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Das Lochamer Liederbuch / Hummel, Lewon, Et Al


Release Date: 01/29/2008 
Label:  Naxos   Catalog #: 8557803   Spars Code: n/a 
Composer:  Anonymous
Performer:  Martin Hummel
Conductor:  Marc Lewon
Orchestra/Ensemble:  Dulce Melos Ensemble
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 11 Mins. 

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Notes and Editorial Reviews

An attractive sound-world is created in these inventive realisations of some fascinating music from fifteenth-century Nuremberg.

Now in Berlin, the manuscript known as The Lochamer Liederbuch is one of the most important surviving collections of music from fifteenth-century Germany. Probably produced in Nuremberg it takes its name from that of its first owner, Wolfgang [Wolflein] von Lochamer. Though as many as eleven different scribal hands have been identified, much of the collection seems to have been drafted by a single hand, which was perhaps that of Frater Judocus von Windsheim, who added his name to the manuscript in 1460. 92 pages in length, the Lochamer Liederbuch contains 81 musical items plus the treatise
Read more Fundamentum organisandi by Magister Conrad Paumann. Of the 81 musical items, 47 are vocal or instrumental songs, 3 are sacred contrafacta and 31 are compositions for keyboard. Of the 47 songs all but one have German texts – the exception being a setting of a Flemish text. An edition of the manuscript by F.W. Arnold and A. Bellermann was published in 1867, and there has been much musicological discussion of it since. A facsimile, prepared by K. Ameln, was first published in 1925, and later studies of particular interest include Walter Salmen’s Das Lochamer Liederbuch. Eine musikgeschichtliche Studie (1972).

This selection, on Naxos, gives listeners a ready opportunity to get to know some of the intriguing music which this famous manuscript contains. Purists will perhaps feel that Marc Lewon and his companions take quite a few liberties with the letter of the manuscript, but most listeners will surely enjoy the results.

Paumann, an organist and lutenist of some fame, was an influential teacher and his Fundamentum organisandi certainly values improvisation alongside notated composition. It is in such a spirit that Marc Lewon has approached the music with, for example, the use of improvided accompaniments to some of the song melodies, as in ‘Czart lip wie suss dein anfanck ist’, or the borrowing of appropriate materials from the Buxheimer Orgelbuch, which also shows the influence of Paumann, as in ‘Ein vroueleen edel von naturen’. Marc Lewon, in the booklet note, observes that “Judging from the way the instrumental part of the Lochamer Liederbuch is written it is assumed that these versions were arranged for a keyboard instrument”, but argues that since Paumann certainly “had command” of a number of other instruments “it can be taken as a starting-point that in the tablature a style is reflected that could be used generally for instrumental music of this period. On the basis of the instrumental versions and of the Fundamentum organisandi the members of the ensemble have undertaken the arrangement of the pieces for their instruments and the provision of some diminutions in the style of the Lochamer Liederbuch”. If you object to such procedures – or to the development of what is reasonably described as “discrete counterpoint” for some of the monophonic songs (such as ‘All mein gedencken dy ich hab’) – you will find this collection too liberally interpretative for your tastes.

For myself, I find the resulting sound-world, with its use of such instruments as the dulemelos and the hackbrett, attractive and well capable of sustaining interest and Martin Hummel makes a generally persuasive soloist. While I wouldn’t place this disc amongst the most compelling or inspiring recordings of the music of this period, it makes for rewarding listening.

-- Glyn Pursglove, MusicWeb International

Track listing:

Wach auf mein hort der leucht dort her [3:50]
Der winter will hin weichen [1:59]
Czart lip wie suss dein anfanck ist [1:01]
Verlangen thut mich krencken [2:52]
Mwein hercz in hohen frewden ist [2:19]
Möcht ich dein wegeren [2:48]
Do mit ein gut Jare / Der Summer [2:18]
Ach meyden dw vil sene pein [4:31]
Mit ganczem willen wünsch ich dir [3:03]
Mein trawt geselle vnd mein liebster hort [1:41]
Anauois [1:51]
Paumgartner [6:00]
Mein frewd möcht sich wol meren [2:38]
All mein gedencken dy ich hab [2:55]
Ich sach ein pild In plaber wat [1:35]
Ich spring an dosem ringe [2:44]
Es fur ein pawr gen holz [1:36]
Mir ist mein pfërd vernagellt gar [2:10]
Ein vrouleen edel von naturen [3:00]
Wilhelmus Legrant [2:08]
Ellend dw hast [2:47]
Er wallt hat sich entlawbet [3:44]
Ellend dw hast [1:46]
Des klaffers neyden [4:00]
Benedicitie almechtiger got [2:50]
Ich bin pey Ir [3:18]

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Works on This Recording

1. Lochamer Liederbuch: Ich spring an diesem ringe by Anonymous
Performer:  Martin Hummel (Baritone)
Conductor:  Marc Lewon
Orchestra/Ensemble:  Dulce Melos Ensemble
Period: Renaissance 
Written: Germany 
2. Lochamer Liederbuch: Song(s) by Anonymous
Performer:  Martin Hummel (Baritone)
Conductor:  Marc Lewon
Orchestra/Ensemble:  Dulce Melos Ensemble
Period: Renaissance 
Written: Germany 

Sound Samples

Wach auf mein hort der leucht dort her (Awake my treasure the dawn is here)
Der winter will hin weichen (The winter will have to yield)
Czart lip wie suss dein anfanck ist (Tender love how sweet is your beginning)
Verlangen thut mich krencken (Longing sickens me)
Mein hercz in hohen frewden ist (My heart rejoices greatly)
Mocht ich dein wegeren (Would I desire you)
Do mit ein gut Jare (With a Good Year) - Der Summer (The Summer)
Ach meyden dw vil sene pein (Alas separation, torment so full of yearning)
Mit ganczem Willem: Mit ganczem willen wunsch ich dir (With all my heart I wish you)
Mein trawt geselle vnd mein liebster hort (My trusted friend and my dearest treasure)
Anauois
Paumgartner
Mein frewd mocht sich wol meren (My joy could become greater)
All mein gedencken dy ich hab (All the thoughts I have)
Ich sach ein pild In plaber wat (I saw a figure dressed in blue)
Ich spring an diesem ringe (I dance in this roundel)
Es fur ein pawr gen holz (A peasant went to cut wood)
Mir ist mein pferd vernagellt gar (My horse has been shoed poorly)
Ein vrouleen edel von naturen (A girl noble in nature)
Wilhelmus Legrant
Ellend dw hast (Sadness you have): (version for hackbrett and viola d'arco)
Der wallt hat sich entlawbet: (The trees are now bare)
Ellend dw hast: (Sadness you have) (version for hackbrett and lute)
Des klaffers neyden (The slanderer's envy)
Benedicite almechtiger got (Blessing, Almighty God)
Ich bin pey Ir (I am with her)

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