| 3. |
Prelude, Fugue and Allegro for Lute in E flat major, BWV 998: Prelude by Johann Sebastian Bach | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: Baroque Written: circa 1740; Leipzig, Germany |
Length: 2 Minutes 33 Secs. |
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| 4. |
Partita for Violin solo no 2 in D minor, BWV 1004: 4th movement, Gigue by Johann Sebastian Bach | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: Baroque Written: 1720; Cöthen, Germany |
Length: 4 Minutes 54 Secs. |
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| 5. |
Gigue by Johann Jacob Froberger | ||||
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Performer:
Andrés Segovia (Guitar)
Period: Baroque Written: 17th Century; Germany |
Length: 1 Minutes 41 Secs. |
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| Notes: This selection is a mono recording. | |||||
| 6. |
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach | ||||
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Performer:
Christopher Parkening (Guitar)
Conductor: Paul Shure Orchestra/Ensemble: Los Angeles Chamber Orchestra Period: Baroque Written: 1723; Leipzig, Germany |
Length: 3 Minutes 13 Secs. |
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| Notes: Arranger: Patrick Russ. | |||||
| 7. |
Chamber Concerto for Lute and 2 Violins in D major, RV 93: Largo by Antonio Vivaldi | ||||
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Performer:
Christopher Parkening (Guitar)
Conductor: Iona Brown Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Baroque Written: Venice, Italy |
Length: 4 Minutes 37 Secs. |
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| 8. |
Livre de guittarre dédié au roy: Suite no 11 in B minor: Prélude-Allemande-Gigue by Robert de Visée | ||||
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Performer:
Manuel Barrueco (Guitar)
Period: Baroque Written: 1686; France |
Length: 4 Minutes 28 Secs. |
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| 9. |
O mia cieca e dura sorte by Vincenzo Capirola | ||||
|
Performer:
Anthony Bailes (Lute)
Period: Renaissance Written: by 1520; Italy |
Length: 2 Minutes 21 Secs. |
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| 10. |
Sonata for Harpsichord in E major, K 380/L 23 by Domenico Scarlatti | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: Baroque Written: 18th Century |
Length: 6 Minutes 8 Secs. |
||||
| Notes: Arranger: Julian Byzantine. | |||||
| 11. |
Pavan "The Countess of Pembrooke's Paradise" by Anthony Holborne | ||||
|
Performer:
Anthony Bailes (Lute)
Period: Renaissance Written: 16th Century; England |
Length: 3 Minutes 53 Secs. |
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| 12. |
Galliard "Heigh ho Holiday" by Anthony Holborne | ||||
|
Performer:
Anthony Bailes (Lute)
Period: Renaissance Written: by 1599; England |
Length: 1 Minutes 26 Secs. |
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| 13. |
Diferencias sobre "Guárdame las vacas" by Luis de Narváez | ||||
|
Performer:
Oscar Ghiglia (Guitar)
Period: Renaissance Written: by 1538; Spain |
Length: 3 Minutes 5 Secs. |
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| 14. |
Suite for Lute in G major by Denis Gaultier | ||||
|
Performer:
Anthony Bailes (Lute)
Period: Baroque Written: France |
Length: 6 Minutes 8 Secs. |
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| 15. |
Concerto for Harpsichord in E major, BWV 1053: 1st movement, Allegro by Johann Sebastian Bach | ||||
|
Performer:
Christopher Parkening (Guitar)
Conductor: Paul Shure Orchestra/Ensemble: Los Angeles Chamber Orchestra Period: Baroque Written: circa 1738-1739; Leipzig, Germany |
Length: 3 Minutes 16 Secs. |
||||
| Notes: Arranger: Patrick Russ. | |||||
| 16. |
Pièces de luth, Book 2: Pièces in F sharp minor by Charles Mouton | ||||
|
Performer:
Anthony Bailes (Lute)
Period: Baroque |
Length: 4 Minutes 25 Secs. |
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| 17. |
Secretum musarum, book 2: no 25, Carillon de Village by Nicolas Vallet | ||||
|
Performer:
Anthony Bailes (Lute)
Period: Baroque |
Length: 1 Minutes 55 Secs. |
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| 18. |
Sonata for Harpsichord in A major, K 322/L 483 by Domenico Scarlatti | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: Baroque Written: 18th Century |
Length: 3 Minutes 42 Secs. |
||||
| Notes: Arranger: Julian Byzantine. | |||||
| 19. |
Fantasia for Lute by Silvius Leopold Weiss | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: Baroque Written: 18th Century; Germany |
Length: 2 Minutes 32 Secs. |
||||
| Notes: Arranger: Julian Byzantine. | |||||
| 20. |
Concerto for Mandolin in C major, RV 425: 1st movement, Allegro by Antonio Vivaldi | ||||
|
Performer:
Christopher Parkening (Guitar)
Conductor: Iona Brown Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Baroque Written: Venice, Italy |
Length: 4 Minutes 22 Secs. |
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| 21. |
Suite Española for Guitar: La Miñona de Cataluña by Gaspar Sanz | ||||
|
Performer:
Christopher Parkening (Guitar)
Period: Baroque Written: Spain |
Length: 1 Minutes 24 Secs. |
||||
| Notes: Arranger: Christopher Parkening. | |||||
| 22. |
Variations for Guitar on a theme from Mozart's "Magic Flute", Op. 9 by Fernando Sor | ||||
|
Performer:
Christopher Parkening (Guitar)
Period: Romantic Written: by 1823; London, England |
Length: 7 Minutes 37 Secs. |
||||
| 23. |
Sonata for Guitar in D major, Op. 14 "Grand Solo" by Fernando Sor | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: Romantic Written: by 1823; London, England |
Length: 8 Minutes 50 Secs. |
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| 24. |
Suite española, Op. 47: no 1, Granada by Isaac Albeniz | ||||
|
Performer:
Andrés Segovia (Guitar)
Period: Romantic Written: 1886; Madrid, Spain |
Length: 4 Minutes 21 Secs. |
||||
| Notes: This selection is a mono recording. | |||||
| 25. |
Suite española, Op. 47: no 3, Sevilla by Isaac Albeniz | ||||
|
Performer:
Andrés Segovia (Guitar)
Period: Romantic Written: 1886; Madrid, Spain |
Length: 4 Minutes 18 Secs. |
||||
| Notes: This selection is a mono recording. | |||||
| 26. |
Capricho árabe by Francisco Tarrega | ||||
|
Performer:
Wulfin Lieske (Guitar)
Period: Romantic Written: Spain |
Length: 5 Minutes 17 Secs. |
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| 27. |
Preludes (16) for Guitar: no 8 in E major, Lágrima by Francisco Tarrega | ||||
|
Performer:
Wulfin Lieske (Guitar)
Period: Romantic Written: Spain |
Length: 1 Minutes 41 Secs. |
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| 28. |
Gavotte for Guitar "Maria" by Francisco Tarrega | ||||
|
Performer:
Wulfin Lieske (Guitar)
Period: Romantic Written: Spain |
Length: 1 Minutes 36 Secs. |
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| 29. |
Mazurka for Guitar by Francisco Tarrega | ||||
|
Performer:
Wulfin Lieske (Guitar)
Period: Romantic Written: Spain |
Length: 1 Minutes 47 Secs. |
||||
| 30. |
Recuerdos de la Alhambra by Francisco Tarrega | ||||
|
Performer:
Wulfin Lieske (Guitar)
Period: Romantic Written: 1896; Granada, Spain |
Length: 5 Minutes 27 Secs. |
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| 31. |
Recuerdos de Viaje, Op. 71: no 1, En el mar "Barcarola" by Isaac Albeniz | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: Romantic Written: by 1887; Madrid, Spain |
Length: 5 Minutes 46 Secs. |
||||
| Notes: Arranger: Julian Byzantine. | |||||
| 32. |
Recuerdos de Viaje, Op. 71: no 3, Leyenda by Isaac Albeniz | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: Romantic Written: by 1887; Madrid, Spain |
Length: 7 Minutes 15 Secs. |
||||
| Notes: Arranger: Julian Byzantine. | |||||
| 33. |
Recuerdos de Viaje, Op. 71: no 6, Puerta del tierra by Isaac Albeniz | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: Romantic Written: by 1887; Madrid, Spain |
Length: 3 Minutes 37 Secs. |
||||
| Notes: Arranger: Julian Byzantine. | |||||
| 34. |
Recuerdos de Viaje, Op. 71: no 8, Rumores de la caleta by Isaac Albeniz | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: Romantic Written: by 1887; Madrid, Spain |
Length: 4 Minutes 18 Secs. |
||||
| Notes: Arranger: Julian Byzantine. | |||||
| 35. |
Serenata española for Piano in F major by Joaquin Malats | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: Romantic Written: Spain |
Length: 3 Minutes 48 Secs. |
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| 36. |
Canciones (10) populares catalanas: no 6, Canço del lladre by Miguel Llobet | ||||
|
Performer:
Wulfin Lieske (Guitar)
Period: 20th Century Written: by 1918; Spain |
Length: 1 Minutes 39 Secs. |
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| 37. |
Jeux interdits: Romance by Narciso Yepes | ||||
|
Performer:
Pierre Laniau (Guitar)
Period: 20th Century |
Length: 2 Minutes 36 Secs. |
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| 38. |
El sombrero de tres picos: Miller's Dance "Farruca" by Manuel de Falla | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1919; Spain |
Length: 6 Minutes 36 Secs. |
||||
| Notes: Arranger: Manuel Barrueco. | |||||
| 39. |
El sombrero de tres picos: Miller's Wife "Fandango" by Manuel de Falla | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1919; Spain |
Length: 6 Minutes 22 Secs. |
||||
| Notes: Arranger: Manuel Barrueco. | |||||
| 40. |
Sonata a la española by Joaquin Rodrigo | ||||
|
Performer:
Ernesto Bitetti (Guitar)
Period: 20th Century Written: 1969; Spain |
Length: 7 Minutes 40 Secs. |
||||
| 41. |
Colección de tonadillas: no 7, La maja de Goya by Enrique Granados | ||||
|
Performer:
Eliot Fisk (Guitar)
Period: Romantic Written: Spain |
Length: 4 Minutes 28 Secs. |
||||
| 42. |
Danzas (12) españolas for Piano, Op. 37: no 5, Andaluza by Enrique Granados | ||||
|
Performer:
Eliot Fisk (Guitar)
Period: Romantic Written: 1892-1900; Spain |
Length: 4 Minutes 45 Secs. |
||||
| 43. |
Invocación y Danza for Guitar "Hommage a M de Falla" by Joaquin Rodrigo | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: Romantic Written: 1961; Spain |
Length: 7 Minutes 33 Secs. |
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| 44. |
Piezas (3) españolas for Guitar: no 1, Fandango by Joaquin Rodrigo | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1954; Spain |
Length: 3 Minutes 49 Secs. |
||||
| 45. |
Piezas (3) españolas for Guitar: no 2, Passacaglia by Joaquin Rodrigo | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1954; Spain |
Length: 4 Minutes 37 Secs. |
||||
| 46. |
Piezas (3) españolas for Guitar: no 3, Zapateado by Joaquin Rodrigo | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1954; Spain |
Length: 2 Minutes 59 Secs. |
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| 47. |
Concierto de Aranjuez for Guitar: 1st movement, Allegro con spirito by Joaquin Rodrigo | ||||
|
Performer:
Angel Romero (Guitar)
Conductor: André Previn Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: 1939; Spain |
Length: 6 Minutes 8 Secs. |
||||
| 48. |
Concierto de Aranjuez for Guitar: 2nd movement, Adagio by Joaquin Rodrigo | ||||
|
Performer:
Angel Romero (Guitar)
Conductor: André Previn Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: 1939; Spain |
Length: 10 Minutes 48 Secs. |
||||
| 49. |
Concierto de Aranjuez for Guitar: 3rd movement, Allegro gentile by Joaquin Rodrigo | ||||
|
Performer:
Angel Romero (Guitar)
Conductor: André Previn Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: 1939; Spain |
Length: 5 Minutes 1 Secs. |
||||
| 50. |
Concierto madrigal for 2 Guitars: no 1, Fanfare by Joaquin Rodrigo | ||||
|
Performer:
Alfonso Moreno (Guitar),
Deborah Mariotti (Guitar)
Conductor: Enrique Bátiz Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: 1968; Spain |
Length: 2 Minutes 2 Secs. |
||||
| 51. |
Concierto madrigal for 2 Guitars: no 6, Pastoral by Joaquin Rodrigo | ||||
|
Performer:
Alfonso Moreno (Guitar),
Deborah Mariotti (Guitar)
Conductor: Enrique Bátiz Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: 1968; Spain |
Length: 3 Minutes 41 Secs. |
||||
| 52. |
Concierto madrigal for 2 Guitars: no 7, Fandango by Joaquin Rodrigo | ||||
|
Performer:
Alfonso Moreno (Guitar),
Deborah Mariotti (Guitar)
Conductor: Enrique Bátiz Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: 1968; Spain |
Length: 2 Minutes 21 Secs. |
||||
| 53. |
Concierto madrigal for 2 Guitars: no 8, Arieta by Joaquin Rodrigo | ||||
|
Performer:
Alfonso Moreno (Guitar),
Deborah Mariotti (Guitar)
Conductor: Enrique Bátiz Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: 1968; Spain |
Length: 6 Minutes 1 Secs. |
||||
| 54. |
Concierto madrigal for 2 Guitars: no 9, Zapateado by Joaquin Rodrigo | ||||
|
Performer:
Alfonso Moreno (Guitar),
Deborah Mariotti (Guitar)
Conductor: Enrique Bátiz Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: 1968; Spain |
Length: 6 Minutes 37 Secs. |
||||
| 55. |
Concierto andaluz for 4 Guitars and Orchestra: 1st movement, Tiempo de bolero by Joaquin Rodrigo | ||||
|
Performer:
Jésus Ruiz (Guitar),
Alfonso Moreno (Guitar),
Cecilia López (Guitar),
Minerva Garibay (Guitar) Conductor: Enrique Bátiz Orchestra/Ensemble: Mexican State Symphony Orchestra Period: 20th Century Written: 1967; Spain |
Length: 8 Minutes 43 Secs. |
||||
| 56. |
Fantasía para un gentilhombre: 1st movement, Villano y Ricercare by Joaquin Rodrigo | ||||
|
Performer:
Ernesto Bitetti (Guitar)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: Philharmonia Orchestra Period: 20th Century Written: 1954; Spain |
Length: 4 Minutes 34 Secs. |
||||
| 57. |
Fantasía para un gentilhombre: 4th movement, Danza de las Hachas by Joaquin Rodrigo | ||||
|
Performer:
Ernesto Bitetti (Guitar)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: Philharmonia Orchestra Period: 20th Century Written: 1954; Spain |
Length: 2 Minutes 7 Secs. |
||||
| 58. |
Fantasía para un gentilhombre: 5th movement, Canario by Joaquin Rodrigo | ||||
|
Performer:
Ernesto Bitetti (Guitar)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: Philharmonia Orchestra Period: 20th Century Written: 1954; Spain |
Length: 5 Minutes 9 Secs. |
||||
| 59. |
Suite Andina: Aconquija by Agustín Barrios Mangoré | ||||
|
Performer:
Eliot Fisk (Guitar)
Period: 20th Century Written: 1923; Paraguay |
Length: 3 Minutes 25 Secs. |
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| 60. |
Las Abejas by Agustín Barrios Mangoré | ||||
|
Performer:
Eliot Fisk (Guitar)
Period: 20th Century Written: 1921; Paraguay |
Length: 1 Minutes 54 Secs. |
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| 61. |
Chôros no 1 for Guitar by Heitor Villa-Lobos | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1920; Brazil |
Length: 4 Minutes 54 Secs. |
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| 62. |
Etudes (12) for Guitar, W 235: no 1 in E minor by Heitor Villa-Lobos | ||||
|
Performer:
Oscar Ghiglia (Guitar)
Period: 20th Century Written: 1929; Paris, France |
Length: 2 Minutes 5 Secs. |
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| 63. |
Cueca by Agustín Barrios Mangoré | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: circa 1925; Paraguay |
Length: 3 Minutes 27 Secs. |
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| 64. |
La catedral by Agustín Barrios Mangoré | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1921; Paraguay |
Length: 6 Minutes 40 Secs. |
||||
| 65. |
Tristes (5) for Piano: no 4 by Julián Aguirre | ||||
|
Performer:
Eliot Fisk (Guitar)
Period: Romantic Written: Argentina |
Length: 2 Minutes 23 Secs. |
||||
| 66. |
Waltzes (6) for Guitar, Op. 8: no 4 in G major by Agustín Barrios Mangoré | ||||
|
Performer:
Dario Rossetti-Bonell (Guitar)
Period: 20th Century Written: 1923; Paraguay |
Length: 5 Minutes 1 Secs. |
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| 67. |
Mazurka apasionata by Agustín Barrios Mangoré | ||||
|
Performer:
Dario Rossetti-Bonell (Guitar)
Period: 20th Century Written: 1919; Paraguay |
Length: 6 Minutes 26 Secs. |
||||
| 68. |
Preludes (5) for Guitar, W 419: no 1 in E minor, Andante espressivo by Heitor Villa-Lobos | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: 20th Century Written: 1940; Brazil |
Length: 4 Minutes 46 Secs. |
||||
| 69. |
Preludes (5) for Guitar, W 419: no 3 in A minor, Arpeggins - Allegro moderato by Heitor Villa-Lobos | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: 20th Century Written: 1940; Brazil |
Length: 7 Minutes 29 Secs. |
||||
| 70. |
Preludes (5) for Guitar, W 419: no 5 in D major, Andantino by Heitor Villa-Lobos | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: 20th Century Written: 1940; Brazil |
Length: 3 Minutes 54 Secs. |
||||
| 71. |
Mexican Songs (3) by Manuel Ponce | ||||
|
Performer:
Eliot Fisk (Guitar)
Period: Romantic Written: Mexico |
Length: 5 Minutes 43 Secs. |
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| 72. |
Estrellita by Manuel Ponce | ||||
|
Performer:
Eliot Fisk (Guitar)
Period: 20th Century Written: 1912; Mexico |
Length: 3 Minutes 0 Secs. |
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| 73. |
La muerte del Angel by Astor Piazzolla | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1962; Argentina |
Length: 5 Minutes 7 Secs. |
||||
| Notes: Arranger: Leo Brouwer. | |||||
| 74. |
Suite venezolana for Guitar: no 2, Danza negra by Antonio Lauro | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: 20th Century Written: 1963; Argentina |
Length: 3 Minutes 45 Secs. |
||||
| 75. |
Suite venezolana for Guitar: no 4, Valse by Antonio Lauro | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: 20th Century Written: 1963; Argentina |
Length: 2 Minutes 59 Secs. |
||||
| 76. |
Valses (4) venezolanos for Guitar: no 3, Natalia/Criolla by Antonio Lauro | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: 20th Century Written: 1963; Venezuela |
Length: 2 Minutes 45 Secs. |
||||
| 77. |
Concerto for Guitar, Op. 67: Allegro by Malcolm Arnold | ||||
|
Performer:
Julian Bream (Guitar)
Conductor: Simon Rattle Orchestra/Ensemble: City of Birmingham Symphony Orchestra members Period: 20th Century Written: 1959; England |
Length: 6 Minutes 25 Secs. |
||||
| 78. |
Homenaje a la guitarra by Eduardo Sainz de la Maza | ||||
|
Performer:
Julian Byzantine (Guitar)
Period: 20th Century Written: Spain |
Length: 7 Minutes 19 Secs. |
||||
| 79. |
Penny Lane by Paul McCartney | ||||
|
Performer:
David Tannenbaum (Guitar),
Manuel Barrueco (Guitar)
Period: 20th Century Written: by 1967; England |
Length: 2 Minutes 8 Secs. |
||||
| Notes: Arranger: Leo Brouwer. | |||||
| 80. |
Concerto for Guitar: 3rd movement, Celebration by Elmer Bernstein | ||||
|
Performer:
Christopher Parkening (Guitar)
Conductor: Elmer Bernstein Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: USA |
Length: 4 Minutes 7 Secs. |
||||
| 81. |
Yesterday by Paul McCartney | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: by 1965; England |
Length: 3 Minutes 19 Secs. |
||||
| Notes: Arranger: Toru Takemitsu. | |||||
| 82. |
Bookends by Lou Harrison | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century |
Length: 2 Minutes 37 Secs. |
||||
| 83. |
Eleanor Rigby by Paul McCartney | ||||
|
Performer:
Manuel Barrueco (Guitar)
Conductor: Jeremy Lubbock Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: by 1966; England |
Length: 4 Minutes 51 Secs. |
||||
| Notes: Arranger: Leo Brouwer. | |||||
| 84. |
Köln Concert: Part IIc by Keith Jarrett | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century |
Length: 6 Minutes 12 Secs. |
||||
| Notes: Arranger: Manuel Barrueco. | |||||
| 85. |
Ojos brujos by Leo Brouwer | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1978; Cuba |
Length: 1 Minutes 47 Secs. |
||||
| 86. |
Guajira criolla by Leo Brouwer | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1972; Cuba |
Length: 2 Minutes 18 Secs. |
||||
| 87. |
Estudio sin luz by Andrés Segovia | ||||
|
Performer:
Ernesto Bitetti (Guitar)
Period: 20th Century Written: Spain |
Length: 3 Minutes 2 Secs. |
||||
| 88. |
Madroños by Federico Moreno-Torroba | ||||
|
Performer:
Angel Romero (Guitar)
Period: 20th Century Written: Spain |
Length: 2 Minutes 49 Secs. |
||||
| 89. |
Sonata for Guitar: 3rd movement, Bárbaro by Manuel Buenagu | ||||
|
Performer:
Ernesto Bitetti (Guitar)
Period: 20th Century |
Length: 3 Minutes 19 Secs. |
||||
| 90. |
Sonatina for Guitar in A major: 3rd movement, Allegretto by Federico Moreno-Torroba | ||||
|
Performer:
Ernesto Bitetti (Guitar)
Period: 20th Century Written: 1965; Spain |
Length: 4 Minutes 1 Secs. |
||||
| 91. |
Gymnopédies (3) for Piano: no 1, Lent et douloureux by Erik Satie | ||||
|
Performer:
Peter Laniau (Guitar)
Period: 20th Century Written: 1888; France |
Length: 3 Minutes 19 Secs. |
||||
| 92. |
Nocturnal after John Dowland, Op. 70 by Benjamin Britten | ||||
|
Performer:
Carlos Bonell (Guitar)
Period: 20th Century Written: 1963; England |
Length: 1 Minutes 29 Secs. |
||||
| 93. |
Bagatelles (5) for Guitar: no 4, Sempre espressivo by Sir William Walton | ||||
|
Performer:
Carlos Bonell (Guitar)
Period: 20th Century Written: 1972; England |
Length: 2 Minutes 11 Secs. |
||||
| 94. |
Suite compostelana: Cancion by Federico Mompou | ||||
|
Performer:
Oscar Ghiglia (Guitar)
Period: 20th Century Written: 1962; Spain |
Length: 3 Minutes 2 Secs. |
||||
| 95. |
Tarantella for Guitar, Op. 87b by Mario Castelnuovo-Tedesco | ||||
|
Performer:
Oscar Ghiglia (Guitar)
Period: 20th Century Written: 1936; Italy |
Length: 3 Minutes 56 Secs. |
||||
| 96. |
Homenaje a Tárrega for Guitar, Op. 69 by Joaquin Turina | ||||
|
Performer:
Ernesto Bitetti (Guitar)
Period: 20th Century Written: 1932; Spain |
Length: 4 Minutes 39 Secs. |
||||
| 97. |
Valses poéticos (9) for Guitar by Enrique Granados | ||||
|
Performer:
Dario Rossetti-Bonell (Guitar)
Period: Romantic |
Length: 8 Minutes 32 Secs. |
||||
| 98. |
Homenaje "Le tombeau de Claude Debussy" by Manuel de Falla | ||||
|
Performer:
Manuel Barrueco (Guitar)
Period: 20th Century Written: 1920; Spain |
Length: 2 Minutes 40 Secs. |
||||
| 99. |
Fantasía para un gentilhombre: 2nd movement, Españoleta by Joaquin Rodrigo | ||||
|
Performer:
Ernesto Bitetti (Guitar)
Conductor: Antoni Ros Marbà Orchestra/Ensemble: Philharmonia Orchestra Period: 20th Century Written: 1954; Spain |
Length: 8 Minutes 59 Secs. |
||||
| 100. |
Terpsichore: Suite in D major by Michael Praetorius | ||||
|
Performer:
Christopher Parkening (Guitar)
Period: Renaissance Written: by 1612; Germany |
Length: 5 Minutes 43 Secs. |
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