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Notes and Editorial Reviews
Gianandrea Gavazzeni, cond; Carlo Bergonzi (
); Renata Scotto (
); Carlo Cava (
); Giuseppe Taddei (
); Renza Jotti (
OPERA D’ORO 7044 (2 CDs: 147:00
class="ARIAL12">Text and Translation) Live: Florence 1967
This is one of the most remarkable Donizetti productions of the 20th century. The previously released DVD of the same performance (taken live from a 1967 production) has already received acclaimed recognition for its professionalism, great singing, and utmost perfectionism. One wonders why Opera d’oro didn’t plan this release earlier.
Gaetano Donizetti was a very hard-working man, who didn’t simply write light-hearted entertaining operettas. He desired to belong among the greatest of his time, and if he could just have lived longer (he hardly reached the age of 51), he certainly would have.
This performance reflects all characteristics that a reference recording needs; the quality of the singing is superb: no cast has ever fit so well together as this one—all of these singers were in the prime of their career at the time. Carlo Bergonzi was praised for his reliable singing, his refined phrasing, and his remarkable musicality. His performance of Nemorino is one of the finest ever. Renata Scotto’s Adina is warm and round, except for some unstable notes in the high register. Together, they form the enchanting center of the opera, around which the rest of the cast constructs their story—an impressive and ever-reliable Giuseppe Taddei in the role of the soldier Belcore. Carlo Cava and Renza Jotti both sound extremely pleasing in the roles of Dulcamara and Giannetta.
The Orchestra of Maggio Musicale Fiorentino is led by a serious and inspired Gianandrea Gavazzeni—a conductor who understands his job very well. Together with a motivated, but clearly over-enthusiastic orchestra (at times the winds sound awfully out of tune), he leads them through all difficulties in the score.
Although the recording was taken from a live performance back in 1967, we still get a relatively clear and focused sound; all details are well preserved throughout the years. Unfortunately, this means that every false note in the winds hurts the ear, partly because of the unscrupulously dry acoustic.
Although we certainly have a great reference recording here, you may like the DVD production from the Vienna State Opera back in 2005. It was released on Virgin and sung by the versatile Rolando Villazòn, joined by the no less impressive Anna Netrebko. It’s a top-notch performance on all levels: great singing, inspired playing, and good sound. For those who look for the classics, try to find the Met production from 1992 with Pavarotti, Battle, and Levine on DG—an equally memorable performance.
FANFARE: Bart Verhaeghe Read less
Works on This Recording
L'Elisir d'Amore by Gaetano Donizetti
Carlo Bergonzi (Tenor),
Giuseppe Taddei (Baritone),
Renata Scotto (Soprano),
Carlo Cava (Bass)
Florence Maggio Musicale Orchestra,
Florence Maggio Musicale Chorus
Written: 1832; Italy
Date of Recording: 1967
Venue: Live Florence, Italy
L'Elisir d'Amore: Act One: Prelude & Bel conforto al mietitore
L'Elisir d'Amore: Act One: Quanto č bella, quanto č cara!
L'Elisir d'Amore: Act One: Benedette queste carte!
L'Elisir d'Amore: Act One: Come Paride vezzoso
L'Elisir d'Amore: Act One: Or se m'ami, com'io t'amo
L'Elisir d'Amore: Act One: Intanto, o mia ragazza
L'Elisir d'Amore: Act One: Una parola, o Adina? Chiedi all'aura lusinghiera
L'Elisir d'Amore: Act One: Che vuol dire cotesta suonata?
L'Elisir d'Amore: Act One: Udite, udite, o rustici
L'Elisir d'Amore: Act One: Ardir! Ha forse il cielo
L'Elisir d'Amore: Act One: Caro elisir! Sei mio!
L'Elisir d'Amore: Act One: La la la la
L'Elisir d'Amore: Act One: Tran, tran, tran, tran
L'Elisir d'Amore: Act One: Signor sargente, signor sargente
L'Elisir d'Amore: Act One: Adina, credimi, te ne scongiuro
L'Elisir d'Amore: Act One: Andiam, Belcore
L'Elisir d'Amore: Act Two: Cantiamo, cantiam, cantiam
L'Elisir d'Amore: Act Two: Poiché cantar vi alletta
L'Elisir d'Amore: Act Two: "La Nina gondoliera"
L'Elisir d'Amore: Act Two: Č qua il Notaro
L'Elisir d'Amore: Act Two: Le feste nuziali
L'Elisir d'Amore: Act Two: La donna č un animale
L'Elisir d'Amore: Act Two: Saria possibile?
L'Elisir d'Amore: Act Two: Dell'elisir mirabile
L'Elisir d'Amore: Act Two: Come sen va contento!
L'Elisir d'Amore: Act Two: Una furtiva lagrima
L'Elisir d'Amore: Act Two: Prendi. Prendi, per me sei libero
L'Elisir d'Amore: Act Two: Alto! Fronte! Che vedo?
L'Elisir d'Amore: Act Two: Ei corregge ogni difetto
Average Customer Review: ( 1 Customer Review )
A Delightful Elixer ! December 1, 2013
By Joseph Erdeljac (West Chester, PA) See All My Reviews
"In this delightful production Bergonzi and Scotto are well met. Bergonzi is in good form and adept in the role. Scotto is her wonderful self but just a bit strident at times which is par for the corse. Both seem into the roles and are well balanced by Taddei as Blcore and Cava as Dulcamara. This is one of Donizetti's most enjoyable light scores and is a joy to the ear."