Notes and Editorial Reviews
REVIEWS:
International Record Review (6/00, pp.85-86) - "...The solo contributions of Susan Gritton are beyond question...She is on fine form here....This is very Anglican Bach. Smooth, deliberate and just a little old-fashioned. In short, very lovely music-making..."
REVIEWS:
International Record Review (6/00, pp.85-86) - "...The solo contributions of Susan Gritton are beyond question...She is on fine form here....This is very Anglican Bach. Smooth, deliberate and just a little old-fashioned. In short, very lovely music-making..." Read less
Works on This Recording
1.
Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer:
Ian Bostridge (Tenor),
Susan Gritton (Soprano),
Michael George (Bass)
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Academy of Ancient Music,
Cambridge King's College Choir
Period: Baroque
Written: 1731; Leipzig, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 25 Minutes 34 Secs.
Language: German
2.
Chorale Preludes (6) BWV 645-650 "Schübler": no 6, Kommst du nun, Jesu, BWV 650 by Johann Sebastian Bach
Performer:
Stephen Cleobury (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 3 Minutes 39 Secs.
3.
Jesus nahm zu sich die Zwölfe, BWV 22: no 5, Ertöt uns durch dein Güte, erweck uns durch dein Gnad by Johann Sebastian Bach
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Academy of Ancient Music,
Cambridge King's College Choir
Period: Baroque
Written: 1723; Cöthen, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 2 Minutes 21 Secs.
Language: German
4.
Magnificat in D major, BWV 243 by Johann Sebastian Bach
Performer:
Susan Gritton (Soprano),
Lisa Milne (Soprano),
Michael Chance (Countertenor),
Ian Bostridge (Tenor),
Michael George (Bass)
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Academy of Ancient Music,
Cambridge King's College Choir
Period: Baroque
Written: circa 1728-1731; Leipzig, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 25 Minutes 34 Secs.
Language: Latin
5.
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Academy of Ancient Music
Period: Baroque
Written: circa 1729-1731; Leipzig, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 3 Minutes 59 Secs.
6.
Lobet den Herrn, alle Heiden, BWV 230 by Johann Sebastian Bach
Performer:
Stephen Cleobury (Organ)
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Cambridge King's College Choir
Period: Baroque
Written: circa 1723-1729; Leipzig, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 6 Minutes 40 Secs.
Language: German
7.
O Jesulein süss, O Jesulein mild, BWV 493 by Johann Sebastian Bach
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Cambridge King's College Choir
Period: Baroque
Written: by 1736; Leipzig, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 1 Minutes 54 Secs.
Language: German
8.
In dulci jubilo, BWV 729 by Johann Sebastian Bach
Performer:
Stephen Cleobury (Organ)
Period: Baroque
Written: 1708-1717; ?Weimar, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 2 Minutes 36 Secs.
9.
Missa brevis in A major, BWV 234 by Johann Sebastian Bach
Performer:
Michael George (Bass),
Lisa Milne (Soprano),
Michael Chance (Countertenor),
Ian Bostridge (Tenor)
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Academy of Ancient Music,
Cambridge King's College Choir
Period: Baroque
Written: after 1735; Leipzig, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 2 Minutes 9 Secs.
Language: Latin
10.
Sanctus in C major, BWV 237 by Johann Sebastian Bach
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Academy of Ancient Music,
Cambridge King's College Choir
Period: Baroque
Written: 1723; Leipzig, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 1 Minutes 35 Secs.
Language: Latin
11.
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Academy of Ancient Music,
Cambridge King's College Choir
Period: Baroque
Written: 1723; Leipzig, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 3 Minutes 0 Secs.
Language: German
12.
Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Performer:
Ian Bostridge (Tenor),
Michael Chance (Countertenor),
Michael George (Bass)
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Academy of Ancient Music,
Cambridge King's College Choir
Period: Baroque
Written: 1714; Weimar, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 24 Minutes 27 Secs.
Language: German
13.
Liebster jesu, wir sind hier, BWV 373 by Johann Sebastian Bach
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Cambridge King's College Choir
Period: Baroque
Written: ?Leipzig, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 1 Minutes 36 Secs.
Language: German
14.
Nun danket alle Gott, BWV 386 by Johann Sebastian Bach
Conductor:
Stephen Cleobury
Orchestra/Ensemble:
Cambridge King's College Choir
Period: Baroque
Written: ?Leipzig, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 2 Minutes 27 Secs.
Language: German
15.
Prelude and Fugue in G major, BWV 541 by Johann Sebastian Bach
Performer:
Stephen Cleobury (Organ)
Period: Baroque
Written: 1708-1717; ?Weimar, Germany
Date of Recording: 01/2000
Venue: Chapel of King's College, Cambridge
Length: 7 Minutes 12 Secs.
Sound Samples
Wachet auf, ruft uns die Stimme BWV 140: Chorus: Wachet auf, ruft uns die Stimme
Wachet auf, ruft uns die Stimme BWV 140: Recitative: Er kommt, er kommt
Wachet auf, ruft uns die Stimme BWV 140: Duet: Wenn kömmst du, mein Heil?
Wachet auf, ruft uns die Stimme BWV 140: Chorale: Zion hört die Wächter singen
Wachet auf, ruft uns die Stimme BWV 140: Recitative: So geh herein zu mir
Wachet auf, ruft uns die Stimme BWV 140: Aria duetto: Mein Freund ist mein! (soprano/tenor/oboe)
Wachet auf, ruft uns die Stimme BWV 140: Chorale: Gloria sei dir gesungen
Kommst du nun, Jesu BWV650
Ertöt uns durch dein' Güte from Cantata No. 22, 'Jesus nahm zu sich die Zwölfe' BWV22
Magnificat in D BWV243: Magnificat
Magnificat in D BWV243: Et exultavit (soprano 2)
Magnificat in D BWV243: Quia respexit (soprano 1/Oboe)
Magnificat in D BWV243: Omnes generationes
Magnificat in D BWV243: Quia fecit mihi magna (Bass)
Magnificat in D BWV243: Et misericordia (countertenor/tenor)
Magnificat in D BWV243: Fecit potentiam
Magnificat in D BWV243: Deposuit potentes (tenor)
Magnificat in D BWV243: Esurientes (countertenor)
Magnificat in D BWV243: Suscepit Israel (Sopranos 1&2/countertenor)
Magnificat in D BWV243: Sicut locutus est
Magnificat in D BWV243: Gloria
Air from Suite No. 3 in D BWV 1068
Lobet den Herrn, alle Heiden BWV 230: Lobet denn Herrn, alle Heiden
Lobet den Herrn, alle Heiden BWV 230: Denn seine Gnade
Lobet den Herrn, alle Heiden BWV 230: Alleluja
Organ: In dulci jubilo BWV729
Missa brevis in A BWV 234: Kyrie
Missa brevis in A BWV 234: Christe (soprano 2/countertenor/tenor/bass)
Missa brevis in A BWV 234: Kyrie
Missa brevis in A BWV 234: Et in terra pax (flute soli)
Missa brevis in A BWV 234: Domine Deus (bass)
Missa brevis in A BWV 234: Qui tollis peccata mundi (soprano 2/flute soli)
Missa brevis in A BWV 234: Quoniam tu solus (countertenor)
Missa brevis in A BWV 234: Cum Sancto Spiritu
Jesus bleibet meine Freude BWV147.x
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Sinfonia
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Weinen, Klagen, Sorgen, Zagen
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Wir müssen durch viel Trübsal (countertenor)
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Kreuz und Krone sind verbunden
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Ich folge Christo nach (bass/Violin soli)
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Sei getreu, alle Pein (tenor/trumpet soli)
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Was Gott tut, das ist wohlgetan
Der Geist hilft unsrer Schwachheit auf BWV 226: Der Geist hilft unsrer Schwachheit auf
Der Geist hilft unsrer Schwachheit auf BWV 226: Der aber die Herzen forschet
Der Geist hilft unsrer Schwachheit auf BWV 226: Du heilige Brunst
Liebster Jesu, wir sind hier BWV 373
Prelude and Fugue in G BWV 541: Prelude
Prelude and Fugue in G BWV 541: Fugue
Nun danket alle Gott BWV 386
Customer Reviews
Be the first to review this title
Review This Title