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Neruda: Trio Sonatas And Bassoon Concerto / Azzolini, Parnassi Musici


Release Date: 09/30/2008 
Label:  Cpo   Catalog #: 777383   Spars Code: n/a 
Composer:  Johann Neruda
Performer:  Sergio Azzolini
Orchestra/Ensemble:  Parnassi musici
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 5 Mins. 

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Notes and Editorial Reviews



NERUDA Trio Sonatas: No. 2; No. 4; No. 5; No. 6. Bassoon Concerto in C Parnassi musici; Sergio Azzolini (bn) (period instruments) cpo 777 383 (64:47)


The enterprising label cpo continues to discover and record relatively obscure composers whose music is worth getting to know. They have once again struck gold with the music of Johann Georg Neruda. There is uncertainty about the year of Neruda’s birth; New Grove gives c. 1707, while cpo’s booklet states that Read more 1711 is definitely the year. He was born in Bohemia and educated at Prague. In 1741 he moved to Dresden, where he found employment in private orchestras of its nobility before successfully petitioning the king for a position as violinist in the court orchestra. Georg Pisendel, the leader of the court orchestra, apparently did not think highly of Neruda’s compositions, probably because Neruda favored the Italian style, which was not to Pisendel’s taste. Neruda composed sacred works, an opera, 18 symphonies, 14 concertos, and some trio sonatas before his death in Dresden around 1780.


Neruda’s music is immediately engaging. It is written in the gallant style, with its emphasis on pleasant and pretty music. Although it may be lacking in depth, it makes for highly enjoyable listening, just the thing to lift the spirits on a cold, gloomy winter’s day.


The period-instrument group Parnassi musici plays this engaging music to perfection. Tempos are not rushed, and the ensemble is dead-on. Sergio Azzolini, the soloist in the Bassoon Concerto, is also a member of the ensemble, and as might be expected, his work is equal to that of his colleagues. A slightly more distant microphone placement in the concerto might have been wise, however; we can hear Azzolini take a huge breath after the cadenza in the concerto.


The trio sonatas are probably first recordings; at any rate, there are no competing performances currently available. There is one other recording of the Bassoon Concerto on a Kleos disc, which also contains bassoon concertos by Mozart and Pichl. I have not heard it, and it does not appear to have been reviewed in Fanfare.


While I wouldn’t characterize this recording as an essential purchase, I have enjoyed it greatly, and I’m sure you would also.


FANFARE: Ron Salemi
Read less

Works on This Recording

1.
Trio Sonata no 4 in C major by Johann Neruda
Orchestra/Ensemble:  Parnassi musici
Period: Baroque 
2.
Trio Sonata no 5 in D minor by Johann Neruda
Orchestra/Ensemble:  Parnassi musici
Period: Baroque 
3.
Concerto for Bassoon, 2 Violins, Viola and Basso continuo in C major by Johann Neruda
Performer:  Sergio Azzolini (Bassoon)
Orchestra/Ensemble:  Parnassi musici
Period: Baroque 
Written: 18th Century; Germany 
4.
Trio Sonata no 6 in D major by Johann Neruda
Orchestra/Ensemble:  Parnassi musici
Period: Baroque 
5.
Trio Sonata no 2 in C minor by Johann Neruda
Orchestra/Ensemble:  Parnassi musici
Period: Baroque 

Sound Samples

Trio Sonata No. 4 in C major: I. Vivace
Trio Sonata No. 4 in C major: II. Andante
Trio Sonata No. 4 in C major: III. Tempo di minuetto
Trio Sonata No. 5 in D minor: I. Allegro moderato
Trio Sonata No. 5 in D minor: II. Adagio
Trio Sonata No. 5 in D minor: III. Allegretto
Bassoon Concerto: I. Spiritoso
Bassoon Concerto: II. Adagio
Bassoon Concerto: III. Tempo di menuet
Trio Sonata No. 6 in D major: I. Largo e cantabile
Trio Sonata No. 6 in D major: II. Allegro
Trio Sonata No. 6 in D major: III. Presto
Trio Sonata No. 2 in C minor: I. Allegretto
Trio Sonata No. 2 in C minor: II. Andante
Trio Sonata No. 2 in C minor: III. Presto

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