Notes and Editorial Reviews
Always well crafted, melodious and original, with an abundance of memorable themes and surprising turns of direction.
Finally Naxos turn once more to Ignaz Pleyel's symphonies - their first and only previous recording came out in the last century (8.554696)! The tracklist B numbers refer to Rita Benton's thematic catalogue of Pleyel's works, published in 1977. By her reckoning, there are 48 known symphonies by Pleyel - in the range B.121 to B.161, the oft-quoted figure of 41 omitting to count the likes of 131A, 131B, 147A - which makes his a significant contribution to the Classical symphony, all the more so considering the fact that he wrote them between the late 1770s and the turn of the 19th century, after which he
more or less gave up composing to concentrate on his substantial business empire. Forty-eight symphonies in twenty-five years might suggest a production-line mentality, but the Haydns, Mozart, the Stamitzes, Johann Vanhal, Josef Myslive?ek and several others frequently showed that imagination often kept pace with stamina. In any case, Pleyel had a life that was long enough to ensure that many of his symphonies were written in his maturity - Mozart's first thirty, by comparison, were composed while he was still a child.
True, Pleyel did not blaze any trails in his music, and he never hesitated to re-score and pick-'n'-mix his works to make money - the Flute Concerto, for example, appeared simultaneously in a version for clarinet and another for cello. Even so, his music was extremely popular in his lifetime above all because it was always well crafted, melodious and original, with an abundance of memorable themes and surprising turns of direction - all of which is exemplified by these substantial Haydn-flavoured Symphonies. Moreover, there is little evidence in the Flute Concerto that "after about 1792 his talent seems to have diminished; his inventiveness waned and he occasionally succumbed to routine procedures", as Rita Benton rather cavalierly writes in the New Grove.
Though little known and widely unpronounceable outside Finland, the Sinfonia Finlandia Jyväskylä is a very decent ensemble, with a vivid, robust, expressive sound, not to mention a mass of recordings to their credit, including many for Naxos under Gallois: they were splendid, for example, in a recent recording of Saint-Saëns' three Violin Concertos with Fanny Clamagirand. They are also versed in the demands of 18th century symphonic repertoire, having previously recorded three well-received volumes of Naxos's complete Haydn symphonies, also with Gallois, most recently volume 33.
Sound quality in this recording is pretty good. There is at least one editing join, in the G major Symphony, but it is unobtrusive and in general the production is creditable - for example, unless otherwise specified by the composer, it is always nice to have plenty of silence between movements. The flute is a little strident at times, being comparatively closely miked, and Gallois's gasping, though unavoidable, is more audible than it need be.
The booklet notes are by Pleyel expert Allan Badley, as informative and well written as could be hoped for. Hairstyle-wise at least, the big photo of Patrick Gallois seems to be a decade or two out of date, although as a Frenchman he probably has enough je-ne-sais-quoi to get away with it.
If Naxos insist on keeping music lovers waiting another decade for the next batch of Pleyel's Symphonies, the anxious listener could do much worse than turn to the two volumes of his String Quartets op.2 they released a few years ago - just as satisfying as the Symphonies. Incidentally, Pleyel's talent as a composer also rubbed off on his son Camille, a fine disc of whose piano music appeared last year on Gramola.
-- Byzantion, MusicWeb International
Works on This Recording
Symphony in B flat major, B 125 by Ignace Joseph Pleyel
Written: by 1784
Symphony in G major, B 130 by Ignace Joseph Pleyel
Concerto for Clarinet/Flute/Cello in C major, B 106 by Ignace Joseph Pleyel
Patrick Gallois (Flute)
Written: by 1797
Symphony in B flat major, Ben. 125: I. Allegro assai
Symphony in B flat major, Ben. 125: II. Andantino un poco allegro
Symphony in B flat major, Ben. 125: III. Minuetto
Symphony in B flat major, Ben. 125: IV. Finale: Allegro
Symphony in G major, Ben. 130: I. Allegro assai
Symphony in G major, Ben. 130: II. Andante
Symphony in G major, Ben. 130: III. Minuetto: Allegretto
Symphony in G major, Ben. 130: IV. Rondo: Presto
Flute Concerto in C major, Ben. 106: I. Allegro
Flute Concerto in C major, Ben. 106: II. Adagio
Flute Concerto in C major, Ben. 106: III. Rondo: Allegro molto
Average Customer Review: ( 2 Customer Reviews )
Excellent! August 5, 2012
By Henry S. (Springfield, VA) See All My Reviews
"This disk contains two delightful symphonies and a fine flute concerto by Ignaz Pleyel, a composer from the late classical period. The Finnish chamber orchestra which performs these works is a great ensemble, playing with delicacy and conviction. Pleyel may not rank up alongside Haydn and Mozart, but I don't think he's that far behind. Give this excellent recording a try- I don't think you'll be disappointed."
One of the greatest flute concertos every composed July 10, 2012
By Anthony G. (valley stream, NY) See All My Reviews
"This is a beguiling cd with music that will gratify the listener. The flute concerto at the end of the cd is among the top 5 flute concerti ever written in my estimation. "