Notes and Editorial Reviews
Judging from this wonderfully varied and well-programmed recital, the 19th century operatic fantasy for violin is as alive and well in the 21st century as it was in the 20th. It's true that many works in this genre exist mainly to show off one's virtuosity, yet violinist Livia Sohn clearly has brains to go with her dazzling fingers. Take Stefan Frenkel's Threepenny Opera transcription, for example. In addition to Sohn's effortless negotiation of the Useless Song's pizzicato arpeggios, upon each repetition she inflects Mack the Knife's simple repeating melody with subtle variations that never sound different for the sake of being different. She imparts heartfelt musicality and dignity to Raff's
amusingly vapid Lohengrin transcription, and while she insouciantly tosses off Hubay's fluffy rewrite of Carmen's greatest hits, her phrasing always is informed by a vocal sensibility.
The range of color and dynamic shading she brings to Stephen Prutsman's 15-minute Der Rosenkavalier fantasia makes the violin writing seem more varied in mood and texture than it often is. Interestingly, the haunting vocal line and gorgeous orchestration of Desde mi ventana from Osvaldo Golijov's Ainadamar turns somewhat static when transcribed for violin and piano (actually two violins: Geoff Nuttall enters about two-thirds of the way into the work), although it's worth hearing for Sohn's slow, sustained lower-register work. In addition to providing colorful and sharply characterized accompaniments, Benjamin Loeb proves an effective transcriber in his own right as he skillfully transforms Bizet's famous Pearl Fishers duet for violin and viola. Naxos' excellent engineering and booklet notes seal my recommendation with a solid "10/10".
--Jed Distler, ClassicsToday.com
Works on This Recording
Ainadamar: Desde mi ventana by Osvaldo Golijov
Livia Sohn (Violin),
Benjamin Loeb (Piano),
Geoff Nuttall (Violin)
Period: 20th Century
Length: 7 Minutes 41 Secs.
Notes: Composition written: USA (By 2003).
Composition revised: By 2005.
Carmen, fantasie brillante, Op. 3, No. 3: Fantaisie brillante on Bizet's Carmen, Op. 3, No. 3
3 Duos, Op. 63: 3 Duos on themes from Wagner's operas, Op. 63: No. 3. Lohengrin
Mavra (arr. S. Dushkin): Mavra: Russian Maiden's Song, "Parasha's Aria" (arr. S. Dushkin for violin and piano)
Ainadamar: Desde mi ventana (From My Window) (arr. S. Prutsman): Ainadamar: Desde mi ventana (From My Window) (arr. for 2 violins and piano)
7 Stucke nach der Dreigroschenoper (arr. S. Frenkel): 7 Stucke nach der Dreigroschenoper: No. 1. Moritat vom Mackie Messer
Fantasy Extract on Themes from R. Strauss' Der Rosenkavalier
Introduction and Variations in A Major on Di tanti palpiti from Rossini's Tancredi, Op. 13, MS 77, "I palpiti" (version for violin and piano): Introduction and Variations on Di tanti palpiti from Rossini's Tancredi, Op. 13, MS 77, "I palpiti"
Les pecheurs de perles (The Pearl Fishers), Act I: Au fond du temple saint (arr. B. Loeb): Les pecheurs de perles (The Pearl Fishers), Act I: Au fond du temple saint (arr. for violin, viola and piano)
Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin and piano): Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin)
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