The C major concerto is especially notable for its sprightly outer movements flanking an exquisite Adagio, sweetly sung by Hadelich, who plays it with an affecting inwardness and intensity of feeling. He's also well up to the brilliance of the A major concerto's solo part and the virtuoso touches that characterize the G major trio, with its use of dotted notes, double-stopping, and ornamentation. Here, as elsewhere in the program, Hadelich demonstrates a tonal sweetness in the high register that is instantly appealing. The only possible aspect of his performances that could engender dissent is the occasional use of a slow vibrato that put me in mind of a wobbly soprano.

Helmut Müller-Brühl and his modern-instrument Cologne Chamber Orchestra record frequently for Naxos, and this is one of their best Haydn outings, supporting the soloist with energy and style. The engineering also is well up to snuff, with admirable transparency in such episodes as the opening of the C major's Adagio movement, where the solo violin sings the melody over the strings' pizzicato accompaniment.

--Dan Davis, ClassicsToday.com